Plum Blossoms in Paris

BOOK: Plum Blossoms in Paris
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TABLE OF CONTENTS

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Epilogue

a speciaL EXCERPT

Q
uickly, I scout the long promenade below. There are masses of humanity down there, and too many wear brown. Yet instantly I spot him, brown hair and blazer, pulling away from me. Perhaps it is the fact that he moves purposefully, while the others linger. My heart is squeezed by the idea that I will lose him. He is already near the exit, his steady stride stretching the distance between us like a rubber band about to snap. Damn his speed. Must he be that anxious to leave, knowing he’s left me behind? My foolish expectations winter with the chill at his back, and I start to wilt. There, he’s gone. My grip on the rail slackens, and I go limp.

“Promise me you will not jump.”

The shock of him, standing at my elbow and wearing a crooked smile. I immediately start to hiccup.

“Your jacket”—
hic
—“is gray!”

“Your eyes are blue.”

The French, of course, are famous for their seductive powers. One should really keep her guard up around them. He didn’t, after all, admit that my eyes are a pretty shade of blue, or some variation on the theme. It doesn’t matter. He could have said my eyes were the color of dried cement, and the same giddy glee would have throbbed through my bones. It is the look, not so much the words. And that look is international.

“I am Mathieu,” he says, extending his hand. He moves toward me but stops. I can tell he’s not sure about the cheek kissing—that I, as an American, might think it too forward. This consideration touches me, even as I lament the absence of those lips upon my ready cheek.

“Daisy,” I say, looking down.

I take his hand, waiting for a muffled guffaw, an ironical smile. But his hand is warm, and he presses mine lightly, letting it linger.

“Daisy, would you like to share a cup of coffee with me?”

Surprised, I look up. Our hands are still clasped, each reluctant to let go. He gestures toward the café behind us.

And that is when I start loving Paris.

Accolades for
PLUM BLOSSOMS IN PARIS
by Sarah Hina


Plum Blossoms in Paris
is a feast for the senses, filled with all the magic of Paris, and everything else a reader could want—heartache, adventure, romance, lost art treasure and enough surprises to keep the pages turning. A true vacation for the mind—and the heart. I loved every moment of it.”

—Susan Wiggs (December 2009)

“When a spunky American and a charming Frenchman, both fleeing painful pasts, collide in Paris, a headlong romance is inevitable. But what’s a girl to do next? In
Plum Blossoms in Paris
, author Sarah Hina serves up a delicious, intricate, up-and-down love story seasoned with generous dollops of passion, philosophy, and wry humor.”

—Noelle Sickels, author of The Medium, Walking West, and The Shopkeeper’s Wife

DEDICATION

For Paul

Published 2010 by Medallion Press, Inc.

The MEDALLION PRESS LOGO
is a registered trademark of Medallion Press, Inc.

If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment from this “stripped book.”

Copyright © 2010 by Sarah Hina
Cover design by Arturo Delgado
Edited by Helen A Rosburg

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher, except where permitted by law.

Names, characters, places, and incidents are the products of the author’s imagination or are used fictionally. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Typeset in Adobe Garamond Pro
Printed in the United States of America

ISBN: 978-160542126-1

10 9 8 7 6 5 4 3 2 1
First Edition

ACKNOWLEDGMENTS

I am deeply indebted to my agent, Jeffery McGraw, of The August Agency, for his tenacity, his handholding, and his knowledge and passion for good and smart books. His colleague, Cricket Freeman, also provided excellent support and guidance. I am very grateful to the editorial team at Medallion Press, including Helen A Rosburg, Emily Steele, and Lorie Popp, as well as Ramona Tucker, for their friendly professionalism and tireless efforts to make the novel shine. I also want to thank Christy Phillippe, who acquired the book for Medallion, Arturo Delgado, for his lovely cover art, and James Tampa, Medallion’s director of art and production.

My friendship with Jason and Aine Evans was invaluable during the rewriting process, and I will always be grateful for their help and enthusiasm. I’d also like to express my appreciation for Courtney and Tony Xenos, two friends who have shared in the joys of this journey and made my life fuller. All of my blogging buddies (you know who you are) deserve big hugs and smiley-faced emoticons.

I am happy to thank my mom, Judy Harmon, for giving me her unconditional love and support, and my dad, Bill, who provided me with an early love of literature and the discipline to follow through on my dreams. My siblings, Katherine and John, are equally important in my path, and I thank them for their great examples and cheerleading. My wonderful children, Caroline and Alex, have been very patient with Mom’s computer addiction, and I love them for that, and much more.

Lastly, I would like to single out my husband, Paul, without whom this book would not have been written. You’ve given me Paris, and so much more. From my heart, I thank you.

In Paris, everybody is an actor; nobody is content to be a spectator
.
—Jean Cocteau

Nowhere is one more alone than in Paris … and yet surrounded by crowds. Nowhere is one more likely to incur greater ridicule. And no visit is more essential.
—Marguerite Duras

You know what they call a Quarter Pounder with cheese in Paris? They got the metric system. They wouldn’t know what the fuck a Quarter Pounder is. They call it “royale with cheese.”
—Jules to Vincent in Pulp Fiction

Chapter
1

W
hen he told me he no longer loved me, I fell to my knees. I know. Even I was conscious of caving to melodrama as I collapsed toward the pea-puke, paisley carpet.

I offered my forehead like a fallen prayer to the floor, and when my new roommate, smiley Selena, came in, that’s where she found me—nose to spit, prostrate with misery. She took the scene in, and since we never had much to say to one another (her bumper sticker cheeps,
Abstinence Rocks!)
, she just as efficiently turned to leave. I never appreciated anyone’s callousness so much in all my life.

Where was the mysterious lover, the dumper, in all of this? Five hundred miles away, numbing his nerves with alcohol—or so I want to believe. He could have been taking a nap, jacking off, or studying for a test. It was not within my power to know. I should have mentioned, from the start, that he was a slippery, sucker-punching coward. He broke up with me, in spite of a six-year relationship, by e-mail. A nice, clean channel of cyberspace, where messy conflict does not compute. He apologized for this, of course.

    I know I should tell you this myself, but I’m afraid the sound of your voice might prevent me from speaking the absolute truth. I know you would only want me to be honest; I respect you too much for anything less.

    I felt very respected by that chummy, conjugal semicolon. So
respected
, I nearly vomited on Selena’s pile of
Cosmopolitans
stacked neatly against the couch.

After a moment, or a lifetime, I looked up. My laptop blinked sanguinely at me from the coffee table. The mouse was grimed up with powdered cheese from the chips I still tasted. There were other artifacts of a familiar life—my favorite coffee mug
(Naturally Selected to be
Awesome!), a worn
Neuroscience
textbook, a framed picture of Irene and me swooning for Bono, and the latest untouched offering from my father—W. Somerset Maugham’s
A Razor’s Edge
. But I mostly just saw Andy’s words. In brutal black and white.

I felt assaulted. But, if I’m honest, also the faintest exultation. My body, unaccustomed to anything but the paperwork of living, flickered to life. My stomach bubbled. Senses sharpened. I was conscious of the smallness of my hands braced, like bird’s feet, across the carpet, as my lungs tugged for more oxygen. The room’s molecules swirled in a chaotic dance while the faint scent of chemicals floated off my lab jacket and scratched at my nose.

None of it could save me. Destruction can be the spark for a rebirth by fire, but I knew that all my body’s heightened defenses couldn’t keep me from just feeling burned. Not reborn.

Yet something
was
different. Andy didn’t love me anymore.

He was my high school sweetheart, even if the preciousness of that term seemed all wrong for us. We were brainy, self-absorbed, and, okay, innocent of the world’s demands when we started datingat sixteen. He read all of my haikus in
The Spartan Pen
and never quite laughed. I went to all of his basketball games and never quite slept. We were nearly as ambitious for our relationship as we were for THE FUTURE. We both enrolled at Ohio State because he couldn’t afford Princeton, and we shook our heads over lesser high school couples who splintered within one year of college. After he was bounced into Harvard Medical School from the waiting list, I settled for Case Western Reserve University’s Neuroscience Program and shot him off to Cambridge with a smile and all the goodwill I could afford. I swallowed my pride, though it choked a little. We suffered through one year apart, and though we were too busy to spend any substantial part of the summer together, I was confident we were happy and satisfied. I felt settled. Thoughts of a ring had drifted through my head lately—a sweet tonic to the institutional boredom of lab work. But I didn’t allow myself to linger over those daydreams. I wasn’t going to be a girl about it.

BOOK: Plum Blossoms in Paris
2.01Mb size Format: txt, pdf, ePub
ads

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