Preparation for the Next Life

BOOK: Preparation for the Next Life
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“So much of American fiction has become playful, cynical and evasive.
Preparation for the Next Life
is the strong antidote to such inconsequentialities. Powerfully realistic, with a solemn, muscular lyricism, this is a very, very good book.”

—Joy Williams, author of
The Quick and the Dead

“An illegal Chinese immigrant meets a broken American warrior, and the great love story of the 21
st
century begins. The intersection of their paths seems inevitable, irrevocable. Their story: tender, violent, terrible, and beautiful. Atticus Lish’s prose, lyrical and taut, sentences as exact and indisputable as chemical formulas, is trance-like, evangelical in its ability to convert and convince its reader.
Preparation for the Next Life
is that rare novel that grabs you by the shirt and slaps you hard in the face. Look, it says. It isn’t pretty. Turn away at your own risk. In case you haven’t noticed, the American Dream has become a nightmare. Atticus Lish has your wake up call. He has created a new prototype of the hero, and her journey provides us with a devastating perspective on the ‘promised land’ of the post 9/11 U.S., where being detained is a rite of passage and the banality of violence is simply part of the preapocalyptic landscape.”

—Christopher Kennedy, author of
Ennui Prophet


Preparation for the Next Life
is a masterwork. A love story for the lovers—but also our first true great-American tale of the new world qua terror in the mighty city of New York.”

—Luke Goebel, author of
Fourteen Stories, None of Them Are Yours

Tyrant Books

676A 9
th
Ave. #153

New York, New York 10036

www.NYTyrant.com

Copyright © 2014 Atticus Lish

ISBN 13: 978-0-9885183-4-6

This is a work of fiction. All of the characters and organizations portrayed herein are produts of the author’s imagination or are used fictitiously.

All rights reserved, including the right to reproduce this book or portions thereof in any manner whatsoever without written permission except in the case of brief quotations in critical reviews and articles.

Cover design by Erik Blair

Author and cover photographs by Shelton Walsmith

Interior design by Adam Robinson

For Beth in this Life and the Next.

Contents

Part I

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Part II

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Part III

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Epilogue

Part I

1

S
HE CAME BY WAY
of Archer, Bridgeport, Nanuet, worked off 95 in jeans and a denim jacket, carrying a plastic bag and shower shoes, a phone number, waiting beneath an underpass, the potato chips long gone, lightheaded.

They picked her up on the highway by a plain white shed, a sign for army-navy, tires in the trees. A Caravan pulled up with a Monkey King on the dash and she got in. The men took her to a Motel 8 and put her in a room with half a dozen other women from Fookien and a liter of orange soda. She listened to the trucks coming in all night and the AC running.

They gave her a shirt with an insignia and a visor, the smell of vaporized grease in the fabric. Everyone told her you have to be fast because the bossie watching you. They didn’t speak each other’s dialects, so they spoke English instead. Her first day, her worn-out sneakers slipped on the grease. She dropped an order, noodles popping out like worms, and that night she lay with her face to the wall, her jaw set, blinking.

The Americans parked out front, their pickups ticking in the sun, and came in slow and quiet in bandanas and tank tops. They would lean an elbow on the counter and point a thick finger at the menu and say that one there. The blacks came in holding what they were going to spend in their hands, the wadded dollars and change.

Is y’all gonna let me have them wings? Y’all tell me what I can get with this then.

She knew how to say okay. When they pointed at the menu, she got it fine. In Nanuet, they wanted the all-you-can-eat. She could understand that. You need to get some more of this. Okay. She knew how to hurry up and get something, to work because she had to, to work fourteen hours a day every day until the tenth or eleventh day, until they got a smoking day, as the boss called it, because it was better than picking through the trash in the brigade field south of the river.

In the motel, they kept the TV running to practice English. They squatted on the carpet, moving their mouths in the blue light, seeing the grocery store aisles and the fast cars. Unbelievable, they said. This Tuesday on Fox. A grim day in Iraq. She watched goggled soldiers and radio antennas driving past adobe houses in the desert, which she had lived in.

Camel, she pointed. The animal, it’s very good.

Too hard, they said. It can’t be absorbed. Mind is a wooden plank.

Someone yawned.

Have to practice it a lifetime.

When they had finished their work at night, they crossed the parking lot to the one car still there, the Caravan waiting to take them back to the motel. They gave the man his takeout, and he put it on the newspapers open to Hong Kong stories. She watched the large sweeps of the night go by as they drove home, the black areas of the forest, the slate highway and sky. He had a gold chain and a green card and he drove with the lights off, watching for cops.

The women were from Begin to Celebrate, Four Meetings, Connected Mountain, and Honesty Admired. She told them she was from south of the river.

But you’re from somewhere else, they said.

I’m Chinese, like you.

You don’t look it.

In the sun, you could see Zou Lei’s hair was brown and not black. There was a waviness to it. She had a slightly hooked nose and Siberian eyes.

Our China is a big country, she said.

You sound like a northerner.

Northwesterner.

She’s a minority, one of the women said.

You can teach me your language.

That’s meaningless. You’ve got People’s Terrace, Peaceful Stream, Placid Lake, Winding South, Cotton Fence, Zhangpu, Convergence of Peace, Swatow, Common Tranquility, Prominence, Samyap, Jungcan, Broad Peace, Three Counties, Next-to-the-Zhang-Family Dialect, and a hundred more. Which one we teach you?

Zou Lei thought for a moment. Then tell me how to say heaven is high. She smiled and pointed at the stained ceiling. Heaven is high and the earth is wide.

Some of them nodded, a few smiled, revealing bad teeth. That’s true, that’s true, they agreed, and one of the women sighed.

What she learned instead was how to take an order. The fortune cookies were in the box under the Year-of-the-Goat calendar and the little plastic shrine. The napkins, straws, and chopsticks were all together on the shelf. Give everybody plastic fork no matter what. When a customer came in, you asked him what you having? Then you shout his order in the back: chick-brocc, beef-brocc, beef-snow, triple steam, like that, to make it fast.

No one had to teach her how to mop and take the trash out and go through a sack of greens, chopping off the part you didn’t eat. They saw she was a hard worker. Most of what you did was something she already knew. Squatting, she washed her clothes in the bathtub, wringing them out with her chapped, rural, purple-skinned hands, and hanging them up on the shower curtain rod with the others’ dripping laundry, the wet sequined denim and faded cartoon characters.

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