Scenarios - A Collection of Nameless Detective Stories (28 page)

"Men almost forty they go after young woman, they only got one reason.
Fatto
'
na
bella
chiavata
. You remember, eh, Pietro?"

"
Pazzo
!
You think I forget
'
na
bella
chiavata
?
"

I asked Pietro, "You know anything about Gianna's roommate?"

"Only once I meet her," he said. "Pretty, but not so pretty like my Gianna,
la
bellezza
delle
bellezze
. I don't like her too much."

"Why not?"

"She don't have respect like she should."

"What does she do for a living, do you know?"

"No. She don't say and Gianna don't tell me."

"How long have they been sharing the apartment?"

"Eight, nine months."

"Did they know each other long before they moved in together?"

He shrugged. "Gianna and me, we don't talk much like when she's little girl," he said sadly. "Young people now, they got no time for
la
familia
." Another shrug, a sigh. "
Ognuno
pensa
per
sè
," he said. Everybody thinks only of himself.

Dominick gripped his shoulder. Then he said to me, "You find out what's happen with Bisconte and Ferry and those girls. Then you see they don't bother them no more. Hah?"

"If I can, Dominick. If I can."

The fog was coming in thickly now and the other players were making noises about ending the day's tournament. Dominick got into an argument with one of them; he wanted to play another game or two. He was outvoted, but he was still pleading his case when I left. Their Sunday was almost over. So was mine.

I went home to my flat in Pacific Heights. And Kerry came over later on and we had dinner and listened to some jazz. I thought maybe Gianna Fornessi might call but she didn't. No one called. Good thing, too. I would not have been pleased to hear the phone ring after eight o'clock; I was busy then.

Men in their late fifties are just as interested in
'
na
bella
chiavata
. Women in their early forties, too.

6.

A
t the office in the morning I called TRW for credit checks on Jack Bisconte, George Ferry, Gianna Fornessi, and Ashley Hansen. I also asked my partner, Eberhardt, who has been off the cops just a few years and who still has plenty of cronies sprinkled throughout the SFPD, to find out what Inspector Cullen and the Robbery Detail had on Ferry's theft complaint, and to have the four names run through R&I for any local arrest record.

The report out of Robbery told me nothing much. Ferry's complaint had been filed on Friday morning; Cullen had gone to investigate, talked to the two principals, and determined that there wasn't enough evidence to take Gianna Fornessi into custody. Thirty hours later Ferry had called in and withdrawn the complaint, giving the same flimsy reason he'd handed me. As far as Cullen and the department were concerned, it was all very minor and routine.

The TRW and R&I checks took a little longer to come through, but I had the information by noon. It went like this:

Jack Bisconte. Good credit rating. Owner and sole operator, Bisconte Florist Shop, since 1978; lived on upper Greenwich Street, in a rented apartment, same length of time. No listing of previous jobs held or previous local addresses. No felony or misdemeanor arrests.

George Ferry. Excellent credit rating. Owner and principal operator, Ferry Temporary Employment Agency, since 1972. Resident of 7250 Chestnut since 1980. No felony arrests; one DWI arrest and conviction following a minor traffic accident in May of 1981, sentenced to ninety days in jail (suspended), driver's license revoked for six months.

Gianna Fornessi. Fair to good credit rating. Employed by Home Draperies, Showplace Square, as a sales representative since 1988. Resident of 7250 Chestnut for eight months; address prior to that, her parents' home in Daly City. No felony or misdemeanor arrests.

Ashley Hansen. No credit rating. No felony or misdemeanor arrests.

There wasn't much in any of that, either, except for the fact that TRW had no listing on Ashley Hansen. Almost everybody uses credit cards these days, establishes some kind of credit—especially a young woman whose income is substantial enough to afford an apartment in one of the city's best neighborhoods. Why not Ashley Hansen?

She was one person who could tell me; another was Gianna Fornessi. I had yet to talk to
Pietro's
granddaughter and I thought it was high time. I left the office in
Eberhardt's
care, picked up my car, and drove south of Market to Showplace Square.

The Square is a newish complex of manufacturer's showrooms for the interior decorating trade—carpets, draperies, lighting fixtures, and other types of home furnishings. It's not open to the public, but I showed the Photostat of my license to one of the security men at the door and talked him into calling the Home Draperies showroom and asking them to send Gianna Fornessi out to talk to me.

They sent somebody out but it wasn't Gianna Fornessi. It was a fluffy looking little man in his forties named Lundquist, who said, "I'm sorry, Ms. Fornessi is no longer employed by us."

"Oh? When did she leave?"

"Eight months ago."

"Eight months?"

"At the end of September."

"Quit or terminated?"

"Quit. Rather abruptly, too."

"To take another job?"

"I don't know. She gave no adequate reason."

"No one called afterward for a reference?"

"No one," Lundquist said.

"She worked for you two years, is that right?"

"About two years, yes."

"As a sales representative?"

"That's correct."

"May I ask her salary?"

"I really couldn't tell you that . . ."

"Just this, then: Was hers a high-salaried position? In excess of thirty thousand a year, say?"

Lundquist smiled a faint, fluffy smile. "Hardly," he said.

"Were her skills such that she could have taken another, better paying job in the industry?"

Another fluffy smile. And another "Hardly."

So why had she quit Home Draperies so suddenly eight months ago, at just about the same time she moved into the Chestnut Street apartment with Ashley Hansen? And what was she doing to pay her share of the rent?

7.

T
here was an appliance store delivery truck double-parked in front of 7250 Chestnut, and when I went up the stairs I found the entrance door wedged wide open. Nobody was in the vestibule or lobby, but the murmur of voices filtered down from the third floor. If I'd been a burglar I would have rubbed my hands together in glee. As it was, I walked in as if I belonged there and climbed the inside staircase to the second floor.

When I swung off the stairs I came face to face with Jack Bisconte.

He was hurrying toward me from the direction of apartment #4, something small and red and rectangular clutched in the fingers of his left hand. He broke stride when he saw me; and then recognition made him do a jerky double-take and he came to a halt. I stopped, too, with maybe fifteen feet separating us. That was close enough, and the hallway was well-lighted enough, for me to get a good look at his face. It was pinched, sweat-slicked, the eyes wide and shiny—the face of a man on the cutting edge of panic.

Frozen time, maybe five seconds of it, while we stood staring at each other. There was nobody else in the hall; no audible sounds on this floor except for the quick rasp of
Bisconte's
breathing. Then we both moved at the same time—Bisconte in the same jerky fashion of his double-take, shoving the red object into his coat pocket as he came forward. And then, when we had closed the gap between us by half, we both stopped again as if on cue. It might have been a mildly amusing little pantomime if you'd been a disinterested observer. It wasn't amusing to me. Or to Bisconte, from the look of him.

I said, "Fancy meeting you here. I thought you didn't know Gianna Fornessi or Ashley Hansen."

"Get out of my way."

"What's your hurry?"

"Get out of my way. I mean it." The edge of panic had cut into his voice; it was thick,
liquidy
, as if it were bleeding.

"What did you put in your pocket, the red thing?"

He said, "Christ!" and tried to lunge past me.

I blocked his way, getting my hands up between us to push him back. He made a noise in his throat and swung at me. It was a clumsy shot; I ducked away from it without much effort, so that his knuckles just grazed my neck. But then the son of a bitch kicked me, hard, on the left shinbone. I yelled and went down. He kicked out again, this time at my head; didn't connect because I was already rolling away. I fetched up tight against the wall and by the time I got myself twisted back around he was pelting toward the stairs.

I shoved up the wall to my feet, almost fell again when I put weight on the leg he'd kicked. Hobbling, wiping pain-wet out of my eyes, I went after him. People were piling down from the third floor; the one in the lead was George Ferry. He called something that I didn't listen to as I started to descend. Bisconte, damn him, had already crossed the lobby and was running out through the open front door.

Hop, hop, hop down the stairs like a contestant in a one-legged race, using the railing for support. By the time I reached the lobby, some of the sting had gone out of my shinbone and I could put more weight on the leg. Out into the vestibule, half running and half hobbling now, looking for him. He was across the street and down a ways, fumbling with a set of keys at the driver's door of a new silver Mercedes.

But he didn't stay there long. He was too wrought up to get the right key into the lock, and when he saw me pounding across the street in his direction, the panic goosed him and he ran again. Around behind the Mercedes, onto the sidewalk, up and over the concrete retaining wall. And gone.

I heard him go sliding or tumbling through the undergrowth below. I staggered up to the wall, leaned over it. The slope down there was steep, covered with trees and brush, strewn with the leavings of semi-humans who had used it for a dumping ground. Bisconte was on his buttocks, digging hands and heels into the ground to slow his momentum. For a few seconds I thought he was going to turn into a one-man avalanche and plummet over the edge where the slope ended in a sheer bluff face. But then he managed to catch hold of one of the tree trunks and swing himself away from the bluff, in among a tangle of bushes where I couldn't see him anymore. I could hear him—and then I couldn't. He'd found purchase, I thought, and was easing himself down to where the backside of another apartment building leaned in against the cliff.

There was no way I was going down there after him. I turned and went to the Mercedes.

It had a vanity plate, the kind that makes you wonder why somebody would pay $25 extra to the DMV to put it on his car: BISFLWR. If the Mercedes had had an external hood release I would have popped it and disabled the engine; but it didn't, and all four doors were locked. All right. Chances were, he wouldn't risk coming back soon—and even if he ran the risk, it would take him a good long while to get here.

I limped back to 7250. Four people were clustered in the vestibule, staring at me—Ferry and a couple of uniformed deliverymen and a fat woman in her forties. Ferry said as I came up the steps, "What happened, what's going on?" I didn't answer him. There was a bad feeling in me now; or maybe it had been there since I'd first seen the look on
Bisconte's
face. I pushed through the cluster—none of them tried to stop me—and crossed the lobby and went up to the second floor.

Nobody answered the bell at apartment #4. I tried the door, and it was unlocked, and I opened it and walked in and shut it again and locked it behind me.

She was lying on the floor in the living room, sprawled and bent on her back near a heavy teak coffee table, peach-colored dressing gown hiked up over her knees; head twisted at an off-angle, blood and a deep triangular puncture wound on her left temple. The blood was still wet and clotting. She hadn't been dead much more than an hour.

In the sunlight that spilled in through the undraped windows, the blood had a kind of shimmery radiance. So did her hair—her long gold-blonde hair.

Goodbye Ashley Hansen.

8.

I
called the Hall of Justice and talked to a Homicide inspector I knew slightly named Craddock. I told him what I'd found, and about my little skirmish with Jack Bisconte, and said that yes, I would wait right here and no, I wouldn't touch anything. He didn't tell me not to look around and I didn't say that I wouldn't.

Somebody had started banging on the door. Ferry, probably. I went the other way, into one of the bedrooms. Ashley Hansen's: there was a photograph of her prominently displayed on the dresser, and lots of mirrors to give her a live image of herself. A narcissist, among other things. On one nightstand was a telephone and an answering machine. On the unmade bed, tipped on its side with some of the contents spilled out, was a fancy leather purse. I used the backs of my two index fingers to stir around among the spilled items and the stuff inside. Everything you'd expect to find in a woman's purse—and one thing that should have been there and wasn't.