Song of Eagles (31 page)

No matter what it took, how long it took, even with his last breath and final ounce of strength, he would kill Morgan Davis.

The man named O'Hara opened his eyes to darkness.

For a moment he thought his soul had traveled southwest to that cold, misty limbo where in the time after time he would become part of the spirit world. But as his eyes adjusted to the gloom, he saw the sky and the stars—the same sky, the same stars he had known in the physical realm. Was he alive or dead?

Then came pain ... a pounding drumbeat in his head. There is no suffering after death, and in that moment of realization, O'Hara knew he remained in the land of the living.

Reluctant to rise, he stayed on his back, his eyes tight shut against the tom-tom beat of the pain in his head. He would lie where he was and sleep for a day, a week, whatever it took to restore him to health and strength ... unless his ancestors came to take him away.

He heard it again, a soft patter on the ground like the sound of falling leaves. The noise grew louder, more insistent, but O'Hara already knew what it was, the timid start of what would soon become an aggressive downpour. He stayed where he was, determined to sleep his pain away. But the rain fell harder and to the northwest thunder echoed among the canyons of the Guadalupe Mountains.

He was indignant.

What right had rain to interrupt a man's sleep? His head hurt even worse, an incessant thumping. Well, he'd soon put an end to this. Someone somewhere had to be responsible for such an outrage.

O'Hara rose to his feet and promptly fell down again. The rain-lashed darkness cartwheeled around him and the pounding in his head made him feel sick. It was only then that he noticed the rain running from his head onto his white shirt was the color of red rust. And he discovered why he'd fallen. He shared the noose looped around his ankles with a man lying beside him. Rivulets of rain streamed across the man's gray face, a dead white man with open, staring eyes, his mouth wide in a silent scream.

O'Hara stared at the man and then punched his beefy arm. “Are you to blame for this rain? Speak up now and state your intentions.”

The dead man made no answer.

O'Hara kicked off the loop, stood, and dragged the body to its feet. “Answer me!” he yelled. “Why did you make the rain? Make it go away so I can sleep.”

With unseeing staring eyes and a screaming mouth, the dead man made no answer. Lightning seared across the sky, shimmering on the cadaver's face, and thunder crashed.

In that hell-firing moment, as the blazing heavens conspired to destroy him, O'Hara realized what he had become . . . a raving madman.

O'Hara let go of the dead man and dropped to his hands and knees as the storm raged around him. He sank to the ground and plunged headlong into a bottomless pit.

O'Hara woke to a dreary dawn. The thunderstorm had passed, but the sky was a sullen iron gray as far as the eye could see. The sounds of the nighttime, the crash of thunder, and the rattle of the rain were gone, replaced by a solemn silence.

Slowly, warily, he rose to his feet. The left side of his head hurt and when he explored his scalp with his fingertips, they came away bloody. He looked around him at the ashen landscape. The vastness of the high plains stretched to the horizon in all directions, an enchanted vista, but one of aching loneliness.

“What am I doing here?” he said aloud. He knew that he was not in the spirit world, but in the all too real realm of the living.

The dead man at his feet, his mouth wide open, had been shot through the head at close range, the wound on his temple blackened by gunpowder.

O'Hara stared at the leaden sky, his face tense in thought.
Piece it together . . . piece it together....

It took a while, but his memories slid back in place, one by one, like the pieces of those jigsaw puzzles children loved so well.
Sam Flintlock
...
four women
. . .
the wagon
. . .
men riding out of the trees . . . a sledgehammer blow to the side of his head . . . and then waking up next to a corpse.

But there was more . . . . a vague image of Sam Flintlock tied to a wagon wheel . . . and later, in the lightning-scorched night, his own mad dance of death with a screaming dead man.

The pain in his head and drizzling rain sharpened O'Hara's thinking.

Gradually his mind cleared of its fog and he recalled what had happened to him. He'd been shot, but the injury looked worse than it was, a grazing wound to the side of his head about two inches above his left ear. The looped rope at his feet told its own story. The outlaws had thought him dead, and he and the other man had been dragged from the wagon and left to rot on the plains.

But he wasn't dead and Flintlock needed him . . . if he was still alive.

A search of the dead man provided nothing of value. His guns and the knife he'd worn in the sheath on his belt were gone, as were his boots. In a drizzling rain, O'Hara scouted the ground and despite the downpour of the night, the drag tracks were still visible. The flattened long grass pointed due north and he followed the tracks.

Weak and dizzy from loss of blood, he stumbled and fell half a dozen times before the wagon came in sight. Next to it, a makeshift shelter with a canvas roof revealed a pair of blanket-wrapped forms too long and bulky to be women. He hoped they were men sleeping off last night's whiskey and slumbering soundly.

Sam Flintlock was still tied to the wagon wheel, his head lowered. He was hatless and his wet hair fell over his face.

To regain his strength, O'Hara lay flat on his belly deep in the long grass for a couple minutes and then got to his feet.

A woman in the wagon cried out in her sleep and he froze, hardly daring to breathe. The moment passed, the only sound the soft patter of the rain. He moved again and cast no shadow.

The last thing O'Hara wanted was for Flintlock to wake up and cry out in either alarm or joy. He never could tell how a white man might react.

O'Hara kneeled beside Flintlock, grabbed him by the chin, and lifted his head. Flintlock's eyes flickered open and O'Hara held his forefinger to his lips.

“It's you,” Flintlock whispered. “I must have died and gone to hell.”

“Close. You're still in Texas.”

Uncertain that he had the strength to untie the tight knots that bound Flintlock to the wheel, O'Hara said, “Barlow?”

“Right pocket.”

“Hold still.” O'Hara found the folding knife and in a matter of moments cut Flintlock free.

It was Flintlock's turn to indicate silence with a finger to the lips. He rubbed his raw wrists and on cat feet stepped to the far corner of the wagon, studying the two men asleep under the lean-to. He nodded to himself, smiled, and returned to O'Hara.

Under an ominous sky that darkened the morning, he moved a few yards back and made a close survey of the wagon. After a while, he broke into a wide grin and rubbed his swollen hands together. “O'Hara, I've pulled off some good jokes in my time, but this is gonna be great.”

The conveyance was a converted farm wagon with a narrow wheelbase. The upper structure was made of slatted timber boards and had been built high to accommodate the tiered bunks inside. The roof was V-shaped, covered in wood shingles, and as a result the wagon was top heavy, suited more to dirt roads than open country.

Flintlock, a man of medium height but stocky and big in the arms and shoulders, put his hands on the side of the wagon. His boots digging into the rain-softened ground for traction, he pushed with all his considerable strength.

The wagon moved, tilted, and teetered on two wheels for tense moments and then slowly . . . slowly . . . overbalanced and crashed to the ground. From inside, shrill female shrieks shattered the silence of the morning. Pinned under the wreck, men cursed in anger.

Flintlock stepped to the flattened lean-to. Just in time, he dragged out a black cartridge belt wrapped around a holstered Colt as a short, stocky man scrambled from under the tarp, rage on his face and a gun in his hand. He threw a vile curse at Flintlock and fired . . . but he hurried the shot and missed.

Flintlock didn't. Drawing fast from the black holster, he fired. His bullet hit the man in the chest at the V of his open undershirt, a killing wound that felled the shooter like a puppet that just had its strings cut.

The tarp bulged as the man under it crawled around like a blind mole in a tunnel.

Flintlock drew a bead but lowered the hammer as the trapped man yelled, “Don't shoot! For God's sake, can't you see I'm done here?”

“Git out from under there or I'll perforate you,” Flintlock said.

The tarp moved again and Morgan Davis wormed out from under the canvas on his hands and knees.

“On your feet,” Flintlock said over the barrage of outraged yells and cusses from the women trapped in the wagon.

Davis, looking mean, stood up. “Damn you, Flintlock. I should have plugged you.” He glanced at the dead man. “You done fer good ol' Poke Murray.”

“Yeah,” Flintlock said. “He'll be sadly missed by all who knew and loved him. Now give me an excuse to kill you, Davis.”

Ignoring that, the pimp looked at the overturned wagon and said, “You did that?”

“I surely did,” Flintlock said, grinning. “At the time it seemed the right thing to do. Can you find it in your heart to forgive me?”

“The damned wagon fell on its door. Them women are trapped inside.” Pushing that dire fact to the back of his mind, Davis looked at Flintlock and said, “Well, you got the drop on me. State your intentions but keep in mind that I saved your neck.”

Flintlock nodded. “Literally.”

“Huh?” Davis said.

“I made another good joke, but you didn't get it.”

Davis nodded in the direction of the wagon. “That was a joke?”

“Yep. One of my better ones.”

“All right, Flintlock, you've had your laughs. Now what?”

“I haven't made up my mind yet, Morg. Probably I'll just shoot you for the lowdown, dirty dog you are.” He smiled. “We'll see.”

O'Hara said, “Sam, we have to get those women out of there.”

From inside the wagon a woman yelled, “Damn right you do, you rotten sons of bitches. We can't move in here and Biddy's got her foot in my face.”

“We'll get you out,” Flintlock said. “Once I figure how.”

“This is Biddy. Are you Flintlock?”

“Sure am, lady.”

“Then let Morg figure it out. He's a lot smarter than you are. Morg, make it fast. We're dying in here.”

Nettled, Flintlock said, “You heard the lady, Davis. Figure it out.”

The man, thin and ashen as a corpse, looked at Flintlock, shifted his gaze to the wagon and said, “It's too heavy for a straight lift.”

“I may be stupid, but even I can see that,” Flintlock said, still irritated. “We need the horses.”

It took an hour of cussin' and discussin' and many false tries before the ropes held and Flintlock and the two other men, all mounted, finally righted the wagon and freed its bedraggled occupants.

The four women staggered around working kinks out of their backs and other places. Biddy sported a new black eye, the result of being hit by someone's head when the wagon fell. Hands on hips, the incensed ladies surrounded Flintlock and aired out their lungs, turning the air blue with their cusses as they assailed him for a barbarian, a brute, a thug, and a low person.

He decided to beat a hasty retreat and backed away ... but in doing so, momentarily took his eyes off Davis. It was a bad mistake, giving the man all the time he needed to sprint to his horse, climb into the saddle, and light out at a gallop.

O'Hara aimed a revolver at the fleeing man and thumbed off three fast shots, but as far as Flintlock could tell, none took effect. Davis's mount kicked up a dust cloud as it stretched into a flat-out run and he was soon out of revolver range.

But Flintlock's horse was close.

He sprinted for the animal and tripped over Biddy's extended foot, landing flat on his face with a heavy thud. Before he could collect himself and force his winded body to rise, the four women jumped on him. In a flurry of white petticoats, they pounded and kicked, scratched and bit, all the time yelling like enraged banshees. Almost invisible in the dust, Flintlock was getting the worst of the free-for-all. O'Hara ran to Flintlock's defense and tried to pull the savage females off him, but it was like trying to stop a catfight with his bare hands. Just like Flintlock, O'Hara was clawed and bitten. Biddy landed a fair left hook to his nose, drawing blood.

Finally, the superior strength of the two men prevailed and they fought off the women. Flintlock managed to stagger to his feet. Like four harpies at bay, the ladies formed a line in front of his horse and dared him to mount. By then, Morgan Davis was long gone and Flintlock didn't make the attempt.

Battered and bruised, he was irritated beyond measure. He stooped, picked up the fallen Colt, and said, “I've never shot a woman before, but there's a first time for everything.”

“Yes,” Biddy said, “gun us down like you did Poke. Then see if the Rangers don't catch up with you and hang you from the nearest tree. There's a law in Texas against killing helpless women, you know.”

O'Hara wiped blood from his nose with the back of his hand. “She has a point, Sam. Maybe now is not such a good time to gun them.”

Flintlock grimaced. 'Thanks for the advice, O'Hara.”

The breed shook his head. “But I have to hand it to you, Sam. You sure got a way with women.”

Biddy spat and said, “He plans to shoot us all right, Injun. He's a born killer if ever I seen one. You heard my name, but I'll tell you anyway. I'm Biddy Sales.” She placed her hand on the shoulder of the plump young blonde next to her. “This here is Lizzie Doulan, as innocent a flower as ever lived. Maybe you'd like to shoot her first, Flintlock.” She moved to the next woman, a hard-eyed redhead. “Meet Jane Feehan, but let her say her prayers before you gun her. And this is Margie Tott.” Biddy laid her hands on the shoulders of a petite, hazel-eyed brunette. “She sends every penny she earns to her poor old mother in the Emerald Isle.”

Biddy then stepped in front of Flintlock, belligerent and brassy. Her head tilted back and a great deal of firm cleavage showed above her corset as she said, “All right, we're ready. Open fire with your murderous revolver and be damned to ye! Let me be the first one to die.”

O'Hara said, a hint of a smile on his lips, “Seems like you've got a decision to make, Sam.”

“Damn it, O'Hara. Keep your opinion to yourself.” Flintlock waved his Colt. “Right, you gals into the wagon. Now!”

Biddy again put her hands on her hips, her eyes blazing. “Make us.”

“I won't tell you again,” Flintlock said. The thought that he was entering into yet another losing battle was starting to nag at him.

She stood her ground. “And I said 'make us.'”

“Yeah, make us,” Lizzie Doulan said.

All four took up the chorus, flouncing their skirts. “Make us! Make us! Make us!”

At a loss, Flintlock stood helplessly, his useless Colt hanging by his side.

Suddenly, the breed let out a loud, piercing shriek that abruptly stopped the female cries. He had Flintlock's Barlow knife in his right fist, the blade open, and he launched into an unrestrained tribal dance, his voice raised in a wild chant.
“Yi-hi-hi-hi-hi
...
yi
-
hi
-
hi
-
hi
-
hi
-
hi
-
hi
. . .”

Saved by O'Hara, Flintlock caught on quickly. “Oh my God!”

Biddy was alarmed. “What's the hell is he doing?”

“O'Hara is half Mescalero Apache,” Flintlock said, suitable awe in his voice. “That's his scalp dance.”

Lizzie Doulan said, “Whose scalp does he want?”

“Yours,” Flintlock said. “And Biddy's and everybody's.”

O'Hara's dance pace increased and his chanting rose in volume as he waved the knife above his head. His face, bloodstained from his swollen nose, bore an expression of unrestrained fury.

The four ladies were bold, but not all that brave. Screeching, they beat a hasty retreat to the wagon and piled inside. Then came a loud
snick!
as the door bolt slammed into place.

Flintlock grinned. “All right, O'Hara, you can stop playacting now.”

The breed stopped, waved the knife in Flintlock's face, and said, “Who was playacting, white man?”