So Big (17 page)

“In the Haymarket! That Pop went to all the time! That is just dumb talk.”

Within Selina something cried out, “Don't say that, Sobig! Don't say that!”

On down the road. Here a head at a front room window. There a woman's calicoed figure standing in the doorway. Mrs. Vander Sijde on the porch, fanning her flushed face with her apron; Cornelia Snip in the yard pretending to tie up the drooping stalks of the golden-glow and eyeing the approaching team with the avid gossip's gaze. To these Selina waved, bowed, called.

“How d'you do, Mrs. Vander Sijde!”

A prim reply to this salutation. Disapproval writ large on the farm wife's flushed face.

“Hello, Cornelia!”

A pretended start, notable for its bad acting. “Oh, is it you, Mrs. DeJong! Sun's in my eyes. I couldn't think it was you like that.”

Women's eyes, hostile, cold, peering.

Five o'clock. Six. The boy climbed over the wheel, filled a tin pail with water at a farmhouse well. They ate and drank as they rode along, for there was no time to lose. Bread and meat and pickles and pie. There were vegetables in the wagon, ripe for eating. There were other varieties that Selina might have cooked at home in preparation for this meal—German celery root boiled tender and soaked in vinegar; red beets, pickled; onions; coleslaw; beans. They would have regarded these with an apathetic eye all too familiar with the sight of them. Selina knew now why the Pools' table, in her school-teacher days, had been so lacking in the green stuff she had craved. The thought of cooking the spinach which she had planted, weeded, spaded, tended, picked, washed, bunched, filled her with a nausea of distaste such as she might have experienced at the contemplation of cannibalism.

The boy had started out bravely enough in the heat of the day, sitting up very straight beside his mother, calling to the horses, shrieking and waving his arms at chickens that flew squawking across the road. Now he began to droop. Evening was coming on. A cool blanket of air from the lake on the east enveloped them with the suddenness characteristic of the region, and the mist began to drift across the prairie, softening the autumn stubble, cooling the dusty road, misting the parched willows by the roadside, hazing the shabby squat farmhouses.

She brushed away the crumbs, packed the remaining bread and meat thriftily into the basket and covered it with a napkin against the boy's future hunger should he waken in the night.

“Sleepy, Sobig?”

“No. Should say not.” His lids were heavy. His face and body, relaxed, took on the soft baby contours that come with weariness. The sun was low. Sunset gloried the west in a final flare of orange and crimson. Dusk. The boy drooped against her heavy, sagging. She wrapped the old black fascinator about him. He opened his eyes, tugged at the wrapping about his shoulders. “Don't want the old thing . . . fas'nator . . . like a girl . . .” drooped again with a sigh and found the soft curve where her side just cushioned his head. In the twilight the dust gleamed white on weeds, and brush, and grass. The far-off mellow sonance of a cowbell. Horses' hoofs clopping up behind them, a wagon passing in a cloud of dust, a curious backward glance, or a greeting exchanged.

One of the Ooms boys, or Jakob Boomsma. “You're never going to market, Mis' DeJong!” staring with china-blue eyes at her load.

“Yes, I am, Mr. Boomsma.”

“That ain't work for a woman, Mis' DeJong. You better stay home and let the men folks go.”

Selina's men folks looked up at her—one with the asking eyes of a child, one with the trusting eyes of a dog. “My men folks are going,” answered Selina. But then, they had always thought her a little queer, so it didn't matter much.

She urged the horses on, refusing to confess to herself her dread of the destination which they were approaching. Lights now, in the houses along the way, and those houses closer together. She wrapped the reins around the whip, and holding the sleeping boy with one hand reached beneath the seat with the other for the coat of sacking. This she placed around him snugly, folded an empty sack for a pillow, and lifting the boy in her arms laid him gently on the lumpy bed formed by the bags of potatoes piled up just behind the seat in the back of the wagon. So the boy slept. Night had come on.

The figure of the woman drooped a little now as the old wagon creaked on toward Chicago. A very small figure in the black dress and a shawl over her shoulders. She had taken off her old black felt hat. The breeze ruffled her hair that was fine and soft, and it made a little halo about the white face that gleamed almost luminously in the darkness as she turned it up toward the sky.

“I'll sleep out with Sobig in the wagon. It won't hurt either of us. It will be warm in town, there in the Haymarket. Twenty-five cents—maybe fifty for the two of us, in the rooming house. Fifty cents just to sleep. It takes hours of work in the fields to make fifty cents.”

She was sleepy now. The night air was deliciously soft and soothing. In her nostrils was the smell of the fields, of grass dew-wet, of damp dust, of cattle; the pungent prick of goldenrod, and occasionally a scented wave that meant wild phlox in a near-by ditch. She sniffed all this gratefully, her mind and body curiously alert to sounds, scents, forms even, in the darkness. She had suffered much in the past week; had eaten and slept but little. Had known terror, bewilderment, agony, shock. Now she was relaxed, receptive, a little light-headed perhaps, what with under-feeding and tears and over-work. The racking process had cleared brain and bowels; had washed her spiritually clean; had quickened her perceptions abnormally. Now she was like a delicate and sensitive electric instrument keyed to receive and register; vibrating to every ether wave.

She drove along in the dark, a dowdy farm woman in shapeless garments; just a bundle on the rickety seat of a decrepit truck wagon. The boy slept on his hard lumpy bed like the little vegetable that he was. The farm lights went out. The houses were blurs in the black. The lights of the city came nearer. She was thinking clearly, if disconnectedly, without bitterness, without reproach.

“My father was wrong. He said that life was a great adventure—a fine show. He said the more things that happen to you the richer you are, even if they're not pleasant things. That's living, he said. No matter what happens to you, good or bad, it's just so much—what was that word he used?—so much—oh, yes—‘velvet.' Just so much velvet. Well, it isn't true. He had brains, and charm, and knowledge and he died in a gambling house, shot while looking on at some one else who was to have been killed. . . . Now we're on the cobblestones. Will Dirk wake up? My little So Big. . . . No, he's asleep. Asleep on a pile of potato sacks because his mother thought that life was a grand adventure—a fine show—and that you took it as it came. A lie! I've taken it as it came and made the best of it. That isn't the way. You take the best, and make the most of it. . . . Thirty-fifth Street, that was. Another hour and a half to reach the Haymarket. . . . I'm not afraid. After all, you just sell your vegetables for what you can get. . . . Well, it's going to be different with him. I mustn't call him Sobig any more. He doesn't like it. Dirk. That's a fine name. Dirk DeJong. . . . No drifting along for him. I'll see that he starts with a plan, and follows it. He'll have every chance. Every chance. Too late for me, now, but he'll be different. . . . Twenty-second Street . . . Twelfth . . . Look at all the people! . . . I'm enjoying this. No use denying it. I'm enjoying this. Just as I enjoyed driving along with Klaas Pool that evening, years and years ago. Scared, but enjoying it. Perhaps I oughtn't to be—but that's hypocritical and sneaking. Why not, if I really do enjoy it! I'll wake him. Dirk! Dirk, we're almost there. Look at all the people, and the lights. We're almost there.”

The boy awoke, raised himself from his bed of sacking, looked about, blinked, sank back again and curled into a ball. “Don't want to see the lights . . . people . . .”

He was asleep again. Selina guided the horses skilfully through the downtown streets. She looked about with wide ambient eyes. Other wagons passed her. There was a line of them ahead of her. The men looked at her curiously. They called to one another, and jerked a thumb in her direction, but she paid no heed. She decided, though, to have the boy on the seat beside her. They were within two blocks of the Haymarket, on Randolph Street.

“Dirk! Come, now. Come up here with mother.” Grumbling, he climbed to the seat, yawned, smacked his lips, rubbed his knuckles into his eyes.

“What are we here for?”

“So we can sell the garden truck and earn money.”

“What for?”

“To send you to school to learn things.”

“That's funny. I go to school already.”

“A different school. A big school.”

He was fully awake now, and looking about him interestedly. They turned into the Haymarket. It was a tangle of horses, carts, men. The wagons were streaming in from the German truck farms that lay to the north of Chicago as well as from the Dutch farms that lay to the southwest, whence Selina came. Fruits and vegetables—tons of it—acres of it—piled in the wagons that blocked the historic square. An unarmed army bringing food to feed a great city. Through this little section, and South Water Street that lay to the east, passed all the verdant growing things that fed Chicago's millions. Something of this came to Selina as she manoeuvred her way through the throng. She felt a little thrill of significance, of achievement. She knew the spot she wanted for her own. Since that first trip to Chicago with Pervus in the early days of her marriage she had made the journey into town perhaps not more than a dozen times, but she had seen, and heard, and remembered. A place near the corner of Des Plaines, not at the curb, but rather in the double line of wagons that extended down the middle of the road. Here the purchasing pedlers and grocers had easy access to the wagons. Here Selina could display her wares to the best advantage. It was just across the way from Chris Spanknoebel's restaurant, rooming house, and saloon. Chris knew her; had known Pervus for years and his father before him; would be kind to her and the boy in case of need.

Dirk was wide awake now; eager, excited. The lights, the men, the horses, the sound of talk, and laughter, and clinking glasses from the eating houses along the street were bewilderingly strange to his country-bred eyes and ears. He called to the horses; stood up in the wagon; but clung closer to her as they found themselves in the thick of the mêlée.

On the street corners where the lights were brightest there were stands at which men sold chocolate, cigars, collar buttons, suspenders, shoe strings, patent contrivances. It was like a fair. Farther down the men's faces loomed mysteriously out of the half light. Stolid, sunburned faces now looked dark, terrifying, the whites of the eyes very white, the mustaches very black, their shoulders enormous. Here was a crap game beneath the street light. There stood two girls laughing and chatting with a policeman.

“Here's a good place, Mother. Here! There's a dog on that wagon like Pom.”

Pom, hearing his name, stood up, looked into the boy's face, quivered, wagged a nervous tail, barked sharply. The Haymarket night life was an old story to Pom, but it never failed to stimulate him. Often he had guarded the wagon when Pervus was absent for a short time. He would stand on the seat ready to growl at any one who so much as fingered a radish in Pervus's absence.

“Down Pom! Quiet, Pom!” She did not want to attract attention to herself and the boy. It was still early. She had made excellent time. Pervus had often slept in snatches as he drove into town and the horses had lagged, but Selina had urged them on tonight. They had gained a good half hour over the usual time. Halfway down the block Selina espied the place she wanted. From the opposite direction came a truck farmer's cart obviously making for the same stand. For the first time that night Selina drew the whip out of its socket and clipped sharply her surprised nags. With a start and a shuffle they broke into an awkward lope. Ten seconds too late the German farmer perceived her intention, whipped up his own tired team, arrived at the spot just as Selina, blocking the way, prepared to back into the vacant space.

“Heh, get out of there you——” he roared; then, for the first time, perceived in the dim light of the street that his rival was a woman. He faltered, stared open-mouthed, tried other tactics. “You can't go in there, missus.”

“Oh, yes, I can.” She backed her team dexterously.

“Yes, we can!” shouted Dirk in an attitude of fierce belligerence.

From the wagons on either side heads were lifted. “Where's your man?” demanded the defeated driver, glaring.

“Here,” replied Selina; put her hand on Dirk's head.

The other, preparing to drive on, received this with incredulity. He assumed the existence of a husband in the neighbourhood—at Chris Spanknoebel's probably, or talking prices with a friend at another wagon when he should be here attending to his own. In the absence of this, her natural protector, he relieved his disgruntled feelings as he gathered up the reins. “Woman ain't got no business here in Haymarket, anyway. Better you're home night time in your kitchen where you belong.”

This admonition, so glibly mouthed by so many people in the past few days, now was uttered once too often. Selina's nerves snapped. A surprised German truck farmer found himself being harangued from the driver's seat of a vegetable wagon by an irate and fluent woman in a mashed black hat.

“Don't talk to me like that, you great stupid! What good does it do a woman to stay home in her kitchen if she's going to starve there, and her boy with her! Staying home in my kitchen won't earn me any money. I'm here to sell the vegetables I helped raise and I'm going to do it. Get out of my way, you. Go along about your business or I'll report you to Mike, the street policeman.”