Suicide Hill (12 page)

The young man smiled, picked up the binder and leafed through it, then handed it to Rice. “There,” he said. “Rhonda. She's got a master's degree in economics, and she's really groovy. A real brain fox.”

Rice studied the photograph. Rhonda was a tall buxom woman with a dark brown Afro; deeply tanned except for bikini white across her breasts and pelvis. She was described as an “aspiring stockbroker,” and her fantasy was listed as “orgies with rich, intelligent, beautiful men on my own private island in the Adriatic.” Rice thought she looked shrewd and probably didn't write the retarded fantasy blurb. Snapping the binder shut, he said, “Great. Can you send her over to the Holiday Inn on Sunset and La Brea, in an hour?”

The youth gave his sigh-pout. “I'll call her. Rhonda is three hundred dollars an hour, one hour minimum. All our foxes gratefully accept tips over that amount. Rhonda carries her own Visa, Mastercard and American Express receipts and imprinter for the basic fee, but please tip her with cash. What room number?”

“814.”

“We require a friendship fee of one hundred dollars for first-time fox hunters.”

“Like a hunting license?”

The youth giggled; Rice thought he sounded just like Bobby “Boogaloo” Garcia. “That's cute. Yes, call it your deed to the happy hunting grounds. Cash, please, and your name.”

Rice slipped a c-note from his shirt pocket and stuck it inside the binder. “Harry ‘The Fox Hunter' Hungerford.” The youth giggled as he wrote down the name, and Rice walked out wondering if the world was nothing but wimps, pimps, psychos and sex fiends.

Back at the Holiday Inn, he killed time by watching TV for word of the robbery. There was no mention of the heist or of a bank manager zoned on dust, let alone the hostage angle—the bank bigshots had probably stonewalled the media to save face. So far, so good—but his money was running out.

Just as the news brief ended, the door chimes rang. Rice grabbed a wad of twenties from the briefcase and stuck them under the mattress, then walked to the door and opened it.

The woman who stood on the other side in a green knit dress and fur coat was her photograph gone subtle. Expecting sleazy attire and makeup, Rice saw class that rivaled Vandy at her healthiest. No makeup on a face of classic beauty; large tortoiseshell glasses that set off that face and made it even
more
beautiful; a Rolex watch on her left wrist, an attaché case in her right hand. Rice's eyes prowled her body until he snapped to what he was doing and brought them back up to her face. Pissed at his lack of control, he said, “Hi, come in.”

The woman entered, then did a slow model's turn as the door was shut, setting her attaché case on the floor, tossing her coat onto a chair. Rice sized up her moves. There was something non-whorish about her act.

Her voice was cool, almost mocking: “In olden times, fox hunting was the private sport of the landed gentry. Today, all natural-born aristocrats, busy men with taste and no time to waste, can enjoy that pleasure with Silver Foxes—the ultimate sensual therapy service for today's take-charge man.”

Rice said, “Holy shit,” and stepped backward, his heels bumping the attaché case and knocking it over. On impulse, he bent down and opened it up. Inside were three metal credit card imprinters, a stack of charge slips and a copy of
Wealth and Poverty
by George Gilder. The woman laughed as he snapped the case shut, then said, “I'm Rhonda. Most clients either love the intro or get embarrassed by it. You were incredulous. It was cute.”

Rice flushed. The last time he'd been called “cute” was the sixth grade, when he nicknamed Hawaiian Gardens “Hawaiian Garbage.” Carol Douglas shouted, “You're so cute, Duaney,” and chased his ass the rest of the semester. “Cute, huh? Come to any conclusions?”

Rhonda took off her glasses and hooked them into her cleavage by a temple piece. “They're plate glass. I only wore them to look brainy. Yes, I've come to one conclusion—you don't want sex.”

Rice sat down on the couch and motioned for Rhonda to join him. When she sat down an arm's length away, he said, “You're a smart lady. Is that a bogus Rolex?”

Rhonda flushed. “Yes. How did you know that?”

“I used to hang out in a Hollywood crowd. Everyone had fake Rolexes, and they used to talk about how their Rolex was real, but everyone else's was phony.”

“Are you calling me a phony?”

“No, just seeing if you can level.”

“Can you level? You don't look like any Hollywood type I've ever seen. What were
you
into?”

Rice laughed. “I was selling stolen cars. Want me to get to it?”

“If you want to. It's your money.”

Rice said, “I'm looking for a woman. My girlfriend. A friend of a friend saw her up on the Strip near all the outcall joints. I was in jail for six months, and she was having a tough time, and I—”

Rhonda put a hand on his arm. “And you thought if she needed money badly, she'd turn tricks?”

Pulling his arm away, Rice said, “Yeah. She visited me in jail, and I could tell she was strung out on coke.” He thought of Vandy and Gordon Meyers—“It's real pharmaceutical blow, baby”—“Duane wouldn't want me to.” The words and a backup flash of Vandy's prep clothes hanging loose on her gaunt frame forced his words out in a tumble: “And I know she'd only do it if she was desperate, and not really like it, and she's a singer, and a lot of girls at Silver Foxes are aspiring singers, and maybe she thought she could help herself while I—”

Something strange and soft in Rhonda's eyes stopped him. He moved to the bed and dug under the mattress until his hands were full of money, then walked back and dumped the stash of twenties in her lap. “That's for starters,” he said. “Find her and there's lots more.”

Rhonda counted the money and folded it into a tight roll. “Six hundred. What's her name? Have you got a picture?”

Rice took the snapshot from his wallet and handed it to her. “Anne Vanderlinden. She also goes by ‘Vandy.'”

Rhonda looked at the photo and said, “Foxy. Does she—”

Rice screamed, “Don't say that!” Catching himself, he lowered his voice. “She's not a fucking animal, she's my woman.” Catching Rhonda's strange look again, he said, “Don't stare at me like that.”

Rhonda said, “Sorry,” then patted the couch. Rice sat down beside her. She put a tentative hand on his knee and asked, “What's your name?”

Rice brushed the hand away. “Duane Rice. Are you in?”

“Yes. Put some things together for me about you and Anne. Who she is, what she likes to do, that kind of thing. Was she in the Hollywood crowd with you?”

Rice stared at the wall and straightened out the story in his head, then said, “First off, I know she isn't working outcall on the Strip; I've already checked those places out. Second, she doesn't really have any friends in L.A. except me. The last time I saw her was in jail close to three weeks ago. She cleaned out the pad we had together. She—”

Rhonda squeezed his arm. “Tell me about the Hollywood crowd.”

“I was getting to it. Vandy's a singer. Used to be lead singer with a Vegas lounge group, Vandy and the Vandals. I was sort of her manager. I did some favors for an agent named Jeffrey Jason Rifkin, and he fixed us up with that Hollywood crowd. It took me a while, but I finally figured out that those people were all parasites who couldn't do Vandy a bit of good. But I was unloading cars on them and making a lot of money. I had plenty banked toward making Vandy's rock videos—”

“What?”

“Rock videos. That was my plan: get a stake together to produce rock videos featuring Vandy. It was moving, but then I got busted.”

Rhonda said softly, “Look, Duane, I've been with Silver Foxes for over a year, and I've never seen Vandy or heard of her. But lots of outcall girls branch out into other scenes, particularly around here, where there's all this movie and music industry money. Especially girls like Vandy, budding singers looking to get ahead, looking to meet people who can help their careers. Do you follow me?”

Rice imitated Rhonda's soft voice. “I follow that you're bracing me for something. Spit it out; I didn't give you that money for bullshit.”

Rhonda tucked the cash roll into her cleavage; Rice saw it as her first whorish move. She said coldly, “Some girls quit outcall because they get heavy into coke or they get offers to live with men in the Industry. Most of these men expect their girls to sexually service their friends, men who can do them favors. The girls get room and board and coke, and if they're
very
lucky, bit parts in movies and rock videos. There's an Industry name for them: Coke Whores.”

Coke Whores.

Rice forced the name on himself: tasting it, testing it. He looked at Rhonda and thought about hitting her with “stockbroker groupie” and “moneyfucker,” but couldn't do it. The big question jumped into his mind and stuck like glue: Did it happen with Meyers?

Rhonda was staring at him, giving out big sad doe eyes like Carol Douglas back in Hawaiian Garbage. Rice kneaded his tattooed biceps and said, “What do I get for that six hundred?”

“Three hundred,” Rhonda said. “Silver Foxes gets three. I didn't want to tell you that, Duane.”

“Anyone afraid of the truth is a chickenshit. You're into these ‘scenes,' right?”

“On the edges of them, but I'm nobody's kept woman.”

“I know. You're just working your way through college.”

“Don't be ugly, I want to help you. Was this an A, B, C or D crowd you and Vandy hung out in?”

“What?”

Rhonda's voice revealed exasperation. “In the movie and music biz there are four crowds: A, B, C and D. The A's are the heavy, heavy hitters, B's below them, and so forth. D's are the nerds who are lucky to get work. I was just wondering if Vandy could have hooked up with someone she met in your crowd.”

Rice shook his head. “No way. I kept her away from the men, and she doesn't trust women. What crowd are you in?”

Rhonda lowered her eyes at the jibe, then said, “Any crowd with money. If Vandy's in L.A. and into any Industry scenes, I'll find her. Can I call you here?”

Rice looked around his new home, wondering if his talk with the stockbroker/whore had skunked the place past crashing in. “No,” he said. “I might split.” He took a pad and pencil off the phone stand and wrote down Louie Calderon's bootleg number. “You can call me here and leave a message twenty-four hours a day. You locate Vandy, and you'll see lots of money.”

Rhonda took the slip of paper, stood up and collected her attaché case and fur coat. Rice watched her walk toward the door. When her hand was on the knob, she turned around and said, “I'll be in touch.”

Rice said, “Find her for me.”

Rhonda traced a dollar sign in the air and closed the door behind her.

At dusk, Rice felt the skunk stench close in on the new pad. He knew it didn't come from Rhonda, or Psycho Bobby Garcia, or Hawley or anybody else. It came from being wrapped too tight in his own skull for too long, with no one to talk to except people he wanted to use. It was what it was like all the time before he met Vandy and started to make things happen.

He made the black '76 Trans Am happen.

First he fishtailed out of the Holiday Inn parking lot; then he cruised the Boulevard, idling the engine at stoplights, staying in second gear until he hit Western Avenue. On Western northbound he speed-shifted into third, sized up traffic and vowed not to touch the brake until he hit the Griffith Park Observatory.

So he tapped the horn as he clutched, weaved and shifted, and then Hollywood was behind him and the park road opened up. Then the whole world became a narrow strip of asphalt, headlight glow and a broken white line.

Seventy, eighty, eighty-five. At ninety, on the long upgrade approaching the Observatory, the Trans Am started to shimmy. Rice pulled to the side of the road and decelerated, catching a view of the L.A. Basin lit with neon. He thought immediately of Vandy and gauged distances, then turned around and drove toward the tiny pinpoints of light that he knew marked their old stomping grounds.

Their old condo was already up for sale, with a sign on the front lawn offering reasonable terms and fresh molding beside the door he'd kicked off. Splitsville, Cold City,
Nada.

He drove to the 7-11 on Olympic and Bundy, where he used to send Vandy for frozen pizzas and his custom car magazines. A new night man behind the counter scoped him out like he was a shoplifter. The skunk odor came back, so he grabbed a West L.A. local paper and a candy bar and tossed the chump a dollar bill.

In the parking lot, he ate half the candy bar and looked at the front page. Vandalism at schools in the Pico-Robertson area; church bake-offs in Rancho Park; little theater on West-wood Boulevard. Then he turned the page, and everything went haywire.

The article was entitled, “Sheriffs Vet Heading Security at California Federal Branch,” and beside it was a close-up photo of Gordon Meyers. Rice's hands started to shake. He placed the newspaper on the hood of the Trans Am and read: “California Federal Bank's District Personnel Supervisor Dennis J. Lafferty today announced that Gordon M. Meyers, forty-four, recently retired from the Los Angeles County Sheriffs Department, has taken over as head of security for the Pico-Westholme branch, replacing Thomas O. Burke, who died of a heart attack two weeks ago. Meyers, who served most of his duty time as a jailer in the Main County Jail's facility for emotionally disturbed prisoners, said: ‘I'm going to make the most of this job. After a week on the job, Cal Federal already feels like home. It's great to be working with sane, noncriminal people.'”

Rice read the article three more times, then took his hands from the car's hood. They were still trembling, and he could see the blood vessels in his arms pulsate. A scream built up in his throat, then the “Death Before Dishonor” carved on his left biceps jumped out and calmed him. With his tremors now at a low idle, he drove to Pico and Westholme.