Strapless (31 page)
Authors: Deborah Davis
Hills, Patricia.
John Singer Sargent.
New York: Harry N. Abrams, 1986.
John Singer Sargent.
New York: Harry N. Abrams, 1986.
Hollander, Anne.
Seeing Through Clothes.
Berkeley: University of California Press, 1993.
Seeing Through Clothes.
Berkeley: University of California Press, 1993.
Hoopes, Donelson F.
The Private World of John Singer Sargent.
Washington, DC: Corcoran Gallery of Art, 1964.
The Private World of John Singer Sargent.
Washington, DC: Corcoran Gallery of Art, 1964.
Huysmans, J. K.
Against Nature,
trans. Robert Baldick. Baltimore: Penguin, 1971.
Against Nature,
trans. Robert Baldick. Baltimore: Penguin, 1971.
Jennings, Kate F.
John Singer Sargent.
New York: Crescent Books, 1991.
John Singer Sargent.
New York: Crescent Books, 1991.
Jordan, David P.
Transforming Paris.
Chicago: University of Chicago Press, 1995.
Transforming Paris.
Chicago: University of Chicago Press, 1995.
Joyes, Claire.
Monet’s
Table. New York: Simon & Schuster, 1989.
Monet’s
Table. New York: Simon & Schuster, 1989.
Jullian, Philippe.
Robert de Montesquiou: A Fin-de-Siècle Prince,
trans. John Haylock and Francis King. London: Secker & Warburg, 1967.
Robert de Montesquiou: A Fin-de-Siècle Prince,
trans. John Haylock and Francis King. London: Secker & Warburg, 1967.
Kimbrough, Sara Dodge.
Drawn from Life.
Jackson: University Press of Mississippi, 1976.
Drawn from Life.
Jackson: University Press of Mississippi, 1976.
The Last Confessions of Marie Bashkirtseff and Her Correspondence with Guy de Maupassant,
ed. Jeannette L. Gilder. New York: Frederick A. Stokes, 1901.
ed. Jeannette L. Gilder. New York: Frederick A. Stokes, 1901.
Lubbock, Percy.
The Letters of Henry James.
New York: Macmillan, 1920.
The Letters of Henry James.
New York: Macmillan, 1920.
Lubin, David.
Act of Portrayal: Eakins, Sargent, James.
New Haven, CT: Yale University Press, 1985.
Act of Portrayal: Eakins, Sargent, James.
New Haven, CT: Yale University Press, 1985.
Maillard, Lucien.
Ledoyen.
Paris: L’Avant Mémoire, n.d.
Ledoyen.
Paris: L’Avant Mémoire, n.d.
Manson, J. B., and Alice Meynell.
The Work of John Singer Sargent.
New York: Charles Scribner’s Sons, 1927.
The Work of John Singer Sargent.
New York: Charles Scribner’s Sons, 1927.
Marie Bashkirtseff: The Journal of a Young Artist,
trans. Mary J. Serrano. New York: E. P. Dutton, 1919.
trans. Mary J. Serrano. New York: E. P. Dutton, 1919.
McSpadden, J. Walker.
Famous Painters of America.
New York: Dodd, Mead, 1923.
Famous Painters of America.
New York: Dodd, Mead, 1923.
Miceli, Augusto.
The Pickwick Club of New Orleans.
New Orleans: Pickwick, n.d.
The Pickwick Club of New Orleans.
New Orleans: Pickwick, n.d.
Miller, Michael.
The Bon Marché: Bourgeois Culture and the Department Store.
Princeton, NJ: Princeton University Press, 1981.
The Bon Marché: Bourgeois Culture and the Department Store.
Princeton, NJ: Princeton University Press, 1981.
Milner, John.
The Studios of Paris.
New Haven, CT: Yale University Press, 1988.
The Studios of Paris.
New Haven, CT: Yale University Press, 1988.
Misia and the Muses: The Memoirs of Misia Sert.
New York: John Day, 1953.
New York: John Day, 1953.
Mount, Charles Merrill.
John Singer Sargent.
New York: W. W. Norton, 1955.
John Singer Sargent.
New York: W. W. Norton, 1955.
Munhall, Edgar.
The Butterfly and the Bat.
New York: The Frick Collection, 1995.
The Butterfly and the Bat.
New York: The Frick Collection, 1995.
Olson, Stanley.
John Singer Sargent: His Portrait.
New York: St. Martin’s, 1986.
John Singer Sargent: His Portrait.
New York: St. Martin’s, 1986.
Olson, Stanley, Warren Adelson, and Richard Ormond.
Sargent at Broadway: The Impressionist Years.
New York: Universe and Coe Kerr Gallery, 1986.
Sargent at Broadway: The Impressionist Years.
New York: Universe and Coe Kerr Gallery, 1986.
Ormond, Richard, and Elaine Kilmurray,
John Singer Sargent: The Early Portraits.
New Haven, CT, and London: Yale University Press, 1998.
John Singer Sargent: The Early Portraits.
New Haven, CT, and London: Yale University Press, 1998.
Palffy, Eleanor.
The Lady & the Painter.
New York: Coward-McCann, 1951.
The Lady & the Painter.
New York: Coward-McCann, 1951.
Piper, David.
The English Face.
London: Thames & Hudson, 1957.
The English Face.
London: Thames & Hudson, 1957.
Pousette-Dart, Nathaniel.
John Singer Sargent.
New York: Frederick A. Stokes, 1924.
John Singer Sargent.
New York: Frederick A. Stokes, 1924.
Prettejohn, Elizabeth.
Interpreting Sargent.
New York: Stewart, Tabori & Chang, 1998.
Interpreting Sargent.
New York: Stewart, Tabori & Chang, 1998.
Price, Roger.
A Social History of Nineteenth-Century France.
London: Hutchinson, 1987.
A Social History of Nineteenth-Century France.
London: Hutchinson, 1987.
Pringue, Gabriel-Louis.
Portraits et Fantômes.
Paris: Raoul Solar, 1951.
Portraits et Fantômes.
Paris: Raoul Solar, 1951.
Pringue, Gabriel-Louis.
30 Ans de Dîners en Ville.
Paris: Édition Revue Adam, 1948.
30 Ans de Dîners en Ville.
Paris: Édition Revue Adam, 1948.
Ratcliff, Carter.
John Singer Sargent.
New York: Abbeville, 1982.
John Singer Sargent.
New York: Abbeville, 1982.
Rearick, Charles.
Pleasures of the Belle Epoque.
New Haven, CT: Yale University Press, 1985.
Pleasures of the Belle Epoque.
New Haven, CT: Yale University Press, 1985.
Reinders, Robert C.
End of an Era.
Gretna, LA: Pelican, 1998.
End of an Era.
Gretna, LA: Pelican, 1998.
Richardson, Joanna.
The Bohemians.
Cranbury, NJ: A. S. Barnes, 1971.
The Bohemians.
Cranbury, NJ: A. S. Barnes, 1971.
Richardson, Joanna.
Judith Gautier: A Biography.
New York: Franklin Watts, 1987.
Judith Gautier: A Biography.
New York: Franklin Watts, 1987.
Ripley, Eliza.
Social Life in Old New Orleans.
Gretna, LA: Pelican, 1998.
Social Life in Old New Orleans.
Gretna, LA: Pelican, 1998.
Robertson, W. G.
Life Was Worth Living.
New York: Harper & Brothers, 1931.
Life Was Worth Living.
New York: Harper & Brothers, 1931.
Rosenblum, Robert.
Paintings in the Musée d’Orsay.
New York: Workman, 1989.
Paintings in the Musée d’Orsay.
New York: Workman, 1989.
Sagner-Duchting, Karen.
Renoir: Paris and the Belle Époque.
Munich: Prestel, 1996.
Renoir: Paris and the Belle Époque.
Munich: Prestel, 1996.
Schwartz, Vanessa R.
Spectacular Realities.
Berkeley: University of California Press, 1998.
Spectacular Realities.
Berkeley: University of California Press, 1998.
Shackelford, George T. M., and Mary Tavener Holmes.
A Magic Mirror: The Portrait in France, 1700-1900.
Houston: The Museum of Fine Arts, 1986.
A Magic Mirror: The Portrait in France, 1700-1900.
Houston: The Museum of Fine Arts, 1986.
Shand-Tucci, Douglass.
The Art of Scandal: The Life and Times of Isabella Stewart Gardner.
New York: HarperPerennial, 1998.
The Art of Scandal: The Life and Times of Isabella Stewart Gardner.
New York: HarperPerennial, 1998.
Shattuck, Roger.
The Banquet Years.
New York: Vintage, 1968.
The Banquet Years.
New York: Vintage, 1968.
Silverman, Willa Z.
The Notorious Life of Gyp: Right-Wing Nationalist and Liberated Anti-Feminist in Fin-de-Siècle France.
New York: Oxford University Press, 1995.
The Notorious Life of Gyp: Right-Wing Nationalist and Liberated Anti-Feminist in Fin-de-Siècle France.
New York: Oxford University Press, 1995.
Simmons, Edward.
From Seven to Seventy: Memories of a Painter and a Yankee.
New York: Harper & Brothers, 1922.
From Seven to Seventy: Memories of a Painter and a Yankee.
New York: Harper & Brothers, 1922.
Simpson, Marc.
Uncanny Spectacle: The Public Career of the Young John Singer Sargent.
New Haven, CT: Yale University Press, and Williamstown, MA: Sterling and Francine Clark Art Institute, 1997.
Uncanny Spectacle: The Public Career of the Young John Singer Sargent.
New Haven, CT: Yale University Press, and Williamstown, MA: Sterling and Francine Clark Art Institute, 1997.
Skinner, Cornelia Otis.
Elegant Wits and Grand Horizontals.
Boston: Houghton Mifflin, 1962.
Elegant Wits and Grand Horizontals.
Boston: Houghton Mifflin, 1962.
Smith, F. Berkeley.
How Paris Amuses Itself.
New York: Funk & Wagnalls, 1903.
How Paris Amuses Itself.
New York: Funk & Wagnalls, 1903.
Staffe, Baronne.
My Lady’s Dressing Room.
New York: Cassell, 1892.
My Lady’s Dressing Room.
New York: Cassell, 1892.
Steele, Valerie.
Paris Fashion.
New York: Oxford University Press, 1988.
Paris Fashion.
New York: Oxford University Press, 1988.
Stewart, Mary Lynn.
For Health and Beauty: Physical Culture for Frenchwomen 1880s-1930s.
Baltimore: The Johns Hopkins University Press, 2001.
For Health and Beauty: Physical Culture for Frenchwomen 1880s-1930s.
Baltimore: The Johns Hopkins University Press, 2001.
Tharp, Louise Hall.
Mrs. Jack.
Boston: Little, Brown, 1965.
Mrs. Jack.
Boston: Little, Brown, 1965.
Upstone, Robert.
Exposed: The Victorian Nude,
ed. Alison Smith. London: Tate Britain, 2001.
Exposed: The Victorian Nude,
ed. Alison Smith. London: Tate Britain, 2001.
Uzanne, Octave.
Fashion in Paris.
London: William Heinemann, n.d.
Fashion in Paris.
London: William Heinemann, n.d.
Uzanne, Octave.
The Modern Parisienne.
New York: G. P. Putnam’s Sons, 1912.
The Modern Parisienne.
New York: G. P. Putnam’s Sons, 1912.
Vanderpooten, Claude.
Samuel Pozzi: Chirurgien et Ami des Femmes.
Paris: Éditions In Fine, 1992.
Samuel Pozzi: Chirurgien et Ami des Femmes.
Paris: Éditions In Fine, 1992.
Waddington, Mary King.
Château and Country Life in France.
New York: Charles Scribner’s Sons, 1909.
Château and Country Life in France.
New York: Charles Scribner’s Sons, 1909.
Waldberg, Patrick.
Eros in La Belle Époque.
New York: Grove, 1969.
Eros in La Belle Époque.
New York: Grove, 1969.
Weber, Eugen.
France: Fin de Siècle.
Cambridge, MA, and London: The Belknap Press of Harvard University Press, 1986.
France: Fin de Siècle.
Cambridge, MA, and London: The Belknap Press of Harvard University Press, 1986.
Weinberg, H. Barbara.
The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers.
New York: Abbeville, 1991.
The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers.
New York: Abbeville, 1991.
Westfeldt, Mettha.
Madame Gautreau.
New Orleans, 1984.
Madame Gautreau.
New Orleans, 1984.
Wilde, Oscar.
The Picture of Dorian Gray.
N.p.: Creative Books, 2000.
The Picture of Dorian Gray.
N.p.: Creative Books, 2000.
Williams, Ellen.
The Historic Restaurants of Paris.
New York: The Little Bookroom, 2001.
The Historic Restaurants of Paris.
New York: The Little Bookroom, 2001.
Williams, Rosalind.
Dream Worlds: Mass Consumption in Late-Nineteenth-Century France.
Berkeley: University of California Press, 1982.
Dream Worlds: Mass Consumption in Late-Nineteenth-Century France.
Berkeley: University of California Press, 1982.
Wilner, Eli, ed.
The Gilded Edge.
San Francisco: Chronicle Books, 2000.
The Gilded Edge.
San Francisco: Chronicle Books, 2000.
Zillhardt, Madeleine.
Louise-Catherine Breslau et Ses Amis.
Paris: Éditions des Portiques, 1932.
Louise-Catherine Breslau et Ses Amis.
Paris: Éditions des Portiques, 1932.
Zola, Émile.
His Masterpiece,
trans. Ernest Alfred Vizetelly. Strand, Gloucestershire, England: Sutton, 1986.
His Masterpiece,
trans. Ernest Alfred Vizetelly. Strand, Gloucestershire, England: Sutton, 1986.
Zola, Émile.
The Ladies’ Paradise,
trans. Brian Nelson. Oxford, England: Oxford University Press, 1995.
The Ladies’ Paradise,
trans. Brian Nelson. Oxford, England: Oxford University Press, 1995.
Zola, Émile.
Nana,
trans. Douglas Parmée. Oxford, England: Oxford University Press, 1992.
Nana,
trans. Douglas Parmée. Oxford, England: Oxford University Press, 1992.
Zola, Émile.
Pot Luck,
trans. Brian Nelson. Oxford, England: Oxford University Press, 1999.
Pot Luck,
trans. Brian Nelson. Oxford, England: Oxford University Press, 1999.
INDEX
Page numbers in italics indicate black-and-white illustrations.
Abbey, Edwin Austin
Académie des Beaux-Arts and portraiture
Académie Goncourt
Académie Julian
Adelson Galleries
Allouard-Jouan, Madame
Alma-Tadema, Lawrence
Armand Barbès
(hot-air balloon)
(hot-air balloon)
Arrangement in Black No. 5: Lady Meux
(Whistler)
(Whistler)
Art, Parisians and
Art Amateur
Art movements, nineteenth-century
Art students, Paris
women as
and Amélie Gautreau
Artists’ Wives, The
(Tissot)
(Tissot)
Astor, Caroline
Ateliers, Paris
of Carolus-Duran
for women
Au Bonheur des Dames
(Zola)
(Zola)
Avegno, Anatole (father of Amélie Gautreau)
and Civil War
Avegno, Catherine Genois (mother of Anatole)
Avegno, Jean-Bernard (brother of Anatole)
Avegno, Marie Virginie Ternant (mother of Amélie Gautreau)
and Civil War
death
and
Madame X
Madame X
move to France
n
23
n
23
in Paris
See also
Ternant, Marie Virginie
Ternant, Marie Virginie
Avegno, Philippe (father of Anatole)
Avegno, Valentine Marie (sister of Amélie Gautreau)
n
23
n
23
Avegno, Virginie Amélie
appearance
and marriage
social life in Paris
wedding
See also
Gautreau, Virginie Amélie
Gautreau, Virginie Amélie
Avegno
Baker, Thomas Madison
Barnard, Frederick
Bashkirtseff, Marie
Bastien-Lepage, Jules
Battle of Shiloh
Baude, Charles
Baudelaire, Charles
Beauty, physical, French women and
Beckford, William
Beckwith, James
Beerbohm, Max
Belle Époque
Madame X
and
and
Pozzi and
See also
Paris; Society, Paris, 1870s-1880s; Third Republic
Paris; Society, Paris, 1870s-1880s; Third Republic
Belleroche, Albert de- 36
Benjamin-Constant
Berardinis, Robert de
Bernhardt, Sarah
Binder, George
Birth rate, France, 1880s-1890s
Black clothing
Blanchard (artist)
Blanche, Jacques-Émile
Boit family
Boit, Mrs. Edward Darley, portrait of
Boldini, Giovanni
Bon Marché (Paris)
Bonnat éon
Books, on health and beauty
Booth, Edwin
Boston, Sargent in
Boston Herald
Boston Museum of Fine Arts, murals
Boston Public Library
murals
Boucicaut, Aristide
Bouguereau, William-Adolphe
Youth of Bacchus, The
Youth of Bacchus, The
Brangwyn, Frank
Brisson, Henri
Broadway (England)
Broca, Paul
Brooklyn
(Union warship)
(Union warship)
Bülow, Cosima von.
See also
Wagner, Cosima
See also
Wagner, Cosima
Bulteau, Augustine
Burckhardt, Charlotte Louise
portrait of
Burckhardt, Mary Elizabeth (Mrs. Edward)
Burckhardt, Valerie
Burne-Jones, Edward
Business, art as
Caillaux, Victor-Amédée
Canova, Antonio
Caran d’Ache (Emmanuel Poiré)
Carfax Gallery (London)
Carnation, Lily, Lily, Rose
(Sargent)
(Sargent)
exhibition
Carolus-Duran
art principals
atelier of
Portrait of His Excellency M.Z.
and portrait of Madame Gautreau
portrait by Sargent
and Sargent
Carrier-Belleuse, Pierre
Cartier, Jacques
Chantrey Bequest
Chaplin, Charles
Chateau-sur-Mer (Newport, R.I.)
Les Chérifas
(Benjamin-Constant)
(Benjamin-Constant)
Christ in the Tomb
(Henner)
(Henner)
Ciccolella, Ann
Civil War, U.S.
Clark, Kenneth
Collecting, Sargent and
Colorado Springs Fine Arts Center
Colors used by Sargent
Coolidge, Thomas Jefferson
Cormon, Fernand
Cosmetics
Amélie Gautreau’s use of
French women and
Courbet, Gustave
Courtois, Gustave
Creoles
in France
Critics, and Sargent’s works
in Boston
Carnation, Lily, Lily, Rose
Madame X
Crying Nymph
(Henner)
(Henner)
Curtis, Ralph
n
163
n
163
Daguerre, Louis
Daily Crescent
(New Orleans)
(New Orleans)
Daily Delta
(New Orleans)
(New Orleans)
Daily Telegraph
(London)
(London)
Daughters of Edward Darley Boit, The
(Sargent)
(Sargent)
de la Gandara, Antonio
Death of Siegfried, The
(Wagner)
(Wagner)
Degas, Edgar
del Castillo, Ben
Department stores
d’Inverno, Nicola
Dr. Pozzi at Home
(Sargent)
(Sargent)
Don Antonio el Inglés
(Velázquez; Sargent copy)
(Velázquez; Sargent copy)
Douglas, Alfred
Dress, for Sargent’s paintings
Dreyfus, Alfred
Dubroca, E. M.
Dubufe, Claude-Marie
Duran, Charles-Auguste-Émile.
See
Carolus-Duran
See
Carolus-Duran
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