Authors: Alice Munro
After some more of this, they started to laugh themselves, Robert and Lee, but it was not the laughter of a breakthrough into reconciliation; they did not fall upon each other in relief, crying, “What rot, I didn’t mean it, did you mean it?” (“No, of course not, of course I didn’t mean it.”) They laughed in recognition of their extremity, just as they might have laughed at another time, in the middle of quite different, astoundingly tender declarations. They trembled with murderous pleasure, with the excitement of saying what could never be retracted; they exulted in wounds inflicted but also in wounds received, and one or the other said at some point, “This is the first time we’ve spoken the truth since we’ve known each other!” For even things that came to them more or less on the spur of the moment seemed the most urgent truths that had been hardening for a long time and pushing to get out.
It wasn’t so far from laughing to making love, which they did, all with no retraction. Robert made barking noises, as a dog should, and nuzzled Lee in a bruising way, snapping with real appetite at her flesh. Afterward they were enormously and finally sick of each other but no longer disposed to blame.
“T
HERE
are things I just absolutely and eternally want to forget about,” Robert had told Peg. He talked to her about cutting his losses, abandoning old bad habits, old deceptions and self-deceptions, mistaken notions about life, and about himself. He said that he had been an emotional spendthrift, had thrown himself into hopeless and painful entanglements as a way of avoiding anything that had normal possibilities. That was all experiment and posturing, rejection of the ordinary, decent contracts of life. So he said to her. Errors of avoidance, when he had thought he was running risks and getting intense experiences.
“Errors of avoidance that I mistook for errors of passion,” he said, then thought that he sounded pretentious when he was actually sweating with sincerity, with the effort and the relief.
In return, Peg gave him facts.
We lived with Dave’s parents. There was never enough hot water for the baby’s wash. Finally we got out and came to town and we lived beside the car wash. Dave was only with us weekends then. It was very noisy, especially at night. Then Dave got another job, he went up North, and I rented this place.
Errors of avoidance, errors of passion. She didn’t say.
Dave had a kidney problem when he was little and he was out of school a whole winter. He read a book about the Arctic. It was probably the only book he ever read that he didn’t have to. Anyway, he always dreamed about it; he wanted to go there. So finally he did.
A man doesn’t just drive farther and farther away in his trucks until he disappears from his wife’s view. Not even if he has always dreamed of the Arctic. Things happen before he goes. Marriage knots aren’t going to slip apart painlessly, with the pull of distance. There’s got to be some wrenching and slashing. But she didn’t say, and he didn’t ask, or even think much about that, till now.
H
E WALKED
very quickly over the snow crust, and when he reached the diner he found that he didn’t want to go in yet. He would cross the highway and walk a little farther, then go into the diner to get warmed up on his way home.
By the time he was on his way home, the police car that was parked at the diner ought to be gone. The night constable was in there now, taking his break. This was not the same man Robert had seen and listened to when he dropped in on his way home from Keneally. This man would not have seen anything at first hand. He hadn’t talked to Peg. Nevertheless he would be talking about it; everybody in the diner would be talking about it, going over the same scene and the same questions, the possibilities. No blame to them.
When they saw Robert, they would want to know how Peg was.
There was one thing he was going to ask her, just before Clayton came in. At least, he was turning the question over in his mind, wondering if it would be all right to ask her. A discrepancy, a detail, in the midst of so many abominable details.
And now he knew it wouldn’t be all right; it would never be all right. It had nothing to do with him. One discrepancy, one detail—one lie—that would never have anything to do with him.
Walking on this magic surface, he did not grow tired. He grew lighter, if anything. He was taking himself farther and farther away from town, although for a while he didn’t realize this. In the clear air, the lights of Gilmore were so bright they seemed only half a field away, instead of half a mile, then a mile and a half, then two miles. Very fine flakes of snow, fine as dust, and glittering, lay on the crust that held him. There was a glitter too around the branches of the trees and bushes that he was getting closer to. It wasn’t like the casing around twigs and delicate branches that an ice storm leaves. It was as if the wood itself had altered and begun to sparkle.
This is the very weather in which noses and fingers are frozen. But nothing felt cold.
He was getting quite close to a large woodlot. He was crossing a long slanting shelf of snow, with the trees ahead and to one side of him. Over there, to the side, something caught his eye. There was a
new kind of glitter under the trees. A congestion of shapes, with black holes in them, and unmatched arms or petals reaching up to the lower branches of the trees. He headed toward these shapes, but whatever they were did not become clear. They did not look like anything he knew. They did not look like anything, except perhaps a bit like armed giants half collapsed, frozen in combat, or like the jumbled towers of a crazy small-scale city—a space-age, small-scale city. He kept waiting for an explanation, and not getting one, until he got very close. He was so close he could almost have touched one of these monstrosities before he saw that they were just old cars. Old cars and trucks and even a school bus that had been pushed in under the trees and left. Some were completely overturned, and some were tipped over one another at odd angles. They were partly filled, partly covered, with snow. The black holes were their gutted insides. Twisted bits of chrome, fragments of headlights, were glittering.
He thought of himself telling Peg about this—how close he had to get before he saw that what amazed him and bewildered him so was nothing but old wrecks, and how he then felt disappointed, but also like laughing. They needed some new thing to talk about. Now he felt more like going home.
A
T NOON
, when the constable in the diner was giving his account, he had described how the force of the shot threw Walter Weeble backward. “It blasted him partways out of the room. His head was laying out in the hall. What was left of it was laying out in the hall.”
Not a leg. Not the indicative leg, whole and decent in its trousers, the shod foot. That was not what anybody turning at the top of the stairs would see and would have to step over, step through, in order to go into the bedroom and look at the rest of what was there.
WITH THANKS TO R. J. T
.
I
USED TO DREAM
about my mother, and though the details in the dream varied, the surprise in it was always the same. The dream stopped, I suppose, because it was too transparent in its hopefulness, too easy in its forgiveness.
In the dream I would be the age I really was, living the life I was really living, and I would discover that my mother was still alive. (The fact is, she died when I was in my early twenties and she in her early fifties.) Sometimes I would find myself in our old kitchen, where my mother would be rolling out piecrust on the table, or washing the dishes in the battered cream-colored dishpan with the red rim. But other times I would run into her on the street, in places where I would never have expected to see her. She might be walking through a handsome hotel lobby, or lining up in an airport. She would be looking quite well—not exactly youthful, not entirely untouched by the paralyzing disease that held her in its grip for a decade or more before her death, but so much better than I remembered that I would be astonished. Oh, I just have this little tremor in my arm, she would say, and a little stiffness up this side of my face. It is a nuisance but I get around.
I recovered then what in waking life I had lost—my mother’s liveliness of face and voice before her throat muscles stiffened and a woeful, impersonal mask fastened itself over her features. How could I
have forgotten this, I would think in the dream—the casual humor she had, not ironic but merry, the lightness and impatience and confidence? I would say that I was sorry I hadn’t been to see her in such a long time—meaning not that I felt guilty but that I was sorry I had kept a bugbear in my mind, instead of this reality—and the strangest, kindest thing of all to me was her matter-of-fact reply.
Oh, well, she said, better late than never. I was sure I’d see you someday.
W
HEN
my mother was a young woman with a soft, mischievous face and shiny, opaque silk stockings on her plump legs (I have seen a photograph of her, with her pupils), she went to teach at a one-room school, called Grieves School, in the Ottawa Valley. The school was on a corner of the farm that belonged to the Grieves family—a very good farm for that country. Well-drained fields with none of the Precambrian rock shouldering through the soil, a little willow-edged river running alongside, a sugar bush, log barns, and a large, unornamented house whose wooden walls had never been painted but had been left to weather. And when wood weathers in the Ottawa Valley, my mother said, I do not know why this is, but it never turns gray, it turns black. There must be something in the air, she said. She often spoke of the Ottawa Valley, which was her home—she had grown up about twenty miles away from Grieves School—in a dogmatic, mystified way, emphasizing things about it that distinguished it from any other place on earth. Houses turn black, maple syrup has a taste no maple syrup produced elsewhere can equal, bears amble within sight of farmhouses. Of course I was disappointed when I finally got to see this place. It was not a valley at all, if by that you mean a cleft between hills; it was a mixture of flat fields and low rocks and heavy bush and little lakes—a scrambled, disarranged sort of country with no easy harmony about it, not yielding readily to any description.
The log barns and unpainted house, common enough on poor farms, were not in the Grieveses’ case a sign of poverty but of policy. They had the money but they did not spend it. That was what people told my mother. The Grieveses worked hard and they were far from ignorant, but they were very backward. They didn’t have a car or
electricity or a telephone or a tractor. Some people thought this was because they were Cameronians—they were the only people in the school district who were of that religion—but in fact their church (which they themselves always called the Reformed Presbyterian) did not forbid engines or electricity or any inventions of that sort, just cardplaying, dancing, movies, and, on Sundays, any activity at all that was not religious or unavoidable.
My mother could not say who the Cameronians were or why they were called that. Some freak religion from Scotland, she said from the perch of her obedient and lighthearted Anglicanism. The teacher always boarded with the Grieveses, and my mother was a little daunted at the thought of going to live in that black board house with its paralytic Sundays and coal-oil lamps and primitive notions. But she was engaged by that time, she wanted to work on her trousseau instead of running around the country having a good time, and she figured she could get home one Sunday out of three. (On Sundays at the Grieveses’ house, you could light a fire for heat but not for cooking, you could not even boil the kettle to make tea, and you were not supposed to write a letter or swat a fly. But it turned out that my mother was exempt from these rules. “No, no,” said Flora Grieves, laughing at her. “That doesn’t mean you. You must just go on as you’re used to doing.” And after a while my mother had made friends with Flora to such an extent that she wasn’t even going home on the Sundays when she’d planned to.)
Flora and Ellie Grieves were the two sisters left of the family. Ellie was married, to a man called Robert Deal, who lived there and worked the farm but had not changed its name to Deal’s in anyone’s mind. By the way people spoke, my mother expected the Grieves sisters and Robert Deal to be middle-aged at least, but Ellie, the younger sister, was only about thirty, and Flora seven or eight years older. Robert Deal might be in between.
The house was divided in an unexpected way. The married couple didn’t live with Flora. At the time of their marriage, she had given them the parlor and the dining room, the front bedrooms and staircase, the winter kitchen. There was no need to decide about the bathroom, because there wasn’t one. Flora had the summer kitchen, with
its open rafters and uncovered brick walls, the old pantry made into a narrow dining room and sitting room, and the two back bedrooms, one of which was my mother’s. The teacher was housed with Flora, in the poorer part of the house. But my mother didn’t mind. She immediately preferred Flora, and Flora’s cheerfulness, to the silence and sickroom atmosphere of the front rooms. In Flora’s domain it was not even true that all amusements were forbidden. She had a crokinole board—she taught my mother how to play.