Selected Stories (75 page)

I thought that Almeda must have been buried somewhere else. When this plot was bought—at the time of the two children’s deaths—she would still have been expected to marry, and to lie finally beside her husband. They might not have left room for her here. Then I saw that the stones in the ground fanned out from the upright stone. First the two for the parents, then the two for the children, but these were placed in such a way that there was room for a third, to complete the
fan. I paced out from C
ATHERINE
the same number of steps that it took to get from C
ATHERINE
to W
ILLIAM
, and at this spot I began pulling grass and scrabbling in the dirt with my bare hands. Soon I felt the stone and knew that I was right. I worked away and got the whole stone clear and I read the name
MEDA
. There it was with the others, staring at the sky.

I made sure I had got to the edge of the stone. That was all the name there was—Meda. So it was true that she was called by that name in the family. Not just in the poem. Or perhaps she chose her name from the poem, to be written on her stone.

I thought that there wasn’t anybody alive in the world but me Who would know this, who would make the connection. And I would be the last person to do so. But perhaps this isn’t so. People are curious. A few people are. They will be driven to find things out, even trivial things. They will put things together. You see them going around with notebooks, scraping the dirt off gravestones, reading microfilm, just in the hope of seeing this trickle in time, making a connection, rescuing one thing from the rubbish.

And they may get it wrong, after all. I may have got it wrong. I don’t know if she ever took laudanum. Many ladies did. I don’t know if she ever made grape jelly.

G
EORGIA ONCE
took a creative-writing course, and what the instructor told her was: Too many things. Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think.

Eventually she wrote a story that was about her grandfather killing chickens, and the instructor seemed to be pleased with it. Georgia herself thought that it was a fake. She made a long list of all the things that had been left out and handed it in as an appendix to the story. The instructor said that she expected too much, of herself and of the process, and that she was wearing him out.

The course was not a total loss, because Georgia and the instructor ended up living together. They still live together, in Ontario, on a farm. They sell raspberries, and run a small publishing business. When Georgia can get the money together, she goes to Vancouver to visit her sons. This fall Saturday she has taken the ferry across to Victoria, where she used to live. She did this on an impulse that she doesn’t really trust, and by midafternoon, when she walks up the driveway of the splendid stone house where she used to visit Maya, she has already been taken over some fairly shaky ground.

When she phoned Raymond, she wasn’t sure that he would ask her to the house. She wasn’t sure that she even wanted to go there.

She had no notion of how welcome she would be. But Raymond opens the door before she can touch the bell, and he hugs her around the shoulders and kisses her twice (surely he didn’t use to do this?) and introduces his wife, Anne. He says he has told her what great friends they were, Georgia and Ben and he and Maya. Great friends.

Maya is dead. Georgia and Ben are long divorced.

They go to sit in what Maya used to call, with a certain flat cheerfulness, “the family room.”

(One evening Raymond had said to Ben and Georgia that it looked as if Maya wasn’t going to be able to have any children. “We try our best,” he said. “We use pillows and everything. But no luck.”

“Listen, old man, you don’t do it with pillows,” Ben said boisterously. They were all a little drunk. “I thought you were the expert on all the apparatus, but I can see that you and I are going to have to have a little talk.”

Raymond was an obstetrician and gynecologist.

By that time Georgia knew all about the abortion in Seattle, which had been set up by Maya’s lover, Harvey. Harvey was also a doctor, a surgeon. The bleak apartment in the run-down building, the bad-tempered old woman who was knitting a sweater, the doctor arriving in his shirtsleeves, carrying a brown-paper bag that Maya hysterically believed must contain the tools of his trade. In fact, it contained his lunch—an egg-and-onion sandwich. Maya had the smell of that in her face all the time he and Mme. Defarge were working her over.

Maya and Georgia smiled at each other primly while their husbands continued their playful conversation.)

Raymond’s curly brown hair has turned into a silvery fluff, and his face is lined. But nothing dreadful has happened to him—no pouches or jowls or alcoholic flush or sardonic droop of defeat. He is still thin, and straight, and sharp-shouldered, still fresh-smelling, spotless, appropriately, expensively dressed. He’ll make a brittle, elegant old man, with an obliging boy’s smile. There’s that sort of shine on both of them, Maya once said glumly. She was speaking of Raymond and Ben. Maybe we should soak them in vinegar, she said.

The room has changed more than Raymond has. An ivory leather sofa has replaced Maya’s tapestry-covered couch, and of course all the old opium-den clutter, Maya’s cushions and pampas grass and the
gorgeous multicolored elephant with the tiny sewn-on mirrors—that’s all gone. The room is beige and ivory, smooth and comfortable as the new blond wife, who sits on the arm of Raymond’s chair and maneuvers his arm around her, placing his hand on her thigh. She wears slick-looking white pants and a cream-on-white appliquéd sweater, with gold jewelry. Raymond gives her a couple of hearty and defiant pats.

“Are you going someplace?” he says. “Possibly shopping?”

“Righto,” says the wife. “Old times.” She smiles at Georgia. “It’s okay,” she says. “I really do have to go shopping.”

When she has gone, Raymond pours drinks for Georgia and himself. “Anne is a worrywart about the booze,” he says. “She won’t put salt on the table. She threw out all the curtains in the house to get rid of the smell of Maya’s cigarettes. I know what you may be thinking: Friend Raymond has got hold of a luscious blonde. But this is actually a very serious girl, and a very steady girl. I had her in my office, you know, quite a while before Maya died. I mean, I had her
working
in my office. I don’t mean that the way it sounds! She isn’t as young as she looks, either. She’s thirty-six.”

Georgia had thought forty. She is tired of the visit already, but she has to tell about herself. No, she is not married. Yes, she works. She and the friend she lives with have a farm and a publishing business. Touch and go, not much money. Interesting. A male friend, yes.

“I’ve lost all track of Ben somehow,” Raymond says. “The last I heard, he was living on a boat.”

“He and his wife sail around the West Coast every summer,” Georgia says. “In the winter they go to Hawaii. The Navy lets you retire early.”

“Marvellous,” says Raymond.

Seeing Raymond has made Georgia think that she has no idea what Ben looks like now. Has he gone white-haired, has he thickened around the middle? Both of these things have happened to her—she has turned into a chunky woman with a healthy olive skin, a crest of white hair, wearing loose and rather splashy clothes. When she thinks of Ben, she sees him still as a handsome Navy officer, with a perfect Navy look—keen and serious and self-effacing. The look of someone
who longed, bravely, to be given orders. Her sons must have pictures of him around—they both see him, they spend holidays on his boat. Perhaps they put the pictures away when she comes to visit. Perhaps they think of protecting these images of him from one who did him hurt.

On the way to Maya’s house—Raymond’s house—Georgia walked past another house, which she could easily have avoided. A house in Oak Bay, which in fact she had to go out of her way to see.

It was still the house that she and Ben had read about in the real-estate columns of the Victoria
Colonist
. Roomy bungalow under picturesque oak trees. Arbutus, dogwood, window seats, fireplace, diamond-paned windows, character. Georgia stood outside the gate and felt a most predictable pain. Here Ben had cut the grass, here the children had made their paths and hideaways in the bushes, and laid out a graveyard for the birds and snakes killed by the black cat, Domino. She could recall the inside of the house perfectly—the oak floors she and Ben had laboriously sanded, the walls they had painted, the room where she had lain in drugged misery after having her wisdom teeth out. Ben had read aloud to her, from
Dubliners
. She couldn’t remember the title of the story. It was about a timid poetic sort of young man, with a mean pretty wife. Poor bugger, said Ben when he’d finished it.

Ben liked fiction, which was surprising in a man who also liked sports, and had been popular at school.

She ought to have stayed away from this neighborhood. Everywhere she walked here, under the chestnut trees with their flat gold leaves, and the red-limbed arbutus, and the tall Garry oaks, which suggested fairy stories, European forests, woodcutters, witches—everywhere her footsteps reproached her, saying
what-for, what-for, what-for
. This reproach was just what she had expected—it was what she courted—and there was something cheap about doing such a thing. Something cheap and useless. She knew it. But
what-for, what-for, what-for, wrong-and-waste, wrong-and-waste
went her silly, censorious feet.

Raymond wants Georgia to look at the garden, which he says was made for Maya during the last months of her life. Maya designed it;
then she lay on the tapestry couch (setting fire to it twice, Raymond says, by dozing off with a cigarette lit), and she was able to see it all take shape.

Georgia sees a pond, a stone-rimmed pond with an island in the middle. The head of a wicked-looking stone beast—a mountain goat?—rears up on the island, spouting water. Around the pond a jungle of Shasta daisies, pink and purple cosmos, dwarf pines and cypresses, some other miniature tree with glossy red leaves. On the island, now that she looks more closely, are mossy stone walls—the ruins of a tiny tower.

“She hired a young chap to do the work,” Raymond says. “She! lay there and watched him. It took all summer. She just lay all day and watched him making her garden. Then he’d come in and they’d have tea, and talk about it. You know, Maya didn’t just design that garden. She imagined it. She’d tell him what she’d been imagining about it, and he’d take off from there. I mean, this to them was not just a garden. The pond was a lake in this country they had some name for, and all around the lake were forests and territories where different tribes and factions lived. Do you get the picture?”

“Yes,” says Georgia.

“Maya had a dazzling imagination. She could have written fantasy or science fiction. Whatever. She was a creative person, without any doubt about it. But you could not get her to seriously use her creativity. That goat was one of the gods of that country, and the island was like a sacred place with a former temple on it. You can see the ruins. They had the religion all worked out. Oh, and the literature, the poems and the legends and the history—everything. They had a song that the queen would sing. Of course it was supposed to be a translation, from that language. They had some of that figured out too. There had been a queen that was shut up in that ruin. That temple. I forget why. She was getting sacrificed, probably. Getting her heart torn out or some gruesome thing. It was all complicated and melodramatic. But think of the effort that went into it. The creativity. The young chap was an artist by profession. I believe he thought of himself as an artist. I don’t know how she got hold of him, actually. She knew people. He supported himself doing this kind of thing, I imagine. He did a good job. He laid the pipes, everything. He showed up
every day. Every day he came in when he was finished and had tea and talked to her. Well, in my opinion, they didn’t have just tea. To my knowledge, not just tea. He would bring a little substance, they would have a little smoke. I told Maya she should write it all down.

“But you know, the instant he was finished, off he went. Off he went. I don’t know. Maybe he got another job. It didn’t seem to me that it was my place to ask. But I did think that even if he had got a job he could have come back and visited her now and then. Or if he’d gone off on a trip somewhere he could have written letters. I thought he could have. I expected that much of him. It wouldn’t have, been any skin off his back. Not as I see it. It would have been nice of him to make her think that it hadn’t been just a case of—of hired friendship, you know, all along.”

Raymond is smiling. He cannot repress, or perhaps is not aware of, this smile.

“For that was the conclusion she must have come to,” he says. “After all that nice time and imagining together and egging each other on. She must have been disappointed. She must have been. Even at that stage, such a thing would matter a lot to her. You and I know it, Georgia. It would have mattered. He could have treated her a little more kindly. It wouldn’t have had to be for very long.”