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Authors: Josa Young

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After a while she got up shakily and went over to the chest of drawers. She hadn’t thought about it for years but she went straight to where it was hidden under seldom-worn blouses at the back of the bottom drawer. The Waffen SS dagger – her trophy. She’d looked it up since to find out who and what her attacker had been. She reached under the soft cotton and silk and her hand touched cold steel. She carried the knife back to the bed and climbed under the covers.

The dagger had a theatrical look. A toy dagger for men who had never grown up, posturing in their black, skull-strewn uniforms and killing for real. She pulled up her nightdress and looked at the scar in the top of her thigh. It was quite white now, a little shiny mark about an inch wide. A wider scar than it should have been because it had never been stitched. She glanced back at her younger self, dealing with smashed limbs and boys dying in her arms without breaking down. But she had loved none of them and everyone else had been in the same boat.

She examined the clip that had held the dagger to the officer’s belt and tested the sharp tip with her finger. Along the blade were engraved the words in Gothic script
Meine Ehre heißt Treue
. A torment of remembering Melissa crashed into her and her mouth dropped open in helpless grief. The pain was appalling. A noise came out of her mouth. It frightened her and she pressed her lips together trying not to scream.

It would be so easy to stop the pain. To slip the blade between her ribs and let it out forever. Except it wouldn’t slip. It would have to be shoved, and there were no guarantees. A stupidly clumsy way to end her life. But to go to Melissa where she was now and comfort her? There was no certainty though that they would meet.

‘No.’ She could hear her voice echoing in the room. ‘No.’ She could not go to that place where Melissa had gone she had to stay here. For Arthur, for Melissa’s baby. For the boys.

She scrambled out of bed to put the dagger back before anyone came in, feeling weak and faint as she did so. Then she lay against her pillows letting the memory of her lost Melissa wash over her. Into her mind came words: ‘Lord, now lettest thou thy servant depart in peace.’

Melissa was so young, only twenty. How cruel was it to take her now, away from her baby and her mother as well? She hadn’t realised she had any tears left. She lifted the edge of the sheet to wipe them away. Crying was all she could do, she was so weak. After a while, her consciousness eased away from her again and she let it go, thankful for the release.

Forty-two

 

Damson

April 2009

 

Damson couldn’t move as Hari was still sucking his bottle. She was overrun by wave upon wave of shock, grief and horror. In her mind, she had always placed her dying mother in bed, or possibly in hospital, shying away from the details. Not this tormented scene in the lake.

‘Why didn’t I guess? Everyone was always so weird about it.’ Her voice rose, and Hari’s eyes snapped open. She calmed herself.

‘I think you know the answer to that. I am sorry now though that we didn’t tell you. I don’t think your mother did it on purpose. I’m sure in the end it was an accident. That’s what the inquest found.’

Her grandmother came over and sat down on the sofa beside her. Damson’s eyes filled with tears for the young woman who had died of a frightening disease and very nearly taken her baby with her. Puerperal psychosis crept up at her out of the misty lake like a monstrous thing, dragging her down. Why had no one realised she was so ill?

‘Do you think she was trying to kill me as well?’

‘No, I don’t, not at all. Pauline told me you were safely in the pram, with the hood up and the waterproof cover attached at the sides.’

Hari, replete now, was drowsing dreamily on her lap, his eyes half closed.

‘It was a long time ago and she’s at peace now.’

‘But she was so young. And I never knew her. She must have suffered so much.’

‘I know.’ Sarah looked stricken.

‘No wonder Munty always looked so crushed.’

‘He genuinely adored her. He was devastated.’

‘Why didn’t he stop her? Didn’t he notice there was something wrong?’

‘We can’t know. There was such a taboo around mental illness – there still is. He probably just thought she was tired. He knew nothing about childbirth or women. You know how reticent he is, even now.’

‘I always wondered why he avoided the lake. I remember when Margaret organised that extraordinary water and light show for the Millennium, he didn’t watch it. I found him sitting in his study looking sad. Too bound up in myself then to wonder why.’

Sarah went on, ‘When we visited after the birth, she seemed fine, just tired. Then I was ill for a long time and your grandfather insisted I stay quietly at home. We had organised a very experienced monthly nurse for Melissa, as you know, and the plan was for me to go and stay when her month was up and look after you and your mother. But I was still too ill, and Munty had employed Pauline from the village as a housekeeper to allow Melissa to rest. We thought she would be well looked after. It was such a shock.’

‘Granny, can you hold Hari, I think he’s had enough of his bottle.’

Sarah held out her hands and took the baby, putting him over her shoulder to wind him. Damson put on her wellington boots which were waiting by the door. She turned back to see her grandmother checking Hari’s nappy.

‘He’ll be fine, don’t worry about that. Do you mind watching him for me, for a bit?’

‘Of course I will. I’d love to. I’m just so sorry about all of it.’

‘I always wondered, I suppose. I am glad I didn’t know before I had Mellita though. I don’t know what I would have done. Something even more stupid probably.’

She could hear her grandmother protesting gently in the background, but she had to get outside, so she opened the door and let herself out, walking fast towards the lake. She found it sparkling in the spring sunshine, neatly landscaped in contrast to the muddy shore and rank grass of her childhood. She glanced at Margaret's fountain. Presumably she didn't know that Melissa had died in the water. She didn't believe her stepmother could be that tactless.

It would have been November when Melissa had waded into the icy water. Dead grey sky. Cold still air. She didn’t know of course. Helpless frustration stoked her anger and she clenched her fists and growled deep in her throat, the sound building and startling her as it came out of her mouth as a roar of ‘Hell and damnation. Why didn’t anyone stop her? Where were they all?’

She stared at the trees on the other side of the lake, trying once more to rip through the fabric of time between herself and Melissa, standing in that same spot separated only by the years.

Her own behaviour after she had had Mellita had been odd but she had always continued to function. She had wept and raged but had not wanted to destroy herself. Just waded on stubbornly against the muddy tide of her life never letting it overwhelm her. How much worse an experience had Sarah suffered, grieving so bitterly and never complaining. Had guilt made it worse?

Damson might have suffered the loss of a child but at least she knew that Mellita was alive somewhere. Where and doing what? She didn’t even know if Leeta had looked at her cache of photographs of Hari online.

She heard someone crunching across the gravel sweep behind her and turned to see Sarah approaching pushing the old-fashioned pram that Margaret had left in the Lodge’s porch for Hari.

‘Hari could do with some air,’ she said. ‘I didn’t want to leave you alone.’

‘Was that my pram?’

Damson could hear herself sounding abrupt.

‘Yes, the one your mother put you in for safety on her last walk.’

She took a steadying breath and moved closer to her grandmother. Sarah’s arm found its familiar place around her waist. Damson bent forward to pick up the child, careful not to dislodge her grandmother’s embrace, straightening to hold him upright in her arms. They looked out over the water.

The swifts nipped insects out of the air to feed their young, diving to break the silvery surface with their sharp beaks. Every year the fledglings slipped away while their parents hunted and flew alone to Africa. Every year the same nesting pairs returned to the eaves of Castle Hey.

Damson lifted Hari higher to watch the little birds whirl and shriek.

ACKNOWLEDGEMENTS

 

 

Thank you to my mother-in-law Elizabeth Young – an early reader and always so encouraging. Thank you to Rachel Hore, whose generous cover quotation came out of the blue and jolted me back into action. Thank you to Lizzie Kremer for her enthusiasm. Thank you to my generous beta readers for your invaluable suggestions: Maud Young, Fred Adderley, Marianne Thomas, Charlie Keyes, Kate Morris, Helen Walters, Phoebe Frangoul, Deborah Botwood-Smith, Jillian Moore, Lia Keyes, Holly Thomas, Michele Gorman and Caroline Driggs. Thank you to Monisha Rajesh for information. Any mistakes are entirely my own and forgive me if I have left anyone out. Grateful thanks to Lawrence Mynott for the beautiful drawings, and to Alison Eddy for the originality of her cover design. Above all I want to thank my children, Maud, Archie and Tolly Young, to all three of whom this book is dedicated with my love.

ABOUT THE AUTHOR

 

 

Josa Young was born in Kent, England. She has worked as a commissioning editor and features writer on Vogue, Country Living and the Times. She now specialises in digital content and strategy. Her first novel
One Apple Tasted
was published in 2009 by Elliot & Thompson.
Sail Upon the Land
is her second novel. She lives in London.

 

Follow her on Twitter @JosaYoung

 

Find out more at
www.josayoungauthor.com

 

 

Praise for
One Apple Tasted

 

‘Following in the footsteps of once-popular novelists Rose Macaulay and Margaret Kennedy, Josa Young debuts with an entertaining and charming romance about love, sex and the upper-middle classes behaving badly.’ THE INDEPENDENT

 

‘Delicious froth combines with wit and insight in this romantic comedy of manners.’ MARIKA COBBOLD

 

‘One Apple Tasted is by far the best-written new romantic comedy I’ve read this year.’ AMANDA CRAIG

 

‘Funny, warm, touchingly eccentric and irresistibly readable.’ JULIE MYERSON

 

‘Compelling, original, cleverly plotted and funny, One Apple Tasted reads like a Virago Modern Classic.’ ISABEL WOLFF

 

‘It reminded me very much of Mary Wesley in its lack of sentimentality, the way a certain class of people all seem to know or know of each other and the slightly odd way the characters behave. The author obviously lived through the 1980s but the earlier setting also comes across as very authentic, which only usually happens in works by writers that have actually lived through the era such as Wesley, Elizabeth Jane Howard and Rosamunde Pilcher.’ ‘GINGER’ FROM YORKSHIRE ON AMAZON

 

‘… read it if you're in the market for something a bit more heavy than fluffy but not Wolf Hall challenging.’ KIT HARMAN: GOODREADS

 

 

Praise for
Sail Upon the Land

 

‘Josa Young writes with warmth and wisdom about the complexities of motherhood in this captivating tale of four generations of women that sweeps eighty years of English history. Her eye for period detail is masterly and her characters so vivid they dance from the page and into our hearts.’ RACHEL HORE

 

First published 2014 by Keyes Ink

London UK

 

ISBN: 978-0-9931248-0-8 (Print)

ISBN: 978-0-9931248-1-5 (Kindle)

ISBN: 978-0-9931248-2-2 (ePub)

 

 

Copyright © Josa Young 2014

 

The right of Josa Young to be identified as the author of this work has been asserted by her in accordance with the Copyright, Design and Patents Act 1988.

 

All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

 

 

Sail Upon the Land is a work of fiction. Names, characters, places and incidents are the products of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Table of Contents

 

 

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