Supermen: Tales of the Posthuman Future (34 page)

*

I would have remained aloof and apart from all of this had I been able to, but it turned out that my defenses weren't impregnable. In 3029, a Thanaticist of exceptional determination named Hadria Nuccoli decided that if I wouldn't come to her, she would come to
me
. Somehow, she succeeded in getting past all my carefully sealed doors, to arrive in my bedroom at three o'clock one winter morning.

I woke up in confusion, but the confusion was quickly transformed into sheer terror. This was an enemy more frightening than the scalding Coral Sea, because this was an
active
enemy who meant to do me harm— and the intensity of the threat which she posed was in no way lessened by the fact that she claimed to be doing it out of love rather than hatred.

The woman's skin bore an almost mercuric luster, and she was in the grip of a terrible fever, but she would not be still. She seemed, in fact, to have an irresistible desire to move and to communicate, and the derangement of her body and brain had not impaired her crazed eloquence.

"Come with me!" she begged, as I tried to evade her eager clutch. "Come with me to the far side of death and I'll show you what's there. There's no need to be afraid! Death isn't the end, it's the beginning. It's the metamorphosis that frees us from our caterpillar flesh to be spirits in a massless world of light and color. I am your redeemer, for whom you have waited far too long. Love me, dear Mortimer Gray, only
love
me, and you will learn. Let me be your mirror; drown yourself in me!"

For ten minutes, I succeeded in keeping away from her, stumbling this way
and that, thinking that I might be safe if only I didn't touch her. I managed to send out a call for help, but I knew it would take an hour or more for anyone to come.

I tried all the while to talk her down, but it was impossible.

"There's no return from eternity," she told me. "This is no ordinary virus created by accident to fight a hopeless cause against the defenses of the body. Nanotechnology is as impotent to deal with this transformer of the flesh as the immune system was to deal with its own destroyers. The true task of medical engineers, did they but know it, was never to fight disease, but always to
perfect
it, and we have found the way. I bring you the greatest of all gifts, my darling: the elixir of life, which will make us angels instead of men, creatures of light and ecstasy!"

It was no use running; I tired before she did, and she caught me. I tried to knock her down, and if I had had a weapon to hand, I would certainly have used it in self-defense, but she couldn't feel pain, and no matter how badly disabled her internal technology was, I wasn't able to injure her with my blows.

In the end, I had no sensible alternative but to let her take me in her arms and cling to me; nothing else would soothe her.

I was afraid for her as well as myself; I didn't believe that she truly intended to die, and I wanted to keep us safe until help arrived.

My panic didn't decrease while I held her; if anything, I felt it all the more intensely. I became outwardly calmer once I had let her touch me, and made every effort to remind myself that it didn't really matter whether she infected me or not, given that medical help would soon arrive. I didn't expect to have to go through the kind of hell that I actually endured before the doctors got the bug under control; for once, panic was wiser than common sense.

Even so, I wept for her when they told me that she'd died, and wished with all my heart that she hadn't.

*

Unlike my previous brushes with death, I don't think my encounter with Hadria Nuccoli was an important learning experience. It was just a disturbance of the now-settled pattern of my life— something to be survived, put away, and forgotten. I haven't forgotten it, but I did put it away in the back of my mind. I didn't let it affect me.

In some of my writings, I'd lauded the idea of martyrdom as an important invention in the imaginative war against death, and I'd been mightily intrigued by the lives and deaths of the saints recorded in the
Golden Legend
. Now that I'd been appointed a saint myself by some very strange people, though, I began to worry about the exemplary functions of such legends. The last thing I'd expected when I set out to write a
History of Death
was that my explanatory study might actually
assist
the dread empire of death to regain a little of the ground that it had lost in the world of human affairs. I began to wonder whether I ought to abandon my project, but I decided otherwise. The Thanatics and their successors were, after all willfully misunderstanding and perverting my message; I owed it to them and to everyone else to make myself clearer.

As it happened, the number of deaths recorded in association with Thanaticism and recreational disease began to decline after 3030. In a world context, the numbers were never more than tiny, but they were still worrying, and hundreds of thousands of people had, like me, to be rescued by doctors from the consequences of their own or other people's folly.

As far back as 2982, I had appeared on TV— via a satellite link— with a faber named Khan Mirafzal, who had argued that Thanaticism was evidence of the fact that Earthbound man was becoming decadent, and that the future of man lay outside the Earth, in the microworlds and the distant colonies. Mirafzal had claimed that men genetically reshaped for life in low gravity— like the four-handed fabers— or for the colonization of alien worlds, would find Thanaticism unthinkable. At the time, I'd been content to assume that his arguments were spurious. People who lived in space were always going on about the decadence of the Earthbound, much as the Gaean Liberationists did. Fifty years later, I wasn't so sure. I actually called Mirafzal so that we could discuss the matter again, in private. The conversation took a long time because of the signal delay, but that seemed to make its thrust all the more compelling.

I decided to leave Earth, at least for a while, to investigate the farther horizons of the human enterprise.

In 3033, I flew to the Moon, and took up residence in Mare Moscoviense— which is, of course, on the side which faces away from the Earth.

12

The sixth volume of Mortimer Gray's
History of Death
, entitled
Fields of Battle
, was published on 24 July 3044. Its subject-matter was war, but Gray was not greatly interested in the actual fighting of the wars of the nineteenth and succeeding centuries. His main concern was with the
mythology
of warfare as it developed in the period under consideration, and, in particular, with the way that the development of the mass media of communication transformed the business and the perceived meanings of warfare. He began his study with the Crimean War, because it was the first war to be extensively covered by newspaper reporters, and the first whose conduct was drastically affected thereby.

Before the Crimea, Gray argued, wars had been "private" events, entirely the affairs of the men who started them and the men who fought them. They might have a devastating effect on the local population of the areas where they were fought, but were largely irrelevant to distant civilian populations. The British
Times
had changed all that, by making the Crimean War the business of all its readers, exposing the government and military leaders to public scrutiny and to public scorn. Reports from the front had scandalized the nation by creating an awareness of how ridiculously inefficient the organization of the army was, and what a toll of human life was exacted upon the troops in consequence— not merely deaths in battle, but deaths from injury and disease caused by the appalling lack of care given to wounded soldiers. That reportage had not only had practical consequences, but
imaginative
consequences— it rewrote the entire mythology of heroism in an in
tricate webwork of new legends, ranging from the Charge of the Light Brigade to the secular canonization of Florence Nightingale.

Throughout the next two centuries, Gray argued, war and publicity were entwined in a Gordian knot. Control of the news media became vital to propagandist control of popular
morale
, and governments engaged in war had to become architects of the mythology of war as well as planners of military strategy. Heroism and jingoism became the currency of consent; where governments failed to secure the public image of the wars they fought, they fell. Gray tracked the way in which attitudes to death in war and to the endangerment of civilian populations by war were dramatically transformed by the three World Wars and by the way those wars were subsequently mythologized in memory and fiction. He commented extensively on the way the First World War was "sold," to those who must fight it, as a war to
end
war— and on the consequent sense of betrayal that followed when it failed to live up to this billing. And yet, he argued, if the three global wars were seen as a whole, its example really
had
brought into being the attitude of mind which ultimately forbade wars.

As those who had become used to his methods now expected, Gray dissented from the view of other modern historians who saw the World Wars as an unmitigated disaster and a horrible example of the barbarity of ancient man. He agreed that the nationalism that had replaced the great religions as the main creator and definer of a sense of community was a poor and petty thing, and that the massive conflicts that it engendered were tragic— but it was, he asserted, a necessary stage in historical development. The empires of faith were, when all was said and done, utterly incompetent to their self-defined task, and were always bound to fail and to disintegrate. The groundwork for a
genuine
human community, in which all mankind could properly and meaningfully join, had to be relaid, and it had to be relaid in the common experience of all nations, as part of a universal heritage.

The
real
enemy of mankind was, as Gray had always insisted and now continued to insist, death itself. Only by facing up to death in a new way, by gradually transforming the role of death as part of the means to human ends, could a true human community be made. Wars, whatever their immediate purpose in settling economic squabbles and pandering to the megalomaniac psychoses of national leaders, also served a large-scale function in the shifting pattern of history: to provide a vast carnival of destruction which must either weary men of the lust to kill, or bring about their extinction.

Some reviewers condemned
Fields of Battle
on the grounds of its evident irrelevance to a world that had banished war, but others welcomed the fact that the volume returned Gray's thesis to the safe track of true history, in dealing exclusively with that which was safely dead and buried.

13

I found life on the Moon very different from anything I'd experienced in my travels around the Earth's surface. It wasn't so much the change in gravity, although that certainly took a lot of getting used to, nor the severe regime of daily exercise in the centrifuge which I had to adopt in order to make sure
that I might one day return to the world of my birth without extravagant medical provision. Nor was it the fact that the environment was so comprehensively artificial, or that it was impossible to venture outside without special equipment; in those respects it was much like Antarctica. The most significant difference was in the people.

Mare Moscoviense had few tourists— tourists mostly stayed Earthside, making only brief trips farside— but most of its inhabitants were nevertheless just passing through. It was one of the main jumping-off points for emigrants, largely because it was an important industrial center, the home of one of the largest factories for the manufacture of shuttles and other local-space vehicles. It was one of the chief trading posts supplying materials to the microworlds in Earth orbit and beyond, and many of its visitors came in from the farther reaches of the solar system.

The majority of the city's long-term residents were unmodified, like me, or lightly modified by reversible cyborgization, but a great many of those visiting were fabers, genetically engineered for low-gee environments. The most obvious external feature of their modification was that they had an extra pair of "arms" instead of "legs," and this meant that most of the public places in Moscoviense were designed to accommodate their kind as well as "walkers"; all the corridors were railed and all the ceilings ringed.

The sight of fabers swinging around the place like gibbons, getting everywhere at five or six times the pace of walkers, was one that I found strangely fascinating, and one to which I never quite became accustomed. Fabers couldn't live, save with the utmost difficulty, in the gravity well that was Earth; they almost never descended to the planet's surface. By the same token, it was very difficult for men from Earth to work in zero-gee environments without extensive modification, surgical if not genetic. For this reason, the only "ordinary" men who went into the true faber environments weren't ordinary by any customary standard. The Moon, with its one-sixth Earth gravity, was the only place in the inner solar system where fabers and unmodified men frequently met and mingled— there was nowhere else nearer than Ganymede.

I had always known about fabers, of course, but, like so much other "common" knowledge, the information had lain unattended in some unheeded pigeonhole of memory until direct acquaintance ignited it and gave it life. It seemed to me that fabers lived their lives at a very rapid tempo, despite the fact that they were just as emortal as members of their parent species.

For one thing, faber parents normally had their children while they were still alive, and very often had several at intervals of only twenty or thirty years! An aggregate family usually had three or even four children growing up in parallel. In the infinite reaches of space, there was no population control, and no restrictive "right of replacement." A microworld's population could grow as fast as the microworld could put on extra mass. Then again, the fabers were always
doing
things. Even though they had four arms, they always seemed to have trouble finding a spare hand. They seemed to have no difficulty at all in doing two different things at the same time, often using only one limb for attachment— on the Moon this generally meant hanging
from the ceiling like a bat— while one hand mediated between the separate tasks being carried out by the remaining two.