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Authors: Connie Willis

Passage (94 page)

BOOK: Passage
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“Oh,” Kit said, disappointed. “Well, anyway, here are the names of the patients.” She started to hand the list to him and
then took it back. “And one of them . . . ” she ran her finger down the list, “mentioned fog. I thought that might be the source of her asking me if it had been foggy the night of the
Titanic.”
She found the name. “Maisie Nellis.”

Maisie.

“I think I know where Joanna went,” he said, starting for the door, and then stopped. He didn’t even know if Maisie was still in the hospital. “Hang on,” he said to Kit and picked up the phone and called the switchboard operator. “Do you have a Maisie Nellis listed as a patient?” he asked her.

“Yes—”

“Thanks,” he said and jammed the receiver down. “Come on, Kit,” he said.

He told her about Maisie on the way down to four-west. “She told me she’d seen fog in her NDE the first day I met her, and Joanna told me she saw fog in her second NDE, too.” They reached Peds.

The door to 422 was standing open. “Maisie?” he said, leaning in. The room was empty, the bed stripped, and folded sheets and a pillow at the foot of it. The tops of the nightstand and the bed table had been cleaned off, and the door to the closet stood open on emptiness.

She’s dead, he thought, and it was like Joanna all over again. Maisie’s dead, and I didn’t even know it was happening.

“Hi,” a woman’s voice said, and he turned around. It was Barbara. “I saw you go past and figured you were looking for Maisie,” she said. “She’s been moved. Up to CICU. She coded again, and this time there was quite a bit of damage. She’s been moved to the top of the transplant list.”

“The top of the list,” he said. “She gets the next available heart?”

“She gets the next available heart that’s the right size and the right blood type. Luckily Maisie’s Type A, so either a Type A or a Type O will work, but you know what a shortage of donors there is, particularly of children.”

“How long before a heart’s likely to become available?” Kit asked.

“There’s no way to tell,” Barbara said. “Hopefully, no more than a few weeks. Days would be better.”

“How’s her mother taking all this?” Richard asked.

Barbara stiffened. “Mrs. Nellis—” she started angrily and then stopped herself and said, “It’s possible to carry anything to extremes, even positive thinking.”

“Can Maisie have visitors?” Richard asked.

Barbara nodded. “She’s pretty weak, but I’m sure she’d love to see you. She asked about you the other day.”

“Do you know if Joanna was down here to see Maisie on the day she was killed?” he asked.

“I don’t know. I wasn’t on that day. I know she’d been down to see her or called her or something the day before because Maisie was all busy looking up something for her in her disaster books.”

“You don’t know what it was, do you?”

“No,” Barbara said. “Something about the
Titanic.
That was Maisie’s latest craze. Do you know how to get to CICU?” She gave them complicated instructions, which Richard jotted down for his map, and they started toward the elevator.

“Dr. Wright, wait,” Barbara said, hurrying after them. “There’s something you need to know. Maisie doesn’t—” she said, and then stopped.

“Maisie doesn’t what?”

She bit her lip. “Nothing. Forget it. I was just going to warn you she looks pretty bad. This last episode—” she stopped again.

“Then maybe I shouldn’t—”

“No. I think seeing you is just what she needs. She’ll be overjoyed.” But she wasn’t. Maisie lay wan and uninterested against her pillows, a daunting array of monitors and machines crowded around her, nearly filling the room. Her TV was on, and the remote lay on the bed close to her hand, but she wasn’t watching the screen, she was staring at the wall below it. Her breath came in short, shallow pants.

There were at least six bags hanging from the IV pole. The tubing ran down to her foot, and when he looked at her hand, he could see why. It looked like she had been in a fight, the whole back of it covered in overlapping purple and green and black bruises. A metal ID tag hung around her neck.

“Hi, Maisie,” Richard said, trying not to let any of the horror he felt into his voice. “Remember me? Dr. Wright?”

“Uh-huh,” she said, but there was no enthusiasm in her voice.

“I’ve got somebody I want you to meet,” he said. “Maisie, this is Kit. She’s a friend of mine.”

“Hi, Maisie,” Kit said.

“Hi,” Maisie said dully.

“I told Kit you’re an expert on disasters,” Richard said. He turned to Kit. “Maisie knows all about the
Hindenburg
and the Hartford circus fire and the Great Molasses Flood.”

“The Great Molasses Flood?” Kit said to Maisie. “What’s that?”

“A big flood,” Maisie said in that same flat, uninterested tone. “Of molasses.”

He wondered if this was what Barbara had started to warn him about. If it was, he could see why she had changed her mind. He would never have believed it, that Maisie, no matter how sick she was, could be reduced to this dull, passive state. No, not passive. Flattened.

“Did people die?” Kit was asking Maisie. “In the Great Molasses Flood?”

“People always die,” Maisie said. “That’s what a disaster is, people dying.”

“Dr. Wright told me you were friends with Dr. Lander,” Kit said.

“She came to see me sometimes,” Maisie said, and her eyes strayed to the TV.

“She was a friend of mine, too,” Kit said. “When was the last time Dr. Lander came to see you, Maisie?”

“I don’t remember,” Maisie said, her eyes on the screen.

“It’s important, Maisie,” Kit said, reaching for the remote. She clicked off the TV. “We think Dr. Lander found out something important, but we don’t know what. We’re trying to find out where she was and who she talked to—”

“Why don’t you write and ask her?” Maisie said.

“Write and ask her?” Richard said blankly.

Maisie looked at him. “Didn’t she leave you a forwarding address either?”

“A forwarding address?”

“When she moved to New Jersey.”

“Moved to—? Maisie, didn’t anybody tell you?” Richard blurted.

“Tell me what?” Maisie asked. She pushed herself to a sitting position. The line on her heart monitor began to spike. Richard looked appealingly across the bed at Kit.

“Something happened to Joanna, didn’t it?” Maisie said, her voice rising.
“Didn’t
it?”

Her mother, trying to protect her, had told her Joanna had moved away, had kept Barbara and the other nurses from telling her the truth. And now he had—Behind her head the line on her heart monitor was zigzagging sharply. What if he told her, and she went into V-fib from the shock of it? She had already coded twice.

“You
have
to tell me,” Maisie said, but that wasn’t true. The heart monitor was setting off alarms in the nurses’ station. In a minute a nurse would be down here to shoo them out, to quiet her down, and he wouldn’t have to be the one to tell her. “Please,” Maisie said, and Kit nodded at him.

“Joanna didn’t move away, Maisie,” he said gently. “She died.”

Maisie gaped at him, her mouth open, her eyes wide with shock, not even moving. Behind her on the screen of the monitor, the green line spiked, and then collapsed. I’ve done it, Richard thought. I’ve killed her.

“I
knew
it,” Maisie said. “That’s why she didn’t come to see me after I coded.” She smiled, a radiant smile. “I
knew
she wouldn’t just move away and not come and tell me good-bye,” she said happily. “I
knew
it.”


The executioner is, I believe, an expert, and

my neck is very slender. Oh, God, have pity on my soul, oh, God, have pity on my soul
 . . . ”

—A
NNE
B
OLEYN’S LAST WORDS, SPOKEN JUST BEFORE HER BEHEADING

J
OANNA TORE BACK
along the Promenade Deck. Let the wireless operator still be there, she prayed as she ran. Let him still be sending.

The slant of the deck had gotten worse while she was in the smoking room, and the ship had begun to list. She had to put her hand out to keep from falling against the windows as she ran. Don’t let the stairs be underwater, she thought, and then, There was a crew stairway near the aft staircase, and began trying doors.

Locked. The second one opened on a tangle of ropes that fell forward onto the deck. The next was locked. Where
is
it? she thought, yanking on the doorknob, and the door came abruptly open on a metal stairway.

It wasn’t the one she’d seen before. It was narrower, steeper, and the stairs were open, the rungs made of metal latticework. The other stairway had had doors on each deck, but this one was open. She could see, looking below her through the latticed steps, that it went all the way down. What if he’s down there? Joanna thought, her hand still gripping the doorknob.

Joanna looked back down the Promenade Deck. Greg Menotti was halfway down the deck, running hard, his arms and legs pumping. “You have to show me where the collapsibles are,” he shouted, and Joanna darted inside the stairway. The door swung shut with a click, and she fled up the steps, her feet clattering loudly on the metal stairs.

They tilted forward, so that her feet kept sliding backward off them. She needed to hang on to the metal railing, but she couldn’t. She looked down at her hands. She was carrying a cafeteria tray. You’ve carried it all the way up to Peds without
even knowing it, she thought, and tried to give it to the nurse with no hips, but she wasn’t in Peds, she was on the stairs, and Greg was coming. You have to let go of it, she thought, and dropped the tray, and it fell through the stairs, hitting the stairs below and falling again, down and down, deck after deck after deck.

Joanna grabbed on to the metal side railing with both hands. It was sharp, so sharp it cut into her palms, and wet. She looked up. Water was trickling down from somewhere above. It’s too late, Joanna thought, the railing cutting into her hands like a knife. It’s going down.

But Jack Phillips had continued sending to the very end, even after the bow was underwater, even after the captain had told him it was every man for himself. Joanna released her left hand from the railing and began climbing again, staggering a little with the awkward angle of the steps, hitting her hips against the
table, knocking her Kool-Aid over, her mother saying, “Oh
, Joanna,”
and reaching for the glass and a towel at the same time, soaking up the Kool-Aid, the towel turning red, redder, soaking through, and Vielle saying, “Hurry! The movie’s starting,” handing her the tub of popcorn, and Joanna feeling her way along the dark passage, unable to see anything, afraid the movie had already started, hoping it was only the coming attractions, seeing light ahead, flickering, golden, like a fire . . . 
she was on her knees, her fingers tangled in the metal latticework of the step above her.
No
, she thought, not yet, I have to send the message, and pulled herself to her feet. She started up the steps.

There was a sound, and she braced herself against going into the darkness, into the tunnel again. The sound came again from below, echoing, metallic. He’s on the stairs, Joanna thought. He’s coming up them. She looked down through the open steps, but it wasn’t him, it was Greg Menotti starting up the stairs.

Hurry, she thought, and scrambled up the last of the steps, through the door, and was out on the Boat Deck, running, past the air shaft, past the raised roof of the Grand Staircase. Behind her, a door slammed. Hurry, hurry, she thought, and raced past the empty lifeboat davits. The light was still on in the wireless room. She could see it under the door up ahead.
The wireless operator kept sending till the power failed, she thought, he kept—

The tail of her cardigan caught, yanking her backward. She fell awkwardly onto one knee. “Where are the—?” Greg demanded, and there was a sudden, deafening roar of steam. Smoke swirled around them, and she thought, Maybe I can escape in the fog, but when she tried, he grabbed for her wrist, his other hand clutching a fold of her cardigan.

He yanked her to her feet. “The collapsibles,” he shouted over the roar of the steam. “Where are they?”

“On top of the officers’ quarters,” Joanna said. She pointed with her pinioned hand in the direction of the bow. “Down there.”

He pushed her ahead of him, her wrist twisted behind her back. “Show me,” he said. He half-walked, half-shoved her past the funnel, past the wireless shack.

“I have to send a message,” Joanna said, her eyes on the light under the door of the wireless shack. “It’s important.”

“The important thing is getting off this ship before it goes down,” he said, pushing her forward.

He’s not real, Joanna thought, willing him to disappear. He’s a confabulation, a metaphor, a misfiring. I’ve invented him out of my own desperation to make sense of what’s happening, out of my own panic and denial. He isn’t really here. He died six weeks ago. He can’t do anything to anybody. But even though she squeezed her eyes shut and tried to see his lifeless body in the ER, his fingers still dug into her wrist, his hand still propelled her roughly forward, past the chart room to the officers’ quarters.

BOOK: Passage
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