Split Second
Authors: Cath Staincliffe
| Split Second |
| Cath Staincliffe |
| Constable Robinson (2012) |
A winter's evening and a trio of unruly youths board a bus and gang up on teenager Luke Donnelly, hurling abuse and threatening to kill him. The bus is full but no one intervenes until Jason Barnes, a young student, challenges the youths. Luke seizes the chance to run off the bus but his attackers follow.
Andrew Barnes is dragged from the shower by his wife Valerie: there's a fight in the front garden and Jason's trying to break it up. Andrew rushes to help and the assailants flee. Jason shouts to his father to phone an ambulance - Luke is badly hurt. Minutes later Jason collapses in their living room, he has been stabbed. The blow proves fatal.
Valerie and Andrew are devastated by the loss of their only child, and react in very different ways to their grief. Valerie wants justice, revenge even, but Andrew is desperate to find some meaning in Jason's sacrifice. Luke survived the assault thanks to Jason's actions, but is in a coma.
As his marriage disintegrates, Andrew secretly visits Luke and his mother Louise
and a fragile friendship develops. Meanwhile the press begin to paint a picture
of Luke as a less than innocent victim and raise questions about the cost of
Jason's heroism.
One of the offenders confesses to the attacks and shows
remorse while the others plead not guilty. Conflicting accounts emerge during
the trial. With some parties prepared to lie, the matter of uncovering what
really happened is far from straightforward, and the jury's verdict hard to
predict. A novel that explores the issue of whether to intervene or look the
other way and the fall-out from either decision.
SPLIT SECOND
Also by Cath Staincliffe
The Kindest Thing
Witness
SPLIT SECOND
Cath Staincliffe
Constable • London
Constable & Robinson Ltd
55–56 Russell Square
London WC1B 4HP
www.constablerobinson.com
First published in the UK by Constable,
an imprint of Constable & Robinson Ltd, 2012
Copyright © Cath Staincliffe 2012
The right of Cath Staincliffe to be identified as the author of this
work has been asserted by her in accordance with the
Copyright, Designs and Patents Act 1988
All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
This is a work of fiction. Names, characters, places and incidents are either a product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, or to actual events or locales is entirely coincidental
A copy of the British Library Cataloguing in
Publication data is available from the British Library
ISBN 978-1-84901-345-1
eISBN 978-1-78033-556-8
Typeset by TW Typesetting, Plymouth, Devon
Printed and bound in the UK
1 3 5 7 9 10 8 6 4 2
For Daniel, Ellie and Kit.
With thanks to writer Martin Baggoley
for advice on court procedure.
Emma
T
hey burst on to the bus shoving and yelling; all energy and an edge of menace. Emma felt her stomach cramp, and along with that came a wash of resentment at the likelihood of disruption, the prospect that the rest of her journey home would be ruined by the chavs. Three of them. A girl: pretty, flawless milky skin and dark eye make-up, her white hooded jacket trimmed with fake fur; and two lads, a runty-looking one with thin lips and a tattoo like barbed wire on the side of his neck, and a bigger lad, red hair visible as he swiped his hood back, shaking the snow off. He had freckles and round baby-blue eyes.
The trio swung past the stairs and swayed along the central aisle, led by the big one telling some story at the top of his voice, swearing. The foul language, a sally of ammunition, fell through the air, hitting the passengers, who shrank and tensed. The girl was giggling and echoing half-phrases in a high-pitched squeal.
The teenagers scoured the passengers, waiting for anyone fool enough to make eye contact. Emma prayed none of them would sit next to her. The bus was almost half full, maybe ten people on the lower deck; the back seats just behind her were free. Would they sit there?
They didn’t even pay, she thought. And none of them showed a travel card. What was the driver playing at? Why let them on? Couldn’t he see they were trouble? He could have just closed the doors and driven on.
Emma tried to think about something else, shifted the bags of Christmas shopping at her feet. Nearly all done; got the ones to take home for Mum and Dad and the rest of the family in Birmingham, just need a couple for the girls at work.
‘Shit!’ The redhead broke off his tale and crowed at the top of his voice. ‘Look who’s here – Pukey Luke!’
He homed in on a mixed-race boy sitting a couple of rows in front of Emma on the other side. Short curly dark hair, skin the colour of toffee. There was a muttered curse by way of reply, then the clap and rustle of scuffling as the boy tried to get up.
‘Going nowhere, pal,’ the big guy said, and shoved him back down then knelt on the seat beside him. The girl and the weedy one flanked him. Now the cornered lad was looking away from the chavs out of the steamed-up window.
The bus clattered to a halt; an old couple got off and a woman with a baby in a buggy got on, wheeling the pram to the space opposite the bottom of the stairway.
‘You ignoring me, wog boy?’
The word hung in the air, resounded around the space. Emma bit her tongue, felt her face heat up. The bus seemed to hesitate, to wait shivering, its panels rattling by the roadside, and Emma wondered if the driver was going to chuck the troublemakers off. But then with a defeated sigh the doors closed and the bus shuddered into motion.
It probably looks worse than it is, she thought. They obviously knew the boy – Luke, presumably. Could just be mucking about; they do that, don’t they, play-fighting and next minute they’re all friends. She didn’t really know what was going on.
‘Talking to you, dickhead.’
‘Tell him, Gazza,’ the girl giggled, egging her friend on. ‘Black bastard.’
Ahead of her, Emma could see the latest arrival bending her head to focus on her sleeping child, an expression of dismay and the tug of anxiety in the way she bit her lip.
Emma’s stomach hurt and she felt thirsty, a bit dizzy. Maybe she should say something. But no one else was doing anything. If it really was serious, someone else would say something, wouldn’t they? What about the really big bloke sitting near the front, looking like a rugby player? He’d not done anything and he’d got size on his side. Or the group of studenty types, four of them, with long hair and funky clothes. They were just huddled together ignoring it.
What could she say, though?
Stop it.
Something friendlier?
Please leave him alone
. The words sounded pathetic in her head, weedy. She’d look ridiculous. Let alone the fact that the group might turn on her, she could get attacked. People did. What if she asked them to stop; then the boy, the ringleader, she could imagine him swivelling his gaze at her, those big marble eyes set off among his freckles, pushing himself away from the seat, homing in on her. ‘You talking to me?’ Then calling her names: ‘Fat slag, stupid cow, keep your nose out.’
And what about the driver? He’d done nothing. This was his bus, his job; if anyone had a responsibility to do something, it was him.
She could ring the police, report the abuse. But if she did it now, everyone would hear. Besides, they’d probably snatch her phone as soon as they noticed. If the lad kept on ignoring his tormentors, maybe they’d lose interest. No one else was saying anything. Perhaps they knew it wasn’t worth it, or that it was just chavs messing about, bored, maybe on drugs too.
‘He’s shitting himself,’ the runty one cackled.
There were two women in front of Emma: middleaged, dressed up well against the weather. Now she saw them exchange a glance, share a tiny shake of the head, caught the muscle in one woman’s jaw tighten with disapproval. Shocking, dreadful, but what can you do?
There was a sharp crack and a tremor through the floor as the one called Gazza kicked the seat next to his quarry. Emma startled.
‘Hah,’ yelled Gazza. Another thump. ‘You want a kicking? That’ll sort you out,’ he shouted at the boy at the window. ‘You dirty nigger.’
The woman in the aisle seat in front of Emma pressed the bell, and she and her friend got to their feet, made their way to the front, standing near the driver as they waited for the lights to change. The large windscreen wiper was pushing slushy snowflakes in an arc across the glass. One of the women peered at the driver, but the man, grey hair, grey complexion, stared steadfastly ahead. She coughed; the driver glanced into his offside wing mirror and drove the bus across the junction, drawing in to the kerb with a whoosh of brakes. The doors folded back, letting in the cold air and a swirl of snow as the women got off. The bus moved on.
‘I’ll do you,’ the bully said, his tone intense with pent-up rage. ‘I’ll have you. I’ve got a knife. Tell him.’
‘He has,’ barked the runty one. ‘He’ll shank you.’
‘He’ll cut you,’ threatened the girl.
The air hummed with tension, the prospect of danger. Emma felt her neck burning, a band of pain around her head. They’re just boasting, she thought, winding each other up. It’ll all fizzle out in a minute. Just playing macho, aren’t they? The passengers were mute, the atmosphere thick with shame and fear. They all sat cocooned, eyes cast down or out of the window.
The girl giggled. ‘He’s shaking, Gazza. Look at him.’
The bell dinged and the red bus-stopping sign illuminated. A lad stomped down from the upper deck, hair down to his shoulders, zipping up his olive-green parka, one of those bright woolly hats on with ear flaps.
‘Knobhead.’ Gazza slapped Luke; the boy’s head banged into the glass.
The lad in the hat saw it; he flushed, moved down the bus. ‘Leave him alone.’
Gazza turned. ‘Or else? Fuck off.’
But the young man wasn’t cowed; his face darkened with outrage, ‘Just leave it.’
With a malicious snort, Gazza swivelled out of the seat and lunged at him, pushing him back and on to the lap of an old Asian man with bags of shopping.
Luke seized the distraction to leap into the aisle and run to the doors as the bus drew in to the stop.
‘Get him!’ Gazza roared, and the three of them scrambled after Luke. Pandemonium. Shouts of outrage and curses as they spilled off the bus.
The lad in the hat righted himself and followed at speed.
Emma felt sick. The doors closed, and she saw the woman with the baby shake her head at an old man on the disabled seats at the other side. But still no one spoke.
Emma looked out of the window as the bus drove away, tyres hissing on the wet tarmac, and saw Luke trip and recover and dart into a garden. The kids were close on his heels and the one in the hat behind them. It was the first house with lights on and there was a car parked at the side. Luke would be able to knock on the door, get help.
Should she ring the police now? And say what? There were some youths on the bus shouting abuse and making threats and now they’re chasing this lad? It would be hard to make the call on the bus with all the noise and people earwigging, and by the time she got home there wouldn’t really be any point. And they’d probably tell her they’d look into it but it wasn’t like anything definite had really happened. Well – one slap and the insults. It wasn’t up to her, really; perhaps the driver would report it when he reached the terminus. Maybe he’d not done anything because he knew it wasn’t actually worth reporting.
The bus trundled on and she sat, just like the rest of them, isolated and dumb, wanting to be anywhere but there.
‘Brilliant!’ Louise clapped as her daughter’s voice faded along with the backing track. ‘Dead good!’
Ruby was flushed, her brown eyes glittering, a sheen on her face from the exertion making her coppery skin glisten.
‘Yer nan’d be proud of you.’ Louise got up from the sofa, ready for a cup of tea.
‘You always say that.’ Ruby switched off the sound system.
‘’Cos it’s true.’ Louise had spent half her childhood applauding her mother, who’d made a living as a singer, fronting a twelve-piece band and crooning ballads or belting out show tunes. She’d spent the other half of it pining for the woman off criss-crossing the ocean singing for her supper on the cruise ships. Now she was here cheering on her daughter; the musical gene, the exhibitionist gene, had skipped a generation.