Start Where You Are: A Guide to Compassionate Living (5 page)

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Authors: Pema Chödrön

Tags: #Tibetan Buddhism

BOOK: Start Where You Are: A Guide to Compassionate Living
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In the Buddhist teachings, the messy stuff is called
klesha,
which means poison. Boiling it all down to the simplest possible formula, there are three main poisons: passion, aggression, and ignorance. We could talk about these in different ways—for example, craving, aversion, and couldn’t care less. Addictions of all kinds come under the category of craving, which is wanting, wanting, wanting—feeling that we have to have some kind of resolution. Aversion encompasses violence, rage, hatred, and negativity of all kinds, as well as garden-variety irritation. And ignorance? Nowadays, it’s usually called denial.

The pith instruction of all the Buddhist teachings and most explicitly of the lojong teachings is, whatever you do, don’t try to make these unwanted feelings go away. That’s an unusual thought; it’s not our habitual tendency to let these feelings hang around. Our habitual tendency is definitely to try to make those things go away.

People and situations in our lives are always triggering our passion, aggression, and ignorance. A good old innocent cup of coffee triggers some people’s craving; they are addicted to it; it represents comfort and all the good things in life. If they can’t get it, their life is a wreck. Other people have an elaborate story line about why it’s bad for you, and they have aversion and a support group. Plenty of other people couldn’t care less about a cup of coffee; it doesn’t mean much at all to them.

And then there’s good old Mortimer, that person who is sitting next to you in the meditation hall, or perhaps someone who works in your office. Some people are lusting when they see Mortimer. He looks wonderful to them. A lot of their discursive thought is taken up with what they’d like to do with Mortimer. A certain number of people hate him. They haven’t even talked to him yet, but the minute they saw him, they felt loathing. Some of us haven’t noticed him, and we may never notice him. In fact, a few years from now he’ll tell us he was here, and we’ll be surprised.

So there are three things, which in the slogan are called three objects. One object is what we find pleasant, another is what we find unpleasant, and a third is what we’re neutral about. If it’s pleasant, it triggers craving; if it’s unpleasant, it triggers aversion; if it’s neutral, it triggers ignorance. Craving, aversion, and ignorance are the three poisons.

Our experience would write the formula as “Three objects, three poisons, and lots of misery” or “Three objects, three poisons, and three seeds of confusion, bewilderment, and pain,” because the more the poisons arise and the bigger they get in our life, the more they drive us crazy. They keep us from seeing the world as it is; they make us blind, deaf, and dumb. The world doesn’t speak for itself because we’re so caught up in our story line that instead of feeling that there’s a lot of space in which we could lead our life as a child of illusion, we’re robbing ourselves, robbing ourselves from letting the world speak for itself. You just keep speaking to yourself, so nothing speaks to you.

The three poisons are always trapping you in one way or another, imprisoning you and making your world really small. When you feel craving, you could be sitting on the edge of the Grand Canyon, but all you can see is this piece of chocolate cake that you’re craving. With aversion, you’re sitting on the edge of the Grand Canyon, and all you can hear is the angry words you said to someone ten years ago. With ignorance, you’re sitting on the edge of the Grand Canyon with a paper bag over your head. Each of the three poisons has the power to capture you so completely that you don’t even perceive what’s in front of you.

This “Three objects, three poisons, and three seeds of virtue” is really a peculiar idea. It turns the conventional formula on its head in an unpredictable, nonhabitual way. It points to how the three poisons can be three seeds of becoming a child of illusion, how to step out of this limited world of ego fixation, how to step out of the world of tunnel vision. And the slogan is just an introduction to how this notion works. Tonglen practice will give you a very explicit method for working with this kind of lojong logic or, you could say, big-heart logic.

There’s nothing really wrong with passion or aggression or ignorance, except that we take it so personally and therefore waste all that juicy stuff. The peacock eats poison and that’s what makes the colors of its tail so brilliant. That’s the traditional image for this practice, that the poison becomes the source of great beauty and joy; poison becomes medicine.

Whatever you do, don’t try to make the poisons go away, because if you’re trying to make them go away, you’re losing your wealth, along with your neurosis. All this messy stuff is your richness, but saying this once is not going to convince you. If nothing else, however, it could cause you to wonder about these teachings and begin to be curious whether they could possibly be true, which might inspire you to try them for yourself.

The main point is that when Mortimer walks by and triggers your craving or your aversion or your ignorance or your jealousy or your arrogance or your feeling of worthlessness—when Mortimer walks by and a feeling arises—that could be like a little bell going off in your head or a lightbulb going on: here’s an opportunity to awaken your heart. Here’s an opportunity to ripen bodhichitta, to reconnect with the sense of the soft spot, because as a result of these poisons the shields usually come up. We react to the poisons by armoring our hearts.

When the poisons arise, we counter them with two main tactics. Step one: Mortimer walks by. Step two: klesha arises. (It’s hard to separate the first two steps.) Step three: we either
act out
or
repress,
which is to say we either physically or mentally attack Mortimer or talk to ourself about what a jerk he is or how we’re going to get even with him, or else we repress those feelings.

Acting out and repressing are the main ways that we shield our hearts, the main ways that we never really connect with our vulnerability, our compassion, our sense of the open, fresh dimension of our being. By acting out or repressing we invite suffering, bewilderment, or confusion to intensify.

Drive all blames into Mortimer. Someone once heard the slogan “Drive all blames into one” and thought it was “Drive all blames into Juan.” Whether you call him or her Juan or Juanita or Mortimer, the usual tactic is either to act out or repress. If Mortimer or Juan or Juanita walks by and craving arises, you try to get together by flirting or making advances. If aversion arises, you try to get revenge. You don’t stay with the raw feelings. You don’t hold your seat. You take it a step further and act out.

Repressing could actually come under the category of ignorance. When you see Juan or Juanita or Mortimer, you just shut down. Maybe you don’t even want to touch what they remind you of, so you just shut down. There’s another common form of repression, which has to do with guilt: Juan walks by; aversion arises; you act out; and then you feel guilty about it. You think you’re a bad person to be hating Juan, and so you repress it.

What we’re working with in our basic shamatha-vipashyana practice—and explicitly with the tonglen practice—is the middle ground between acting out and repressing. We’re discovering how to hold our seat and feel completely what’s underneath all that story line of wanting, not wanting, and so forth.

In terms of “Three objects, three poisons, and three seeds of virtue,” when these poisons arise, the instruction is to drop the story line, which means—instead of acting out or repressing—use the situation as an opportunity to feel your heart, to feel the wound. Use it as an opportunity to touch that soft spot. Underneath all that craving or aversion or jealousy or feeling wretched about yourself, underneath all that hopelessness and despair and depression, there’s something extremely soft, which is called bodhichitta.

When these things arise, train gradually and very gently without making it into a big deal. Begin to get the hang of feeling what’s underneath the story line. Feel the wounded heart that’s underneath the addiction, self-loathing, or anger. If someone comes along and shoots an arrow into your heart, it’s fruitless to stand there and yell at the person. It would be much better to turn your attention to the fact that there’s an arrow in your heart and to relate to that wound.

When we do that, the three poisons become three seeds of how to make friends with ourselves. They give us the chance to work on patience and kindness, the chance not to give up on ourselves and not to act out or repress. They give us the chance to change our habits completely. This is what helps both ourselves and others. This is instruction on how to turn un-wanted circumstances into the path of enlightenment. By following it, we can transform all that messy stuff that we usually push away into the path of awakening: reconnecting with our soft heart, our clarity, and our ability to open further.

Start Where You Are

 

T
HERE ARE TWO SLOGANS
that go along with the tonglen practice: “Sending and taking should be practiced alternately. / These two should ride the breath”—which is actually a description of tonglen and how it works—and “Begin the sequence of sending and taking with yourself.”

The slogan “Begin the sequence of sending and taking with yourself” is getting at the point that compassion starts with making friends with ourselves, and particularly with our poisons—the messy areas. As we practice tonglen—taking and sending—and contemplate the lojong slogans, gradually it begins to dawn on us how totally interconnected we all are. Now people know that what we do to the rivers in South America affects the whole world, and what we do to the air in Alaska affects the whole world. Everything is interrelated—including ourselves, so this is very important, this making friends with ourselves. It’s the key to a more sane, compassionate planet.

What you do for yourself—any gesture of kindness, any gesture of gentleness, any gesture of honesty and clear seeing toward yourself—will affect how you experience your world. In fact, it will transform how you experience the world. What you do for yourself, you’re doing for others, and what you do for others, you’re doing for yourself. When you exchange yourself for others in the practice of tonglen, it becomes increasingly uncertain what is out there and what is in here.

If you have rage and righteously act it out and blame it all on others, it’s really you who suffers. The other people and the environment suffer also, but you suffer more because you’re being eaten up inside with rage, causing you to hate yourself more and more.

We act out because, ironically, we think it will bring us some relief. We equate it with happiness. Often there
is
some relief, for the moment. When you have an addiction and you fulfill that addiction, there is a moment in which you feel some relief. Then the nightmare gets worse. So it is with aggression. When you get to tell someone off, you might feel pretty good for a while, but somehow the sense of righteous indignation and hatred grows, and it hurts you. It’s as if you pick up hot coals with your bare hands and throw them at your enemy. If the coals happen to hit him, he will be hurt. But in the meantime, you are guaranteed to be burned.

On the other hand, if we begin to surrender to ourselves—begin to drop the story line and experience what all this messy stuff behind the story line feels like—we begin to find bodhichitta, the tenderness that’s under all that harshness. By being kind to ourselves, we become kind to others. By being kind to others—if it’s done properly, with proper understanding—we benefit as well. So the first point is that we are completely interrelated. What you do to others, you do to yourself. What you do to yourself, you do to others.

Start where you are. This is very important. Tonglen practice (and all meditation practice) is not about later, when you get it all together and you’re this person you really respect. You may be the most violent person in the world—that’s a fine place to start. That’s a very rich place to start—juicy, smelly. You might be the most depressed person in the world, the most addicted person in the world, the most jealous person in the world. You might think that there are no others on the planet who hate themselves as much as you do. All of that is a good place to start. Just where you are—that’s the place to start.

As we begin to practice shamatha-vipashyana meditation, following our breath and labeling our thoughts, we can gradually begin to realize how profound it is just to let those thoughts go, not rejecting them, not trying to repress them, but just simply acknowledging them as violent thoughts, thoughts of hatred, thoughts of wanting, thoughts of poverty, thoughts of loathing, whatever they might be. We can see it all as thinking and can let the thoughts go and begin to feel what’s left. We can begin to feel the energy of our heart, our body, our neck, our head, our stomach—that basic feeling that’s underneath all of the story lines. If we can relate directly with that, then all of the rest is our wealth. When we don’t act out and we don’t repress, then our passion, our aggression, and our ignorance become our wealth. The poison already is the medicine. You don’t have to transform anything. Simply letting go of the story line is what it takes, which is not that easy. That light touch of acknowledging what we’re thinking and letting it go is the key to connecting with this wealth that we have. With all the messy stuff, no matter how messy it is, just start where you are—not tomorrow, not later, not yesterday when you were feeling better—but now. Start now, just as you are.

Milarepa is one of the lineage holders of the Kagyü lineage of Tibetan Buddhism. Milarepa is one of the heroes, one of the brave ones, a very crazy, unusual fellow. He was a loner who lived in caves by himself and meditated wholeheartedly for years. He was extremely stubborn and determined. If he couldn’t find anything to eat for a couple of years, he just ate nettles and turned green, but he would never stop practicing.

One evening Milarepa returned to his cave after gathering firewood, only to find it filled with demons. They were cooking his food, reading his books, sleeping in his bed. They had taken over the joint. He knew about nonduality of self and other, but he still didn’t quite know how to get these guys out of his cave. Even though he had the sense that they were just a projection of his own mind—all the unwanted parts of himself—he didn’t know how to get rid of them.

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