Shades of Milk and Honey (2 page)

“Mr. Dunkirk sends his regards.”

Jane was thankful that her back was to her sister, for the sudden flush she felt would have given her away. She tried to hide the growing attachment she felt towards Mr. Dunkirk, particularly since he seemed to have a higher regard for Melody, but his gentle manner drew her to him. “I hope he is well.” She was pleased with the steadiness in her voice.

“He asked if he could call this afternoon.” Melody sighed. “That is why I wanted to freshen the drawing room.”

The wistfulness in Melody’s voice would only be appropriate if she had reached an understanding with him. Jane turned to her sister, scrutinizing her countenance.

A gentle glow suffused Melody’s delicate features. She
stared into the middle distance as if her cornflower blue eyes were blinded by a radiant image. Jane had seen the same expression on her own plainer face in unguarded moments. She could only hope that Melody had been more cautious in company. She smiled gently at her sister. “Shall I help you set the drawing room to rights, then?”

“Would you?”

“Of course.”

The drawing room already had a simple theme of palm trees and egrets designed to complement its Egyptian revival furniture. For the better part of an hour, Jane and Melody twisted and pulled folds of glamour out of the ether. Some of the older threads of glamour in the palm trees had become frayed, making the images lose their resolution. In other places, Jane added more depth to the illusion by creating a breeze to ruffle the fronds of the glamour. Though her breath came quickly and she felt light-headed with the effort of placing so many folds, the effect was well worth such a trifling strain.

Placed in pairs in the corners of the room, the trees seemed to brush the coffered ceiling, accenting its height with their graceful forms. Between each tree, an egret posed in a pool of glamour, waiting an eternity for the copper fish hinted at below its reflection. Simpler folds brought the warm glow of an Egyptian sunset to the room, and the subtle scent of honeysuckle kissed the breeze.

When all was settled, Jane seated herself at the pianoforte and pulled a fold of glamour close about her. She played
a simple rondo, catching the notes in the loose fold; when she reached the point where the song repeated, she stopped playing and tied the glamour off. Captured by the glamour, the music continued to play, wrapping around to the beginning of the song with only a tiny pause at the end of the fold. With care, she clipped the small silence at the end of the music and tied it more firmly to the beginning, so the piece repeated seamlessly. Then she stretched the fold of glamour to gossamer thinness until the rondo sounded as if it played in the far distance.

The door to the drawing room opened. Melody leapt to her feet with a naked expression of welcome on her face. Jane rose slowly, trying to attain a more seemly display. She placed her hand on the pianoforte as the room spun about her with the lingering effects of working glamour.

But only their father entered the room. “Hello, my dears.” The plum brocade of his waistcoat strained across his ample middle. He looked around the drawing room in evident pleasure. “Are we expecting company?”

Melody said, “Mr. Dunkirk said he would honour us with a visit this afternoon.”

“Did he?” Her father looked befuddled. “But I saw him not fifteen minutes ago passing through our fields with the FitzCamerons. They looked for all the world as if they were going hunting. Are you certain you did not mistake his meaning?”

Melody’s face soured. “His meaning was clear. But perhaps
he preferred to spend the afternoon in the company of a lady than a farmer’s daughter.”

Jane winced as Melody flew from the room.

“Good heavens. What has gotten into the child?” Mr. Ellsworth turned to Jane with his eyebrows high. “Does she think that the whole neighbourhood must dance attendance to her whims?”

“She is young, and . . .” Jane hesitated to commit her sister’s potential indiscretion to words, but as her sister had not taken her into confidence, and as Jane feared for Melody’s state of mind, she continued on. “I fear she may be developing an attachment to Mr. Dunkirk.”

“Does he return it?”

“I do not know.” Jane plucked at the waist of her frock. “Certainly his behaviour has been above reproach in every instance of which I am aware.”

Mr. Ellsworth nodded, evidently satisfied with that reassurance. “Then we must hope that Melody will not embarrass herself while we wait for this fancy to pass.”

The front door slammed.

Jane hurried to the window and peered out. Melody strode across their lawn, heading for the fields between their home and Banbree Manor. Jane caught her breath. “I fear that is what she has set out to do.”

Her father looked over Jane’s shoulder. “I will go fetch her before she can damage our neighbour’s good opinion of her.”

Jane nodded, though she wanted to tell her father to let Melody do as she would. Let the headstrong girl make a fool of herself. The rational part of Jane knew that Melody was not her obstacle to Mr. Dunkirk’s affection. Jane was too plain and too quiet to engender any interest in him or any other gentleman.

Jane turned from the window and sat at the pianoforte. She loosened the fold around it, silencing the distant song. Quietly, she began to play, losing herself in the music.

Her fingers played across the keys and stroked thin folds of glamour on the ebony and ivory surfaces. Colours swirled around her in answer to the sound. She welcomed the light-headness, which came with too much glamour, as a distraction from her cares.

When the front door opened, Jane kept her attention on the pianoforte; she did not want to speak with Melody and have to comfort her. But that was unjust; Melody could not know how her actions affected Jane.

Bringing the song to a close, she looked up as the colours around her faded.

Mr. Dunkirk stood in the door to the drawing room. His face was alight with wonder. “Forgive me, Miss Ellsworth. I had told your sister I would call, and am later than I intended.”

Jane’s heart pounded with more than the effort of glamour, and a flush of warmth flooded her face. “Mr. Dunkirk. You have just missed her; she has gone for a walk with my father.” Jane rose with care, pretending that gray blobs did not swarm in her sight. She would
not swoon in front of him. “But please be welcome. May I offer you tea or a brandy?”

“Thank you.” He accepted the brandy she offered and raised the glass to her. “I had no idea you were such an accomplished musician and glamourist.”

Jane looked away. “It is an idle amusement, sir.”

“Nonsense. Music and the other womanly arts are what brings comfort to a home.” He looked at the palm trees and egrets adorning the drawing room. “I hope to have a home such as this one day.”

Jane put her hand on the piano to steady herself, keenly aware that she was alone with him. “Indeed,” she murmured. “Though I would venture to say that Robinsford Abbey is most gracious.”

“But it lacks that comfort which a wife with the gift of glamour might bring.” He inhaled the scent of honeysuckle and exhaled it in a sigh. “Other men might seek a lovely face, but I should think that they would consider exquisite taste the higher treasure. Beauty will fade, but not a gift such as this.”

“Do you not think that glamour might be learned, whereas beauty is innate?”

“Glamour, yes. But not taste, I think.” He smiled and inclined his head. “It was a conversation close to this topic which prompted my tardy arrival here. Have you had occasion to meet Mr. Vincent?”

“I’m afraid you have the better of me.”

“Ah. I thought Miss Melody might have mentioned him.
Lady FitzCameron has retained his services to create a glamural for her dining hall. He is a fascinating fellow, who studied with Herr Scholes and has taken commissions from the Prince Regent. Stunning talent, really.”

“Did Melody meet him, then?” It seemed odd that her sister would fail to mention it. Visitors to their neighbourhood were rare enough to be newsworthy, but to have such an accomplished glamourist in the vicinity was a significant event.

“I thought they met, but perhaps I am mistaken. In any case, Mr. Vincent had much to say on the subject of glamour, which I think you might find to be compelling arguments in my favour.”

The front door opened again, and Melody flung the door to the drawing room wide. Her face was red and stained with tears. When she saw Mr. Dunkirk, she uttered a cry of dismay and fled the room.

Jane closed her eyes. Poor Melody. What must she think? To see Jane quite alone with a man for whom Melody so clearly had an attachment must seem as a betrayal. When Jane opened her eyes, he had set his glass down to greet Mr. Ellsworth.

Excusing herself, Jane said, “I feel that I must check on Melody.”

“I hope she has not suffered an accident,” Mr. Dunkirk said.

Jane’s father harrumphed and mumbled that Melody had twisted her ankle while walking, to which Mr. Dunkirk
replied, “Then I will leave you to tend to her.” He took his leave, only pausing at the door to say, “May I call again?”

“Of course!” Mr. Ellsworth beamed. “Come whenever you like.”

“Then I will see you soon.” Mr. Dunkirk bowed. “Your daughter is a credit to you, sir.”

When the front door closed, Mr. Ellsworth said, “Well. Melody needn’t have worried after all. ‘A credit.’ ”

Jane smiled. “Indeed.”

Still glowing with the words of Mr. Dunkirk’s praise, Jane went abovestairs and knocked on the door of Melody’s room. Such a small thing, those words, but it was the first time she could recall coming to his special notice. He had always been courtesy itself when in her company, but her attachment to him grew more from how he treated others than from any sense of his having regard for her.

She leaned her head against the door, listening for sounds within the chamber. “Melody?”

“Go away.”

Jane sighed. “Dear. Let me come in.”

The silence stretched out, during which Jane had time to examine the wood grain on the door and the age worn in the softened edges of its panels. “Melody?”

Cloth rustled within, and the key turned in the lock, unlatching the door. As Jane opened the door, she was in time to see Melody fling herself artlessly upon
the bed, where the rumpled spread shewed how she had spent the time since Mr. Dunkirk’s visit. Her golden curls lay across the bed in an intricate lacework, and tears glittered on the ends of her lashes like diamonds.

Jane closed the door behind her and leaned against it, regarding her sister. “Mr. Dunkirk sends his apologies for his tardiness.”

Melody sat up with alarming speed. Her face flushed. “Is he still here?”

“No. Papa let him understand that you had twisted your ankle while out walking.” Jane sat next to her sister.

Placing her hands over her eyes, Melody groaned and fell back on the bed. “Now he thinks me clumsy as well as overexcited.”

“I am certain he does not.” Jane wiped her sister’s brow, which was hot with the force of her excitement. Reaching into the ether, Jane conjured a cooling breeze to soothe her.

Melody pulled her hands away from her eyes, though she kept her lids shut and turned her face toward the breeze. “But he does. I stammer and blush when he is present. La! Do not tell me you have failed to notice.” She opened her eyes and glared up at Jane.

“Until today, I had not the faintest notion that you had any affection for Mr. Dunkirk beyond that of a neighbour. Indeed, I had thought you were no more fond of him than of one of our uncles.” Jane smoothed the folds of her skirt, praying that her own countenance was not as transparent to feeling as Melody’s. “Have you an understanding with Mr. Dunkirk?”

Melody burst into laughter. “An understanding? My
dear Jane, Mr. Dunkirk is gentleness embodied. He is grace and elegance and all that is good in a man, but he is also too conscious of propriety to betray anything beyond courtesy. This is why I had such hopes when he said he would come to call today. I had hoped that perhaps he might have begun to pay notice to me as myself instead of as simply the daughter of his neighbour.” She groaned and rolled over, burying her face in her arms. “What did you speak of while I was out acting the fool?”

“Very little. Music. Glamour. Lady FitzCameron’s glamourist.” Jane waited to see if Melody would speak of meeting Mr. Vincent, but her sister charged ahead with her litany of woes.

“You see! I could not speak with him of any of those. I am talentless.” She clenched her fingers in her hair, and for a moment Jane feared that Melody would pull her own hair out by the roots.

Such were Melody’s torments that Jane gave away the comfort that she had taken for herself. “Not true. Ask Papa what he said about you.”

In an instant, Melody turned over, her eyes a vivid, sparkling blue. “What did he say? Do not teaze me, dear sister.”

“He said, ‘Your daughter is a credit to you.’ ”

Melody’s face lit with an inner glow of pleasure, but it faded quickly. “He was surely speaking of you.”

“I was there, Melody. Why would he speak of me as if I were not present?” And as Jane spoke, she realized that it
was true. She had taken Mr. Dunkirk’s words to her heart as if he had spoken of her, but he surely had not. Who else could he have meant but Melody? Had his compliment been intended for Jane, he would have said, “
You
are a credit to your father.” There could be no doubt that he had meant Melody. Jane reached out and tousled Melody’s hair to mask the wet disappointment that seeped through her. “You see?”

Melody sat and flung her arms around Jane. “Oh, thank you. Thank you for telling me.”

“Of course. We must find these small comforts where we may.” Jane held her sister and wondered where she would find her own small comfort. She reached for a new topic, to push away the pain of this one. “And now, should I chide you for not telling me of Lady FitzCameron’s glamourist?”

Melody pulled back, her eyes wide with guilt. “Oh, Jane! I am so sorry. When Mr. Dunkirk said he would call, all else slipped my mind. Though, truly, there is little to tell.”

“Well. What sort of man is he?”