Romola (62 page)

But the Loggia was well guarded by the band under the brave Salviati; the soldiers of the Signoria assisted in the repulse; and the trampling and rushing were all backward again towards the Tetto de' Pisani, when the blackness of the heavens seemed to intensify in this moment of utter confusion; and the rain, which had already been felt in scattered drops, began to fall with rapidly growing violence, wetting the fuel, and running in streams off the platform, wetting the weary hungry people to the skin, and driving every man's disgust and rage inwards to ferment there in the damp darkness.

Everybody knew now that the Trial by Fire was not to happen. The Signoria was doubtless glad of the rain, as an obvious reason, better than any pretext, for declaring that both parties might go home. It was the issue which Savonarola had expected and desired; yet it would be an ill description of what he felt to say that he was glad. As that rain fell, and plashed on the edge of the Loggia, and sent spray over the altar and all garments and faces, the Frate knew that the demand for him to enter the fire was at an end. But he knew too, with a certainty as irresistible as the damp chill that had taken possession of his frame, that the design of his enemies was fulfilled, and that his honour was not saved. He knew that he should have to make his way to San Marco again through the enraged crowd, and that the hearts of many friends who would once have defended him with their lives would now be turned against him.

When the rain had ceased he asked for a guard from the Signoria, and it was given him. Had he said that he was willing to die for the work of his life? Yes, and he had not spoken falsely. But to die in dishonour—held up to scorn as a hypocrite and a false prophet? "O God!
that
is not martyrdom! It is the blotting out of a life that has been a protest against wrong. Let me die because of the worth that is in me, not because of my weakness."

The rain had ceased, and the light from the breaking clouds fell on Savonarola as he left the Loggia in the midst of his guard, walking as he had come, with the Sacrament in his hand. But there seemed no glory in the light that fell on him now, no smile of heaven: it was only that light which shines on, patiently and impartially, justifying or condemning by simply showing all things in the slow history of their ripening. He heard no blessing, no tones of pity, but only taunts and threats. He knew this was a foretaste of coming bitterness; yet his courage mounted under all moral attack, and he showed no sign of dismay.

"Well parried, Frate!" said Tito, as Savonarola descended the steps of the Loggia. "But I fear your career at Florence is ended. What say you, my Niccolo?"

"It is a pity his falsehoods were not all of a wise sort," said Macchiavelli, with a melancholy shrug. "With the times so much on his side as they are about Church affairs, he might have done something great."

The next day was Palm Sunday, or Olive Sunday, as it was chiefly called in the olive–growing Valdarno; and the morning sun shone with a more delicious clearness for the yesterday's rain. Once more Savonarola mounted the pulpit in San Marco, and saw a flock around him whose faith in him was still unshaken; and this morning in calm and sad sincerity he declared himself ready to die: in front of all visions he saw his own doom. Once more he uttered the benediction, and saw the faces of men and women lifted towards him in venerating love. Then he descended the steps of the pulpit and turned away from that sight for ever.

For before the sun had set Florence was in an uproar. The passions which had been roused the day before had been smouldering through that quiet morning, and had now burst out again with a fury not unassisted by design, and not without official connivance. The uproar had begun at the Duomo in an attempt of some Compagnacci to hinder the evening sermon, which the Piagnoni had assembled to hear. But no sooner had men's blood mounted and the disturbances had become an affray than the cry arose, "To San Marco! the fire to San Marco!"

And long before the daylight had died, both the church and convent were being besieged by an enraged and continually increasing multitude. Not without resistance. For the monks, long conscious of growing hostility without, had arms within their walls, and some of them fought as vigorously in their long white tunics as if they had been Knights Templars. Even the command of Savonarola could not prevail against the impulse to self–defence in arms that were still muscular under the Dominican serge. There were laymen too who had not chosen to depart, and some of them fought fiercely: there was firing from the high altar close by the great crucifix, there was pouring of stones and hot embers from the convent roof, there was close fighting with swords in the cloisters. Notwithstanding the force of the assailants, the attack lasted till deep night.

The demonstrations of the Government had all been against the convent; early in the attack guards had been sent for, not to disperse the assailants, but to command all within the convent to lay down their arms, all laymen to depart from it, and Savonarola himself to quit the Florentine territory within twelve hours. Had Savonarola quitted the convent then, he could hardly have escaped being torn to pieces; he was willing to go, but his friends hindered him. It was felt to be a great risk even for some laymen of high name to depart by the garden wall, but among those who had chosen to do so was Francesco Valori, who hoped to raise rescue from without.

And now when it was deep night—when the struggle could hardly have lasted much longer, and the Compagnacci might soon have carried their swords into the library, where Savonarola was praying with the Brethren who had either not taken up arms or had laid them down at his command— there came a second body of guards, commissioned by the Signoria to demand the persons of Fra Girolamo and his two coadjutors, Fra Domenico and Fra Salvestro.

Loud was the roar of triumphant hate when the light of lanterns showed the Frate issuing from the door of the convent with a guard who promised him no other safety than that of the prison. The struggle now was, who should get first in the stream that rushed up the narrow street to see the Prophet carried back in ignominy to the Piazza where he had braved it yesterday—who should be in the best place for reaching his ear with insult, nay, if possible, for smiting him and kicking him. This was not difficult for some of the armed Compagnacci who were not prevented from mixing themselves with the guards.

When Savonarola felt himself dragged and pushed along in the midst of that hooting multitude; when lanterns were lifted to show him deriding faces; when he felt himself spit upon, smitten and kicked with grossest words of insult, it seemed to him that the worst bitterness of life was past. If men judged him guilty, and were bent on having his blood, it was only death that awaited him. But the worst drop of bitterness can never be wrung on to our lips from without: the lowest depth of resignation is not to be found in martyrdom; it is only to be found when we have covered our heads in silence and felt, "I am not worthy to be a martyr; the Truth shall prosper, but not by me."

But that brief imperfect triumph of insulting the Frate, who had soon disappeared under the doorway of the Old Palace, was only like the taste of blood to the tiger. Were there not the houses of the hypocrite's friends to be sacked? Already one–half of the armed multitude, too much in the rear to share greatly in the siege of the convent, had been employed in the more profitable work of attacking rich houses, not with planless desire for plunder, but with that discriminating selection of such as belonged to chief Piagnoni, which showed that the riot was under guidance, and that the rabble with clubs and staves was well officered by sword–girt Compagnacci. Was there not—next criminal after the Frate—the ambitious Francesco Valori, suspected of wanting with the Frate's help to make himself a Doge or Gonfaloniere for life? And the grey–haired man who, eight months ago, had lifted his arm and his voice in such ferocious demand for justice on five of his fellow–citizens, only escaped from San Marco to experience what
others
called justice— to see his house surrounded by an angry, greedy multitude, to see his wife shot dead with an arrow, and to be himself murdered, as he was on his way to answer a summons to the Palazzo, by the swords of men named Ridolfi and Tornabuoni.

In this way that Masque of the Furies, called Riot, was played on in Florence through the hours of night and early morning.

But the chief director was not visible: he had his reasons for issuing his orders from a private retreat, being of rather too high a name to let his red feather be seen waving amongst all the work that was to be done before the dawn. The retreat was the same house and the same room in a quiet street between Santa Croce and San Marco, where we have seen Tito paying a secret visit to Dolfo Spini. Here the Captain of the Compagnacci sat through this memorable night, receiving visitors who came and went, and went and came, some of them in the guise of armed Compagnacci, others dressed obscurely and without visible arms. There was abundant wine on the table, with drinking–cups for chance comers and though Spini was on his guard against excessive drinking, he took enough from time to time to heighten the excitement produced by the news that was being brought to him continually.

Among the obscurely–dressed visitors Ser Ceccone was one of the most frequent, and as the hours advanced towards the morning twilight he had remained as Spini's constant companion, together with Francesco Cei, who was then in rather careless hiding in Florence, expecting to have his banishment revoked when the Frate's fall had been accomplished.

The tapers had burnt themselves into low shapeless masses, and holes in the shutters were just marked by a sombre outward light, when Spini, who had started from his seat and walked up and down with an angry flush on his face at some talk that had been going forward with those two unmilitary companions, burst out—

"The devil spit him! he shall pay for it, though. Ha, ha! the claws shall be down on him when he little thinks of them. So
he
was to be the great man after all! He's been pretending to chuck everything towards my cap, as if I were a blind beggarman, and all the while he's been winking and filling his own scarsella. I should like to hang skins about him and set my hounds on him! And he's got that fine ruby of mine, I was fool enough to give him yesterday. Malediction! And he was laughing at me in his sleeve two years ago, and spoiling the best plan that ever was laid. I was a fool for trusting myself with a rascal who had long–twisted contrivances that nobody could see to the end of but himself."

"A Greek, too, who dropped into Florence with gems packed about him," said Francesco Cei, who had a slight smile of amusement on his face at Spini's fuming. "You did
not
choose your confidant very wisely, my Dolfo."

"He's a cursed deal cleverer than you, Francesco, and handsomer too," said Spini, turning on his associate with a general desire to worry anything that presented itself.

"I humbly conceive," said Ser Ceccone, "that Messer Francesco's poetic genius will outweigh—"

"Yes, yes, rub your hands! I hate that notary's trick of yours," interrupted Spini, whose patronage consisted largely in this sort of frankness. "But there comes Taddeo, or somebody: now's the time! What news, eh?" he went on, as two Compagnacci entered with heated looks.

"Bad!" said one. "The people have made up their minds they were going to have the sacking of Soderini's house, and now they have been balked we shall have them turning on us, if we don't take care. I suspect there are some Mediceans buzzing about among them, and we may see them attacking your palace over the bridge before long, unless we can find a bait for them another way."

"I have it!" said Spini, and seizing Taddeo by the belt he drew him aside to give him directions, while the other went on telling Cei how the Signoria had interfered about Soderini's house.

"Ecco!" exclaimed Spini, presently, giving Taddeo a slight push towards the door. "Go, and make quick work."

About the time when the two Compagnacci went on their errand, there was another man who, on the opposite side of the Arno, was also going out into the chill grey twilight. His errand, apparently, could have no relation to theirs; he was making his way to the brink of the river at a spot which, though within the city walls, was overlooked by no dwellings, and which only seemed the more shrouded and lonely for the warehouses and granaries which at some little distance backward turned their shoulders to the river. There was a sloping width of long grass and rushes made all the more dank by broad gutters which here and there emptied themselves into the Arno.

The gutters and the loneliness were the attraction that drew this man to come and sit down among the grass, and bend over the waters that ran swiftly in the channelled slope at his side. For he had once had a large piece of bread brought to him by one of those friendly runlets, and more than once a raw carrot and apple–parings. It was worth while to wait for such chances in a place where there was no one to see, and often in his restless wakefulness he came to watch here before daybreak; it might save him for one day the need of that silent begging which consisted in sitting on a church–step by the wayside out beyond the Porta San Frediano.

For Baldassarre hated begging so much that he would perhaps have chosen to die rather than make even that silent appeal, but for one reason that made him desire to live. It was no longer a hope; it was only that possibility which clings to every idea that has taken complete possession of the mind: the sort of possibility that makes a woman watch on a headland for the ship which held something dear, though all her neighbours are certain that the ship was a wreck long years ago. After he had come out of the convent hospital, where the monks of San Miniato had taken care of him as long as he was helpless; after he had watched in vain for the Wife who was to help him, and had begun to think that she was dead of the pestilence that seemed to fill all the space since the night he parted from her, he had been unable to conceive any way in which sacred vengeance could satisfy itself through his arm. His knife was gone, and he was too feeble in body to win another by work, too feeble in mind, even if he had had the knife, to contrive that it should serve its one purpose. He was a shattered, bewildered, lonely old man; yet he desired to live:
he
waited for something of which he had no distinct vision—something dim, formless—that startled him, and made strong pulsations within him, like that unknown thing which we look for when we start from sleep, though no voice or touch has waked us. Baldassarre desired to live; and therefore he crept out in the grey light, and seated himself in the long grass, and watched the waters that had a faint promise in them.

Meanwhile the Compagnacci were busy at their work. The formidable bands of armed men, left to do their will with very little interference from an embarrassed if not conniving Signoria, had parted into two masses, but both were soon making their way by different roads towards the Arno. The smaller mass was making for the Ponte Rubaconte, the larger for the Ponte Vecchio; but in both the same words had passed from mouth to mouth as a signal, and almost every man of the multitude knew that he was going to the Via de' Bardi to sack a house there. If he knew no other reason, could he demand a better?

The armed Compagnacci knew something more, for a brief word of command flies quickly, and the leaders of the two streams of rabble had a perfect understanding that they would meet before a certain house a little towards the eastern end of the Via de' Bardi, where the master would probably be in bed, and be surprised in his morning sleep.

But the master of that house was neither sleeping nor in bed; he had not been in bed that night. For Tito's anxiety to quit Florence had been stimulated by the events of the previous day: investigations would follow in which appeals might be made to him delaying his departure: and in all delay he had an uneasy sense that there was danger. Falsehood had prospered and waxed strong; but it had nourished the twin life, Fear. He no longer wore his armour, he was no longer afraid of Baldassarre; but from the corpse of that dead fear a spirit had risen— the undying
habit
of fear. He felt he should not be safe till he was out of this fierce, turbid Florence; and now he was ready to go. Maso was to deliver up his house to the new tenant; his horses and mules were awaiting him in San Gallo; Tessa and the children had been lodged for the night in the Borgo outside the gate, and would be dressed in readiness to mount the mules and join him. He descended the stone steps into the courtyard, he passed through the great doorway, not the same Tito, but nearly as brilliant as on the day when he had first entered that house and made the mistake of falling in love with Romola. The mistake was remedied now: the old life was cast off, and was soon to be far behind him.

He turned with rapid steps towards the Piazza dei Mozzi, intending to pass over the Ponte Rubaconte; but as he went along certain sounds came upon his ears that made him turn round and walk yet more quickly in the opposite direction. Was the mob coming into Oltrarno? It was a vexation, for he would have preferred the more private road. He must how go by the Ponte Vecchio; and unpleasant sensations made him draw his mantle close round him, and walk at his utmost speed. There was no one to see him in that grey twilight. But before he reached the end of the Via de' Bardi, like sounds fell on his ear again, and this time they were much louder and nearer. Could he have been deceived before? The mob must be coming over the Ponte Vecchio. Again he turned, from an impulse of fear that was stronger than reflection; but it was only to be assured that the mob was actually entering the street from the opposite end. He chose not to go back to his house: after all they would not attack
him
. Still, he had some valuables about him; and all things except reason and order are possible with a mob. But necessity does the work of courage. He went on towards the Ponte Vecchio, the rush and the trampling and the confused voices getting so loud before him that he had ceased to hear them behind.

For he had reached the end of the street, and the crowd pouring from the bridge met him at the turning and hemmed in his way. He had not time to wonder at a sudden shout before he felt himself surrounded, not, in the first instance, by an unarmed rabble, but by armed Compagnacci; the next sensation was that his cap fell off, and that he was thrust violently forward amongst the rabble, along the narrow passage of the bridge. Then he distinguished the shouts, "Piagnone! Medicean! Piagnone! Throw him over the bridge!"

His mantle was being torn off him with strong pulls that would have throttled him if the fibula had not given way. Then his scarsella was snatched at; but all the while he was being hustled and dragged; and the snatch failed—his scarsella still hung at his side. Shouting, yelling, half motiveless execration rang stunningly in his ears, spreading even amongst those who had not yet seen him, and only knew there was a man to be reviled. Tito's horrible dread was that he should be struck down or trampled on before he reached the open arches that surmount the centre of the bridge. There was one hope for him, that they might throw him over before they had wounded him or beaten the strength out of him; and his whole soul was absorbed in that one hope and its obverse terror.

Yes—they
were
at the arches. In that moment Tito, with bloodless face and eyes dilated, had one of the self–preserving inspirations that come in extremity. With a sudden desperate effort he mastered the clasp of his belt, and flung belt and scarsella forward towards a yard of clear space against the parapet, crying in a ringing voice—

"There are diamonds! there is gold!"

In the instant the hold on him was relaxed, and there was a rush towards the scarsella. He threw himself on the parapet with a desperate leap, and the next moment plunged—plunged with a great plash into the dark river far below.

It was his chance of salvation; and it was a good chance. His life had been saved once before by his fine swimming, and as he rose to the surface again after his long dive he had a sense of deliverance. He struck out with all the energy of his strong prime, and the current helped him. If he could only swim beyond the Ponte alla Carrara he might land in a remote part of the city, and even yet reach San Gallo. Life was still before him. And the idiot mob, shouting and bellowing on the bridge there, would think he was drowned.

They did think so. Peering over the parapet along the dark stream, they could not see afar off the moving blackness of the floating hair, and the velvet tunic–sleeves.

It was only from the other way that a pale olive face could be seen looking white above the dark water: a face not easy even for the indifferent to forget, with its square forehead, the long low arch of the eyebrows, and the long lustrous agate–like eyes. Onward the face went on the dark current, with inflated quivering nostrils, with the blue veins distended on the temples. One bridge was passed—the bridge of Santa Trinita. Should he risk landing now rather than trust to his strength? No. He heard, or fancied he heard, yells and cries pursuing him. Terror pressed him most from the side of his fellow–men: he was less afraid of indefinite chances, and he swam on, panting and straining. He was not so fresh as he would have been if he had passed the night in sleep.

Yet the next bridge—the last bridge—was passed. He was conscious of it; but in the tumult of his blood, he could only feel vaguely that he was safe and might land. But where? The current was having its way with him: he hardly knew where he was: exhaustion was bringing on the dreamy state that precedes unconsciousness.

But now there were eyes that discerned him—aged eyes, strong for the distance. Baldassarre, looking up blankly from the search in the runlet that brought him nothing, had seen a white object coming along the broader stream. Could that be any fortunate chance for
him
? He looked and looked till the object gathered form: then he leaned forward with a start as he sat among the rank green stems, and his eyes seemed to be filled with a new light. Yet he only watched—motionless. Something was being brought to him.

The next instant a man's body was cast violently on the grass two yards from him, and he started forward like a panther, clutching the velvet tunic as he fell forward on the body and flashed a look in the man's face.

Dead—was he dead? The eyes were rigid. But no, it could not be— Justice had brought him. Men looked dead sometimes, and yet the life came back into them. Baldassarre did not feel feeble in that moment. He knew just what he could do. He got his large fingers within the neck of the tunic and held them there, kneeling on one knee beside the body and watching the face. There was a fierce hope in his heart, but it was mixed with trembling. In his eyes there was only fierceness: all the slow–burning remnant of life within him seemed to have leaped into flame.

Rigid—rigid still. Those eyes with the half–fallen lids were locked against vengeance.
Could
it be that he was dead? There was nothing to measure the time: it seemed long enough for hope to freeze into despair.

Surely at last the eyelids were quivering: the eyes were no longer rigid, There was a vibrating light in them: they opened wide.

"Ah, yes! You see me—you know me!"

Tito knew him; but he did not know whether it was life or death that had brought him into the presence of his injured father. It might be death—and death might mean this chill gloom with the face of the hideous past hanging over him for ever.

But now Baldassarre's only dread was, lest the young limbs should escape him. He pressed his knuckles against the round throat, and knelt upon the chest with all the force of his aged frame. Let death come now!

Again he kept his watch on the face. And when the eyes were rigid again, he dared not trust them. He would never lose his hold till some one came and found them. Justice would send some witness, and then he, Baldassarre, would declare that he had killed this traitor, to whom he had once been a father. They would perhaps believe him now, and then he would be content with the struggle of justice on earth—then he would desire to die with his hold on this body, and follow the traitor to hell that he might clutch him there.

And so he knelt, and so he pressed his knuckles against the round throat, without trusting to the seeming death, till the light got strong and he could kneel no longer. Then he sat on the body, still clutching the neck of the tunic. But the hours went on, and no witness came. No eyes descried afar off the two human bodies among the tall grass by the riverside. Florence was busy with greater affairs, and the preparation of a deeper tragedy.

Not long after those two bodies were lying in the grass, Savonarola was being tortured, and crying out in his agony, "I will confess!"

It was not until the sun was westward that a waggon drawn by a mild grey ox came to the edge of the grassy margin, and as the man who led it was leaning to gather up the round stones that lay heaped in readiness to be carried away, he detected some startling object in the grass. The aged man had fallen forward, and his dead clutch was on the garment of the other. It was not possible to separate them: nay, it was better to put them into the waggon and carry them as they were into the great Piazza, that notice might be given to the Eight.

As the waggon entered the frequented streets there was a growing crowd escorting it with its strange burden. No one knew the bodies for a long while, for the aged face had fallen forward, half hiding the younger. But before they had been moved out of sight, they had been recognised.

"I know that old man," Piero di Cosimo had testified. "I painted his likeness once. He is the prisoner who clutched Melema on the steps of the Duomo."

"He is perhaps the same old man who appeared at supper in my gardens," said Bernardo Rucellai, one of the Eight. "I had forgotten him. I thought he had died in prison. But there is no knowing the truth now."

Who shall put his finger on the work of justice, and say, "It is there"? Justice is like the Kingdom of God—it is not without us as a fact, it is within us as a great yearning.