Philippa Gregory's Tudor Court 6-Book Boxed Set (282 page)

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Authors: Philippa Gregory

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BOOK: Philippa Gregory's Tudor Court 6-Book Boxed Set
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By the same author

The Cousins’ War

The Lady of the Rivers

The White Queen

The Red Queen

The Kingmaker’s Daughter

History

The Women of the Cousins’ War:

The Duchess, the Queen, and the King’s Mother

The Tudor Court Novels

The Constant Princess

The Other Boleyn Girl

The Boleyn Inheritance

The Queen’s Fool

The Virgin’s Lover

The Other Queen

Historical Novels

The Wise Woman

Fallen Skies

A Respectable Trade

Earthly Joys

Virgin Earth

The Wideacre Trilogy

Wideacre

The Favored Child

Meridon

TOUCHSTONE
Rockefeller Center
1230 Avenue of the Americas
New York, NY 10020
www.SimonandSchuster.com

This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 2004 by Philippa Gregory Limited
All rights reserved, including the right of reproduction in whole or in part in any form.

TOUCHSTONE and colophon are registered trademarks of Simon & Schuster, Inc.

Library of Congress Cataloging-in-Publication data is available.

ISBN-13: 978-1-4165-9397-3 (eBook)
ISBN-10: 1-4165-9397-7

Contents

Chapter 1: Autumn 1558

Chapter 2: One Year Earlier: Summer 1557

Chapter 3: Winter 1558

Chapter 4: Summer 1558

Chapter 5: Autumn 1558

Chapter 6: Winter 1558–59

Chapter 7: Spring 1559

Chapter 8: Summer 1559

Chapter 9: Autumn 1559

Chapter 10: Winter 1559-60

Chapter 11: Spring 1560

Chapter 12: Summer 1560

Author’s Note

Reading Group Guide

For Anthony

Autumn 1558

A
LL THE BELLS
in Norfolk were ringing for Elizabeth, pounding the peal into Amy’s head, first the treble bell screaming out like a mad woman, and then the whole agonizing, jangling sob till the great bell boomed a warning that the whole discordant carillon was about to shriek out again. She pulled the pillow over her head to shut out the sound, and yet still it went on, until the rooks abandoned their nests and went streaming into the skies, tossing and turning in the wind like a banner of ill omen, and the bats left the belfry like a plume of black smoke as if to say that the world was upside down now, and day should be forever night.

Amy did not need to ask what the racket was for; she already knew. At last, poor sick Queen Mary had died, and Princess Elizabeth was the uncontested heir. Praise be. Everyone in England should rejoice. The Protestant princess had come to the throne and would be England’s queen. All over the country people would be ringing bells for joy, striking kegs of ale, dancing in the streets, and throwing open prison doors. The English had their Elizabeth at last, and the fear-filled days of Mary Tudor could be forgotten. Everyone in England was celebrating.

Everyone but Amy.

The peals, pounding Amy into wakefulness, did not bring her to joy. Amy, alone in all of England, could not celebrate Elizabeth’s upward leap to the throne. The chimes did not even sound on key, they sounded like the beat of jealousy, the scream of rage, the sobbing shout of a deserted woman.

“God strike her dead,” she swore into her pillow as her head rang with the pound of Elizabeth’s bells. “God strike her down in her youth and her pride and her beauty. God blast her looks, and thin her hair, and rot her teeth, and let her die lonely and alone. Deserted, like me.”

*  *  *

Amy had no word from her absent husband: she did not expect one. Another day went by and then it was a week. Amy guessed that he would have ridden at breakneck pace to Hatfield Palace from London at the first news that Queen Mary was dead. He would have been the first, as he had planned, the very first to kneel before the princess and tell her she was queen.

Amy guessed that Elizabeth would already have a speech prepared, some practiced pose to strike, and for his part Robert would already have his reward in mind. Perhaps even now he was celebrating his own rise to greatness as the princess celebrated hers. Amy, walking down to the river to fetch in the cows for milking because the lad was sick and they were shorthanded at Stanfield Hall, her family’s farm, stopped to stare at the brown leaves unraveling from an oak tree and whirling like a snowstorm, southwest to Hatfield where her husband had blown, like the wind itself, to Elizabeth.

She knew that she should be glad that a queen had come to the throne who would favor him. She knew she should be glad for her family, whose wealth and position would rise with Robert’s. She knew that she should be glad to be Lady Dudley once more: restored to her lands, given a place at court, perhaps even made a countess.

But she was not. She would rather have had him at her side as an attainted traitor, with her in the drudgery of the day and in the warm silence of the night; anything rather than ennobled as the handsome favorite at another woman’s court. She knew from this that she was a jealous wife; and jealousy was a sin in the eyes of God.

She put her head down and trudged on to the meadows where the cows grazed on the thin grass, churning up sepia earth and flints beneath their clumsy hooves.

How could we end up like this?
she whispered to the stormy sky piling up a brooding castle of clouds over Norfolk.
Since I love him so much, and since he loves me? Since there is no one for us but each other? How could he leave me to struggle here, and dash off to her? How could it start so well, in such wealth and glory as it did, and end in hardship and loneliness like this?

One Year Earlier: Summer 1557

I
N HIS DREAM
he saw once again the rough floorboards of the empty room, the sandstone mantelpiece over the big fireplace with their names carved into it, and the leaded window, set high in the stone wall. By dragging the big refectory table over to the window, climbing up, and craning their necks to look downward, the five young men could see the green below where their father came slowly out to the scaffold and mounted the steps.

He was accompanied by a priest of the newly restored Roman Catholic church; he had repented of his sins and recanted his principles. He had begged for forgiveness and slavishly apologized. He had thrown away all fidelity for the chance of forgiveness, and by the anxious turning of his head as he searched the faces of the small crowd, he was hoping for the arrival of his pardon at this late, this theatrical moment.

He had every reason to hope. The new monarch was a Tudor and the Tudors knew the power of appearances. She was devout, and surely would not reject a contrite heart. But more than anything else, she was a woman, a soft-hearted, thick-headed woman. She would never have the courage to take the decision to execute such a great man, she would never have the stamina to hold to her decision.

“Stand up, Father,” Robert urged him silently. “The pardon must come at any moment; don’t lower yourself by looking for it.”

The door behind Robert opened, and a jailer came in and laughed raucously to see the five young men up at the window, shading their eyes against the brilliant midsummer sun. “Don’t jump,” he said. “Don’t rob the axeman, bonny lads. It’ll be you four next, and the pretty maid.”

“I will remember you for this, after our pardons have come, and we are released,” Robert promised him, and turned his attention back to the green. The jailer checked the thick bars on the window and saw that the men had nothing that could break the glass, and then went out, still chuckling, and locked the door.

Below on the scaffold, the priest stepped up to the condemned man, and read him prayers from his Latin Bible. Robert noticed how the wind caught the rich vestments and made them billow like the sails of an invading Armada. Abruptly, the priest finished, held up a crucifix for the man to kiss, and stepped back.

Robert found he was suddenly cold, chilled to ice by the glass of the window where he was resting his forehead and the palms of his hands, as if the warmth of his body was bleeding out of him, sucked out by the scene below. On the scaffold, his father knelt humbly before the block. The axeman stepped forward and tied the blindfold over his eyes; he spoke to him. The prisoner turned his bound head to reply. Then, dreadfully, it seemed as if that movement had disoriented him. He had taken his hands from the executioner’s block, and he could not find it again. He started to feel for it, hands outstretched. The executioner had turned to pick up his axe, and when he turned back, his prisoner was near to falling, scrabbling about.

Alarmed, the hooded executioner shouted at the struggling prisoner, and the prisoner plucked at the bandage over his eyes, calling that he was not ready, that he could not find the block, that the axe must wait for him.

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