Six Bad Things (32 page)

Sid pops up from the couch, his hand flying to his gun just as it slips down into the leg of his baggy jeans. Rolf grabs one of the sofa cushions and flings it at Ron as he swings his gun back in our direction, pumping another shell into the chamber. Ron ducks and Rolf jumps across the table at him.

Terry rolls and squirms around as Hitler scrambles back at him. Terry lunges backward and strikes the coffee table, and that’s all the running away he gets to do. Hitler latches on to the closest target. Terry starts to scream like a dying rabbit.

Sid’s gun slides down his pants leg, out the cuff, and clunks to the floor, and Dale swings his crossbow at him like a pickax. Sid leans back, the crossbow whistles past his face, Dale is dragged off balance, and Sid grabs the back of his neck and pushes him down to the ground.

Rolf has grabbed the barrel of the Remington and is lurching around the room with Ron as they struggle for control of the weapon. Blood is gushing out from between Hitler’s locked jaws as he jerks his head from side to side. I’m almost grateful for Terry’s screams, for keeping me from hearing the tearing sounds.

I grab my money and phone and step over to T. He’s out cold, keeled over on the floor, the fletched shaft of the bolt sticking out of his leg. I grab hold, and yank. The bolt doesn’t budge. It’s gone through his leg and the Sheetrock of the wall and sunk itself deep in a 2x4 stud. I look over my shoulder.

Rolf has forced the barrel of the shotgun into the air and grabbed Ron’s throat with his free hand. Ron is still holding the butt, his finger on the trigger, but has his other hand on Rolf’s throat. They swing around in a circle a couple times, and then Ron pulls the trigger, blowing a hole in the ceiling, and Rolf yelps and lets go of the gun. Sid is kneeling on Dale’s back; he’s grabbed one of the Veuve bottles and has it raised in the air. I turn my head, but hear the sound as the thick glass shatters against the back of Dale’s skull.

I try to get a grip on the arrow, but it’s too slick with T’s blood. I wrench at it anyway and my hand slides off and I end up tugging it to the side, opening the wound farther. T groans, but stays unconscious.

I need to get out of here.

Terry has stopped screaming. I look. Rolf is bent over, his arms wrapped around Ron’s waist in a bear hug while Ron brings the butt of the gun down on his back, trying to break the hold. Sid is rising, dropping the jagged, bloody neck of the champagne bottle as he reaches for one of the two others. Dale is motionless on the floor, shards of glass sticking out of his scalp and neck. Hitler is looking at me. He has released Terry and is standing on his chest looking at me as I try to free T.

I stand up. Hitler takes a step toward me, gingerly placing his wounded leg down, and then lifting it into the air and holding it there. I take a step away from T, and Hitler takes a step closer.

Ron has beaten Rolf down to his knees, but Rolf refuses to let go. Too late, Ron realizes someone is coming at him from the side, and Sid’s bottle arcs toward him before he can bring the shotgun around. The bottle splinters against his face, the gun goes off, one of the silk-covered lamps explodes, Hitler flinches and blinks, and I turn and run.

The door next to the bathroom is open. I lunge through it, spin, see Hitler running at me, and slam the door closed just as he crashes into it. The force of two two-hundred-pound bodies colliding sends us both hurtling backward. I hit a wall and watch him scrabble on the bare wood floor of the hall and come back at me. I kick the door and it bangs closed and latches as he piles into it, cracking the lower half, and starts trying to dig through it.

I turn and get only a glimpse of a big brass bed with a leather jacket draped on one of the posts and bloodstains on the sheets. I tear across the room to where Sandy is climbing out the window with an Adidas bag around her shoulders. She’s crying and trying to pull the bag loose from where it’s gotten caught on the window lock, and doesn’t know I’m in the room until I yank the bag’s strap free and shove her out the window to fall a few feet into the flower garden outside. I get one foot on the sill, then dive back into the room, grab the jacket from the bedpost, and jump out the window.

Sandy is still picking herself up. I hook the bag strap and start dragging her after me as I head for the path that runs to the front of the house. Sandy screams and tries to pull free. I wrench her to me, wrap my left arm around her neck, and lock my hand over her mouth. She struggles and scratches at my arm and I give her a hard shake, still pulling her along.

—Sandy. Stop it. You’ll die if you don’t stop. You’ll die.

She stops, but I keep her in the headlock, my hand over her mouth. We round the side of the house and start down the short path to the gate that opens onto the driveway. I stop at the back door and peek through a gap in the curtains.

It’s awful.

Dale is still immobile, unconscious or dead. Ron is on his back, rolling from side to side, his face covered with both hands, blood streaming from between his fingers. Terry is still alive and has somehow gotten himself flipped over, inching himself toward the front door, leaving a snail-trail of blood in his wake.

Sid has recovered his .45 and is standing over Ron, watching him writhe. He starts to raise his foot. Rolf has Ron’s shotgun and is pointing it up the hallway. T has come to and is holding his hand in the air, out toward Rolf, warding him off. Hitler is barking in the hall.

I start to look away, but I’m too late and I see it all. Sid’s foot coming down on Ron’s face. Rolf pulling the trigger. The blast that was deafening in the small room is just a muffled pop out here.

Hitler stops barking and T screams and struggles to pull his leg free of the arrow holding him prisoner. That’s all I can take.

I haul Sandy to the gate and look over it. Nothing. A quiet street, everyone at work or inside resting up for a late shift. I push the gate open and start down the drive toward T’s Chrysler, holding his jacket collar in my teeth, feeling at the pockets until I find the keys. I walk around the car, open the driver’s side door, and shove Sandy inside, pushing her ahead of me into the passenger seat. She pulls the door handle and tries to climb out. I grab at her and get a handful of hair, pull her in, and get the door closed. I let go of her hair.

—They’re killing people in there, the guys I came with are killing people. We have to go. You have to go with me.

She doesn’t move, so I go to stick the key in the ignition and miss. I try again and miss again and grab hold of my shaking right hand with my shaking left hand and manage to guide the key home. I start the car, over-revving, and drop the gearshift into drive as the front door of Sandy’s house flies open and Sid and Rolf run out.

Sandy screams and I jam my foot down. The tires spin and smoke and we fishtail away from the curb as they run to the sidewalk. I straighten the car out and we’re in the middle of the street, speeding away. I look back and see Sid pointing his gun at us and Rolf grabbing him and pulling him back up toward the house before he can shoot.

And we turn the corner and drive away, the trail of blood behind me stretched longer still.

WHEN I was a kid and I’d do something stupid, Dad would sit me down and ask me, “What were you thinking?” I’d shrug and say, “I dunno.” He’d nod and put a hand on my shoulder and say, “You weren’t thinking, were you?” And I’d say, “No, I wasn’t.” He’d tell me he knew I wasn’t thinking, because he knew I was a smart kid and if I stopped and thought things through, I’d do the smart thing. All I had to do was stop and think and I’d do the smart thing. Always.

How am I doing now, Dad?

I DRIVE us back to Boulder Highway, take a left, drive up the road, and pull into the first parking lot I see: The Boulder Station Hotel. I park the Chrysler near the other cars in the lot, leave the engine running, and reach under Sandy’s seat. The plastic bag snags on something and I give it a yank and it tears and the guns and the boxes of ammo spill out onto the floor next to Sandy’s feet. She gives a little shriek at the sight of the guns and pulls her feet up onto her seat as if the footwell were full of spiders. I flip the cylinder open on the Anaconda, pop open the box of Magnum shells, and start to load the revolver. My hands are still shaking, it’s hard to get the rounds in their chambers, but I manage. I close the cylinder and turn around in my seat and look out at the highway through the back window. I give it a couple minutes and see no sign of Rolf and Sid chasing us. I turn around.

Oh, my God. Oh please, Jesus. I close my eyes and see Terry crawling, trailing blood. Oh, Jesus, what have I done? I open my eyes and see the gun in my hand and raise it and press the barrel against my forehead.

—Jesus, oh, Jesus. Make it stop, please make it stop.

—Nonononononono.

Sandy is pressed against the passenger door, still in her kimono, blood still trickling from her mouth, staring at me, as I’m getting ready to kill myself. I pull the gun away from my head and drop it in the back-seat.

—It’s OK.

—Nonono.

—It’s OK, Sandy. It’s over. It’s OK.

I touch her. She closes her eyes.

—Sandy.

She whines.

—Sandy.

She opens one eye, like a kid who’s watching a horror movie and doesn’t want to see too much of the scary stuff.

—I’m not gonna hurt you.

I reach in my pocket and take out a pill.

—Take this. It’ll help.

—I TOLD you, Terry’s my boss, my dealer. And kind of my manager.

Oh, Christ.

—Your pimp, Sandy?

—No! My
manager.

We’re still in the parking lot at Boulder Station, but the Perc has Sandy mellowed out. She’s in the backseat changing into clothes from her bag.

—I’m not a total cliché, Wade. He, he knows people at the big casinos, and I want to dance in a show, and he was helping me. He got me an audition at Bally’s for
Jubilee!
But they didn’t like my tattoos and I didn’t get the job. I’m tall enough and I have the tits and ass and I can dance, but once they get a look at my tattoos they say no go, and it costs a hundred times as much to get the things taken off as it does to have them put on. Fuckin’ tattoos.

She climbs into the front seat, now dressed in faded blue jeans, black Doc Martens, and a black AC/DC tank top.

—What else is Terry into, baby? What else does he do?

She wipes her eyes.

—Mostly he deals. He works for some people, I don’t know. The people he gets his grass from. And sometimes he does other stuff for them, like collections and stuff.

—What about the Russians? Do they know who I am? Do you know who I am?

She looks at me sideways.

—You’re Wade?

I let it go.

—Why was Terry there with those clowns?

—Because I called him.

—When?

—After we talked at the club, before I asked for a lift. I called Terry and told him you were looking for Timmy, and he told me to get you guys good and fucked-up and get you to come back to my house. But. But. But. You didn’t come, and I went back with T anyway and I told him to leave the dog in the car, but he wouldn’t, and then I said to put him in the garage, but he wouldn’t, but he locked him in the bathroom in my room, in the master bedroom and then I got him to lie on the bed and handcuffed him to the frame like I was gonna strip for him, and then Terry came in and started asking T about Timmy, why he was looking for Timmy and who you were and why you were looking for Timmy, and T didn’t know anything, and Terry, he had those hicks with him, and they started beating on T. And. And. And. I
like
T. I didn’t want him to get hurt. And. And. And.

She’s gasping for breath.

—Easy, take it easy.

She rubs the heels of her hands into her eyes.

—Terry made me call you to try and get you to come over, but you wouldn’t, and that pissed him off, and he was also pissed because T and the dog wouldn’t shut up and the dog wouldn’t stop barking and he couldn’t do anything about the dog, but T was carrying a bunch of ludes and Terry forced a few down T’s throat and that knocked him out. And then. And then? And then we didn’t expect you until six or so and Terry had those fucking guys with him and he had been, he met them at Circus Circus and was supposed to set them up with a couple hookers and when he got the call from me he asked if they wanted to make a couple bucks instead and they had gotten wiped out at the craps table so they went out to their truck and got that gun and that bow thing and Terry drove them over in his Cruiser and we had to wait for you and they were bored and wanted to leave and they thought I was a hooker and wanted Terry to make something happen for them and they kept grabbing at me and Terry made me give them all of T’s crank and my Veuve and then you just showed up. And? And?

She runs a hand through her hair.

—God, I love Percs. Got any more?

—Later. What happened when we showed up?

—Nothing. Oh, except Terry got pissed again, but he’s always getting pissed and flexing his muscles like he invented them. I mean, he’s mostly an OK guy, but he was really bad today because nothing was working the way he wanted it to and that’s like one of his big things, bitching about how things don’t work the way they’re supposed to. Also? He has those guys there to show off in front of and he was doing crank and he’s already high-strung from the ’roids so that wasn’t a great idea and then you show up and I look out the peephole and you have those guys and he was all
Nothing works the way it’s supposed to,
and then he told me to only let you in, but you brought those guys and…

She shrugs.
That was that.

—Besides, I think he’s scared of the Russian.

Who isn’t?

—What about the Russian? What do you know?

—Nothing. Except Terry’s bosses told him to help out finding Timmy, so he called
him,
the Russian, after I called about you, and
he
told Terry to get ahold of you, and Terry called
him
from my place to say you’d be there around six, and then after you showed up early, he called
him
again to say you were there. I think. But that’s all I know.