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Authors: Dante

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BOOK: Purgatorio
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but we heard: ‘Come with us on the bank,

               
keeping to the right, to find the stairs

51
           
a living man can climb.

               
‘If I were not encumbered by the stone

               
that serves to bend my stiff-necked pride   

54
           
so that I cannot lift my face,

               
‘I would look at this man, still alive

               
but nameless, to see if he is known to me

57
           
and make him take pity for my heavy load.

               
‘I was Italian, a noble Tuscan’s son.   

               
Guglielmo Aldobrandesco was my father—

60
           
I do not know if you have ever heard his name.

               
‘The ancient blood and gallant deeds

               
done by my forebears raised such arrogance in me

63
           
that, forgetful of our common mother,

               
‘I held all men in such great scorn

               
it caused my death—how, all in Siena know,

66
           
and every child in Campagnatico.

               
‘I am Omberto. Pride has undone

               
not only me but all my kinsmen,

69
           
whom it has dragged into calamity.

               
‘And for this pride, here must I bear this burden—   

               
here among the dead, since I did not

72
           
among the living—until God is satisfied.’

               
Listening, I bent down my face, and one of them,   

               
not he who spoke, twisted himself   

75
           
beneath the load that weighed him down,

               
saw me and knew me and called out,

               
with difficulty keeping his eyes fixed on me,

78
           
as I, all hunched, trudged on beside them.

               
‘Oh,’ I said to him, ‘are you not Oderisi,   

               
the honor of Gubbio and of that art

81
           
which they in Paris call illumination?’

               
‘Brother,’ he said, ‘the pages smile brighter   

               
from the brush of Franco of Bologna.

84
           
The honor is all his now—and only mine in part.

               
‘Indeed, I hardly would have been so courteous

               
while I still lived—an overwhelming need

87
           
to excel at any cost held fast my heart.

               
‘For such pride here we pay our debt.   

               
I would not be here yet, except, while living,

90
           
and with the means to sin, I turned to God.

               
‘O vanity of human powers,   

               
how briefly lasts the crowning green of glory,

93
           
unless an age of darkness follows!

               
‘In painting Cimabue thought he held the field   

               
but now it’s Giotto has the cry,

96
           
so that the other’s fame is dimmed.

               
‘Thus has one Guido taken from the other   

               
the glory of our tongue, and he, perhaps, is born

99
           
who will drive one and then the other from the nest.   

               
‘Worldly fame is nothing but a gust of wind,   

               
first blowing from one quarter, then another,

102
         
changing name with every new direction.

               
‘Will greater fame be yours if you put off

               
your flesh when it is old than had you died

105
         
with
pappo
and
dindi
still upon your lips   

               
‘after a thousand years have passed? To eternity,

               
that time is shorter than the blinking of an eye

108
         
is to one circling of the slowest-moving sphere.

               
‘All Tuscany resounded with the name—   

               
now barely whispered even in Siena—

111
         
of him who moves so slow in front of me.

               
‘He was the ruler there when they put down

               
the insolence of Florence,

114
         
a city then as proud as now she is a whore.

               
‘Your renown is but the hue of grass, which comes   

               
and goes, and the same sun that makes it spring

117
         
green from the ground will wither it.’

               
And I to him: ‘Your true words pierce my heart   

               
with fit humility and ease a heavy swelling there.

120
         
But who is he of whom you spoke just now?’

               
‘That,’ he replied, ‘is Provenzan Salvani,

               
and he is here because in his presumption

123
         
he sought to have Siena in his grasp.

               
‘Thus burdened he has gone, and goes on without rest,

               
ever since he died. Such coin he pays,

126
         
who is too bold on earth, in recompense.’   

               
And I said: ‘If the spirit that puts off   

               
repentance to the very edge of life

129
         
must stay below, before he comes up here,

               
‘as long as he has lived—

               
unless he’s helped by holy prayers—

132
         
how was his coming here allowed?’

               
‘While he was living in his greatest glory,’ he said,   

               
‘he willingly sat in the marketplace

135
         
of Siena, putting aside all shame,   

               
‘and there, to redeem his friend

               
from the torment he endured in Charles’s prison,

138
         
he made himself tremble in every vein.

               
‘I say no more, and know my speech obscure.   

               
It won’t be long before they act, your townsmen,

               
in such a way that you’ll know how to gloss it.

142
         
It was that deed which brought him past those confines.’

OUTLINE: PURGATORIO XII

IV. The penitent prideful
(continued)

1–9
   
Virgil urges Dante to turn his mind to new things, something he, engrossed in Oderisi’s talk, is able to do only with difficulty
10–15
   
Virgil prepares Dante for his next experience

V. Exemplars of Pride

16–24
   
simile: images on gravestones and carvings on the path
25–63
   
the acrostic of Pride:
1.
   
[Lucifer]
2.
   
Briareus
3.
   
the defeated giants
4.
   
Nimrod
5.
   
Niobe
6.
   
Saul
7.
   
Arachne
8.
   
Rehoboam
9.
   
[Eriphyle]
10.
   
Sennacherib
11.
   
Cyrus
12.
   
Holofernes
summarizing exemplar:
Troy
64–69
   
the poet’s wonder at the artwork he gazed upon
70–72
   
his ironic apostrophe of all living sinners
73–78
   
Virgil directs Dante’s attention forward

VI. The angel of Humility

79–84
   
Virgil urges Dante to prepare himself to meet an angel
85–87
   
Dante’s acquiescence
88–96
   
the angel’s greeting; he apostrophizes all sinners
97–99
   
the cleft in the rock; Dante’s first “P” removed

VII. Farewell to Pride

100–108
   
simile: steps leading to San Miniato and to next terrace
109–114
   
music of first Beatitude as coda to Pride
115–126
   
conversation as the travelers mount: Dante’s new sense of lightness with the removal of his first “P”
127–136
   
simile: touching one’s head because of the glances of others
PURGATORIO XII

               
As oxen go beneath their yoke   

               
that overladen soul and I went side by side

3
             
as long as my dear escort granted.

               
But when he said: ‘Leave him and hurry on,   

               
for it is fitting here, with all your strength,

6
             
to speed your ship with wings and oars,’

               
I straightened up, erect,   

               
as one should walk, but still my thoughts

9
             
remained bowed down and shrunken.

               
I set out, following gladly

               
in my master’s steps, and our easy stride

12
           
made clear how light we felt.   

               
And he to me: ‘Cast down your eyes.   

               
It will be good for you and calm you on your way

15
           
to look down at the bed beneath your feet.’

               
As gravestones set above the buried dead   

               
bear witness to what once they were,

18
           
their carven images recalling them to mind,

               
making us grieve with frequent tears

               
when recollection pricks and spurs

21
           
the faithful heart with memories,

               
so were these figures sculpted there   

               
along that road carved from the mountainside,

24
           
but in their artistry more true in their resemblance.

BOOK: Purgatorio
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