Starhunt: A Star Wolf Novel

More titles by David Gerrold

The Voyage of the Star Wolf: Star Wolf Trilogy, Book One

The Middle of Nowhere: Star Wolf Trilogy, Book Two

Blood and Fire: Star Wolf Trilogy, Book Three

The Trouble with Tribbles: The Story Behind Star Trek’s Most Popular Episode

The World of Star Trek

Boarding the Enterprise: Transporters, Tribbles, and the Vulcan Death Grip in Gene Rodenberry’s Star Trek

The Man Who Folded Himself

Alternate Gerrolds: An Assortment of Fictitious Lives

When HARLIE Was One: Release 2.0

Under the Eye of God: Trackers, Book One

A Covenant of Justice: Trackers, Book Two

Space Skimmer: Book One

Moonstar: Jobe, Book One

Chess with a Dragon

Deathbeast

Child of Earth: Sea of Grass, Book One

Child of Grass: Sea of Grass, Book Two

In the Deadlands

The Flying Sorcerers

David Gerrold

BenBella Books, Inc.

Dallas, TX

Copyright © 1995, 2014 by David Gerrold

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews.

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First e-book edition: January 2014

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If anythign can go wrong, it will.

—MURPHY

The operations of a destroyer-class starship consist of more than seven hundred thousand separate and distinct functions. All of them can be monitored from its Command and Control Seat.

The seat is a harsh throne on a raised dais. It is the center of the bridge and the man in it controls the ship. Right now, Jonathan Korie is that man. Thin, pale, and motionless, he is the first officer of the United Systems Starship
Roger Burlingame
.

The ship has been on battle alert for twelve days, and for ten of those days, Jon Korie has been the highest ranking officer on the bridge. Ten days ago the captain retired to his cabin, and he has not been seen since. So Korie sits in the Command and Control Seat and is bored.

Lean and angular, he sprawls loose across it; his colorless eyes gaze disinterestedly at the giant rectangle of red dominating the front of the bridge. On it is a single shimmer of white, the stress-field projection of the enemy ship. Superimposed below that is a number, 170; the enemy’s speed is 170 times the speed of light. The speed of the
Burlingame
is 174 lights.

They are gaining, but only slowly. It will take at least twelve more days to close the remaining gap—and even then, when they do catch up to the enemy, they may not be able to destroy him. As long as the quarry stays in warp, he has the advantage; he is easy to pursue, but difficult to catch. Either he must be outmaneuvered or he must be hounded until his power is exhausted. Both procedures are difficult and wearying.

Korie stares without seeing. The huge screen bathes the room with a blood-colored glow; the image burns into the retina. His nose no longer notices the familiar odors of old plastic and stale sweat. His ears no longer hear the muted whisper of activity, the ever-present, almost silent humming of the computers.

A speaker in his headrest beeps. He touches a button on the chair arm. “Korie here. Go ahead.”

A laconic voice. “Mr. Korie, this is the engine room. We’re picking up some kind of wobbly on the number three generator.”

“What’s wrong with it?”

“I don’t know, sir. The damn thing’s been throwing off sparks for a week.”

Korie grunts. And swivels his chair sixty degrees to the left. Above the warp control console is a medium large screen, one of many that line the upper walls of the bridge. On it, the power consumption levels of the ship’s six warp generators are shown. The red bar of number three is hazy at its tip with a shallow but extremely rapid oscillation.

“It looks mild enough,” Korie says to the waiting communicator. “Could one of the secondaries be out of phase?”

“Negative. If it were, we wouldn’t be able to hold a course. It was one of the first things we checked.”

“Well, how bad is it? Can you manage?”

“Oh, sure. Just thought you ought to know. That’s all.”

“Right. See what you can do about it. Let me know if it gets worse.”

“Yes, sir.” The communicator bleeps out.

Forgetting the wobbly, Korie swivels forward again. He pushes his hair—light, almost colorless—back off his forehead. Stretching out his long legs, he shifts to a less uncomfortable position.

Idly, he smoothes out a wrinkle in his dark tights, scratches vainly at a spot on his grey and blue tunic. He wets a pale forefinger against his tongue and rubs at the persistent stain until it fades. Satisfied, he reclines again in the chair.

A chime sounds, a bell-like tone. Korie’s gaze strays automatically to the clock—abruptly he checks himself. (It isn’t my relief that’s coming.) The thought echoes rudely in his mind.

The bridge of the starcruiser is a bowl-shaped room. The wide door at the rear of it slides open to admit four low-voiced crewmen. They cut off their talk, move quickly into the room, and separate.

Two rows of gray-blue consoles circle the bridge, the outer row surrounding the room on a wide raised ledge, the other just inside and below. Despite the spaciousness of the room’s original measurements, the additional consoles and equipment that have since been added force a cramped feeling within.

Brushing past their shipmates, two of the men move around to the front of the ledge, called the horseshoe. They tap two others and step into their places at the controls. The other relief crewmen step down into the circle of consoles in the center, a lowered area called the pit. They too tap two men. Dropping easily into the quickly vacated couches, the new men settle into the routine with a familiarity bred of experience.

The men going off watch exit just as quickly and once more the bridge is still. The crew are sullen figures in the darkened room, sometimes silhouetted against the glare of a screen.

One man—a small man on the left side of the horseshoe—is not still at his post. He glances around the bridge nervously, looks to the Command and Control Seat just above the rear of the pit.

Working up his courage, the man steps forward. “Sir?”

Korie peers into the darkness. “Yes?”

“Uh, sir . . . my relief—he hasn’t shown up yet.”

“Who’s your relief, Harris?”

“Wolfe, sir.”

“Wolfe?” Korie frowns. He rubs absentmindedly at his nose.

Harris nods. “Yes, sir.”

Korie sighs to himself, a sound of quiet exasperation, directed as much at Harris as at the absent Wolfe. “Well . . . stay at your post until he gets here.”

“Yes, sir.” Resignedly, Harris turns back to his waiting board.

At the same time, the door at the rear of the bridge slides open with a
whoosh
. Red-faced and panting heavily, a short, straw-colored crewman rushes in, still buttoning the flap of his tunic.

Korie swivels to face him. “Wolfe?” he demands. He touches the chair arm, throwing a splash of light at the man.

Wolfe hesitates, caught in the sudden glare. “Yes, sir. . . ? Uh, I’m sorry I’m late coming on watch, sir.”

“You’re sorry. . . ?”

“Yes, sir.”

“Oh.” The first officer pauses. “Well, then I guess that makes everything all right.”

Wolfe smiles nervously, but the sweat is beaded on his forehead. He starts to move to his post.

“Did you hear that, Harris?” Korie calls abruptly. “Wolfe said he was sorry. . . .”

Again Wolfe hesitates. He looks nervously from one to the other.

“Harris?” Korie calls again. “Did you hear that?”

“Uh, yes, sir.” The answer is mumbled; the man is hidden in shadow.

“And that makes everything all right, doesn’t it, Harris?” Korie’s eyes remain fixed on Wolfe.

“Uh, yes, sir,” Harris answers. “I guess it does—if say so—”

The first officer smiles thinly. “I guess it does then.” His voice goes suddenly hard. “In fact, Mr. Harris, Mr. Wolfe is so sorry that he says he’s going to take over your next five watches for you. In addition to his own. Isn’t that good of him?”

“Sir!”

“Shut up, Wolfe!”

“Uh, sir—” insists Harris. “You don’t have to do that—”

“You’re right, Harris. I don’t have to—
Wolfe
does.”

“Sir!” Wolfe protested again.

“I don’t want to hear it.”

“But, sir, I—”

“Wolfe. . . !” says Korie warningly. “You are ten minutes late in getting to your post. Are you trying for twenty?” He cuts off the spotlight, darkening the bridge back to Condition Red, and swivels forward.

Wolfe stares at the first officer’s back for a moment, then mutters a nearly audible, “Yes, sir. . .!” He steps across the horseshoe and ritually taps Harris’s shoulder.

In the Command and Control Seat, Korie exhales angrily through even white teeth. Ignoring the sound of Harris’s quick exit, he forces himself to gaze forward at the screen. (There, that’s the only thing to be concerned with—the enemy.) That pale shimmer of white remains tauntingly near, maddeningly far.

Somewhere a computer hums as it measures the gap between the two ships. Murmuring to itself, it notes the ever-narrowing distance, notes by how much it has narrowed since the last measurement, and records the difference. The gain is imperceptible to all but the most sophisticated of electronic eyes. On the screen, the image remains frustratingly unchanged.

Eyes narrowed, Korie stares—seeing and yet not seeing. He ticks nervously at the chair arm.

“Mr. Korie?”

He glances up. A crewman on the right side of the horse-shoe, near the front, waits expectantly. In the dim light, Korie can barely make out his face. Then and lanky, barely post-adolescent, the man is Rogers, crewman third class and assigned to duty on the gravity control board.

“Yes?” Korie grunts. “What is it?”

“Ship’s gravity is down to 0.94 again—and still slipping.”

Korie nods. “You might try checking your available power. That’s what it was last time.”

“Oh—yes, sir.” The youngster turns back to his console and Korie turns back to his thoughts. The problem of the fluctuating gravity is relegated to the same dark corner of his mind as the persistent wobbly of the number three generator.

Idly, he swivels his chair to the right. On that side is Barak, the astrogator. A big, raw-boned black man; he is hunched over his console at the edge of the pit. Jonesy, the assistant astrogator—small, wiry and curly haired—is standing next to him.