Pattern Recognition (32 page)

Hello! Thank you for replying. I don’t really know what to say, but I’m happy you answered, and excited. You’re in Moscow? I am going to be in Moscow tomorrow, on business. My name is Cayce Pollard. I will be at The President Hotel, if you’d like to call me there. But you can also e-mail me. I hope you will. Regards, CayceP

Reviewing these on the iBook, when they’ve reached cruising altitude, she doesn’t want to think what she’ll feel like, tomorrow, or the next day, or the day after that, if she receives no reply to this last one. Which she supposes is a real possibility.

Russia. Russia serves Pepsi. She sips some.

Dorotea’s handler from Cyprus, who is also the registrant of
armaz.ru
. She wonders what other Russian elements may have come up on F:F:F, during consideration of the footage.

Slotting the F:F:F CD-ROM, which she still hasn’t had copied for Ivy, she goes to its search function.

What comes up, to her surprise, is a very early post of her own, well down a thread that begins with someone entertaining the possibility that the maker is an established cineast working in anonymous secrecy.

This doesn’t work for me. Not just because we can’t seem to agree on who, if that’s the case, it might be, but because it’s too obvious, too right in front of our noses. Why couldn’t it, say, be some Russian mafia kingpin, with a bent for self-expression, a previously undiscovered talent, and the wherewithal to generate and disseminate the footage? That’s deliberately farfetched, but it’s not utterly impossible. What I’m saying is that I don’t think we’re getting lateral enough, here.

She can barely remember posting this. She’s never been able to go back and reread her own posts, before, and it probably wouldn’t occur to her anyway. But now she reads on, following the thread to the end.

And sees that the next thread begins with what she now remembers had been Mama Anarchia’s first post.

Really it is entirely about story, though not in any sense that any of you seem familiar with. Do you know nothing of narratology? Where is Derridean “play” and excessiveness? Foucauldian limit-attitude? Lyotardian language-games? Lacanian Imaginaries? Where is the commitment to praxis, positioning Jamesonian nostalgia, and despair—as well as Habermasian fears of irrationalism—as panic discourses signaling the defeat of Enlightenment hegemony over cultural theory? But no: discourses on this site are hopelessly retrograde. Mama Anarchia

Well, Cayce thinks, Mama had gotten right down to it. And she had, Cayce notes, used the word “hegemony,” without which Parkaboy will not admit any Mama post as fully genuine. (For a full positive identification, though, he insists that they also contain the word “hermeneutics.”)

But Cayce Pollard Central Standard is saying it’s time to try to sleep, so she ejects the CD-ROM, shuts down and puts the iBook away, and closes her eyes.

And dreams of large men, strangers but somehow Donny-like, in her New York apartment. She is there too, but they can’t seem to see her, or hear her, and she wants them to get out.

IN
Sheremetevo-2, once past the uniform, very seventies beige of customs and immigration, there seems to be advertising on virtually every surface. There are at least four advertisements on the luggage cart she’s using, one Hertz and three others in Russian. As in Japan, she’s realized, she’s partially buffered by her inability to read the language. For which she’s grateful, as the density of commercial language here, in this airport at least, rivals Tokyo.

One sign she can read is above an ATM, and says
BANKOMAT
, which she decides is what ATMs would have been called in America if they had been invented in the fifties. She uses her own card, rather than Blue Ant’s, to obtain an initial supply of rubles, and pushes her cart out, finally, into her first breath of Russian air, heavily laden with yet another nationally specific flavor of petro-carbons. There’s a disorderly looking scrum of taxis, and she knows that her job now is to find what Magda had called an “official” one.

Which she shortly does, leaving Sheremetevo-2 in a landlord-green diesel Mercedes of a certain age, its dashboard sanctified by some sort of small Orthodox shrine atop an intricate white doily.

This huge, slightly grim eight-lane highway, she decides, consulting the
Lonely Planet Moscow
she’d bought at Heathrow, is Leningradskii Prospect, traffic solid either way, but moving right along. Huge muddy trucks, luxury cars, many buses, all changing lanes in a way that gives her little confidence, aside from which her driver seems to be simultaneously having a phone conversation via the headset screwed into one ear and listening to music from the CD-player earphones covering both. She gets the idea that the concept of lanes is a fluid one, here, as perhaps is attention to the road. Tries to concentrate on the grassy median, where wildflowers grow.

She glimpses smokestacks in the distance, and tall orange buildings, but the smokestacks, pouring white smoke, seem to rise from among those buildings in some unfamiliar way, suggesting alien or perhaps nonexistent concepts of zoning.

Billboards for computers, luxury goods, and electronics appear, increasing in number and variety as they approach the city. The sky, aside from the plumes of the smokestacks and a yellow-brown smudge of petro-carbons, is cloudless and blue.

Her first impression of Moscow itself is that everything is far larger than it could possibly have any need to be. Cyclopean Stalin-era buildings in burnt orange brick, their detailing vaguely maroonish. Built to humble, and terrify. But lampposts, fountains, plazas, all partake of this exaggerated scale.

As they cross the eight lanes of the traffic-packed Garden Ring, the high-urban factor goes up several notches, and the advertising thickens. Off to the right, she sees an enormous Art Nouveau train station, a survival from an earlier era still, but on a scale to dwarf London’s grandest. Then a McDonald’s, seemingly as large.

There are more trees than she’d expected, and as she begins to adjust to the scale of things, she notices smaller buildings, all remarkably ugly, which probably date from the sixties. If so, these are easily the
worst sixties buildings she’s ever seen, and visibly crumbling at the edges. Quite a few are being torn down, and indeed there is scaffolding everywhere, much renovation under way, and in what she guesses is Tverskaya Street the crowds are thick as the Children’s Crusade, but moving far more determinedly.

Huge advertising banners are slung across the street, and billboards top most buildings.

An incredible number of blue-and-white electric buses here, a vintage Dinky Toy blue that she’s never seen on a real vehicle before. A lot of them don’t seem to be going anywhere.

Her sole previous experience of the Soviet, or post-Soviet, had been a single evening in the former East Berlin, a few months after the Wall’s fall.

Back in her hotel, safely in the West, she’d come very close to weeping, appalled at the manifest cruelty, not to mention sheer boneheaded stupidity of what she’d seen, and had been moved to call Win in Tennessee.

“Those sons of bitches had been cooking their own books for so long, they didn’t even know it themselves,” he’d explained. The CIA, he’d said, had done an assessment of East German industry, just prior to the nation’s collapse, and had declared it the most viable industrial base in the Communist bloc. “That was because we were looking at their figures. Say a tire factory looked pretty good. Not up to our standards but better than Third World. Wall comes down, we go in there, whole factory’s clapped out. Half of it hasn’t been used for ten years. Worth its weight in scrap, basically. They were lying to themselves.”

“But they were so nasty to their own people,” she’d protested, “so petty. They only allowed two colors of paint, one dead gray and a brown that looked as much like shit as it’s possible for brown to look. A brown you can smell.”

“Not a lot of advertising to bother you, though, is there?”

She’d had to laugh. “Was it like that when you were in Moscow?”

“Certainly not. Germans doing communism? That even put the wind up the Russians. Like they saw the East Germans really believed in it, all of it. You could see they thought that was crazy.”

Her cab drives under a vast Prada logo. She resists the urge to cringe.

A few of the billboards, amazingly, are in that antique Socialist Realist style, flat reds and whites and grays overshot with the black of absolute authority.

And looking up at these, she sees, or thinks she sees, grinning unevenly down at her, the familiar and half-paralyzed face of Billy Prion.

THE
lobby of The President could easily accept a military review stand, with Lenin’s tomb fitting handily in a corner. Four small groupings of couches are arranged in a space half the size of a football field, a carpeted expanse across which Cayce, waiting out extended check-in formalities requiring the surrender of her passport, watches a young woman pace angrily back and forth, in thigh-high, high-heeled, emerald-green boots, boots suggesting the collaboration of Florentine glove makers with Frederick’s of Hollywood. This girl has the same improbable cheekbones as Damien’s line producer, their elegant angularity echoed in hipbones accentuated by a very tight, very short skirt, a sort of Miami-period Versace homage with appliquéd snakeskin hotrod flames accentuating each ass cheek.

It’s ten in the morning now, and Cayce knows that three girls in similar outfits are arguing, outside, in the hotel’s security corridor, with the four large, Kevlar-jacketed young men stationed there. Lobbying to be allowed in, Cayce decides, in order to join their impatient coworker.

When she tires of watching the green boots, which have a sort of fairy-tale quality against the autumnal palette of the lobby, she glances
instead through an English-language brochure on offer at the beige marble check-in counter. This explains the oranges and browns, as she sees the place had formerly been The Oktobryskaya. And is still, she gathers, reading between the lines, owned by the Kremlin.

HER
room, on the twelfth floor, is larger than she had expected, with a deep bay window offering a sweeping view of the Moscow River and the city beyond. On the far shore, a vast cathedral, and on its own little island a statue of quite unthinkable awfulness. Her Lonely Planet tells her it’s Peter the Great, and must be guarded, else local aesthetes blow it up. It looks like a champagne fountain rented from caterers for an old-fashioned working-class wedding.

She turns back to the room: more autumnal murkiness and a mud-dark bedspread. A nagging low-level dissonance, as though everything was designed by someone who’d been looking at a picture of a Western hotel room from the eighties, but without ever having seen even one example of the original. The bathroom is tiled in three shades of brown (though none, she’s thankful, East German) with a shower, a bathtub, a bidet and toilet, each with its own paper banner declaring it
DISINFEKTED
.

There is a sign on the desk inviting her to use her laptop from her room, or, if she prefers, to visit the
BISNIZ SENTR
in the lobby.

She gets out the iBook and cables it to the socket beside the desk. If what she remembers Pamela Mainwaring having said about her phone is right, that’ll probably work here, but she’s not sure. It’s already occurred to her that she hasn’t given the cell number to her latest and most mysterious correspondent, and she wonders if there isn’t something subconscious going on, there. The link is slow, but finally she gets to hotmail.

Two.

Parkaboy and stellanor.

She takes a deep breath, lets it out as slowly as she can.

You are in Zamoskvareche, it means across Moskow river from Kremlin, district of old apartments, churches. Hotel is on Bolshaya Yakimanka street, it means big Yakimanka. If you will follow Bolshaya Yakimanka toward Kremlin, see map I have made, you will cross Bolshoy Kamennii Most, means Big Stone Bridge, seeing Kremlin. Following marking on map to Caffeine, sign in Russian. Go in at 1700 today and please be seated beside fish so I will see you.

“Fish,” says Cayce.

Yeah well sure yes I do indeed want to know EVERYTHING and preferably yesterday but you are probably in the air and anyway that number you gave me has this really annoying English woman, who says the mobile customer is blah blah. But, anyway, I hear you. You know, I for one have never doubted that we would arrive at this day in history. Never. The maker lives. Maker is there. Has been. Waiting for us. But now I’m waiting for you, to tell me EVERYTHING. The only news I have is relatively pedestrian, though under the circumstances, what wouldn’t be? Two items. Judy is gone. Into the arms of love. Yesterday, so she’s already there. Got a cheap flight out of SeaTac. Gone to be with Taki. Darryl is ecstatic to be rid of her. I guess this is going to blow our cover with Taki, seeing as how she’s twice his idea of actual size and doesn’t speak Japanese, but on the other hand I think we were starting to lose Darryl. Now that there’s nobody there but him and his bowls of instant yakisoba, he seems to be getting back on track, and that’s where item two comes in. That T-thing Taki sent. Darryl got all hacker on that, with this buddy of his in Palo Alto who’s on a project to build a new kind of visually based search engine. Buddy has these bots that are CAD-CAM-based, look for things on the basis of how they’re shaped. Darryl got him to send two out, one to search for a section of map that would correspond to the streets on the T. That was the one they had high hopes for, but it came up zero. The other one was kind of an afterthought: find something shaped like this T-shaped thing. Well, they got a 100% match-up on 75% of Taki’s T. Except for the branch with the ragged edge, this looks exactly like one specific part in the manual arming mechanism of the US Army’s M18A1 Claymore mine, which is basically a wad of C4 explosive packed behind 700 steel balls. When the C4 goes off, the balls come out in a 60° pattern that expands to six feet; anything closer than 170 feet (with trees or foliage in the way, mileage may vary) is thereby made hamburger. Used for ambushes, remotely detonated. Looks sort of like an overweight but very compact satellite video-dish, rectangular and slightly concave. Don’t ask me: it’s what the bot brought home. Will you call me, please, NOW, and tell me EVERYTHING?