Portrait in Death (38 page)

Not too close, she mused. He'd be careful about picking his transpo from a port right next door. But close enough so he could watch it, see the deals being made, the operation. Scope it out, choose his mark.

Yeah, the nice gray van driven by the old lady. Runs like a top, no special features. Blends. Plenty of space if things start going south and he has to muscle his mark into the back.

"He lives here," Eve said. "Not his work space. He sees the van go out on Sundays. He watches the port at night to see how the deals go through. He lives around here, keeps to himself, doesn't bother his neighbors. Low profile. Blends, just like his vehicle of choice."

She climbed back in her unit and prayed the climate control would hold back the heat while she worked. "Start running the buildings for residents. I want single males first."

"Which buildings?"

"All of them. The whole block."

"Going to take some time."

"Then you'd better get started." Eve scanned the buildings a block west, and zeroed in on the upper floors. Guy with image equipment probably had some nice long-range lenses, she speculated.

Using her 'link, she began a run of her own.

Chapter 20

Nothing popped for her, and when the climate control began to waffle, she ignored it and kept working. Ugly clouds rolled in, shooting the street into a sludgy gloom. Fat, mean splats of rain began to pound the windshield, heralded by a long growl of thunder.

"Storm looks nasty." Peabody mopped at the back of her neck and shot a glance at her lieutenant's profile. There was a light dew of sweat on Eve's face, but it could have been the result of that vicious concentration as much as the heat. "Maybe it'll cool things off."

"We'll just have wet heat. Fucking August." But she said it absently, almost affectionately. "He's here, Peabody, but where's his bolt-hole? Someplace nice and safe, where everything's tidy, everything's in its place.

"Pictures," she muttered, staring through the rain-washed window into the gloom. "Images tacked up all over the walls. He needs to see his work. Judge it, admire it, critique it. His work is his life. His work is life."

"Matted and framed."

"What?"

"Not tacked up," Peabody said. "Matted and framed. He'd want the best of it well presented, right?"

With a considering frown, Eve turned her head. "Good. That's damn good. Matted and framed. Where does he get the material? Local? Online? He'd want good stuff, wouldn't he? The best he could afford. Lots of frames. Probably unified. He's got a specific style, so he'd want them framed in a specific style. Get me the top ten outlets in the city to start."

"Yes, sir. Where are we going?" she asked as Eve pulled away from the curb.

"Home office. Better equipment."

"Woo-hoo. Sorry." But Peabody didn't bother to suppress the grin. "Better food, too. Jesus." She jumped when lightning lashed through the sky. "Serious stuff. Did you ever hide under the covers during a storm when you were a kid and count the seconds between the flash and boom?"

She'd been lucky if she'd had covers as a kid, Eve thought. And storms weren't the scary part of her life. "No."

"We did. I still do sometimes-habit. Like..." She watched the next flash and began to count out loud. "One, two, three. Pow." She gave a quick shudder at the boom. "Pretty close."

"If you hear it, it's not close enough to worry about. Outlets, Peabody."

"Sorry, coming up. I got three uptown, one midtown, two in Soho, one Tribeca-"

"Cull it to ones near the parking port or the universities. Five-block radius." While Peabody worked, Eve followed the next hunch and called Portography. "Give me Hastings."

"He's in session," Lucia said primly, and with a dislike not quite veiled. "I'd be happy to take a message."

"He gets out of session, or I come in and pull him out of session. Choose."

Lucia scowled, but switched the 'link to Hold where Eve was treated to shifting images of Hastings's work and a musical accompaniment. He came on looking sweaty and red-faced.

"What? What? Do I have to murder you in your sleep?"

"Dumbass thing to say to a cop, pal. Where do you get your frames?"

"What? What?"

"Stop saying that. Frames? Where do you get the frames for your photographs. Your personal work?"

"How the hell do I know? Freaking hell. Don't we carry them downstairs? Lucia! Don't we carry fricking frames downstairs?"

"You know, Hastings, I'm starting to like you. Do you use the fricking frames you carry downstairs for your work in the gallery?"

"I don't know. I don't know." If he'd had hair, Eve was sure he'd have been pulling it out. "If I find out, will you leave me the hell alone?"

"I might."

"I'll get back to you," he snapped, and rudely shut off.

"Yeah, I like him."

She was driving through the gates when he buzzed her back.

"We got all kinds of fricking frames. We're lousy with them. We don't carry what I use because, Lucia tells me, then everybody'd use them and they'd no longer be unique or some happy horseshit. I get them from goddamn Helsinki."

"Helsinki," Eve repeated, amazed.

"Clean, simple, Scandinavian." His mouth twisted in a rare smile. "Asinine, but there you go. Special order from some place called Kehys. Means Framework. Har de har. That it?"

"Yeah, for now."

"Good." He cut her off again.

"Man after my own heart. Peabody?"

"Already on it. Data on Kehys coming through."

"Follow it up."

"Me, sir?"

"It's your line. Tug it." With this, Eve rolled out of the car and made a beeline for the house.

She shook herself like a wet dog when she hit the foyer, started to strip off the jacket that had gotten soaked on the short run. And the voice, like God's coldest wrath, rolled down the pristine hall.

"Stop that immediately! This is a home, not a bathhouse."

With her jacket dripping in her hand, she watched Summerset come forward. He used a cane, and limped rather heavily, but his face was set in its usual pruney and disapproving lines. He carried towels over his arm.

"If you're able to walk on those ugly sticks you call legs, why are you still in my universe?"

He handed her a towel, then adroitly snatched the jacket from her. "I will be leaving on my postponed holiday in the morning. Meanwhile, you're making a puddle on the floor."

"Meanwhile you're making a buzzing in my ears." She turned toward the stairs just as Peabody rushed in.

"Summerset!" The delight in her voice had Eve rolling her eyes heavenward. "Hey, it's great to see you up and around. How're you feeling?"

"Quite well all in all, thank you." He offered her a towel. "Your uniform's damp, Officer. I'd be happy to get you something dry to wear and have your uniform laundered."

"I'd really appreciate that." She broke off at the sound Eve made-a kind of guttural snarl. "I'll be in her office," Peabody whispered, then jogged up the stairs behind Eve. "It is damp," she began. "I could catch a chill or something. Don't want to get sick during an investigation, especially when I'm studying like mad during my off time."

"Did I say anything?"

"Oh yeah. You said plenty."

Eve merely sent Peabody a long, bland stare that made the hair on the back of her aide's neck stand at attention. "I'm going to change into something nice and comfy and dry."

She veered off and strode into the bedroom.

Just for spite, she let her wet clothes fall into a soggy pile. That would burn his bony ass, she thought. She dragged on a T-shirt, jeans, strapped her weapon back into place, and considered herself done.

To give Peabody extra time, she headed into Roarke's office rather than her own.

When he glanced up, when he smiled, she felt a number of the rocky areas of her life go smooth again.

"Hello, Lieutenant."

"Hello, civilian." Maybe she could take just a minute of extra time herself. She walked around his console, leaned down, and caught his face in her hands, pressed her mouth to his.

"Well then," he remarked, and started to yank her onto his lap.

"Uh-uh, that's all you get."

"So, you just came in to torture and torment me?"

"There you go. What have you got for me?"

"A very crude answer to that question springs to mind, but I take it you're referring to my little homework assignment rather than my-"

"Affirmative." But relieved, she sat on the edge of his console to face him. It was good to see the tension gone from his face, from the set of his shoulders. "I've got Peabody working an angle, one she came up with. I've just spent a good hour stewing over one of my own without getting a bump."

"I don't know how much I can add to that. Though spreading the grease around, per your request, has netted me a few names, none fit your profile."

"Maybe I'm off." She pushed away from the console, paced over to the window to stare out at the storm. "I've been off since the get-go on this."

"If you have, I'll take the blame for it."

"You don't live inside my brain."

Don't I? he wondered. "I haven't been any help to you."

"Funny," she said without turning. "I managed to be a pretty good cop for a full decade before you came waltzing along."

"I don't believe I waltzed along. And I've no doubt you'd continue to be a great deal more than a pretty good cop without me. But the fact is I've distracted you. Worrying about me has split both your concentration and your priorities. I'm sorry for it."

"I guess you've never had them split because you were worried about me."

"I'd like to say something to you. Look at me, will you?" He waited until she'd turned. "I'm caught between pride and terror every time you put on that weapon and walk out the door. Every time. But I wouldn't have it any other way, Eve. Wouldn't have you any other way, as that's who you are and who we are together."

"It's not easy being married to a cop. You do a good job of it."

"Thanks for that." He smiled again. "You do a good one being married to a former criminal."

"Hooray for us."

"It's important to me to have a connection with what you do. Even if it's only to listen, though I enjoy doing more than that."

"Tell me."

"I'm annoyed with myself for scattering your focus on this case because I didn't do what I'd have demanded you do. I didn't dump on you. If I had, we'd have pulled this all together sooner. Next time I'm troubled like this, be sure I'll drag you into my worries straight off."

Her lips twitched. "Sounds good. And if you don't drag me quick enough, I'll just smack you around until you spill."

"Fair enough."

"Now, let's take a look at the names."

He put them on a wall screen. "There's nothing on any male in your age group. Not with a serious neurological problem."

"Maybe it's not the brain. Maybe it's some other part gone dinky."

"Well, I took that into consideration. There's still no patient out of that particular health center with a life-threatening condition in that profile. I can expand it, by spreading more grease as it were, or simply saving time and money by sliding into records in other facilities."

She considered it. It wouldn't be the first time she'd let him slither around the line. But even with his skills, it was bound to take hours, potentially days, to hack through the numerous medical facilities in the city.

And it was just a hunch. Just a gut thing.

"Let's play it by the book, more or less, for now."

She scanned the names. People were dying, she noted, but there was no killer to hunt and cage. The killer was their own body, or fate, or just bad luck. Tumors sprouting up in inconvenient places, spreading, propagating, brewing inside the brain.

Science could locate them, and if it was early enough, if the patient had the right insurance or bank account, treatment could and did eradicate. But it was often too late, she mused, reading the list of names. She'd had no idea death was so prevalent from inside the body.

Most were elderly, it was true. Most had already celebrated their centennial. But there was a scattering of younger victims.

Darryn Joy, age seventy-three. Marilynn Kobowski, age forty-one. Lawrence T. Kettering, age eighty-eight.

Already dead or dying, she noted.

Conine A. Stevenson, age fifty. Mitchell B.-

"Wait. Wait. Stevenson, Conine A., full data."

"Get a bump, did you?"

"Yeah, oh yeah." She yanked out her PPC, pulled up the resident information on one of the buildings she'd run, the one a block west of the parking port.

"Stevenson just happened to live within walking distance of the parking port. Twelfth floor-giving a nice view of the area, an excellent view if you happen to have long-range lenses."

"As a photographer would."

"Yeah." She looked back on-screen. "She died, despite what-two years of treatments-last September. No spouse on record. One child, surviving son, Gerald Stevenson. Born September 13, 2028. There's a goddamn bump. Run the son."

"Already on it," Roarke said from behind her as Peabody burst through the adjoining door.

"Dallas, I got something. Javert, Luis Javert." Her face was flushed with the discovery. "Ordered frames-the same style as Hastings's standing order, from the Helsinki outlet. One size-16 by 20. He's had 50 of them shipped to a mail drop in New York, West Broadway Shipping, in Tribeca."

"How'd he pay?"

"Direct transfer. I need authorization to request a warrant for the financials."

"You've got it. Use my badge number. Roarke."

"A bit of time here, Lieutenant. There's more than one Gerald Stevenson in the flaming city. But none with that DOB," he said after a moment. "None at that residence. He's not using that name. If he's changed it legally, I'll have to... dig around a bit."

"Then get a shovel. Her name's still listed as resident on the apartment. Somebody's living there and wouldn't it be Conine Stevenson's son Gerald? Peabody! With me."

"Yes, sir. One minute."

"Tag Feeney," she called to Roarke as she strode out. "Give him what you've got. The more e-drones on this, the better."