Small Acts of Disappearance

Small Acts of Disappearance

Small Acts of Disappearance

Fiona Wright

Essays on Hunger

First published in 2015

from the Writing & Society Research Centre

at the University of Western Sydney

by the Giramondo Publishing Company

PO Box 752

Artarmon NSW 1570 Australia

www.giramondopublishing.com

© Fiona Wright, 2015

Designed by Harry Williamson

Typeset by Andrew Davies

in 11.25/14 pt Garamond 3

Printed and bound by Ligare Book Printers

Distributed in Australia by NewSouth Books

National Library of Australia

Cataloguing-in-Publication data:

Wright, Fiona

Small acts of disappearance: essays in hunger

ISBN 978-1-922146-93-9 (pbk)

362.25092

All rights reserved.

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying or otherwise without the prior permission of the publisher.

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For my sisters: by blood, in-law and in arms

I speak of those years when I lived walled alive in myself, left with nothing but the inward search for joy, for a word that would ruffle the plumage of mind to reach its tenderest down; when consuming myself I endured, but could not change.

GWEN HARWOOD
‘Past and Present'

Contents

In Colombo

In Hospital

In Berlin

In Miniature

In Increments

In Books I

In Books II

In Group

In Passing

In Hindsight

IN COLOMBO

 

 

 

 

 

I
'll always remember the particular intensity that malnutrition brings on, I know that I miss it still. That alertness of sensation, where every minute cell in the body is awake and alive to the smallest details of the outside world. I've been told this is instinctual, a biological reaction to the threat that the hungry body perceives itself to be under; that a malnourished animal is weaker, more vulnerable to predators, and compensates by trying to pick up on danger early enough to still be able to escape. The world glistens in this state of apprehension. Your skin prickles. When I was travelling in this state, so many days felt strangely brittle, saturated, super-real.

Even now, I find it hard to separate what I experienced in Sri Lanka from what I experienced in my body, to figure out how much of my perception was sharpened by my hunger, how much by the complicated novelty and
otherness that travel always involves. At that stage, it was three years since I had fallen ill, but only eighteen months since the very rare and still-untreatable cause of my persistent vomiting had been identified. But I'm not sure if the ground hadn't already shifted again then, if the physical disease hadn't taken on the disordered dimensions that I'm fighting to this day.

I've also discovered, since my diagnosis, that even specialist opinion has shifted as to the nature of that physical condition. Rumination is a muscular tic of the upper stomach and its sphincter. Like any muscular tic it is unconscious and uncontrollable, but at least in part psychosomatic. This doesn't make it any less bodily, any less real. When I was finally diagnosed, the first thing the specialist said was ‘You're not making this up and you're not going mad'; and eight years later the condition was added to the
Diagnostic and Statistical Manual of Mental Disorders,
the DSM, which is the standard classification manual for mental health used by psychiatrists worldwide.

I travelled to Sri Lanka three years before I stepped for the first time inside the office of a psychologist, five years before I fully realised that there was more to my illness, to my hunger, than simple physicality. But I sometimes think that it was here, in Colombo, that things changed, and my illness grew more complicated. Even so, I never can tell to what degree pathology stood between me and the country that I came to love, or if I ever could have done things differently.

On my first day in Colombo, I wrote in my journal that the light seemed golden, that I'd felt pure joy on seeing so many animals – monkeys and lizards, crows and cows – wandering the red-earthed streets. On my second day, unable to properly pronounce the name of the suburb in which I was living, I got completely lost, riding in the backseat of a three-wheeler taxi, until the driver tried to kiss me in an unmapped alley. I ended up walking in the late-season rain, along streets that had no footpaths, to the low-roofed house where I was billeted to a Sinhalese family, then standing, silent and shaking, at my bedroom window, which overlooked a primary school, the children in immaculate white uniforms running on the pressed dirt of its playground. I already felt too small for the situation I'd placed myself in, alone and as-yet untravelled, in a part of the world I knew almost nothing about.

On my third day in Colombo, I started work. I arrived early at the offices of the local English-language newspaper where I was interned, and my section editor immediately assigned me to a story on the street children of the city. I'm still not sure if she was deliberately trying to provoke me, fresh off the plane as I was, to throw my complacent, sunburnt skin into a world that I had little comprehension of. Anesha, a young and quiet colleague with a thick wave of hair reaching right to her waist, accompanied me to translate. We took a driver, and a van, my digital camera. I'd had half a piece of strangely sweet toast with imported Marmite for breakfast. My billet family had bought the Marmite for me from a small grocer near their house; it
was stocked alongside Diet Coke, pasta, and toilet paper on a shelf labelled ‘Western Items' near the back of the store.

I never found out the names of the places we went to that day, I never went through them again in my whole time in the city. We drove to a rubbish tip beside a timber train station, untouched since the so-called
British era,
the thick awnings corroded with insect bole, a round rust-coloured clock unmoving above the entrance, looking for signs of hungry children. Shredded pieces of black plastic flapped at our approach, and fat crows stared us down, but otherwise there was stillness, just hot silence. At high noon, we reached a string of
kovils,
the intricately sculpted, intensely-coloured Hindu temples worshipped in by what remains of Colombo's Tamil population.

These too were built beside a garbage ground, dotted with small timber stalls where women sold strings of marigolds and enormous platters of tropical fruit, to leave as offerings inside the shadowed temples. Anesha pointed out the separate kovil for the women, the ripe-looking goddesses dancing along the length of each steeple, the pawpaws cut open and rotting by the door, in petition for fertility. She bought one for me. I was twenty-three, and had no babies. I also hadn't bled for three whole years. Inside, I watched a series of young women bash coconuts against their heads, then bow before a painted goddess in an alcove.

Outside, Anesha was waiting, squatting on her heels beside a woman with a small child in her lap. The child wore a faded polo-shirt, no pants, and put his fingers to his mouth
as I approached. What did I want to ask? Anesha said. The sun was beating on my back, a small, black fly crawling on my forearm, the red leather of my shoes constricting in the heat. The child kept gesturing his fingers to his mouth. His mother said that he was five years old, and wouldn't allow him to be photographed in case his school teachers and classmates found out that he was homeless.

At the other end of town, Anesha and the driver stopped for juice and cutlets, little fried fish croquettes wrapped in old school worksheets which soaked up the oil into transparent patches. I bought a bottle of water, alert and strong.

We spoke to a girl that day who lived beneath tarpaulins on the outskirts of De Soysa Circus, a sweeping boulevard near the centre of the city, which once went by the name of Lipton Circus. She was pretending to play cricket with her brothers as we approached, miming the actions of bowling and batting at a non-existent ball. She was beautiful. The skin on her shins was thick and grey and shiny. She told me that she liked to watch the women going to Odel, Colombo's large department store, just across the road, and to pretend that she was going shopping too.

I never figured out how to cope with waste in a place like Colombo, in a country where so many have so little so much of the time, where the amount I could earn in one day of resented office work would house a family for a week. How to understand hunger when it leapt so suddenly from something
abstract in the wider world, and a state suppressed within myself, to something many-faced, insistent and ever-present. Where the food that I threw out could get this child, in her undersized dress, out from underneath her tarpaulin and to school. In my first days back home, in suburban Sydney, I stood paralysed in the vegetable aisle of the supermarket, unable to choose between the six different varieties of onion. I bought cherries, in mid-winter. I didn't eat them.

Hunger is only political, only poignant when it is abnormal, when it is unusual and strange: in a place were hunger is so prevalent, one hungry child with an imaginary cricket bat was just a colour piece in the weekend section of a newspaper. But my hunger, singular and self-circling, was a crisis in my hometown. It marked me out. I was wasteful, and I was distasteful. A car with wound-down windows once shot past me on the street, someone shouting from the backseat: ‘Eat a hamburger, you bitch!'

My newspaper's office, such as it was, was just off the main street of the busy suburb of Borella, the site of the 1983 riots that are generally considered the start of Sri Lanka's civil war, a war which didn't end until 2009, three years after my first visit to the country. Here, in Borella, Tamil civilians were pulled from buses and killed; here, houses and cars were burned with whole families still inside. I was born in 1983. My colleagues, my age and younger, had never lived in anything other than that war, knew peace only as
an abstract and alien thing. They hardly saw the soldiers on the street corner, leaning and leering against their rifles, the razor wire hung with drying washing, the concrete bollards. They lived in a city grown stagnant, its infrastructure unchanged because of the protracted military campaigns and clampdowns. There was a fervour the day I first brought my laptop in to work, so small and sleek beside the ancient office PCs. A doll-sized computer, my colleagues said, for a doll-sized human being. My newspaper, without a trace of irony, was called
The Nation.

In the damp-walled
Nation
offices, we were given cups of tea each morning and early afternoon by one of the two tea-wallahs, employed purely for this purpose. It took three weeks before I learnt exactly how to ask for mine without the obligatory milk, the sugar thick enough to stand a spoon in: plain tea. ‘Just leaves and water, miss?' the younger one would ask, wrinkling his high forehead in consternation. At lunchtime, one of the copy boys would often whip out his guitar and play old pop songs, barefoot, while others beat tricky percussion riffs on the edges of tables with their hands.

I was using the country, and
The Nation,
to cut my teeth. I know now that it's a fairly common practice for young and ambitious media graduates to take a placement at any one of the English-language newspapers that operate across the developing world, catering mostly to ex-pats, business people and the local Westernised elite. To come back with experience, a competitive advantage in what was, even then, a tricky industry to get a foot into. I wrote
articles about animal charities, about fashion shows, about dog grooming, and about Sri Lanka's first writers' festival, held in Galle, the southernmost city of the island, which had been badly affected by the recent tsunami. In the evenings, I went to beachside bars or Colombo's only café with other journalists, film-makers, investment bankers, all of whom had been to university overseas, and very few of whom spoke either of Sri Lanka's native languages.