Running with the Demon (44 page)

Then the feeders swarmed over her, and everything disappeared in a bright red haze.

George Paulsen ran from the Sinnissippi Townhomes and the screams of Enid Scott, his hands covering his face. He burst through the screen door of the Scott apartment with such force that he ripped it from its hinges and tore the skin from his hands. There was blood on him everywhere, and the stink of it was in his nostrils. But it was not from the screams or the blood or even the ragged, broken form he had left crumpled on the living-room floor that he fled.

It was from Evelyn Freemark.

She was right in front of him, a shimmering image come out of the ether, dark and spectral. No matter which way he turned, there she was. She whispered at him, repeating the words she had spoken earlier that day in the park, her dark warning of what would happen if he laid a hand on Enid Scott or her children. He screamed against the persistent sound of it, tearing at the air and at his own face. He ran mindlessly across the barren dirt yard into the roadway, desperate to escape.

The dark things bounded after him, the creatures that had
appeared as he beat aside Jared Scott’s futile defenses. They had encouraged him to hurt the boy; they had wanted the boy to suffer.

But now they were coming after him as well.

He could feel their hunger in the ragged sound of their breathing.

Oh, God! Oh, God!
He screamed the words over and over into the silence and the dark.

Staggering blindly up the roadway, he crested the rise that led out to Lincoln Highway, and a car came out of the lights of the buildings ahead. George Paulsen lurched aside as the car raced past, its horn blaring angrily. The dark things caught him then, bore him back against the cemetery fence, and began to rip him apart. His insides were being shredded beneath their claws and teeth; he could hear himself shriek. With the dark things clinging to him, he turned toward the cemetery fence and scrambled up the chain links. He reached the top, lost his footing, and slid back heavily. He grabbed for something to slow his fall, hooked his fingers into the mesh, and caught his neck on the exposed edges of a gap near the fence top.

Jagged steel sliced through soft flesh and exposed arteries, and George Paulsen’s blood gushed forth. He sagged weakly, pain flooding through him. The dark things slowed their attack, closing on him more deliberately, taking their time. He wouldn’t escape them now, he knew. He closed his eyes against his fear and desperation. They were touching him, their fingers dipping experimentally in his blood.
Oh, God!

A moment later, the life went out of him.

Chicago is afire. Everywhere the Knight of the Word looks the flames rise up against the darkening skyline, bleeding their red glare into the smoky twilight. It is an exceptionally hot, dry summer, and the parched grasses that fill the empty parks and push through the cracks in the concrete burn readily. The homes closest to the hollowed-out steel-and-glass monoliths of the abandoned downtown wait their turn, helpless victims of the destruction that approaches. Down along the piers and
shipyards, old storage tanks and fuel wells blaze brightly, the residue of their contents exploding like cannon shots
.

John Ross jogs quickly along the walkway bordering the Chicago River, moving south from the breach in the fortress walls. He carries his staff before him, but he has temporarily lost the use of its magic, the consequence of another of those times in the past when he was forced to call upon it—before the Armageddon, before the fall. Thus he must flee and hide as common men. Already, his enemies look for him. They have tracked him here, as they track him everywhere, and they know that somewhere in the conflagration he will be found. A Knight of the Word is a great prize, and those who find him will be well rewarded. But they know, too, that he will not be taken easily, and their caution gives him an edge
.

He has come late to the city’s fall. The attack has been in progress for months, the once-men and their demon masters laying siege to the makeshift walls and reinforced gates that keep the people within protected. Chicago is one of the strongest bastions remaining, a military camp run with discipline and skill, its people armed and trained. But no bastion is impregnable, and the attackers have finally found a way in. He is told they gain entry through the sewers, that there is no longer any way of keeping them out. Now the end is at hand, and there is nothing anyone can do but flee or die
.

Bodies line the streets, flung casually aside by those who leave them lifeless. Men, women, and children—no exceptions are made. Slaves are plentiful and food is scarce. Besides, a lesson is needed. Feeders slink through the shadows, working their way from corpse to corpse, seeking a shred of fading life, of pain, of horror, of helpless rage, of shock and anguish on which to feed. But the battle moves on to other places, and so the feeders follow after. Ross works his way along a brick wall fronting the postage-stamp yards of a line of abandoned brick homes, searching for a way out, listening to the screams and cries of those who have failed to do so. The attack shifts to a point ahead of him, and he recognizes the danger. He must turn back. He must find another way. But his options are running
out, and without the magic to protect him he is less certain of what he should do
.

Finally he begins to retrace his steps, angling west toward the outskirts of the city, away from Lake Michigan and the downtown. It will be nightfall soon, and the hunters will not find him so easily. If he can reach the freeways, he can follow them into the suburbs and be gone before they realize he has escaped. His throat is dry, and his muscles ache, for he has not slept in days. His coming to the city was in response to a dream that foretold of its destruction. But he is mistrusted everywhere, a Cassandra crying out in the wilderness of a crumbling Troy, and his warnings are ignored. Some would imprison him as a spy. Some would throw him from the walls. If they did not fear his magic, he would already be dead. It is a pointless, debilitating life he leads, but it is all he has left
.

He comes up against a firefight at an intersection in the streets and spins quickly back into a shadowed niche to hide from the combatants. Automatic weapons riddle wooden doors and pock brick walls and take the lives of everyone caught in their field of fire. The feeders frolic through the carnage, leaping and twisting with unrestrained glee, feeding on the rage and fear of the combatants. Killing is the most powerful form of madness and therefore the feeders’ strongest source of food, and they are drawn to it as flies to blood. No sounds come from them, nor is any form of recognition accorded them, for they are a silent, invisible presence. But in their lantern eyes Ross sees the pleasure they derive from the dark emotions the killing releases, and he is reminded of the Furies in the old Greek myths, driving insane those who had committed unconscionable crimes. If there were Furies in real life, he thinks, they would be mothers to these feeders
.

When the fighting dies away, he moves on, running swiftly toward the confluence of freeways that lead into the city from the west, anxious to find his way clear. Night slips down about him like window shades drawn against the smoky, fiery light of the city’s destruction. The smells that assail his nostrils are acrid and rank—charred flesh and blackened blood. Disease
will follow, and many of those who do not die in the fighting will die in the aftermath. Thousands are driven from this city into the wilderness. How many will survive to take refuge somewhere else?

He reaches the arterials winding into the main east/west freeway, but the attackers throng from all quarters before him, lining the four-lane, gathering for an unknown reason. He edges back cautiously and works his way down the backyards of houses and the shattered glass fronts of businesses to where those who celebrate do not mass so thickly. He finds a rise on which an abandoned housing development is settled, and he enters a house that gives him a clear view of the freeway leading in. From an upstairs window, he looks out on a grand procession approaching from the west. He uses his binoculars to get a clearer look, a cold suspicion beginning to surface
.

There, on the buckled, cracked ribbon of concrete that spreads like a length of worn pewter into the horizon, he sees the first lines of captured humans, shackled and bent as they shuffle forward in long trains, their lives spared so that they may serve as slaves. Cages on wheels contain those who will be accorded a special death. Heads strung on ropes and mounted on poles attest to the number who have found death already
.

Then he sees her. She rides on a flatbed wagon pulled by several dozen of those she has subjugated. She sits amid the demons who are her favorites, tall, regal, and as cold as death, queen of the destruction she surveys. Her history is legend. She was a world-class athlete who medaled twice in the Olympics. She became an activist, first for reform, later for revolution, gifted with charismatic speaking powers. She was revered and trusted by everyone, and she betrayed them all. Along the freeway, the once-men who serve her go quiet and bow their heads in obeisance. John Ross feels his stomach knot. Even from where he hides he can see the emptiness in her eyes. She is devoid of emotion, as dead inside as the creatures she has crushed in her passing. She is a pivotal figure in the Void’s
implacable war against the Word. She is John Ross’s greatest failure
.

He knew her when she was different, many years ago, when there was still time to save her
.

He knew her as Nest Freemark
.

N
est Freemark woke to the sound of voices, hushed and cautious outside her bedroom door. The big floor fan had been turned off and shoved to one side and the door closed, so she could not see who was there. She tried to pick up on what was being said, but the words were indistinct. She lay facing the door, staring at its familiar paneled frame, the bed-sheet pulled up to her chin, her fists clenched about the wrinkled border. She did not know when she had finally fallen asleep or how long she had slept. The room’s light was gray and muted, and the temperature cool, so she thought it might only be dawn. But when she looked at her bedside clock, she saw it was almost noon.

She took a deep breath and exhaled slowly, then turned over to look out the window. A small section of the sky was visible through the curtains. Clouds drifted slowly across the blue expanse, and the sun cast their shadows on the earth and marked their passing with changes in the light. The breeze that wafted through her open window smelled damp and fetid.

Had it rained during the night? Her thoughts drifted. Gran had always loved the sound of falling rain.

Her eyes teared, and she brushed at them quickly. She would not cry again—not right away. She had cried enough. She felt something scratchy against her bare elbow, and she reached beneath the covers to extract Gran’s crumpled note. She had found it beneath her pillow when her grandfather had finally gotten her to bed—after they had taken Gran away, after all the policemen, medics, firemen, and neighbors had gone, after
she had refused over and over again to go somewhere else for the night. Alone in the darkness of her room, trapped in the downward spiral of her sadness and rage, she had curled into a ball atop her sheets, the fan blowing cool air over her heated skin, her eyes scrunched tight against her horror and misery, and clutched her pillow to her face. That was when her fingers had come upon the note. She had pulled it out, opened it, and stared at it in disbelief. The note was from Gran. She had read it so many times since that she knew the words by heart.

She looked at the writing again now, trying to gain some new insight, to find hidden meaning behind the words. But the note was straightforward and the warning it contained unmistakable. Gran had written the note in the moments before she died. She had written it, in all probability, knowing she was going to die. Nest had thought it all through carefully, looking it over from every conceivable viewpoint, and argued the possibilities with herself until she was certain. The police and the firemen and the medics and the neighbors might agree among themselves that Gran was an old drunk who saw things that weren’t there and finally drank so much she took out a shotgun to blow away her phantoms and brought on the heart attack that killed her. They might dismiss her with a shrug, a few words of sympathy, and an unspoken conviction that anyone crazy enough to go around shooting holes in trees and fences was just asking for trouble. They might sleep a whole lot better living with that explanation than with the truth. But the fact remained that the truth was something else entirely. Gran wasn’t dead because she drank or she was crazy. She was dead because the demon had killed her.

I have enemies to eliminate
.

Nest could still hear his words, spoken to her in the blackness of the caves, disembodied and remote and rife with malice. The demon had gone about the business of eliminating Gran quite deliberately. He had taken great pains to sidetrack everyone who might protect her, and then he had come for her. Nest knew it was so. She had never been so certain of anything in her life.

Now Gran was warning her, in the crumpled note she held in her hands, that the demon was coming for her as well.

Why?

Nest had pondered the question all night and she still didn’t have an answer. She had assumed all along that the demon’s interest in her was strictly secondary to his interest in Gran or John Ross, that he was using her to get to them. But Gran’s note suggested that his intentions were more personal. Gran obviously believed the demon was after Nest as well.
Use your magic. Trust Wraith
. Gran could have written anything in those last few moments, but she had chosen to write this.