Authors: William Shakespeare
Preparation of
“Richard III
in Performance” was assisted by generous grants from the CAPITAL Centre (Creativity and Performance in Teaching and Learning) of the University of Warwick, for research in the RSC archive at the Shakespeare Birthplace Trust. The Arts and Humanities Research Council (AHRC) funded a term’s research leave that enabled Jonathan Bate to work on “The Director’s Cut.”
Picture research by Helen Robson and Jan Sewell. Grateful acknowledgment is made to the Shakespeare Birthplace Trust for assistance with picture research (special thanks to Helen Hargest) and reproduction fees.
Images of RSC productions are supplied by the Shakespeare Centre Library and Archive, Stratford-upon-Avon. This library, maintained by the Shakespeare Birthplace Trust, holds the most important collection of Shakespeare material in the UK, including the Royal Shakespeare Company’s official archives. It is open to the public free of charge.
For more information see
www.shakespeare.org.uk
.
1.
Portrait of David Garrick (1745). Reproduced by permission of the Shakespeare Birthplace Trust.
2.
Directed by Bill Alexander (1984). Joe Cocks Studio Collection © Shakespeare Birthplace Trust.
3.
Directed by Sean Holmes (2003). Malcolm Davies © Shakespeare Birthplace Trust.
4.
Photograph of the set design for
Richard III
(2008). Lucy Barriball © Royal Shakespeare Company.
5.
Directed by Sam Mendes (1992). © Michael Le Poer Trench.
6.
Richard III
directed by Michael Boyd (2008). Ellie Kurttz © Royal Shakespeare Company.
7.
Reconstructed Elizabethan Playhouse © Charcoalblue.
Maya Angelou
•
A. S. Byatt
•
Caleb Carr
•
Christopher Cerf
•
Harold Evans
•
Charles Frazier
•
Vartan Gregorian
•
Jessica Hagedorn
•
Richard Howard
•
Charles Johnson
•
Jon Krakauer
•
Edmund Morris
•
Azar Nafisi
•
Joyce Carol Oates
•
Elaine Pagels
•
John Richardson
•
Salman Rushdie
•
Oliver Sacks
•
Carolyn See
•
Gore Vidal
GREY … DORSET
in the early scenes, these two may be treated as one figure
widow
historically she was betrothed, not married, to Prince Edward (son of King Henry VI), but in the play (following Hall’s chronicle) she is described as his wife/widow
Act 1 Scene 1
1.1
Location: near the Tower of London
1.1
solus
alone
2
son of York
i.e. Edward IV, whose father was Richard Duke of York (puns on “sun,” the emblem of the House of York)
3
loured
frowned threateningly
house
family (of York)
6
arms
armor, weapons
for
as
7
alarums
calls to arms/sudden attacks
8
dreadful
fearsome, inspiring dread
8
measures
stately dances
9
front
forehead
10
barbèd
armored
11
fearful
frightened (or possibly “frightening”)
12
capers
dances with leaping movements/has sex
12
chamber
plays on the sense of “vagina”
13
pleasing
attraction, delight
14
sportive
pleasurable/amorous/sexual
14
tricks
behavior, skills/sexual acts
15
court … looking-glass
i.e. gaze lovingly at myself in a mirror, flirt with my own reflection
16
rudely stamped
crudely formed, roughly printed with an image
16
want
lack
17
wanton
flirtatious, lascivious
17
ambling
sauntering, walking with a sexy rolling gait
18
curtailed
deprived, cut short (literally refers to the docking of a dog’s tail)
19
feature
a pleasing shape
19
dissembling
cheating, deceitful
20
sent … time
i.e. born prematurely
21
made up
fully formed
22
unfashionable
odd-looking, inelegant/poorly shaped
23
halt
limp
24
piping
characterized by pastoral pipes, rather than warlike instruments/shrill, weak, contemptible
27
descant
improvise variations on (musical term), i.e. ponder, comment
29
entertain
pass enjoyably
29
well-spoken
courteous, harmonious
30
determinèd
resolved/destined
32
inductions
initial steps, preparations
37
subtle
cunning, sly
37
false
dishonest, disloyal
38
mewed up
imprisoned, cooped up (like a caged bird of prey)
39
About
as a result of
39
“G”
Clarence’s first name is George; Richard, however, is the Duke of Gloucester
43
waits upon
attends
45
Tend’ring
holding dear, being concerned for (ironic)
46
conduct
escort
46
th’Tower
the Tower of London
50
commit
imprison
50
godfathers
sometimes responsible for the naming of the child at baptism
51
belike
probably/perhaps
52
new-christened
a grim anticipation of Clarence’s death by drowning
53
matter
reason
54
protest
declare
56
hearkens after
listens to
57
cross-row
alphabet (prefixed by a cross in children’s primers)
59
issue
children
60
for
because
62
toys
whims, trifles
66
lady Grey
Elizabeth’s title before her marriage to Edward: Richard is being contemptuous
68
worship
repute, honor
69
Anthony Woodville
i.e. Earl Rivers
71
delivered
released
74
night-walking heralds
secret, night-time messengers (a night-walker also meant a thief or a prostitute)
75
trudge betwixt
go to and fro between
75
Mistress
usual title for a woman; perhaps here with suggestive play on the sense of “lover” or even “female master”
75
Mistress Shore
Jane Shore, wife of a London goldsmith and Edward IV’s lover; she later became Hastings’ mistress
76
suppliant
petitioner
77
delivery
release from prison
78
complaining
appealing, lamenting, pleading
78
her deity
a mocking title for Mistress Shore
79
Lord Chamberlain
i.e. Hastings
82
men
servants (perhaps with sexual connotations)
82
livery
uniform indicating whom one served (
wear her livery
may play on a sense of “have sex with her”)
83
o’erworn
worn out (like old clothing/sexually)
83
widow
i.e. Queen Elizabeth
84
dubbed them
conferred on them the rank of
85
gossips
chatterers/godparents
87
straitly … charge
strictly ordered
89
Of … soever
regardless of social rank
90
an
if it
94
Well … years
well advanced in age (Richard seems to pretend to mean “mature, wise” or “well-preserved”)
94
fair
attractive/just
96
passing
surpassingly, exceptionally
101
doth naught
Richard shifts the sense to “sexually penetrates her vagina”
104
betray me
i.e. by making me name the king as Shore’s lover
105
withal
moreover
106
Forbear
restrain, cease
107
charge
duty, instructions
108
abjects
varies “subjects” to incorporate sense of “contemptible outcasts”
112
enfranchise
free
114
Touches
affects
117
lie for you
take your place in prison (playing on the sense of “lie about you”)
119
perforce
of necessity (“patience perforce” was proverbial)
123
present
gift
124
new-delivered
recently released
128
brooked
tolerated
130
give them thanks
i.e. pay them back, have revenge
135
mewed
caged
136
kites and buzzards
inferior birds of prey
137
abroad
in the world
140
him
for him
142
diet
lifestyle
149
packed
packed off, dispatched
149
post-horse
all possible speed
151
steeled
strengthened with steel, reinforced
152
deep
cunning/secret
155
bustle
busy myself, be active
156
Warwick’s youngest daughter
i.e. Lady Anne Neville: having changed sides, the Earl of Warwick died fighting against the House of York
157
her husband
Anne Neville was not in fact married to Prince Edward (Henry VI’s son) although she had been betrothed to him before his death
157
father
father-in-law. i.e. Henry VI
161
close
concealed
162
reach unto
strive to carry out
163
run … market
i.e. get ahead of myself (proverbial)
Act 1 Scene 2
1.2
Location: a London street
1.2
halberds
long-handled weapons with axelike heads
2
shrouded
concealed/wrapped in a shroud
2
hearse
probably here an open coffin, or litter beneath a frame supporting a funereal cloth
3
obsequiously
in a manner proper to the dead
4
Lancaster
i.e. Henry VI, former head of the House of Lancaster
5
key-cold
cold as a metal key (proverbial)
6
ashes
i.e. remains, lifeless body
8
Be it
let it be
8
invocate
invoke, call upon
12
Lo
look
12
windows
vents, i.e. wounds
13
balm
healing ointment/substance with which the dead are anointed (i.e. tears)
17
direful hap
dreadful fortune
17
betide
befall, happen to
19
spiders, toads
thought to be poisonous
21
abortive
monstrous, deformed