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Authors: Beth Hoffman

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Saving CeeCee Honeycutt

BOOK: Saving CeeCee Honeycutt
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Table of Contents
 
 
VIKING
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3
(a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia
(a division of Pearson Australia Group Pty Ltd)
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(a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196,
South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
First published in 2010 by Viking Penguin, a member of Penguin Group (USA) Inc.
Copyright © Beth Hoffman, 2010
All rights reserved
A Pamela Dorman Book/Viking
PUBLISHER’S NOTE: This is a work of fi ction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
 
Hoffman, Beth.
Saving CeeCee Honeycutt : a novel / Beth Hoffman.
p. cm.
eISBN : 978-1-101-18985-6
1. Teenage girls--Fiction. 2. Families--Mental health--Fiction. 3. Eccentrics and eccentricities--Fiction. 4. Women--Georgia--Fiction. 5. Savannah (Ga.)--Fiction. 6. Domestic fiction. I. Title.
PS3608.O4774S28 2010
813’.6--dc22 2009035348
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the author’s rights is appreciated.

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This book is dedicated to Marlane Vaicius,
the best friend a girl could ever hope to find. Marlane, you are my Dixie.
And:
In loving memory of my great-aunt, Mildred Williams Caldwell
of Danville, Kentucky, the remarkably generous and wise little woman
who ignited the flame that inspired this book.
Acknowledgments
Exceptional people have pressed their fingertips along the edges of this book, and I’m indebted to them all.
Grateful thanks to literary agent extraordinaire Catherine Drayton of Inkwell Management, for opening the window and hanging a star in the October sky. With heartfelt gratitude, I thank a rare jewel in the publishing world—the gracious and enormously talented Pamela Dorman—for her brilliant and inspiring editing. A warm thanks goes to Leigh Butler, Hal Fessenden, Julie Miesionczek, Nancy Sheppard, Shannon Twomey, Carolyn Coleburn, Randee Marullo, Veronica Windholz, Dennis Swaim, and Andrew Duncan for their guidance and kindness. And a big thanks to Clare Ferraro, Susan Petersen Kennedy, and everyone at Pamela Dorman Books/Viking Penguin for believing in CeeCee—and me.
A special thanks to Robin Smith for her sharp eyes, good humor, and friendship. And speaking of friends, had it not been for the support of Marlane Vaicius, Debra Kreutzer, Margaret Vincent, and Marie Behling, I’d surely be making macaroni art somewhere in Idaho.
A tender thank-you goes to my husband, Mark, a gentleman of great integrity and kindness.
Often in life there are last things to say, and I’d be remiss if I didn’t seize this opportunity to tip the brim of my hat in the direction of a man named Dan. He knows why.
One
M
omma left her red satin shoes in the middle of the road. That’s what three eyewitnesses told the police. The first time I remember my mother wearing red shoes was on a snowy morning in December 1962, the year I was seven years old. I walked into the kitchen and found her sitting at the table. No lights were on, but in the thin haze of dawn that pushed through the frostbitten window, I could see red high-heeled shoes peeking out from beneath the hem of her robe. There was no breakfast waiting, and no freshly ironed school dress hanging on the basement doorknob. Momma just sat and stared out the window with empty eyes, her hands limp in her lap, her coffee cold and untouched.
I stood by her side and breathed in the sweet scent of lavender talcum powder that clung to the tufts of her robe.
“What’s the matter, Momma?”
I waited and waited. Finally she turned from the window and looked at me. Her skin was as frail as tissue, and her voice wasn’t much more than a whisper when she smoothed her hand over my cheek and said, “Cecelia Rose, I’m taking you to Georgia. I want you to see what real living is like. All the women dress so nice. And the people are kind and friendly—it’s so different from how things are here. As soon as I feel better, we’ll plan a trip—just you and me.”
“But what about Dad, will he come too?”
She squeezed her eyes closed and didn’t answer.
Momma stayed sad for the rest of the winter. Just when I thought she’d never smile again, spring came. When the lilacs bloomed in great, fluffy waves of violet, Momma went outside and cut bouquets for every room in the house. She painted her fingernails bright pink, fixed her hair, and slipped into a flowery-print dress. From room to room she dashed, pushing back curtains and throwing open the windows. She turned up the volume of the radio, took hold of my hands, and danced me through the house.
We whirled through the living room, into the dining room, and around the table. Right in the middle of a spin, Momma abruptly stopped. “Oh, my gosh,” she said, taking in a big gulp of air and pointing to the mirror by the door, “we look so much alike. When did that happen? When did you start to grow up?”
We stood side by side and gazed at our reflections. What I saw was two smiling people with the same heart-shaped face, blue eyes, and long brown hair—Momma’s pulled away from her face in a headband and mine tied back in a ponytail.
“It’s amazing,” my mother said, gathering her hair in her hand and holding it back in a ponytail like mine. “Just look at us, CeeCee. I bet when you get older, people will think we’re sisters. Won’t that be fun?” She giggled, took hold of my hands, and spun me in circles till my feet lifted off the floor.
She was so happy that after we finished dancing, she took me into town and bought all sorts of new clothes and ribbons for my hair. Momma bought herself so many pairs of new shoes that the salesman laughed and said, “Mrs. Honeycutt, I believe you have more shoes than the Bolshoi Ballet.” Neither Momma nor I knew what that meant, but the salesman sure thought he was clever. So we laughed along with him as he helped us carry our packages to the car.
After stuffing the trunk full with bags and boxes, we ran across the street to the five-and-dime, where we sat at the lunch counter and shared a cheeseburger, a bowl of French fries, and a chocolate milk shake.
That spring sure was something. I’d never seen Momma so happy. Every day was a big celebration. I’d come home from school and she’d be waiting, all dressed up with a big smile on her face. She’d grab her handbag, hurry me to her car, and off we’d go to do more shopping.
Then came the day when Dad arrived home from a three-week business trip. Momma and I were sitting at the kitchen table, she with a magazine and me with a coloring book and crayons. When my dad opened the closet door to hang up his jacket, he was all but knocked senseless when an avalanche of shoe boxes rained down on him.
“Good Christ!” he barked, turning to look at Momma. “How much money have you been spending?”
When Momma didn’t answer, I put down my crayon and smiled. “Daddy, we’ve been shopping for weeks, but everything we got was for free.”
“Free? What are you talking about?”
I nodded wisely. “Yep. All Momma had to do was show the salesman a square of plastic, and he let us have whatever we wanted.”
“What the hell?” Dad pounded across the kitchen floor, yanked Momma’s handbag from the hook by the door, and pulled the square of plastic from her wallet. “Damn it, Camille,” he said, cutting it up with a pair of scissors. “How many times do I have to tell you? This has got to stop. No more credit cards. You keep this up and you’ll put us in the poor house. You hear me?”
Momma licked her finger and turned a page of the magazine.
He leaned down and looked at her. “Have you been taking your pills?” She ignored him and turned another page. “Camille, I’m talking to you.”
The sharpness of his words wiped the shine right out of her eyes.
Dad shook his head and pulled a beer from the refrigerator. He huffed and puffed out of the kitchen, kicking shoes out of his way as he headed for the living room. I heard him dump his wide, beefy body into the recliner, muttering the way he always did whenever he was in a bad mood. Which, as far as I could tell, was pretty much always.
My father didn’t smile or laugh very much, and he had a limitless gift for making me feel about as important as a lost penny on the sidewalk. Whenever I’d show him a drawing I’d made or try to tell him about something I’d learned in school, he’d get fidgety and say, “I’m tired. We’ll talk another time.”
But another time never came.
He was a machine-tool salesman and spent much of his time in places like Michigan and Indiana. Usually he’d stay away all week and would come home only on weekends. And most times those weekends were fi lled with an unbearable tension that sprung loose on Saturday night.
Momma would get all dolled up, walk into the living room, and beg him to take her out. “C’mon Carl,” she’d say, tugging at his arm, “let’s go dancing like we used to. We never have fun anymore.”
His face would turn sour and he’d say, “No, Camille. I’m not taking you anywhere until you straighten up. Now go take your pills.”
She’d cry and say she didn’t need any pills, he’d get mad, turn up the volume of the TV, and drink one beer after another, and I’d run upstairs and hide in my bedroom. Whole months would go by and I’d only hear an occasional kind word pass between them. Even less frequently I’d see them touch. Before too long even those things faded away, and my father’s presence in the house faded right along with them.
Momma seemed glad that Dad stayed away so much. One day I was sitting on the floor of her bedroom cutting out paper dolls while she sat at her vanity and put on makeup. “Who needs him anyway?” she said, leaning close to the mirror as she smoothed on bright red lipstick. “I’ll tell you something, Cecelia Rose. Northerners are exactly like their weather—cold and
boring
. And I swear, none of them has one iota of etiquette or propriety. Do you know that not one single person in this godforsaken town even knows I’m a pageant queen? They’re all a bunch of sticks-in-the-mud, just like your father.”
“You don’t like Daddy anymore?”
“No,” she said, turning to look at me. “I don’t.”
“He doesn’t come home very much. Where is he, Momma?”
She blotted her lips with a tissue. “That old fool? He’s not here because he’s down at the cemetery with one foot stuck in the grave. And that’s another thing. Never marry an older man. I mean it, CeeCee. If an older man ever sweeps you off your feet, just get up and run away as fast as you can.”
BOOK: Saving CeeCee Honeycutt
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