Sins and Needles

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Authors: Monica Ferris

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Sins and Needles
Needlecraft Mysteries by Monica Ferris

CREWEL WORLD

FRAMED IN LACE

A STITCH IN TIME

UNRAVELED SLEEVE

A MURDEROUS YARN

HANGING BY A THREAD

CUTWORK

CREWEL YULE

EMBROIDERED TRUTHS

SINS AND NEEDLES

Anthologies

PATTERNS OF MURDER

Sins and Needles
Monica Ferris

BERKLEY PRIME CRIME BOOKS, NEW YORK

THE BERKLEY PUBLISHING GROUP Published by the Penguin Group
Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
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Penguin Group (NZ), Cnr. Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

SINS AND NEEDLES

This is an original publication of The Berkley Publishing Group.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

Copyright © 2006 by Mary Monica Kuhfeld writing as Monica Ferris.
Cover art by Mary Ann Lasher.
Cover design by George Long.

All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions.
The name BERKLEY PRIME CRIME and the BERKLEY PRIME CRIME design are trademarks belonging to Penguin Group (USA) Inc.

ISBN: 978-1-1012-0608-9

This book has been cataloged with the Library of Congress.

Acknowledgments

The idea for this book came from Todd Warner, of Mahogany Bay in Orono, Minnesota. I can't tell you more about it here, because that would give too much of the plot away. I would also like to thank Marge Scheftel and Jean Deggerdorf, who live on the Big Island of Lake Minnetonka. And Tanya Dee Smith for looking just like someone else I know when the sun is at her back. Oh, and Luci Zahrey, Texan.

One

I
T
was mid-June, and the sun was at its northernmost position in the sky. Its beams filled the big front window of Betsy Devonshire's needlework shop, Crewel World, drowning the careful effects of the lighting inside, especially near the front.

Betsy was sitting behind the checkout desk, shielding her eyes from the glare with one hand while going down a list of customers signed up for a knitting class. Most were beginners who had knitted all the simple scarves in exotic yarns they could possibly use and wanted something more challenging.

So Betsy had hired Rosemary Kosel to teach her famous beginner sweater class, and her store manager, Godwin, to teach the fine art of knitting socks. Rosemary's class, already full, was to begin the last Thursday of next month, but Godwin's was starting in a few days, and he needed another student to make the class pay for itself. Instructors were worthy of their hire, but Betsy could not afford to pay for instructors out of shop profits. Godwin was charging forty-five dollars for three ninety-minute sessions. In that time, quick students would have one sock finished and everyone else would know how to finish it.

Betsy checked the mail to see if there was another registration. There was, but it was for Rosemary's class. She sighed and went over the list of both classes to see that she had the mailing address, phone number, and e-mail address of each student. Well, Mrs. Shipman had no e-mail address; she wouldn't even have a computer in her house. Betsy was about to put the stack into her desk drawer when the door chimed. She looked up to see who was coming in.

With the strong sun behind her, the woman was barely more than a silhouette, but Betsy recognized her sturdy outline and the blond tumble of curls around her shoulders. “Well, good morning, Jan! That twenty-eight count Laguna fabric came in. Do you still want a piece?”

The woman entered the shop, speaking in a Texas drawl. “I'm not Jan. I'm Lucille Jones. Remember me, from Trinity Church on Sunday?”

Betsy's eyes widened. “Why, of course, Mrs. Jones! I'm so sorry! But you wore your hair up on Sunday—even so, funny I didn't see how remarkable the resemblance is.”

Now she remembered Lucille Jones and her husband—what was his name? Robert, that's it. The first words out of his mouth over coffee after the service, spoken in an even more pronounced drawl than his wife's, had been, “Call me Bobby Lee. Everyone who knows me does.” He was tall, deeply tanned, good looking, and he'd worn to church what every good ol' country Texan does: stiff new jeans, a western shirt, cowboy boots, and a clean black cowboy hat, held in one hand. It was probably rude of Betsy to be so surprised to learn he was a surgical nurse at a prestigious hospital in Houston.

His uncommon costume and disarming manners drew her attention, which was another reason she hadn't paid close attention to his wife.

Lucille was standing at her checkout desk right now, waiting for her to stop woolgathering. When Betsy's eyes came back into focus, Lucille smiled. “I take it this Jan is a regular customer?”

“Oh, yes, she's in here a lot.”

“But you still thought I was her.” Lucille had a twinkle in her blue eyes. “I must look a
whole lot
like her.”

“Well, I can tell the difference now that you're not outlined by the sun coming in the window, but you do look alike.” Both were in their forties, had sturdy builds, curly blond hair, and DMC floss color 996 blue eyes.

“They say everyone has a twin somewhere in this world, so maybe she's mine.” Lucille looked around without moving. “This is pretty nice. You told me about your shop, and I came to see what you have in knitting yarn. I'm looking for something fancy, maybe that kind that looks like fur? I want to knit one of those twirly scarves for my goddaughter, who's going into high school this fall.”

As she led Lucille toward the yarns, Betsy said, “Well, I don't have as large a selection as Three Kittens or Needlework Unlimited, but I do lean toward the exotic. What color are you after?”

“Something mixed, you know, three or four shades of a color. Sydney likes green or turquoise. Oh, this one is pretty!” She took a fat skein of yarn from Betsy's hand, a dense plush in shades of medium and light green. Then her eye was caught by a group of skeins in a basket. “Say, you've got eyelash yarn. I just love it. Do you think it would look nice knit together with this?” She held up the plush skein.

“Yes, I do,” said Betsy.

A few minutes later, Betsy was ringing up a sale that included two skeins of the plush, two eyelash, two of a beautiful merino wool, a book of patterns, three pairs of bamboo needles in the larger sizes, and a fabric knitting bag to carry it all. Lucille handed Betsy a credit card and said, “This Jan you said I look like—what's she like? Is she nice?”

“Well, like you, she's a knitter. But she goes to the other end of the scale from you. She likes size zero or even double-and triple-zero needles. She knits teeny little beaded bags and lace. She also does counted cross-stitch. Her latest project is a Persian rug stitched on silk gauze, sixty count.”

“I like counted cross-stitch, too, but give me a nice eighteen-count linen. What eyes she must have!”

Betsy laughed as she handed over the receipt for Lucille's signature. “She has excellent vision, but she also has a Dazor light.” The Dazor featured a big magnifying glass surrounded by a full-spectrum light; looking through it was like sitting in a window full of sunlight with Superman eyes. Used by advanced cross-stitchers working on high-count fabric, it was also a godsend to stitchers over forty.

“And she looks like me?”

The insistent question made Betsy frown just a little, but she obediently considered Lucille's face and acknowledged, “You could be sisters.”

“What's her last name? Where does she live?”

Starting to feel really uncomfortable, Betsy said, “I'm sorry, I don't give out customers' addresses.”

Lucille seemed instantly abashed. “No, no, it's all right,” she said hastily. “It's me who should be sorry. But let me explain. My mama died a year ago February—Daddy died about five years before that. I was their only child, and as I was going through their papers,
I found adoption documents!
Well, I was sure floored! I had no idea! But after I picked myself up, I thought about it and finally decided to search for my biological roots. I found out I was left at an orphanage in Minneapolis, but it was like hitting a brick wall trying to get further than that. I finally told Bobby Lee—he's my husband; he was with me on Sunday—”

Betsy nodded.

“I told him we were spending our vacation in Minnesota.” She smiled in a way that showed she had had to overcome some objections on his part. “But you know something?”

“What?” asked Betsy.

“I
like
it up here. It's really different from Houston, but it feels…I don't know…right. It's like I've come home, even though I've never been here before. Do you think that means my biological parents really are from here?”

Betsy didn't believe in genetic memory, but she said politely, “I suppose it could mean that. How did you end up in Texas? Were your parents originally from here, too?”

Lucille laughed. “Oh, my, no! My mother was a proud Daughter of the Confederacy, and my father's great-great-uncle died at the Alamo.” She leaned closer to confide in an amused undertone, “Though there's a rumor that his wife's brother fought with Santa Anna.”

Betsy laughed.

Lucille opened her wallet to put her credit card away. “I know my birth date, so I've been checking at hospitals, but so far I haven't found any record of an unmarried woman giving birth on that day.”

Betsy's eyebrows lifted. “Maybe—” She hesitated.

But Lucille broke in, her tone inviting, “What? Tell me. One of the ladies at church said you're like a female Sherlock Holmes, so detect for me.”

Betsy, wondering vaguely which of her friends had spilled those beans, said, “Well, this isn't detection, it's more like deduction. Maybe your mother was married but died in childbirth. Sometimes a father feels overwhelmed and can't deal with a newborn.”

Lucille stared at her as if Betsy had said something ridiculous. “No,” she said firmly. “My biological mother is
not
dead.”

Betsy did not, of course, want to start an argument, but Lucille must have read something in her eyes, because she said, touching the center of her breast, “I can
feel
it, right here. She is alive, she's around here somewhere, and I'm going to find her.”

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