Sarum

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Authors: Edward Rutherfurd

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ABOUT THE AUTHOR
 
Edward Rutherfurd was born in Salisbury and educated in Wiltshire and Cambridge. He did live in New York, but returned to his roots to research and write his vast, best-selling saga,
Sarum
, based on the history of Salisbury.
Russka
, his second novel, tells the sweeping history of Russia from the Cossack horsemen of the steppes to the epic events of the Bolshevik revolution. His third novel,
London
, is the remarkable story of the greatest city on earth, bringing all the richness of London’s past unforgettably to life. In his fourth novel,
The Forest
, Rutherfurd weaves the history and legends of the New Forest into compelling form.
Sarum, Russka, London, The Forest, Dublin
and
Ireland Awakening
are all available in Arrow.
Also by Edward Rutherfurd
 
Russka
London
The Forest
Dublin: Foundation
Ireland Awakening
New York
SARUM
 
Edward Rutherfurd
 
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
 
Epub ISBN: 9781446472026
Version 1.0
  
Published by Arrow Books in 1988
 
33
 
Copyright © Edward Rutherfurd 1987
 
The right of Edward Rutherfurd to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988
 
First published in Great Britain in 1987 by
Century
 
Arrow Books
Random House, 20 Vauxhall Bridge Road,
London SW1V 2SA
 
 
Addresses for companies within The Random House Group Limited can be found at:
www.randomhouse.co.uk/offices.htm
 
The Random House Group Limited Reg. No. 954009
 
A CIP catalogue record for this book is available from the British Library
 
ISBN 9780099527305
ACKNOWLEDGEMENTS
 
I am deeply indebted to the following, all experts in their respective fields, who with great kindness and patience read different parts of this book and corrected errors. Any errors that remain, however, are mine alone.
Dr J. H. Bettey, University of Bristol; Mr Desmond Bonney, Royal Commission on the Historical Monuments of England; Miss Alison Borthwick, formerly of the Archaeological Section, Wiltshire County Council Library and Museum Service; Dr John Chandler, Local Studies Officer, Wiltshire County Council Library and Museum Service; Miss Suzanne Eward, Librarian and Keeper of the Muniments of Salisbury Cathedral; Mr David A. Hinton, University of Southampton; Dr T. B. James, King Alfred’s College of Higher Education, Winchester; Mr K. H. Rogers, County Archivist and Diocesan Records Officer, Wiltshire County Council; Mr Roy Spring, Clerk of the Works, Salisbury Cathedral.
Thanks are also due to the following, all of whom gave valuable help and advice in different ways:
The Right Reverend John Austin Baker, Bishop of Salisbury; The Very Reverend Doctor Sydney Evans, Dean Emeritus of Salisbury; Mr David Algar; Miss S. A. Cross, formerly of The Museum of the Wiltshire Archaeological and Natural History Society; Mrs Elizabeth Godfrey; Sir Westrow Hulse, Bt.; Mrs Alison Campbell Jensen; Dr P. H. Robinson, Curator, The Museum of the Wiltshire Archaeological and Natural History Society; Mr Peter R. Saunders, Curator, Salisbury and South Wiltshire Museum; Mr and Mrs H. S. Taylor-Young; Mrs Jane Walford.
I am grateful to the Director of the Wiltshire County Council Library and Museum Service for kindly allowing his library to become my second home over a period of more than three years, and to the staff of Salisbury Library for much valuable assistance.
No thanks can be enough to Mrs Margaret Hunter and the staff of Saxon Office Services, Shaftesbury for their unfailing help and good humour in the typing and constant altering of the manuscript.
I have also been most fortunate in finding an agent, Gill Coleridge of Anthony Sheil Associates and two editors, Rosie Cheetham of Century Hutchinson and Betty Prashker of Crown Publishers who early on had faith in this project and gave me such unfailing help and encouragement.
I am deeply grateful to my wife Susan, my mother and the Hon. Diana Makgill for their respective patience, unstinting help and hospitality.
Special thanks are also due to Miss Alison Borthwick for her expert maps and illustrations.
Finally, and most important of all, I owe the greatest possible debt of gratitude to Dr John Chandler whose book,
Endless Street
opened the doors of Salisbury’s history to me and has been my constant companion. For over three years, with unfailing patience and courtesy he has guided me towards my objective, and without his kind help and expert advice this book could not have been written.
PREFACE
 
The name
Sarum
The word Sarum is, strictly speaking, an inaccurate rendering of the abbreviation used by medieval scribes when they wished to write the name of the place called Salisbury.
But having misread the scribal hand, men found the name pleasing; and the term Sarum has been used in writing and probably in speech for seven hundred and fifty years, to describe the town, the diocese and the area of Salisbury.
For purposes of clarity, I have chosen throughout this novel to apply the term Sarum to the immediate area around the city. When describing the individual settlements or towns on the site, I have used the names they carried at the time reached in the narrative – Sorviodunum in Roman times, Sarisberie in Norman, and Salisbury thereafter. Old Sarum is the proper name of the original town and is used as such in context.
 
The novel
Sarum
Sarum
is a novel and to see it as anything else would be a mistake.
All the families of Porteus, Wilson, Shockley, Mason, Godfrey, Moody, Barnikel are fictitious as are, therefore, their individual parts in all events described.
But in following the story of these imaginary families down the centuries I have tried, insofar as is possible, to set them amongst people and events that either did exist, or might have done.
In the prehistoric chapters I have felt free to choose dates and telescope developments somewhat, but under advice from those experts who have so kindly assisted me.
However, the reader may care to note that the date of the separation of the island of Britain from the European mainland is usually set somewhere between 9,000 and 6,000
B
.
C
.
Of the religious, astronomical and building practices at Stonehenge nothing can be said with certainty and I have felt free to make my own selection from the many theories suggested.
There and elsewhere I have also placed in the text, from time to time, items of historical information which may help to orientate the reader who is not intimately familiar with English history. These are not, and make no pretence to being a detailed historical account. They are merely signposts.
 
Topography and Avonsford
There are so many villages, hillforts, and other natural features around Sarum, that in order to avoid a bewildering confusion of settings, I have found it necessary to make one alteration to the landscape. The village of Avonsford does not exist. It is an amalgam of places and buildings drawn from all over the area and I have sited it – somewhere – in the valley of the river Avon that lies to the north of Salisbury and which I have chosen to call, for purposes of narrative convenience, the Avon valley. It may be of interest that the following features, in particular, which I have sited at Avonsford all exist, or have existed, within a few miles radius of Salisbury: an iron age farm, a Roman villa, fields called Paradise and Purgatory, the miz-maze, earthwork enclosures, dewponds, fulling mills, dovecotes, manor houses as detailed, churches with box pews.
Where other local places have had different names at different periods, I have chosen the most familiar – as in the case of Grovely Wood and Clarendon Forest. Longford appears a little closer to Clarendon than it is.
Salisbury street names have also changed over time; but generally I have chosen not to confuse the reader with this information.
Otherwise places in the text – Salisbury, Christchurch. Wilton, Old Sarum – are as described.
 
Family names and origins
Of the fictional families in the story – Wilson, Mason and Godfrey are all common names which may be found in almost any English town. The derivations given in the story for the first two are those normally given; the derivation for the Godfreys of Avonsford is invented, but typical of one way in which names were derived from Norman originals.
There was, as it happens, a real Godfrey in Salisbury some centuries ago who became a mayor of the town and his family, with its different origin, makes a brief appearance in our story, and is clearly distinguished from the fictional family.
Shockley is a rarer name and the derivation I have given is likely.
As for the derivation of the much rarer name of Barnikel, this belongs to English folklore, but I like to believe it. The name Porteus is found more usually in the north – often Porteous. Its Roman derivation is invented. Names do not, unfortunately, go back so far.
But families do. In recent decades, historians and archaeologists seem to have discovered increasing evidence of continuity of occupation in many areas of England. While it is generally true that the Saxon Settlement tended to push the British people westward, there is no reason to suppose that none remained where they were. The idea that there may be people in the Sarum area today whose bloodlines go back to the occupants of the region in Celtic or pre-Celtic times cannot be proved, but is not entirely fanciful.
 
The Dune
I have deliberately chosen to use the modern and familiar term
dune
for the hillfort of Old Sarum. Properly this should be written dün.
 
Summary
No place in England, I believe, has a longer visible history of building and occupation than the Sarum region. The wealth of archaeological information, let alone historical record is so overwhelming that even a novelist, wishing to convey anything near the full story of the place would have to write a book three or four times as long as I have done.

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