Repetition (19 page)

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Authors: Peter Handke

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BOOK: Repetition
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Again I attempted a shortcut, supposedly a straight line, where the workings of the water made a straight line impossible. I had started out cautiously, but now I rushed headlong through underbrush and over rocky debris. At the tree line, the bare crest seemed to be coming closer, and the grass, which up until then had been knee-high, became short and stubbly. Suddenly I saw ahead of me an utterly motionless cloud, and at the same moment the first flash of lightning darted out of it. I was not untroubled; to tell the truth, I was terrified—only the day before, there had been talk at the hotel about someone being killed by lightning. Yet I kept on climbing. Since then, I have often run straight into danger as though hypnotized by it, not the least bit
cheerful, let alone happy about it, panic-stricken in fact, humming some hit song or counting out numbers. That day, I was so terrified that I even heard the flapping of my trousers as thunder. What from a distance I had taken for a stone hut on the summit turned out, when I got there, to be the remains of a fort; the windows proved to be embrasures. Even so, the ruin provided shelter. A jolt, and equanimity took over; calmly, I looked down on a distant field that was white with hailstones when everywhere else it was raining. So great was my exhaustion that my eyes forgot their perspective and saw the white patch as a sheet spread out to bleach. Sitting there, I toppled over. In a letter written after a forced march, my brother speaks of a faint as “involuntary sleep.”
Night was falling when I came to; most of the embrasures were aimed at the southern valley, and looking out, I saw the lights of a few houses. I walked up and down in the rain outside and then decided to stay; in the dying day the honeycomb cells of the fort seemed positively inviting, like small hotel rooms. The mists coming up over the ridge were clouds—I had never been in a cloud before. When I looked down at the grass, the little mountain flowers would vanish in the mist and reappear a moment later; the motionless wings of a falcon drifting with the clouds looked frayed. Inside the fort, reclining on a bed of old newspapers, I ate some of the food I had brought with me. Nothing more could happen to me, not that day at least; I thought of the story about the goblin who, safe in his rocky niche, stuck out his tongue at the elements; but then, his attention diverted by a malignant human, he was struck by lightning.
Night was long in coming; the twilight outlines of
things merely dissolved into a more and more formless brightness, the only contour in it being my blue sea bag. “Sea bag on the mountain ridge,” I caught myself mumbling as I was falling asleep. Then I swam for hours in the Arctic Ocean, which froze solid around me. Suddenly I felt fingertips on my face, no contact could have been warmer or more real, and a familiar voice said to me: “My dearest!” But when I opened my eyes in the darkness, no one was there; only a crackling that grew louder and louder, closer and closer; then a crash, but the wild beast proved to be my sea bag, which had tipped over.
 
I got up before first light and made my way along the ridge, step by step. That's how I wanted it; I wanted at last, like the barefoot child on the path beside my father at the border between night and day, to pick out every detail signifying the start of day and everything else besides; I wanted at last to repeat the adventure of “existence.” But it didn't work. In my childhood, the primordial world had imprinted itself on my mind along with the separate drops of early-morning rain, which dug tiny craters in the dust of the path; but now everything was the primordial world—the rain gushing out of the dark sky as it had been falling since the world began, the smoke rising from the black earth as though from clefts in lava, the gray-on-gray of the wet, cold rock, the creepers catching at my feet, the absent wind—thus, nothing could take the form of that pattern in the dust. Perhaps the hand-in-hand-with-my-father was lacking or the closeness to the ground, something the present narrator can sense but not so the child's successor up there on the mountain ridge; in that case, might it not be possible to renew an experience not so
much by imitating or aping it as by retracing and actively reliving it? Instead of the glow rising from the dust craters, as though the sun itself were rising right here on the planet, I perceived nothing on my solitary march but a dismal dawning in which all shapes, even those of the night, dissolved, and no feeling of a sun, however distant, was born; and now, stumbling over rocks and roots in the gray of dawn, freezing and sweating at once, soaked to the skin, my wet, lumpy sea bag growing heavier and heavier on my back, I found myself repeating, not my childhood walks with my father, but my soldier-brother's plodding through a wasteland into a battle that was lost in advance; instead of a path through fields, a military highway. Though I was sure of going westward, I thought with anger that I was being sent to the east like my brother years ago, and though I was heading exactly for my desired destination, I was plagued by the thought that every step was carrying me farther away from the place that was my one and all. Was the first warning cry of the marmot addressed not to its fellows but to me? Wasn't the albino-pale mountain hare, darting out of the clouds and passing me by with a squeak, a symbol of catastrophic flight?
 
Such were my angry, oppressive thoughts, yet nothing could deflect me from my path. At daybreak the rain let up and I started the descent into the still-hidden Isonzo Valley. There was no discernible trail, but I would make one. And, to be sure, I discovered in myself the light-footedness of my father's speech on the mountain crest, a quick, steady leaping from boulder to boulder, without halt or hesitation. It even gave me
pleasure, a pleasure which increased in one place where a bit of rock climbing became necessary. There, Father, I was on all fours, but erect; I felt a simultaneous pull in my fingertips and the balls of my feet, as I never did in the physical labors you gave me to do. I reached the foot of the little wall alive, and plunged into the light of the sun, which actually appeared at that moment.
That brought me to the southern tree line. I still had a long, but easy, hike ahead of me. As I went on, I was overcome with something different from fear of lightning or wild beasts or falling. In telling me about his solitary expeditions as a young geographer, my teacher said that he hadn't felt free until he left “the last signs of hunters” behind him. I, on the contrary, far from any settlement, in a spot where I could be almost certain that no one else would turn up (and no one knew I was there), fell a prey to anxiety, to fear of a monster—and I myself was the monster. Vanished was every contact with a world; instead, a pallid light, through which, harried by the bloodhound that had suddenly erupted within me, the monster named Alone wandered blindly. And then another jolt, which was at the same time recollection. Had I given myself that jolt, or did it just happen? It happened, and it was I who gave it to my wandering self. Sometimes, as a boy, I had encountered myself in that way, usually on waking, and always at times when I felt threatened. My anxiety turned to terror, as if the end had come, and my terror into a dread with which, reduced to a tumor, I waited—unable to stir a muscle—for the tumor to be removed. But it wasn't. Instead, an utter stranger appeared and that stranger was I. It was “I,” written with a capital letter, because it wasn't just anybody; gigantic and space-filling
it stood over me, paralyzing my tongue and my limbs; it was my written name. My dread became amazement (to which for once the word “boundless” applied), the evil spirit became a good one, the tumor became a creature, toward which in my imagination, instead of the ominous one finger, a whole kindly hand pointed—and with the appearance of this “I,” it was as though I had just been created: wide-open eyes, ears that were pure listening. (Today, alas, my wonderment at that incomprehensible “total I” refuses to reappear; it seems to have departed from me forever, and this may have something to do with the guilt which has become a part of me at the age of forty-five, and leaves me alone with my often depressing reason, whereas I see my twenty-year-old “I” in a state of grace, in the madness of innocence. Madness? There in the wilderness it was madness that cured me of my fear.)
Reassured, I went my way, with myself on my back, not as a burden, but as protection. I had no sooner reached the forest than I heard a crashing behind me, and a boulder came hurtling between the trees. In the moss a buzzing, as if a swarm of flies had been shooed away from a dung heap—that was a moss-green snake rearing its head and hissing at me. I brought myself to admire it. The skeleton under the pile of brushwood was a roebuck's; it had horns on its head; I took head and horns with me for a while, then I threw them away. While crossing a pathless clearing covered with chest-high ferns, I took time to listen to the humming of the invisible and otherwise soundless birds in the ferns at my feet. It was not inconsistent with my carefree mood that I was glad to catch sight of an overgrown path, which in descending widened into an old road, and was even happier to see the first fresh wagon tracks and the
groove made by the brake claw—it was that steep—in the middle strip of grass. At the sight of this groove, of the clods of mud ripped up by the brake, the oily water in the deep black, glistening wheel ruts, the horseshoe marks, the boot prints of the driver walking beside the wagon (the writing on the soles had left a clear imprint), it even seemed to me that a whole orchestra was starting to play, and this most delicate of all melodies has remained to this day my ideal of music. Then came the first cheeping of sparrows and the barking of dogs. Though it was beginning to rain again, I sat down by the roadside and ate a few blackberries, which here on the southern slope were beginning to ripen. I took off my shoes and let the “sky water” wash my aching feet. I was so hot that the sweat was steaming off me. The shiny handle of my flashlight showed me a face plastered with pine needles. Since the berries failed to quench my thirst, I drank of the warm rainwater as I walked. The elder bush at the entrance to the village was already sprinkled black; next to it, bearing fruit that seemed to grow straight out of its branches, an adventure: my first fig tree. At the foot of the village terrace a desert of white stone, with a bright green stripe twining through it—the So
a, or Isonzo.
I had been roaming about for two days, and now in security I thought, as I often did later on “arriving safely,” that I hadn't wandered nearly long enough. Security? In my whole life, I have never once felt myself in security.
 
I spent only a night and a day in the Upper Isonzo Valley. I slept in Tolmin, the largest town in the valley; its coat-of-arms shows the river's meanders, crisscrossed by the pitchforks of the peasant uprising. I found shelter
in the basement of a private house, where there were rooms for rent. There were spiders on the ceiling, and after midnight the cellar smell was fortified by the stench of vomit. In the next room a man retched loudly, wordlessly, and uninterruptedly until dawn. When I got up, there was no one in the kitchen-living room but a mute child with a cat on his lap; his parents had already gone out to work. I put the money on the table, took breakfast at the inn, and breathed deeply at the sight of the bread.
An old road leads along the terrace where the villages are situated. I headed up the river for Kobarid, or Karfreit; at first the Isonzo lay far below me, then it came closer; on the far side of it I saw pastureland, with windowless and chimneyless huts for hay. At a place where the road touched the meandering river, I went down to the bank, took my clothes off in the rain, and let myself down from an overhanging rock into the current, which from a distance had looked so furious but wasn't so bad once I was in it. Up ahead of me, the river split in two. The water was up to my shoulders; having just come down from the mountains, it was ice-cold; for a moment it stabbed me in the pit of my stomach. I swam against the stream with all my might and noticed after a hundred counted strokes that I was still on a level with the stone where I had left my clothes. I stood up and with my head barely above water surveyed the countryside, which, seen in that perspective, became part of a strange continent, a single shimmering flow from all sides, subdivided only by tongue-shaped gravel banks, surmounted by swaths of mist and fringed by mountains dark with conifers and veiled in rain, the ever-active watershed for these nameless streams. So
a? Isonzo? The desolation that extended from the
tip of my chin to a bow-shaped peak lit by a distant sun, nothing but cold river water and warm rain, made me think of a primeval world that doesn't want to be named but only to stand alone for itself. But then in the middle of the river I sighted, one after another, three fellow swimmers, evidently—to judge by the outline of their undershirts on their otherwise brown arms—workers taking a midday break. They were swimming fast and shouting, one louder than the next; they soon disappeared from view (I saw them later on the road in a file of gravel trucks). So
a or Isonzo? Which suited the river better, the feminine Slovene or the masculine Italian name? For me, I thought, masculine would be better; for the three workers, feminine. As I resumed my march on the road, I felt a warming hand between my shoulder blades, and my shoes became slowly gliding dugout canoes.

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