Roast Mortem (41 page)

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Authors: Cleo Coyle

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Wet or washed processing:
Special equipment and large quantities of water are needed to execute this processing method, which gradually strips away the layers of soft fruit that surround the hard coffee beans. The beans are then dried in the sun or machine dried in large tumblers. This processing method, used in major Latin American coffee-growing countries (except Brazil), produces more consistent, cleaner, and brighter flavored coffees than the dry method.
 
Semidry or pulped processing:
This method is a kind of combo of both. Water is used to remove the skin of the fruit but not the pulp (or flesh), which is left on and allowed to dry on the bean. After it is dried, the pulp is removed by machine. This method, which is used in Brazil and (a variation of it) in Indonesia, produces coffee that has the fruity and floral notes of dry processing with the clarity of wet processing.
 
Home roasting:
After green coffee is fully processed, it is ready for roasting. Until the early twentieth century, coffee was primarily roasted in the home, over fires or on stoves, using pans or a hand-turned drum appliance. In the eighteenth, nineteenth, and early twentieth centuries, stores and cafés also used small “shop roasters” (also called micro-roasters) to roast fresh coffee for their customers.
As the twentieth century progressed, however, coffee roasting became a major commercial endeavor. Preground, packaged coffee roasted in factories overwhelmed the market. Home roasting disappeared along with most small shop roasters until late in the twentieth century when coffee drinkers rediscovered the superior quality of freshly roasted coffee. Now the United States and other industrialized countries are enjoying a Renaissance of “small batch” or “boutique” roasting.
These days, a variety of small appliances are available that allow you to roast your own green coffee at home. To learn more, visit the Sweet Maria Web site, which sells home roasting equipment, green beans, and includes information for the home roasting enthusiast:
www.sweetmarias.com
. Kenneth Davids's excellent book
Home Coffee Roasting
is another great resource.
 
Roasting Stages
 
Given all of the factors that can influence a coffee's flavor, roasting has the greatest impact. As Clare well knew from her Village Blend roasting room, “The right kiss of heat would bring out the absolute best flavors in these green beans—and the wrong would destroy them forever.”
The roasting itself goes relatively quickly, 11 to 18 minutes. Here is a short list of very basic steps that should give you a general overview of a typical
small-batch
roasting process.
 
Stage 1—Raw Green Coffee:
The green, grassy-smelling beans are released from the roaster's hopper into its large drum. The drum continually turns the beans to keep them from scorching. As the beans dry and cook, they start to turn yellow to yellow-orange in color and give off aromas like toasted bread, popcorn, or buttery vegetables.
 
Stage 2—Light, Cinnamon, New England-Style:
As they continue to roast, sugars start to caramelize and the beans begin to smell more like roasting coffee. At around 400°F, the small, hard green bean doubles in size, becomes a light brown color, and gives off a popping or cracking sound, which is why this stage is called “the first crack” stage. What the master roaster is seeing now is the change in the chemical composition of the bean. (The process is called
pyrolysis
and it includes a release of carbon dioxide.) The acidity or “bright” notes in this coffee will be powerful, and its unique characteristics (based on the origin and processing of the beans) will be pronounced, but the body will be pretty thin. The surface of the light brown bean will be dry because the flavor oils are still inside.
 
Stage 3—Light-Medium, American Style:
The temperature rises to about 415°F and the color of the bean changes from light brown to medium brown. The acidity or “bright” notes are still there but not as strong. The characteristics of the varietals will still be pronounced but the body will be fuller. For residents of the East Coast of America, this is the traditional roasting style.
 
Stage 4—Medium, City:
The temperature rises from 415° to 435°F and the color of the bean is a slightly darker medium brown. The subtle flavor notes in the varietals are not as strong but still quite clear, the acidity or “brightness” is still present, and the body is even fuller. This is the traditional style for the American West.
 
Stage 5—Dark-Medium, Full City, Viennese Style:
Now we are moving toward “the second crack” stage (this stage sounds less like corn popping and more like paper crinkling). This second
pyrolysis
usually happens between 435° and 445° F, the roast color is dark medium brown, and the beans begin to take on a slick sheen as the roasting “sweats out” the oils. The smell in the air is sweeter, the body of this coffee is heavier, the acidity or “brightness” more subdued. Coffees with more pronounced characteristics (such as Kenyan) will retain their strong flavor notes, but those with subtler notes will be lost to the increasing caramelized “dark roast” flavor of the process. Coffee drinkers in the Pacific Northwest, including northern California, traditionally enjoy this style of roast.
 
Stage 6—Dark, Darker, Darkest:
Continuing to roast from this point will yield increasingly darker styles of roasted coffee. (See the basic styles and temperatures below.) Sugars continue to caramelize and more oils will be forced to the surface. The roasting smells turn from sweeter to more pungent and finally smoky. Pushed to the limit, beans will turn very dark and shiny, taking on intense flavors before they become completely black, charred, and worthless.
* Espresso, European Style:
(445° to 455°F) This style of roast displays a moderately dark-roast flavor.
* French, Italian:
(455° to 465°F) This style has more of a bittersweet dark-roast taste. While too pungent for some coffee drinkers, these roasts will stand up to mixing with milk and other flavorings to create coffee drinks.
* Dark French, Spanish:
(465° to 475°F) The more bitter side of the “bittersweet” flavor is displayed here. A smoky taste may also be present. As the beans continue to roast, charred notes will begin to appear, and regardless of their origin all beans will begin to taste about the same.
Stage 7—Cooling:
The master roaster will monitor this process by temperature gauges but also by sound (crack or pop), smell, and sight (bean color). When the desired roast style is achieved, the process is stopped by the release of the beans from the heated drum. The still-crackling beans fall into a cooling tray where fans and stirring paddles quickly bring down their temperature. When completely cooled, they are ready for grinding, brewing, and (finally!) drinking.
RECIPES
With a contented stomach, your heart is forgiving; with an empty stomach, you forgive nothing.
—Italian proverb
 
Eat with joy!
—Cleo Coyle
Madame's Osso Buco
See photos of this recipe at
www.CoffeehouseMystery.com
 
Osso Buco (or
ossobuco
) is an elegant and beloved Italian dish of veal shank braised in wine and herbs. The shank is cut across the bone to a thickness of roughly 3 inches, browned, and then braised. Braising is a very slow cooking process, but preparing the dish itself is relatively simple, and the results pay off with rich, borderline orgasmic flavor. This is the recipe Madame shared with Diggy-Dog Dare in the Elmhurst ER. It was taught to her by Antonio Allegro, her first husband and Matt's late father.
Makes 3-4 servings
3-4 veal shank crosscuts, about 3 inches thick (see your butcher)
½ teaspoon sea salt
½ teaspoon freshly ground black pepper
½ cup all-purpose flour
3 tablespoons olive oil
1 large yellow onion, diced
1 large carrot, diced
4 celery stalks (hearts), sliced
4 garlic cloves, minced
1 cup dry white wine (such as Pinot Grigio)
1-2 cups chicken or veal stock (see note)
1 tablespoon minced fresh rosemary
1 teaspoon minced fresh thyme
Gremolata (a simple garnish; recipe follows)
 
Step 1—Brown the shanks:
Preheat oven to 350° F. Season shanks with salt and pepper, then dredge in flour and set aside. Heat the olive oil in a Dutch oven over medium-high heat until the oil is rippling but not smoking. Place the veal in the hot oil and sear the shanks on both sides, turning once (about 4-5 minutes per side). Remove veal from oil and set aside.
 
Step 2—Prepare the aromatics:
Drain most of the fat and oil from the Dutch oven, leaving just enough to cover the bottom. Add the onion and cook for 6 minutes, until brown. Add the carrot, stirring occasionally, about 3 minutes. Add the celery and garlic, stirring frequently, until they release their flavor and become aromatic, about 2 minutes. (Do not dump everything in at once, the order is important for the best flavor results.)
 
Step 3—Deglaze and prep the broth:
Add the wine to the pan, stirring to incorporate all the ingredients. Simmer for 4-5 minutes, until the wine is reduced by half. Return the veal shanks to the pan, along with all the juice it may have released while sitting. Add enough chicken or veal stock (about 1 to 2 cups) to cover the shanks about two thirds of the way.
 
Step 4—Simmer and braise the meat:
Over a low heat, bring the pot to a gentle simmer, then cover and transfer to hot oven. Braise for 2 hours, turning occasionally. Then add rosemary and thyme, and braise for one more hour, removing the lid during the last 15-20 minutes to cook off excess liquid.
 
Step 5—Make gravy and garnish:
Remove veal shanks. Keep warm and moist before serving by placing in a covered serving dish. Meanwhile, place the Dutch oven on the stovetop again and simmer the cooking liquid over high heat for 5-8 minutes, adding salt and pepper to taste. Now you're ready to serve! Plate your veal shanks, pour a bit of the hot gravy over each shank, and garnish with Gremolata. Eat immediately—you've waited long enough!
GREMOLATA:
 
Combine 2 tablespoons of finely chopped fresh Italian (flat-leaf) parsley, 1 minced garlic clove, and 1 teaspoon lemon zest (grated lemon peel).
 
Madame's Note on Veal Stock:
If purchasing your veal shanks from a butcher, ask for the top of the shank, which is mostly bone (this is usually discarded) and use it to make your own veal stock. Making stock is a snap. Simply simmer these extra bones in 4 cups of water. Throw in any of your favorite aromatics (1 tablespoon of fresh thyme, rosemary, and parsley, for example), add a bay leaf, a chopped onion, a celery stalk or two, salt and pepper. Simmer for an hour, strain out the liquid, and there is your stock!
Clare Cosi's Jim Beam Bourbon Steak
This outrageous blend of earthy beef with “spirited” brightness makes for a superb gastronomic experience. To help firefighters, Clare happily recommends purchasing a bottle of Jim Beam bourbon with the Terry Farrell Firefighters Fund label. To see what this inspiring label looks like, visit the following Web site, where you can also learn more about the fund, named after one of the fallen heroes of 9/11:
www.jimbeam.com/partnerships/terry-farrell-fund
Makes 2 servings
 
⅓ cup aged bourbon (Jim Beam in the Terry Farrell bottle!)
¼ cup cold strong coffee or espresso
4 tablespoons sesame oil
3 tablespoons Worcestershire sauce
1 teaspoon freshly ground black pepper
2 T-bone, rib-eye, or shell steaks (2-3 pounds total)
 
Whisk together the bourbon, coffee, oil, Worcestershire sauce, and pepper and pour into a shallow dish or pan that is large enough to hold 2 steaks flat (single layer, no overlapping). Cover the dish, pan, or container with plastic wrap, and marinate the meat for 1 hour in the refrigerator, then flip and marinate for a second hour. Sauté the steaks in a large cast-iron skillet over medium-high heat, about 5 minutes per side for medium rare, or 7-8 minutes per side for medium well. You can also broil or grill them. Eat with joy!
Clare Cosi's Crab Cakes
There are two keys to good crab cakes: (1) keep the binders to a minimum so you can taste the meat, and (2) form the cakes a few hours before cooking so they can be chilled in the fridge, which will help them stay together during the cooking process. As for the meat, fresh lump crab meat from blue crabs will give you an authentic Maryland-style cake. But if you can't get fresh, a good quality canned will certainly work, too. Clare likes to brush the chilled cakes with a beaten egg just before final breading and frying. This is certainly more of an Italian-style method of frying seafood than a traditional Maryland-style, but Clare believes this step adds a delicate layer of flavor while helping to keep the cakes together during cooking. For an accompaniment to this dish, try Clare's Thai-Style Seafood Sauce (page 330) and her Sweet and Tangy Thai-Style Coleslaw (page 331).
Makes 8 crab cakes
 
5 eggs
1 cup unseasoned bread crumbs (not panko)
½ cup freshly squeezed lemon juice (from about 2 lemons)
½ cup scallions, chopped (white and green parts)
1 teaspoon dry, ground, or powdered mustard (all are the same!)
½ teaspoon Worcestershire sauce
½ teaspoon sea salt
½ teaspoon freshly ground white or black pepper
1 pound Maryland blue crabmeat
(or canned backfin or jumbo lump)
1 cup peanut or canola oil
½ cup panko (Japanese bread crumbs for coating)

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