Rancid Pansies

Melancholy as it is to stand at dawn and watch one’s house vanish over a cliff, I can’t deny that amid the attendant dust cloud of black thoughts is a whirling spark of exhilaration, as after the death of a partner or parent. Part of this is natural relief that one wasn’t in the place at the time. But there’s more to it. A perverse pleasure, even? Yet how could any normal person be pleased to see the precious home they had created with such expenditure of taste and ingenuity (to say nothing of time, money and labour) reduced to rubble in a matter of
seconds
? No doubt a normal person couldn’t, especially not in full victim mode as the frantic householder left holding not so much as a doorknob. Clothes, books, files, letters, CDs, a
farting
teddy bear named Gazzbear™,
a life
– torn from his grasp and hurled into the abyss as detritus to be exposed to the scrutiny of wild boar and buzzards, not to mention Italian hunters.

Well. The seismic hazards of living in Tuscany.
Hollow-eyed
, unslept and unshaven, I was by no means my usual
neatly
groomed self when the following day Virgilio, my friend in the carabinieri, arranged for a helicopter to fly me over the scene. It looked just like one of those TV news pictures of millionaires’ homes in Californian canyons after freak rains have provoked a mudslide. A pale scar down a steep and forested hillside; a section of roof lying askew on the slope like a badly pitched terracotta tent; unidentifiable torn material draped over rocks. (
Ha! Even millionaires are not immune, the bastards!
) We flew another slow circuit even lower and I
spotted
the puckered grey rump of my Toyota Avensis – or Ass Vein, if you share my weakness for anagrams – sticking up out of the churned earth like a mouldy boulder.

‘
Madonna
cara!
’ said the pilot over the intercom. ‘How did you all get out in time? It’s a miracle no one was killed.’

Seeing it from above in broad daylight, I had to agree it was fairly unlikely we should all have survived uninjured. An entire slice of mountainside had collapsed. The level acre of grass and trees that constituted a cordon sanitaire between my house and Marta’s now ended in a ragged lip above a raw precipice. Because it was winter and only the scrub oaks retained some brown, withered leaves I could glimpse between the trees the stout fence I had put up to demarcate my
property
. It now stood within a mere twenty metres of the edge.

‘The Blessed Madonna was surely watching over
you
,’ said the co-pilot into his microphone. ‘You see? She even protects foreigners.’

‘Evidently.’ My sceptical voice sounds disembodied in my own headset. ‘Although of course in England we have
la
Diana. You know – the Princess of Wales. She has become our national Madonna. It was probably she who saved us.’

‘She had terrific legs,’ said the pilot wistfully. ‘A tragedy.’

I was about to elaborate on my light-headed piece of
facetiousness
when our pilot needed to take swift evasive action to avoid a second chopper, apparently from a local news station, that had arrived to gloat over the debris with long lenses. There was talk among the police in my helicopter of setting a guard over the site to deter looters. It didn’t seem to concern me. Some unfortunate’s worldly possessions, but no longer mine.

For suddenly I didn’t care. By the time we landed I had
discovered
to my surprise that I no longer wished to put that
particular
life painfully back together again. I had no urge to send in the bulldozers, not even to unearth the battered but tough filing cabinet that doubtless still contained all my insurance papers, my passport, my
permesso di soggiorno
and a bottle of poppers called Kix that Adrian had brought me and which I had forgotten to stash in the freezer. Suddenly I was stateless, shorn of identity, with nothing to insure since nothing of value remained from my former existence. I didn’t care if souvenir-hunters
found the platinum disc of Alien Pie which the bald boy-band leader Nanty Riah had given me scant hours before the fall of the house of Gerry, in exchange for my having given him this name for his band. And anyone who could be
bothered
to dig for them was welcome to my dullish but signed Picasso lithograph and my autograph letter from Oscar Wilde (three querulous lines about a cigarette case to Messrs.
Thorn-hill
, Walter & Co. of 144, New Bond Street). I wanted none of it. It even crossed my mind to tear off the clothes I stood up in and walk away stark naked into the world, a born-again
atheist
aged fifty and a day. I was restrained by natural modesty and anxiety that my underwear might bear signs of the
previous
night’s trauma. Also, it seemed unlikely that the
carabinieri
still standing around the military helipad at Pisa would appreciate the gesture’s metaphorical intention. Not for them the poetry of departures; more a pretext to commit me to a locked ward for observation. (Poor
maestro
! One
understands
: the terrible shock and
lo stress
.)

I now wonder if I shall ever revisit the site of my former home – say in a year’s time – like Thomas Hardy in his poem ‘Where the Picnic Was’. I may say that until it was brusquely curtailed by geophysics, my fiftieth birthday party was
considerably
better than any picnic. Hardy doesn’t mention what his little group cooked over their wood fire: some grim Wessex fry-up, possibly, or merely a kettle boiled for that horrid British beverage involving stewed leaves. But whatever it was it couldn’t have compared to the superb badger Wellington
farci
with gun-dog pâté and the odd psychoactive mushroom that I served my own friends, inducing in us all such a
memorable
sense of relaxed camaraderie. But a year on, shall I still be able to identify the precise spot, as Hardy did his by
fragments
of charred wood? Or will the tough Tuscan
cespuglio
of broom and juniper and brambles have long grown over the scarred hillside to obliterate everything? And shall I, like the poet, reflect gloomily on the subsequent scattering of the band of friends who had sat around my hearth that fateful evening?

So far, not much scattering has taken place and as yet none of us has mawkishly ‘shut his eyes for evermore’. Within a matter of days I was forcibly abducted to Suffolk, for all the world like an African foundling swept up in the photo-op embrace of a Hollywood nobody, escorted by the
world-famous
conductor Max Christ and his scientist brother-in-law, my partner Adrian Jestico. I was installed in Christ’s newly renovated house, Crendlesham Hall, in a well-appointed attic suite with a four-poster bed the size of a squash court, and
bidden
to recover my wits. This I have almost done. In the interim, Adrian has continued to work towards eminence at the British Oceanography Institute in Southampton (BOIS) and these days is a frequent visitor to the Hall, where he is company for his sister Jennifer when Max is away on tour, and an uncle for Josh, her six-year-old son. He also comes as something more than a mere helpmeet for me. Some nights beneath the squash court’s duvet Adrian punishes my age with his superior
stamina
and wristy action. It’s all too hideously domestic for words and I’ve got to get out. Nature did not intend Gerald Samper to lounge around on other people’s beds like an odalisque.

Of the other guests at that interrupted dinner party it is my neighbour Marta who most occupies my thoughts, and in her usual infuriating manner. Since her surprise return from
America
on the night of that memorable dinner, the Voynovian
baggage
has bravely taken up residence again in her gloomy hovel on the edge of the chestnut forests at Le Roccie. I say bravely because her house is now the lone survivor of our Apennine eyrie overlooking Viareggio and the coast of Tuscany. She is in the position of the last, rather dim, householder of the medieval town of Dunwich who, having watched the rest of the town progressively collapse into the North Sea, in turn finds herself on the brink and counting. Unfortunately for lovers of poetic comeuppance, Martha’s dump is still a
generous
hundred metres from the ragged lip where the dinner was and it would take a serious act of God to send it tumbling to its well-deserved ruin. Don’t think for one moment the irony
isn’t lost on me: that the irritating neighbour who spoiled my solitude (but to whose house I painstakingly acted as
caretaker
in its owner’s absence) is now in triumphant sole possession of the site, while my own vastly more meritorious home lies scattered in the forests below like a shower of Lego pieces tipped from a pail. This is a cosmic injustice and something will have to be done about it. To think of that frowsty creature finally lording it up there, thumping out her film scores on her Warsaw Pact upright, is gall and bile to me. What did Marta ever do to deserve being spared? For the best part of a year she simply abandoned her house and I took pity on it only because I thought its wretched owner had been kidnapped for
out-sourced
interrogation in Poland or Syria or somewhere, like so many other victims of ‘extraordinary rendition’ at the time. I didn’t like to think of Marta suspended by her grubby thumbs as the humming cattle prods zeroed in. But it turned out she had been in America all along, messing about with her music and not bothering to get in touch with her loyal neighbour, not even sparing the time for an SMS text message to
farsi viva
and to ask whether I wouldn’t mind keeping an eye on her place. I did so anyway because I was properly brought up; and in due course she swanned home and look what happened. Within hours she found herself in de facto sole possession of Le
Roccie
. My repellent religious stepmother Laura has often been heard to demand querulously why it is that the wicked
prosper
. I gather she is plagiarising the psalmist, but for once I can’t take issue with her.

Meanwhile the slow, healing regime of grappa laudanum and bitter reflection has all but restored my normal spirits. Sometimes when I wander Crendlesham Hall’s warm domestic spaces while everyone is out I can definitely feel the earliest twinges of boredom. There is something about the empty
daytime
shell of a normally active family house that can – when a shaft of aqueous February sunlight catches the remaining
tatters
of Christmas decorations – induce a melancholy
fretfulness
. In the kitchen the kettle sighs on the Aga, Luna the cat
lies like a fur puddle deep in the only comfortable chair that she shares with several of Josh’s rubber dinosaurs and a
Transformer
toy. I stand at the window and watch wintry lapwings rowing their aimless way about the grey Suffolk sky. On the wall is one of those office whiteboards covered with felt-tip scrawls and scraps of paper held on by fridge magnets, the memos of other people’s lives: ‘Josh dentist Tues 11.30’, ‘Electrician Friday’, ‘Max Berlin 5th–8th’, ‘Sarah’s b’day 15th’. It induces a familiar wistfulness adrift between envy and repulsion.

Moreover, after a couple of months in England I cannot ignore the degree to which I have found myself so radically at odds with my native culture. It is only by dint of natural good manners that I hold myself in check when experiencing at close quarters the very horrors that first made me flee the country of my birth so many years ago. Jennifer has often urged me to join her on short daytime excursions, no doubt hoping to ‘take me out of myself’. These outings are kindly meant; but it is in the nature of efforts to cheer people up that they simply spread moroseness and spleen on every side. Josh’s kindergarten teacher, who should probably be prosecuted, has evidently brainwashed him into thinking that every home should have a bird table. Why a bird table? Well, apparently bird tables are just what the planet needs to offset something or other – maybe the wretched child’s carbon footprint (Barf tonic, pronto! Brr! Non-fat octopi! Or come to that, the great headline Top Fart Icon Born! which, unlike news of carbon footprints, does at least grab the attention). So one morning we set off to buy a bird table at a garden centre a few miles away at Peasewold St Phocas, a name not even P. G. Wodehouse could have bettered. A rustic notice at the entrance informed us that St Phocas is the patron saint of gardeners, so we were effectively on sacred ground. We would have known this in any case since garden centres have become the new cathedrals of the secular age, combining as they do the worship of
shopping
with eco-rectitude. The great thing about Le Roccie (and
how the tears spring to my eyes as I think of my lost paradise!) was that there was no garden. It was an eyrie on a
mountainside
. Who needed a
garden
? Nasty bourgeois things.
Postindustrial
attempts to buy into some long-dead version of English pastoral.

Between them, Jennifer and Josh chose an object on a pole that was the avian real-estate version of a roadhouse, more a bird motel than a table. It had walls and a pitched roof and was stuck all over with plywood cut-outs shaped like robins and thrushes, just in case these ideogram-literate birds were too dumb to recognise the food as intended for them. Josh remarked that if it was a proper house there ought to be a bird bathroom inside with a bird bath and also a bird loo where birds could poo. He and I lagged behind and had a short
speculative
conversation about whether birds ought to remove their feathers before having a bath, but the loud anatomical detail he went into attracted attention from other shoppers that he alone welcomed and I hurried to catch his mother as she wheeled her trolley back into the indoor acres devoted to Green spin-offs where the garden centre’s real biz seemed to be done. The place was jammed with products which only a giant leap of the imagination would remotely connect with gardens. As in an Italian cathedral there were candles for sale, but the candles of Peasewold St Phocas came with scents and names, both calculated to give maximum offence to a person of sensibility: ‘Aromatherapy’, ‘Harmony’, ‘Seascape’, ‘Warm Embrace’ and – the gastric juices leaping up to splash one’s uvula – ‘Beingness’. There were also joss-sticks with similar names but even worse smells and, tangling from time to time in one’s hair, the clappers of bingling-bongling, dingling-
dangling
wind chimes.