Read Selected Poems of Langston Hughes Online
Authors: Langston Hughes
If I ever hit for a dollar
gonna salt every dime away
in the Post Office for a rainy day.
I ain’t gonna
play back a cent.
(Of course, I might
combinate
a little
with my rent.)
I believe my old lady’s
pregnant again!
Fate must have
some kind of trickeration
to populate the
cullud nation!
Comment against Lamp Post
You call it fate?
Figurette
De-daddle-dy!
De-dop!
I play it cool
And dig all jive.
That’s the reason
I stay alive.
My motto,
As I live and learn,
is:
Dig And Be Dug
In Return
.
Sometimes
A night funeral
Going by
Carries home
A cool bop daddy.
Hearse and flowers
Guarantee
He’ll never hype
Another paddy.
It’s hard to believe,
But dead in there,
He’ll never lay a
Hype nowhere!
He’s my ace-boy,
Gone away.
Wake up and live!
He used to say.
Squares
Who couldn’t dig him,
Plant him now—
Out where it makes
No diff’ no how.
When I rolled three 7’s
in a row
I was scared to walk out
with the dough.
Two or three things in the past
failed him
that had not failed people
of lesser genius.
In the first place
he didn’t have much sense.
He was no good at making love
and no good at making money.
So he tapped,
trucked,
boogied,
sanded,
jittered,
until he made folks say,
Looky yonder
at that boy!
Hey!
But being no good at lovin’—
the girls left him.
(When you’re no good for dough they go.)
With no sense, just wonderful feet,
What could possibly be all-reet?
Did he get anywhere? No!
Even a great dancer
can’t C.P.T.
a show.
Folks, I’m telling you,
birthing is hard
and dying is mean—
so get yourself
a little loving
in between.
A wonderful time—the War:
when money rolled in
and blood rolled out.
But blood
was far away
from here—
Money was near.
Setting in the wine-house
Soaking up a wine-souse
Waiting for tomorrow to come—
Then
Setting in the wine-house
Soaking up a new souse.
Tomorrow …
Oh, hum!
My heart is aching
for them Poles and Greeks
on relief way across the sea
because I was on relief
once in 1933.
I know what relief can be—
it took me two years to get on WPA.
If the war hadn’t come along
I wouldn’t be out the barrel yet.
Now, I’m almost back in the barrel again.
To tell the truth,
if these white folks want to go ahead
and fight another war,
or even two,
the one to stop ’em won’t be me.
Would you?
Landlord, landlord,
My roof has sprung a leak.
Don’t you ’member I told you about it
Way last week?
Landlord, landlord,
These steps is broken down.
When you come up yourself
It’s a wonder you don’t fall down.
Ten Bucks you say I owe you?
Ten Bucks you say is due?
Well, that’s Ten Bucks more’n I’ll pay you
Till you fix this house up new.
What? You gonna get eviction orders?
You gonna cut off my heat?
You gonna take my furniture and
Throw it in the street?
Um-huh! You talking high and mighty.
Talk on—till you get through.
You ain’t gonna be able to say a word
If I land my fist on you.
Police! Police!
Come and get this man!
He’s trying to ruin the government
And overturn the land!
Copper’s whistle!
Patrol bell!
Arrest.
Precinct Station.
Iron cell.
Headlines in press:
MAN THREATENS LANDLORD
TENANT HELD NO BAIL
JUDGE GIVES NEGRO 90 DAYS IN COUNTY JAIL
Ladder, flag, and amplifier:
what the soap box
used to be.
The speaker catches fire
looking at their faces.
His words
jump down to stand
in listeners’ places.
On the day when the Savoy
leaps clean over to Seventh Avenue
and starts jitterbugging
with the Renaissance,
on that day when Abyssinia Baptist Church
throws her enormous arms around
St. James Presbyterian
and 409 Edgecombe
stoops to kiss 12 West 133rd,
on that day—
Do, Jesus!
Manhattan Island will whirl
like a Dizzy Gillespie transcription
played by Inez and Timme.
On that day, Lord,
Sammy Davis and Marian Anderson
will sing a duet,
Paul Robeson
will team up with Jackie Mabley,
and Father Divine will say in truth,
Peace!
It’s truly
wonderful!
Little cullud boys with beards
re-bop be-bop mop and stop.
Little cullud boys with fears,
frantic, kick their draftee years
into flatted fifths and flatter beers
that at a sudden change become
sparkling Oriental wines
rich and strange
silken bathrobes with gold twines
and Heilbroner, Crawford,
Nat-undreamed-of Lewis combines
in silver thread and diamond notes
on trade-marks inside
Howard coats.
Little cullud boys in berets
oop pop-a-da
horse a fantasy of days
ool ya koo
and dig all plays.
Tomorrow may be
a thousand years off:
TWO DIMES AND A NICKLE ONLY
says this particular
cigarette machine.
Others take a quarter straight.
Some dawns
wait
Into the laps
of black celebrities
white girls fall
like pale plums from a tree
beyond a high tension wall
wired for killing
which makes it
more thrilling.
Maybe it ain’t right—
but the people of the night
will give even
a snake
a break.
Hemp …
A stick …
A roach …
Straw …
That whiskey will cook the egg.
Say not so!
Maybe the egg
will cook the whiskey
.
You ought to know!
Detectives from the vice squad
with weary sadistic eyes
spotting fairies.
Degenerates
,
some folks say.
But God, Nature,
or somebody
made them that way.
Police lady or Lesbian
over there?
Where?
Voice grows thicker
as song grows stronger
as time grows longer until day
trying to forget to remember
the taste of day.
Jack, if you got to be a rounder
Be a rounder right—
Just don’t let mama catch you
Makin’ rounds at night.
Face like a chocolate bar
full of nuts and sweet.
Face like a jack-o’-lantern,
candle inside.
Face like slice of melon,
grin that wide.
Lenox Avenue
by daylight
runs to dive in the Park
but faster …
faster …
after dark.
Don’t let your dog curb you!
Curb your doggie
Like you ought to do,
But don’t let that dog curb you!
You may play folks cheap,
Act rough and tough,
But a dog can tell
When you’re full of stuff.
Them little old mutts
Look all scraggly and bad,
But they got more sense
Than some people ever had.
Cur dog, fice dog, kerry blue—
Just don’t let your dog curb you!
In the gutter
boys who try
might meet girls
on the fly
as out of the gutter
girls who will
may meet boys
copping a thrill
while from the gutter
both can rise:
But it requires
plenty eyes.
Letting midnight
out on bail
pop-a-da
having been
detained in jail
oop-pop-a-da
for sprinkling salt
on a dreamer’s tail
pop-a-da
Imploring Mecca
to achieve
six discs
with Decca.
Little cullud boys
with fears,
frantic,
nudge their draftee years.
Pop-a-da!
The instructor said,
Go home and write
a page tonight
And let that page come out of you—
Then, it will be true
.
I wonder if it’s that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:
It’s not easy to know what is true for you or me
at twenty-two, my age. But I guess I’m what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?