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Authors: David Remnick

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THE ZAGAT HISTORY OF MY LAST RELATIONSHIP

NOAH BAUMBACH

AASE’S

Bring a “first date” to this “postage stamp”–size bistro. Tables are so close you’re practically “sitting in the laps” of the couple next to you, but the lush décor is “the color of love.” Discuss your respective “dysfunctional families” and tell her one of your “fail-safe” stories about your father’s “cheapness” and you’re certain to “get a laugh.” After the “to die for” soufflés, expect a good-night kiss, but don’t push for more, because if you play your cards right there’s a second date “right around the corner.”

BRASSERIE PENELOPE

“Ambience and then some” at this Jamaican-Norwegian hybrid. Service might be a “tad cool,” but the warmth you feel when you gaze into her baby blues will more than compensate for it. Conversation is “spicier than the jerk chicken,” and before you know it you’ll be back at her one-bedroom in the East Village, quite possibly “getting lucky.”

THE CHICK & HEN

Perfect for breakfast “after sleeping together,” with “killer coffee” that will “help cure your seven-beer/three-aquavit hangover.” Not that you need it—your “amplified high spirits” after having had sex for the first time in “eight months” should do the trick.

DESARCINA’S

So what if she thought the movie was “pretentious and contrived” and you felt it was a “masterpiece” and are dying to inform her that “she doesn’t know what she’s talking about”? Remember, you were looking for a woman who wouldn’t “yes” you all the time. And after one bite of chef Leonard Desarcina’s “duck manqué” and a sip of the “generous” gin margaritas you’ll start to see that she might have a point.

GORDY’S

Don’t be ashamed if you don’t know what wine to order with your seared minnow; the “incredibly knowledgeable” waiters will be more than pleased to assist. But if she makes fun of “the way you never make eye contact with people,” you might turn “snappish” and end up having your first “serious fight,” one where feelings are “hurt.”

PANCHO MAO

“Bring your wallet,” say admirers of Louis Grenouille’s pan-Asian-Mexican-style fare, because it’s “so expensive you’ll start to wonder why she hasn’t yet picked up a tab.” The “celeb meter is high,” and “Peter Jennings” at the table next to yours might spark an “inane political argument” where you find yourself “irrationally defending Enron” and finally saying aloud, “You don’t know what you’re talking about!” Don’t let her “stuff herself,” as she might use that as an excuse to go to sleep “without doing it.”

RIGMAROLE

At this Wall Street old boys’ club, don’t be surprised if you run into one of her “ex-boyfriends” who works in “finance.” Be prepared for his “power play,” when he sends over a pitcher of “the freshest-tasting sangria this side of Barcelona,” prompting her to visit his table for “ten minutes” and to come back “laughing” and suddenly critical of your “cravat.” The room is “snug,” to say the least, and it’s not the best place to say, full voice, “What the fuck were you thinking dating him?” But don’t overlook the “best paella in town” and a din “so loud” you won’t notice that neither of you is saying anything.

TATI

Prices so “steep” you might feel you made a serious “career gaffe” by taking the “high road” and being an academic rather than “selling out” like “every other asshole she’s gone out with.” The “plush seats” come in handy if she’s forty-five minutes late and arrives looking a little “preoccupied” and wearing “a sly smile.”

VANDERWEI’S

Be careful not to combine “four dry
sake
s” with your “creeping feeling of insecurity and dread,” or you might find yourself saying, “Wipe that damn grin off your face!” The bathrooms are “big and glamorous,” so you won’t mind spending an hour with your cheek pressed against the “cool tiled floor” after she “walks out.” And the hip East Village location can’t be beat, since her apartment is “within walking distance,” which makes it very convenient if you should choose to “lean on her buzzer for an hour” until she calls “the cops.”

ZACHARIA AND SONS & CO.

This “out of the way,” “dirt cheap,” “near impossible to find,” “innocuous” diner is ideal for “eating solo” and ensuring that you “won’t run into your ex, who has gone back to the bond trader.” The “mediocre at best” burgers and “soggy fries” will make you wish you “never existed” and wonder why you’re so “frustrated with your life” and unable to sustain a “normal,” “healthy” “relationship.”

2002

“Really, couldn’t we have one with less joie de vivre?”

YOUR TABLE IS READY

JOHN KENNEY

You do not seize control at Masa. You surrender it. You pay to be putty. And you pay dearly…. Lunch or dinner for two can easily exceed $1,000.

—From the
Times
’s review of Masa, a sushi restaurant that was given four stars

A
m I very rich? Since you ask, I will tell you. Yes, I am. I happen to be one of the more successful freelance poets in New York. The point being, I eat where I like. And I like sushi. As does my wife, Babette.

Unfortunately, we were running late. This worried me. I had been trying to get a reservation at Masa since 1987, seventeen years before it opened, as I knew that one of the prerequisites of dining there was a knowledge of the future. I also knew of the restaurant’s strict “on-time” policy. Babette and I arrived exactly one minute and twenty-four seconds late. We know this because of the Swiss Atomic clock that diners see upon arrival at Masa.

The maître d’ did not look happy. And so we were asked, in Japanese, to remove our clothes, in separate dressing cabins, and don simple white robes with Japanese writing on the back that, we soon found out, translated as “We were late. We didn’t respect the time of others.” Babette’s feet were bound. I was forced to wear shoes that were two sizes too small. The point being, tardiness is not accepted at Masa. (Nor, frankly, should it be.)

The headwaiter then greeted us by slapping me in the face and telling Babette that she looked heavy, also in Japanese. (No English is spoken in the restaurant. Translators are available for hire for $325 per hour. We opted for one.)

And so it was that Babette, Aki, and I were led to our table, one of only seven in the restaurant, two of which are always reserved—one for former Canadian prime minister Pierre Trudeau, who died five years ago, and the other for the actress and singer Claudine Longet, who accidentally shot and killed her boyfriend, the skier Spider Sabich, in 1976.

There are no windows in Masa. The light is soft, and, except for the tinkling of a miniature waterfall and the piped-in sound of an airplane losing altitude at a rapid rate, the place is silent. We sat on hemp pillows, as chairs cost extra and we were not offered any, owing to our tardiness.

Thirty-five minutes later, we met our waitstaff: nine people, including two Buddhist monks, whose job it is to supervise your meal, realign your chakras, and, if you wish, teach you to play the oboe. Introductions and small talk—as translated by Aki (which, we later learned, means “Autumn”)—lasted twenty minutes. I was then slapped again, though I’m not sure why.

Before any food can be ordered at Masa, one is required to choose from an extensive water menu (there is no tap water at the restaurant). With Aki’s help, we selected an exceptional bottle of high-sodium Polish sparkling water known for its subtle magnesium aftertaste (a taste I admit to missing completely). Henna tattoos were then applied to the bases of our spines. Mine depicted a donkey, Babette’s a dwarf with unusually large genitals.

Then it was time to order—or to be told what we were having, as there is no menu. Babette and I had been looking forward to trying an inside-out California roll and perhaps some yellowtail. Not so this night. I was brought the white-rice appetizer and Babette was brought nothing. Aki said this was not uncommon, and then told us a story about his brother, Akihiko (“Bright Boy”), who has, from the sound of it, a rather successful motor-home business outside Kyoto.

I noticed another guest a few tables away being forced to do pushups while the waitstaff critiqued his wife’s outfit. Aki saw me looking at them and translated the words on the back of their robes: “We were twenty minutes late. We are bad.”

It was then that our entrées arrived and we realized why this restaurant is so special. Before us were bay scallops, yellow clams, red clams, and exotic needlefish, all lightly dusted with crushed purple
shiso
leaves. Unfortunately, none of these dishes was for us. They were for the waitstaff, who enjoyed them with great gusto while standing beside our table. They nodded and smiled, telling us, through Aki, how good it all tasted. Aki told us that this was very common at fine Japanese restaurants and urged us to be on time in the future, even though he said we would never be allowed on the premises again. He then gave us a brochure for a motor home. Babette and I were strongly advised to order more water.

For dessert, I ordered nothing, as I was offered nothing. Babette was given a whole fatty red tuna wrapped in seaweed, served atop a bowl of crushed ice and garnished with a sign reading
HAPPY ANNIVERSARY, BARBARA
(
sic
).

Our bill came to $839. Aki said we were lucky to get out for so little and then begged us to take him with us when we left. We caught a cab and got three seats at the bar at Union Square Café.

2005

“You might as well take a seat, Mr. Gallagher. There’s a Reuben sandwich ahead of you.”

“Its DNA is consistent with meat loaf.”

BOOK: Secret Ingredients
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