Rashomon Gate (39 page)

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Authors: I. J. Parker

Tags: #Mystery, #Mystery & Detective - General, #Detective and mystery stories, #Kyoto (Japan), #Historical Fiction, #Mystery & Detective, #Japan - History - Heian period; 794-1185, #American Mystery & Suspense Fiction, #Fiction - Mystery, #Detective, #General, #Historical - General, #Heian period; 794-1185, #Suspense, #Historical, #Japan, #Mystery Fiction, #Fiction, #Mystery & Detective - Historical, #Nobility, #History

BOOK: Rashomon Gate
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"You think
he
did it?"

"No, not really, even if Nishioka says so. There is another possibility, someone who has escaped scrutiny so far, but I cannot spare the time because it is more urgent to help young Minamoto. I am convinced Sakanoue murdered Prince Yoakira in order to gain control of the estates. He has already married the granddaughter and now only the boy prevents his owning all of it. He must have killed the prince at the temple, but all the witnesses say he did not. It would have been so much simpler if Yoakira had disappeared in his mansion in the capital."

The road began to climb, and soon they passed into the cool darkness of the forest. Above the branches of the pines and cryptomerias the sky gradually changed to inky blue and then a pale luminescent gray. When they reached the ridge, the sun was coming up over the eastern mountains, casting golden glints over the treetops and meadow grasses. A fox crossed the narrow road and disappeared in the brush, and the trees were filled with the song of birds.

Finally the view opened and they saw below them a broad valley. A river meandered through it, separating a small hamlet of thatched farmhouses from a vast complex of halls and pagodas that seemed to stretch all the way into the next mountain range.

The temple's proximity to the capital had made it the preferred choice of retirement for a number of emperors, most of whom had built their own palaces and shrines here. The site was picturesque, with religious buildings scattered amongst groves of trees and small hills.

Akitada and Tora covered the downhill stretch at a light gallop, easily forded the river, shallow in this dry season, and dismounted at the main gate.

Inside the gatehouse sat a monk who received them with little interest even at this early hour. Visitors were commonplace here, especially since the "miracle." Akitada signed the visitors' book and asked for directions to Prince Yoakira's hall. The monk gave him a rough map, asking that he return it on his way back.

Prince Yoakira's family shrine was at the far end of the temple grounds. As they rode slowly along the narrow road, they saw few monks and even fewer visitors. But when they passed an enormous lecture hall, its great roof thatched, its wooden supports, eaves and railings painted a brilliant red, they found the latticed doors thrown wide to the morning air, and inside they could see rows upon rows of seated monks listening to the sonorous voice of a reader. Groves of pines hid the temple halls and service buildings from each other, and narrow, pebble-filled canals carried bubbling mountain streams through the temple grounds. Everywhere there was a pleasant coolness and the scent of pine and incense.

When they reached the walled Minamoto shrine, Akitada peered through the rustic gateway. A single building, plain and square, was almost hidden behind the tall whitewashed mud wall. Built of heavy timbers blackened by time, the hall was roofed with cypress bark and surrounded by a small courtyard. They dismounted outside the gate and tied their horses to the wooden posts provided for that purpose. As he and Tora walked towards the gate, Akitada explained that the prince's companions would have done the same and that Kinsue would have brought the empty carriage back here after the prince had entered the hall.

The courtyard was quite small, only large enough for one ox carriage, and at that the driver must have had a difficult time turning it around. Akitada and Tora climbed the wooden steps to the veranda. To either side of the hall, dense shrubbery closed in and blended with the forest. The heavy double doors, the only access to the interior, were closed. A plain balustrade surrounded the veranda, which extended only across the front.

Akitada paused here and looked around and back into the courtyard. On this veranda the prince's attendants— General Soga, Lords Abe, Shinoda, Yanagida and Sakanoue— had waited during the last hours of Yoakira's life. And somewhere down below, against the courtyard wall, Kinsue had sat peering up sleepily, listening to the disembodied voice of his master reciting the sutra inside the hall. There would have been only faint light when they arrived, for the prince was to begin his reading at dawn. The mountains around them would cast deep shadows, even after the first brightness was appearing in the sky. So much had happened in the dark. And inside this hall. Akitada turned towards the weather-darkened door.

The truth within!

Shaking his head, he pulled the dooor open. It creaked on ancien hinges. The hall inside was dim after the morning sunlight outside. Towards the rear wall stood a smallish Buddha figure carved from wood and painted in bright colors. It was seated on a raised lotus blossom, also carved from wood, and three small tables holding religious objects and ornaments were lined up before it. On either side, a tall iron candle stand, inlaid with gold and silver, held a thick candle. Akitada went to light both of them. The flames flickered in the draft from the open door, and weird shadows moved across the image and the simple prayer mat in front of it. Momentarily he felt again the touch of something ghostly— a sudden icy breath in the warm, stagnant air, raising the short hairs on his neck and leaving him dizzy. The sensation was not as palpable as it had been in the Yoakira mansion, but he shuddered nevertheless.

The walls appeared to be made from heavy posts and planks fitted without openings, and the roof, its thick rafters draped with cobwebs, rose steeply towards the massive ridgepole. The air smelled unpleasantly of incense and decay. Without windows, there was no circulation and the air felt heavy, warm and cloying.

Seen up close, the tables before the Buddha image were quite beautiful, gracefully constructed from some very dark wood and inlaid with mother-of-pearl. The trays and sacred vessels, their significance unknown to Akitada, were lacquered and gilded, and some of the bowls held flowers made from semiprecious stones and gold. A red plaque, inscribed with gilded characters, rested among these objects. Akitada read it and immediately bowed deeply. The inscription was by His August Majesty himself and commemorated the miracle.

Akitada felt anything but inspired. The atmosphere seemed to him almost repulsive, tainted and noxious somehow, and the darkness of the walls and roof gave the hall an oppressive feeling. Even the image seemed subtly evil. Akitada turned around to look for Tora and saw him at the open door, peering in. "What are you waiting for?" Akitada asked. "Come in! I need you."

"You think he was killed here, don't you?" Tora asked from outside.

"According to all accounts."

Tora's eyes searched the room. "Do you suppose his spirit is hanging about?"

"No. If it is anywhere, it's in his mansion in the capital. I have his old servant's word for it."

"Then maybe he was killed there." Tora walked in, wrinkling his nose. "They ought to leave the door open more often," he said.

Akitada gave Tora an irritated look. "It would certainly make my job easier if we did not have to investigate a disappearance from this hall," he said testily. "Never mind the smell. A lot of incense has been burnt here. Let's check the walls and floor for a hidden door." They started on either side of the door and moved along the walls, tapping the boards and checking the seams, until they met in the shadowy area behind the image. The walls were solid.

"Nothing!" said Tora, wrinkling his face again. "It really smells back here."

"It's either the incense or some small animal has died under the floorboards. I suppose there is little point in checking the floor. There is not enough space under the hall for a human being."

As Tora moved towards the door, Akitada cast one more glance around. When he turned to leave, he accidentally kicked the prayer mat out of place. It was an old one, but very beautifully woven and bound with embroidered silk around the edges. He bent to lift it and found the floor was solid underneath. "Well," he said with a sigh, "I did not expect to find anything. After all, they must have checked the building carefully. Come back here, Tora, and help me put the mat back."

Tora returned reluctantly and picked up one end. "Let's turn it," he said. "It looks better on the other side."

It was quite true. The mat was less faded, and the colors in the embroidery shone brighter. But it was slightly stained. Akitada knelt and looked at the stain closely. It was a small brown smudge, on the surface of the fibers only. He moistened a finger with his tongue and rubbed at it. A faint trace of brown appeared on his skin, and he smelled it.

"What's the matter?" asked Tora.

"Blood," said Akitada grimly.

"Hah!" Tora backed away. "So he died here."

"Perhaps. It is interesting, but there isn't very much of it. And it may not be Yoakira's."

"I bet it is." Tora glanced at the image and shivered. "What if something supernatural got him?" he asked.

"No."

"The blood! There are demons that tear people to pieces and eat them. Let's get out of here!" He started towards the door again.

But Akitada was staring at some white dust on the floor. "That was not here before," he said, pointing. "It must have fallen from the mat when we turned it."

Tora glanced back over his shoulder. "Some dirt. Monks are not good housekeepers, I guess."

Akitada crouched to investigate the dust. It was white and powdery. He rubbed it between his fingers and tasted it. "Rice flour," he said, straightening up.

"Maybe some of the monks brought it in," Tora called from the safety of the veranda.

"Hmm." Akitada wiped his hands on his robe and cast a last glance at the Buddha figure. He realized that it represented Amitabha. The carved face was painted in brilliant colors, the eyes a clear brown and the lips a deep red. Bright jewels encircled his neck and arms. Suddenly one of the jewels around his neck moved. Akitada stepped closer and saw that a very large fly, an iridescent bluebottle, sluggish in the stale warmth, was slowly rubbing its wings. No doubt the fresh air coming from the open door had roused it from its stupor. He waved at it with his hand, and watched it rise with an angry buzz. For a few moments, it droned around the image with bumbling, disoriented flight before settling again somewhere in the murky darkness. Shaking his head, Akitada blew out the candles and left.

Together they went down the steps into the small courtyard, but here Akitada paused to look back at the hall. "I wonder," he said, "what is behind the building. Let's go look."

Dense underbrush and trees grew up against the walls of the old hall. They fought their way through and found a narrow path that angled off from the hall towards the main temple complex. They followed this along the wall of the building until it reached the back and a deep gully which separated the hall from the hillside behind it. Here the path ended on a rocky ledge.

"What do you suppose that is for?" Akitada muttered.

"I don't know, but someone's been here recently." Tora pointed to broken branches on a shrub.

They looked out across the gully to the mountainside which rose like a green wall, covered with vines, ferns and many small trees that clung precariously to small cracks in the rock. A lizard had been sunning itself on the ledge and disappeared into a hole with a sinuous curling of its tail.

"It's weird. There's nothing here but that funny flat slab of rock," said Tora. "Why would anybody beat a path to it?"

The slab was about the size of half a
tatami
mat and covered with moss and lichen. Akitada bent and touched a dark spot, rubbing the residue between his fingers. "Oil," he said, smelling his fingers, and added, "Cheap oil. We use a better quality in our lanterns. Someone has been here in the dark with an oil lamp." Akitada straightened up and scanned the ravine. Suddenly a strange idea occurred to him. It was so startling that he felt his stomach lurch, and for a moment he refused to believe it. "Tora," he asked, "can you make out that odd-shaped gray rock over there on the other side?"

"Looks like some kind of statue carved out of the stone. A Buddha, I think."

"Yes. The monks come here to worship, and at least once someone was here in the dark. Go back to the courtyard for a moment and listen."

"What for?"

"Never mind! Just go!"

Tora left, shaking his head, and Akitada wracked his brains for some lines from a sutra. His religious education left much to be desired at times. Well, anything would serve. Raising his voice a little, he recited the first poem that came to his mind: "The fires lit by the guards at the Imperial Palace gates, / Blazing bright by night, are damped down at daybreak: / So smolder my heart's thoughts . . ." He broke off, realizing that he had inadvertently quoted from a poem of unrequited love. It was a particularly apt description of pain, he thought bitterly.

Tora burst from the shrubbery, looking around. "What fire? Is there a fire?"

"No fire. I just wanted to know if you could hear me."

"Oh, I heard you. If I hadn't known better, I'd have sworn it was someone inside the hall."

"I hoped so," said Akitada. "Think about the miraculous disappearance for a moment. The only proof we have that the prince was here one moment and gone the next is that five witnesses, not counting Sakanoue, testified to his chanting the sutra inside the hall."

Tora's eyes grew round. "You think someone else was back here doing the sutra chanting because the prince was already dead? What did they do with his body?"

"I suspect the prince never came here. The murderer impersonated him."

"Sakanoue? How could he? The driver saw the prince get in the carriage and then get out again here."

"It was dark until the sun came up. Remember, we could not see the faces of those we passed on the way here. Sakanoue could have worn the prince's ceremonial robe and ridden in the carriage with no one being the wiser." Akitada paused, then muttered, "Except for the prince's white hair. That might have been seen even in the dark." Suddenly he slapped a fist into his hand. "Of course! That is what he used the rice flour for! Tora, I tell you, that is the way it was done. The prince was killed in his rooms in the capital." Akitada nodded vigorously and then took Tora's arm. "Come on! All we have to do now is solve a few minor difficulties."

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