Sons and Lovers (Barnes & Noble Classics Series) (32 page)

“I don’t know that it would make it any better if he did something to make us all ashamed,” said Mrs. Morel.

“Well,
I
should respect him more,” said Paul.

“I very much doubt it,” said his mother coldly.

They went on with breakfast.

“Are you fearfully fond of him?” Paul asked his mother.

“What do you ask that for?”

“Because they say a woman always like the youngest best.”

“She may do—but I don’t. No, he wearies me.”

“And you’d actually rather he was good?”

“I’d rather he showed some of a man’s common sense.”

Paul was raw and irritable. He also wearied his mother very often. She saw the sunshine going out of him, and she resented it.

As they were finishing breakfast came the postman with a letter from Derby. Mrs. Morel screwed up her eyes to look at the address.

“Give it here, blind eye!” exclaimed her son, snatching it away from her.

She started, and almost boxed his ears.

“It’s from your son, Arthur,” he said.

“What now——!” cried Mrs. Morel.

“‘My dearest Mother,’” Paul read, “‘I don’t know what made me such a fool. I want you to come and fetch me back from here. I came with Jack Bredon yesterday, instead of going to work, and enlisted. He said he was sick of wearing the seat of a stool out,
^dh
and, like the idiot you know I am, I came away with him.

“‘ I have taken the King’s shilling, but perhaps if you came for me they would let me go back with you.
¹
I was a fool when I did it. I don’t want to be in the army. My dear mother, I am nothing but a trouble to you. But if you get me out of this, I promise I will have more sense and consideration....’ ”

Mrs. Morel sat down in her rocking-chair.

“Well,
now,”
she cried, “let him stop!”

“Yes,” said Paul, “let him stop.”

There was silence. The mother sat with her hands folded in her apron, her face set, thinking.

“If I’m not
sick!”
she cried suddenly. “Sick!”

“Now,” said Paul, beginning to frown, “you’re not going to worry your soul out about this, do you hear.”

“I suppose I’m to take it as a blessing,” she flashed, turning on her son.

“You’re not going to mount it up to a tragedy, so there,” he retorted.

“The
fool
!―the young fool!” she cried.

“He’ll look well in uniform,” said Paul irritatingly.

His mother turned on him like a fury.

“Oh, will he!” she cried. “Not in my eyes!”

“He should get in a cavalry regiment; he’ll have the time of his life, and will look an awful swell.”

“Swell!―
swell
!―a mighty swell idea indeed!—a common soldier!”

“Well,” said Paul, “what am I but a common clerk?”

“A good deal, my boy!” cried his mother, stung.

“What?”

“At any rate, a
man
, and not a thing in a red coat.”
^di

“I shouldn’t mind being in a red coat—or dark blue, that would suit me better—if they didn’t boss me about too much.”

But his mother had ceased to listen.

“Just as he was getting on, or might have been getting on, at his job—a young nuisance—here he goes and ruins himself for life. What good will he be, do you think, after
this?”

“It may lick him into shape beautifully,” said Paul.

“Lick him into shape!—lick what marrow there
was
out of his bones. A
soldier!
—a common
soldier
!―nothing but a body that makes movements when it hears a shout! It’s a fine thing!”

“I can’t understand why it upsets you,” said Paul.

“No, perhaps you can’t. But
I
understand”; and she sat back in her chair, her chin in one hand, holding her elbow with the other, brimmed up with wrath and chagrin.

“And shall you go to Derby?” asked Paul.

“Yes.”

“It’s no good.”

“I’ll see for myself.”

“And why on earth don’t you let him stop. It’s just what he wants.”

“Of course,” cried the mother,
“you
know what he wants!”

She got ready and went by the first train to Derby, where she saw her son and the sergeant. It was, however, no good.

When Morel was having his dinner in the evening, she said suddenly :

“I’ve had to go to Derby to-day.”

The miner turned up his eyes, showing the whites in his black face.

“Has ter, lass. What took thee there?”

“That Arthur!”

“Oh―an’ what’s agate now?”

“He’s only enlisted.”

Morel put down his knife and leaned back in his chair.

“Nay,” he said, “that he niver ‘as!”

“And is going down to Aldershot to-morrow.”

“Well!” exclaimed the miner. “That’s a winder.” He considered it a moment, said “H’m!” and proceeded with his dinner. Suddenly his face contracted with wrath. “I hope he may never set foot i’ my house again,” he said.

“The idea!” cried Mrs. Morel. “Saying such a thing!”

“I do,” repeated Morel. “A fool as runs away for a soldier, let ‘im look after ’issen;
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I s’ll do no more for ’im.”

“A fat sight you have done as it is,” she said.

And Morel was almost ashamed to go to his public-house that evening.

“Well, did you go?” said Paul to his mother when he came home.

“I did.”

“And could you see him?”

“Yes.”

“And what did he say?”

“He blubbered when I came away.”

“H’m!”

“And so did I, so you needn’t ‘h’m’!”

Mrs. Morel fretted after her son. She knew he would not like the army. He did not. The discipline was intolerable to him.

“But the doctor,” she said with some pride to Paul, “said he was perfectly proportioned—almost exactly; all his measurements were correct. He
is
good-looking, you know.”

“He’s awfully nice-looking. But he doesn’t fetch the girls like William, does he?”

“No; it’s a different character. He’s a good deal like his father, irresponsible.”

To console his mother, Paul did not go much to Willey Farm at this time. And in the autumn exhibition of students’ work in the Castle
^dk
he had two studies, a landscape in water-colour and a still life in oil, both of which had first-prize awards. He was highly excited.

“What do you think I’ve got for my pictures, mother?” he asked, coming home one evening. She saw by his eyes he was glad. Her face flushed.

“Now, how should I know, my boy!”

“A first prize for those glass jars—”

“H’m!”

“And a first prize for that sketch up at Willey Farm.”

“Both first?”

“Yes.”

“H’m!”

There was a rosy, bright look about her, though she said nothing.

“It’s nice,” he said, “isn’t it?”

“It is.”

“Why don’t you praise me up to the skies?”

She laughed.

“I should have the trouble of dragging you down again,” she said.

But she was full of joy, nevertheless. William had brought her his sporting trophies. She kept them still, and she did not forgive his death. Arthur was handsome—at least, a good specimen—and warm and generous, and probably would do well in the end. But Paul was going to distinguish himself. She had a great belief in him, the more because he was unaware of his own powers. There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled. Not for nothing had been her struggle.

Several times during the exhibition Mrs. Morel went to the Castle unknown to Paul. She wandered down the long room looking at the other exhibits. Yes, they were good. But they had not in them a certain something which she demanded for her satisfaction. Some made her jealous, they were so good. She looked at them a long time trying to find fault with them. Then suddenly she had a shock that made her heart beat. There hung Paul’s picture! She knew it as if it were printed on her heart.

“Name—Paul Morel—First Prize.”

It looked so strange, there in public, on the walls of the Castle gallery, where in her lifetime she had seen so many pictures. And she glanced round to see if anyone had noticed her again in front of the same sketch.

But she felt a proud woman. When she met well-dressed ladies going home to the Park, she thought to herself:

“Yes, you look very well—but I wonder if
your
son has two first prizes in the Castle.”

And she walked on, as proud a little woman as any in Nottingham. And Paul felt he had done something for her, if only a trifle. All his work was hers.

One day, as he was going up Castle Gate, he met Miriam. He had seen her on the Sunday, and had not expected to meet her in town. She was walking with a rather striking woman, blonde, with a sullen expression, and a defiant carriage. It was strange how Miriam, in her bowed, meditative bearing, looked dwarfed beside this woman with the handsome shoulders. Miriam watched Paul searchingly. His gaze was on the stranger, who ignored him. The girl saw his masculine spirit rear its head.

“Hello!” he said, “you didn’t tell me you were coming to town.”

“No,” replied Miriam, half apologetically. “I drove in to Cattle Market with father.”

He looked at her companion.

“I’ve told you about Mrs. Dawes,” said Miriam huskily; she was nervous. “Clara, do you know Paul?”

“I think I’ve seen him before,” replied Mrs. Dawes indifferently, as she shook hands with him. She had scornful grey eyes, a skin like white honey, and a full mouth, with a slightly lifted upper lip that did not know whether it was raised in scorn of all men or out of eagerness to be kissed, but which believed the former. She carried her head back, as if she had drawn away in contempt, perhaps from men also. She wore a large, dowdy hat of black beaver, and a sort of slightly affected simple dress that made her look rather sacklike. She was evidently poor, and had not much taste. Miriam usually looked nice.

“Where have you seen me?” Paul asked of the woman.

She looked at him as if she would not trouble to answer. Then:

“Walking with Louie Travers,” she said.

Louie was one of the “Spiral” girls.

“Why, do you know her?” he asked.

She did not answer. He turned to Miriam.

“Where are you going?” he asked.

“To the Castle.”

“What train are you going home by?”

“I am driving with father. I wish you could come too. What time are you free?”

“You know not till eight to-night, damn it!”

And directly the two women moved on.

Paul remembered that Clara Dawes was the daughter of an old friend of Mrs. Leivers. Miriam had sought her out because she had once been Spiral overseer at Jordan‘s, and because her husband, Baxter Dawes, was smith for the factory, making the irons for cripple instruments, and so on. Through her Miriam felt she got into direct contact with Jordan’s, and could estimate better Paul’s position. But Mrs. Dawes was separated from her husband, and had taken up Women’s Rights.
²
She was supposed to be clever. It interested Paul.

Baxter Dawes he knew and disliked. The smith was a man of thirty-one or thirty-two. He came occasionally through Paul’s corner—a big, well-set man, also striking to look at, and handsome. There was a peculiar similarity between himself and his wife. He had the same white skin, with a clear, golden tinge. His hair was of soft brown, his moustache was golden. And he had a similar defiance in his bearing and manner. But then came the difference. His eyes, dark brown and quick-shifting, were dissolute. They protruded very slightly, and his eyelids hung over them in a way that was half hate. His mouth, too, was sensual. His whole manner was of cowed defiance, as if he were ready to knock anybody down who disapproved of him—perhaps because he really disapproved of himself.

From the first day he had hated Paul. Finding the lad’s impersonal, deliberate gaze of an artist on his face, he got into a fury.

“What are yer lookin’ at?” he sneered, bullying.

The boy glanced away. But the smith used to stand behind the counter and talk to Mr. Pappleworth. His speech was dirty, with a kind of rottenness. Again he found the youth with his cool, critical gaze fixed on his face. The smith started round as if he had been stung.

“What‘r yer lookin’ at, three hap’orth o’ pap?”
^dl
he snarled.

The boy shrugged his shoulders slightly.

“Why yer——!” shouted Dawes.

“Leave him alone,” said Mr. Pappleworth, in that insinuating voice which means, “He’s only one of your good little sops who can’t help it.”

Since that time the boy used to look at the man every time he came through with the same curious criticism, glancing away before he met the smith’s eye. It made Dawes furious. They hated each other in silence.

Clara Dawes had no children. When she had left her husband the home had been broken up, and she had gone to live with her mother. Dawes lodged with his sister. In the same house was a sister-in-law, and somehow Paul knew that this girl, Louie Travers, was now Dawes’s woman. She was a handsome, insolent hussy, who mocked at the youth, and yet flushed if he walked along to the station with her as she went home.

The next time he went to see Miriam it was Saturday evening. She had a fire in the parlour, and was waiting for him. The others, except her father and mother and the young children, had gone out, so the two had the parlour together. It was a long, low, warm room. There were three of Paul’s small sketches on the wall, and his photo was on the mantelpiece. On the table and on the high old rosewood piano were bowls of coloured leaves. He sat in the arm-chair, she crouched on the hearthrug near his feet. The glow was warm on her handsome, pensive face as she kneeled there like a devotee.