Puppy Love (24 page)

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Authors: A. Destiny and Catherine Hapka

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“Call if you need anything,” Dad says.

“And make sure you text us when you know the time for your show. We wouldn't miss it for the world.”

“I will,” I say. I hug them both. “Love you.”

Then, just like that, they're gone. Vanished down the hall. And I'm sitting in my room, staring at a suitcase of leotards and shorts and sweatpants, about to start the first day of the rest of my life. I've done it. I've basically run away and joined the circus, at least for a week. I grin. No more “Jennifer Hayes, girl no one really pays attention to.” It's time for “Jennifer Hayes, high-flying circus star” to take the stage.

The door opens again a few minutes later, when I'm putting my clothes away in one of the drawers. I glance over. The first thing I notice is fire-engine red. Then I realize the shock of red is attached to the head of a girl. I blink hard. Yep, her hair is bright red, the same color as the striped red-and-black stockings sticking out of her camo skirt.

“Hi,” she says the moment she's in the room. “You must be my roommate. I'm Riley.”

“Jennifer,” I say. “You're not from around here, are you?”

Because I'd have remembered a girl with bright red hair and crazy clothes. This isn't a town where people try to stick out. I think they just save that for when they run off to college.

She shakes her head, making her puffy red hair fly. She's got
deep brown eyes the same color as mine, and she's roughly my same height and size. And that's in her clunky gunmetal-gray boots, too.

“Nope,” she says, dropping her bags by the free bed. She's carrying two bags, another slung over her shoulder. “I'm about an hour away. Near Jefferson City.”

“Lucky,” I say. “Welcome to the middle of nowhere. Your nightly entertainment will be an old movie theater that only plays movies already on DVD and an arcade with one working pinball machine.”

She laughs and hauls a suitcase—black with pink stars—onto her bed. “Sounds like a fun place to grow up.”

“It's a place to grow up,” I say. “But I guess I can't complain; we got the circus, after all.”

“I know!” She slides the small duffel bag from her back; it's incredibly lumpy and covered in bumper stickers saying everything from
DON'T TEMPT DRAGONS
to
SAVE THE HUMANS!
“I've been waiting all school year for this.”

I've known her less than five minutes, and I can already tell she's going to be a fun roommate. When she starts pulling juggling pins and netless tennis rackets from her bag, my thoughts are confirmed.

“Let me guess,” I say. I flop down on my bed and watch her unpack her bag of tricks. “You're a juggler?”

“How could you tell?” she asks. “Was it the hair?”

“Totally. Jugglers always have weird hair.”

“Goes with the territory. What about you? What's your focus?”

“Flying trapeze,” I say. No hesitation.

“Really? Huh.”

“What?”

“It's just that I didn't know they had a flying trapeze school here.”

“They don't,” I say slowly. And that's when it dawns on me: she's already a juggler. She's been doing this for years. Crap.

“Oh,” she says. She stops rummaging through her bag and sits on her bed, facing me. There's barely three feet between us—I don't know how two college kids can live in here for a full year. “Have you done classes somewhere else?”

“Nope. It's just something I've always wanted to do.”

She nods. “I don't mean to be rude, but you do know you have to try out for that department, right?”

“Yeah, I know,” I say. “I saw it in the flier. But, I dunno. I've always wanted to do it. It sounds stupid, but I guess I just know it's something I'll be good at.” I decide not to tell her that Leena said I looked like a natural—I'm starting to think maybe she was just being nice.

Riley shrugs. “Not stupid. I felt that way about juggling and learned a basic three-ball pass in five minutes.”

“I . . . honestly, I have no idea what that means.”

Her grin goes wider. Her cheeks are covered in freckles; she looks like one of those girls who's used to smiling a lot.

“I'll show you,” she says. She rummages in the bag beside her
and pulls out six multicolored juggling balls. “A three-ball pass is the basic juggling form,” she says. Then she tosses three to me.

“Oh, I don't juggle,” I say, though now that I think of it, I don't think I've actually ever tried before.

“Come on,” she says. “You gotta try at least.”

My first impulse is to say no, that's okay, I just want to see you try. But that's the old Jennifer. Today, right now, I'm Jennifer reinvented, and I'm not going to turn down any opportunity. I mean, how many times in my life do I have the chance to be taught juggling by a girl with fire-engine hair? I pick up the balls from where they landed on the bed and watch her.

“Okay, it goes like this. Start with two balls in one hand, one in the other. I always start with two in the right because I'm right handed, but everyone's different.”

I follow her lead and put two in my right hand.

“Now, you're going to toss the one from your right hand into the air, trying make its apex just above eye level. Like this.” She tosses the ball up in a perfect arc, its peak right below her hairline, and catches it without even moving her left hand. “You try.”

I do. And, much to my surprise, it's a pretty good toss. The ball lands just beside my left hand.

“Nice,” she says. I smile. “Okay, now with the second toss. Don't try to catch it just yet. You want to throw the ball in your left hand when the first ball is at its peak. Once you've done that, you're going to throw the third ball when the second is at its peak. Got it?”

I nod. “I think so.”

She demonstrates, tossing her balls up in a steady rhythm and letting them fall on the bed. I mimic her.

“Nice,” she says again. “I think you've got the hang of it. Now we try it with the catch. Remember, you don't want to have to move your hands around too much, and you definitely don't want to throw the balls forward or back or else you'll be running all over the place trying to catch them. Always throw the next ball when the other has reached the apex. Rinse and repeat.”

She picks up the balls and tosses them in the air a few times, making clean catches and tosses—the balls are a blurred arc in front of her face. I lose track of how many times she tosses before she stops and looks at me.

“Your turn.”

I try.

The first few catches are a disaster—I'm so focused on catching the first ball that I forget to toss the next. When I do remember, I end up throwing it at the closed window. Thankfully, the balls are just hacky sacks, so the window doesn't break. I have to give Riley credit: she doesn't laugh at all. Just watches me and gives me little pointers like “Don't move your torso so much” or “You're not trying to hit the ceiling! It's a gentle toss.”

After about five minutes, she stops watching me and goes back to unpacking. I'm hooked, though, and I don't stop practicing. Not until I've managed six tosses in a row. And that takes a good ten minutes.

“Not bad,” she says. She managed to unpack everything in the time it took me to get the pass down. “You're definitely starting to get the hang of it.” She glances at her watch. “Just in time, too. I think we've got the intro meeting in a few minutes. Do you have any idea where the gym is?”

I nod. “Yeah, I've been there a few times. My mom used to be a secretary here, and we went to a few games.”

“Funny. I wouldn't peg you for a basketball sort of girl.”

“I'm not. Band nerd all the way. But I'll never say no to free popcorn and an excuse to watch a bunch of college boys running around.”

Her smile is huge.

“We're going to be good friends, Jennifer,” she says. She hops off the bed and takes my elbow with hers, prom style.

“Definitely.”

A. DESTINY
is the coauthor of the Flirt series. She spends her time reading books, writing, and watching sweet romance movies. She will always remember her first kiss.

CATHERINE HAPKA
has written more than one hundred books for children and adults, as a ghostwriter for series as well as original titles. She lives in Pennsylvania.

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Simon Pulse

Simon & Schuster, New York

Also in the Flirt series:

Lessons in Love

Never Too Late

Portrait of Us

Sunset Ranch

This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author's imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

SIMON PULSE

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First Simon Pulse edition September 2014

Text copyright © 2014 by Simon & Schuster, Inc.

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