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Authors: Tim Pratt; Kelly Link

Tags: #Horror tales, #General, #American, #Fantasy, #Fiction, #Horror, #Horror fiction, #Short Stories, #Devil

Sympathy for the Devil (33 page)

BOOK: Sympathy for the Devil
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I will not tax the reader with an account of my struggles with Kohler's dictionary and the thorny bramble of von Junzt's overheated German prose. Suffice to say that it took me the better part of the evening to make my way through the introduction. It was well past midnight by the time I arrived at the first chapter, and nearing two o'clock before I had amassed the information that I will now pass along to the reader, with no endorsement beyond the testimony of those pages, nor any hope of its being believed.

It was a blustery night; I sat in the study on the top floor of my old house's round tower, listening to the windows rattle in their casements, as if a gang of intruders were seeking a way in. In this high room, in 1885, it was said, Howard Ash, the last living descendant of our town's founder, General Hannaniah Ash, had sealed the blank note of his life and dispatched himself, with postage due, to his Creator. A fugitive draft blew from time to time across my desk and stirred the pages of the dictionary by my left hand. I felt, as I read, as if the whole world were asleep--benighted, ignorant, and dreaming--while I had been left to man the crow's nest, standing lonely vigil in the teeth of a storm that was blowing in from a tropic of dread.

According to the scholar or charlatan Friedrich von Junzt, the regions around what is now northern Armenia had spawned, along with an entire cosmology, two competing cults of incalculable antiquity, which survived to the present day: that of Ye-Heh, the God of Dark Laughter, and that of Ai, the God of Unbearable and Ubiquitous Sorrow. The Ye-Hehists viewed the universe as a cosmic hoax, perpetrated by the father-god Yrrh for unknowable purposes: a place of calamity and cruel irony so overwhelming that the only possible response was a malevolent laughter like that, presumably, of Yrrh himself. The laughing followers of baboon-headed Ye-Heh created a sacred burlesque, mentioned by Pausanias and by one of the travellers in Plutarch's dialogue "On the Passing of the Oracles," to express their mockery of life, death, and all human aspirations. The rite involved the flaying of a human head, severed from the shoulders of one who had died in battle or in the course of some other supposedly exalted endeavor. The clown-priest would don the bloodless mask and then dance, making a public travesty of the noble dead. Through generations of inbreeding, the worshippers of Ye-Heh had evolved into a virtual subspecies of humanity, characterized by distended grins and skin as white as chalk. Von Junzt even claimed that the tradition of painted circus clowns derived from the clumsy imitation, by noninitiates, of these ancient kooks.

The "immemorial foes" of the baboon boys, as the reader may have surmised, were the followers of Ai, the God Who Mourns. These gloomy fanatics saw the world as no less horrifying and cruel than did their archenemies, but their response to the whole mess was a more or less permanent wailing. Over the long millennia since the heyday of ancient Urartu, the Aiites had developed a complicated physical discipline, a sort of jujitsu or calisthenics of murder, which they chiefly employed in a ruthless hunt of followers of Ye-Heh. For they believed that Yrrh, the Absent One, the Silent Devisor who, an eternity ago, tossed the cosmos over his shoulder like a sheet of fish wrap and wandered away leaving not a clue as to his intentions, would not return to explain the meaning of his inexplicable and tragic creation until the progeny of Ye-Heh, along with all copies of the Ye-Hehist sacred book, "Khndzut Dzul," or "The Unfathomable Ruse," had been expunged from the face of the earth. Only then would Yrrh return from his primeval hiatus--"bringing what new horror or redemption," as the German intoned, "none can say."

All this struck me as a gamier variety of the same loony, Zoroastrian plonk that my mother had spent her life decanting, and I might have been inclined to set the whole business aside and leave the case to be swept under the administrative rug by Jack Ganz had it not been for the words with which Herr von Junzt concluded the second chapter of his tedious work:

While the Ye-Hehis gospel of cynicism and ridicule has, quite obviously, spread around the world, the cult itself has largely died out, in part through the predation of foes and in part through chronic health problems brought about by inbreeding. Today [von Junzt's book carried a date of 1849] it is reported that there may be fewer than 150 of the Ye-Hehists left in the world. They have survived, for the most part, by taking on work in travelling circuses. While their existence is known to ordinary members of the circus world, their secret has, by and large, been kept. And in the sideshows they have gone to ground, awaiting the tread outside the wagon, the shadow on the tent-flap, the cruel knife that will, in a mockery of their own long-abandoned ritual of mockery, deprive them of the lily-white flesh of their skulls.

Here I put down the book, my hands trembling from fatigue, and took up the other one, printed in an unknown tongue. "The Unfathomable Ruse"? I hardly thought so; I was inclined to give as little credit as I reasonably could to Herr von Junzt's account. More than likely the small black volume was some inspirational text in the mother tongue of the dead man, a translation of the Gospels perhaps. And yet I must confess there were a few tangential points in von Junzt's account that caused me some misgiving.

There was a scrape then just outside my window, as if a finger with a very long nail were being drawn almost lovingly along the glass. But the finger turned out to be one of the branches of a fine old horse-chestnut tree that stood outside the tower, scratching at the window in the wind. I was relieved and humiliated. Time to go to bed, I said to myself. Before I turned in, I went to the shelf and moved to one side the bust of Galen that I had inherited from my father, a country doctor. I took a quick snort of good Tennessee whiskey, a taste for which I had also inherited from my old man. Thus emboldened, I went over to the desk and picked up the books. To be frank, I would have preferred to leave them there--I would have preferred to burn them, to be really frank--but I felt that it was my duty to keep them about me while they were under my watch. So I slept with the books beneath my pillow, in their wax envelopes, and I had the worst dream of my life.

It was one of those dreams where you are a fly on the wall, a phantom bystander, disembodied and unable to speak or intervene. In it, I was treated to the spectacle of a man whose young son was going to die. The man lived in a corner of the world where, from time to time, evil seemed to bubble up from the rusty red earth like a black combustible compound of ancient things long dead. And yet, year after year, this man met each new outburst of horror, true to his code, with nothing but law books, statutes, and county ordinances, as if sheltering with only a sheet of newspaper those he had sworn to protect, insisting that the steaming black geyser pouring down on them was nothing but a light spring rain. That vision started me laughing, but the cream of the jest came when, seized by a spasm of forgiveness toward his late, mad mother, the man decided not to prosecute one of her old paramours, a rummy by the name of Craven, for driving under the influence. Shortly thereafter, Craven steered his old Hudson Terraplane the wrong way down a one-way street, where it encountered, with appropriate cartoon sound effects, an oncoming bicycle ridden by the man's heedless, darling, wildly pedalling son. That was the funniest thing of all, funnier than the amusing ironies of the man's profession, than his furtive drinking and his wordless, solitary suppers, funnier even than his having been widowed by suicide: the joke of a father's outliving his boy. It was so funny that, watching this ridiculous man in my dream, I could not catch my breath for laughing. I laughed so hard that my eyes popped from their sockets, and my smile stretched until it broke my aching jaw. I laughed until the husk of my head burst like a pod and fell away, and my skull and brains went floating off into the sky, white dandelion fluff, a cloud of fairy parasols.

Around four o'clock in the morning, I woke and was conscious of someone in the room with me. There was an unmistakable tang of sea in the air. My eyesight is poor and it took me a while to make him out in the darkness, though he was standing just beside my bed, with his long thin arm snaked under my pillow, creeping around. I lay perfectly still, aware of the tips of this slender shadow's fingernails and the scrape of his scaly knuckles, as he riled the contents of my head and absconded with them through the bedroom window, which was somehow also the mouth of the Neighborsburg Caverns, with tiny of Colonel Earnshaw taking tickets in the booth.

I awakened now in truth, and reached immediately under the pillow. The books were still there. I returned them to the evidence room at eight o'clock this morning. At nine, there was a call from Dolores and Victor Abbott, at their motor lodge out on the Plunkettsburg Pike. A guest had made an abrupt departure, leaving a mess. I got into a car with Ganz and we drove out to get a look. The Ashtown police were already there, going over the buildings and grounds of the Vista Dolores Lodge. The wastebasket of Room 201 was overflowing with blood-soaked bandages. There was evidence that the guest had been keeping some kind of live bird in the room; one of the neighboring guests reported that it had sounded like a crow. And over the whole room there hung a salt smell that I recognized immediately, a smell that some compared to the smell of the ocean, and others to that of blood. When the pillow, wringing wet, was sent up to Pittsburgh for analysis by Mr. Espy, it was found to have been saturated with human tears.

When I returned from court, late this afternoon, there was a message from Dr. Sauer. He had completed his postmortem and wondered if I would drop by. I took the bottle from behind Daniel Webster and headed on down to the county morgue.

"He was already dead, the poor son of a biscuit eater," Dr. Sauer said, looking less morose than he had the last time we spoke. Sauer was a gaunt old Methodist who avoided strong language but never, so long as I had known him, strong drink. I poured us each a tumbler, and then a second. "It took me a while to establish it because there was something about the fellow that I was missing."

"What was that?"

"Well, I'm reasonably sure that he was a hemophiliac. So my reckoning time of death by coagulation of the blood was all thrown off."

"Hemophilia," I said.

"Yes," Dr. Sauer said. "It is associated with inbreeding, as in the case of royal families in Europe."

Inbreeding
. We stood there for a while, looking at the sad bulk of the dead man under the sheet.

"I also found a tattoo," Dr. Sauer added. "The head of a grinning baboon. On his left forearm. Oh, and one other thing. He suffered from some kind of vitiligo. There are white patches on his nape and throat."

Let the record show that the contents of the victim's makeup kit, when it was inventoried, included cold cream, rouge, red greasepaint, a powder puff, some brushes, cotton swabs, and five cans of foundation in a tint the label described as "Olive Male." There was no trace, however, of the white greasepaint with which clowns daub their grinning faces.

Here I conclude my report, and with it my tenure as district attorney for this blighted and unfortunate county. I have staked my career--my life itself--on the things I could see, on the stories I could credit, and on the eventual vindication, when the book was closed, of the reasonable and skeptical approach. In the face of twenty-five years of bloodshed, mayhem, criminality, and the universal human pastime of ruination, I have clung fiercely to Occam's razor, seeking always to keep my solutions unadorned and free of conjecture, and never to resort to conspiracy or any kind of prosecutorial woolgathering. My mother, whenever she was confronted by calamity or personal sorrow, invoked cosmic emanations, invisible empires, ancient prophecies, and intrigues; it has been the business of my life to reject such folderol and seek the simpler explanation. But we were fools, she and I, arrant blockheads, each of us blind to or heedless of the readiest explanation: that the world is an ungettable joke, and our human need to explain its wonders and horrors, our appalling genius for devising such explanations, is nothing more than the rim shot that accompanies the punch line.

I do not know if that nameless clown was the last, but in any case, with such pursuers, there can be few of his kind left. And if there is any truth in the grim doctrine of those hunters, then the return of our father Yrrh, with his inscrutable intentions, cannot be far off. But I fear that, in spite of their efforts over the last ten thousand years, the followers of Ai are going to be gravely disappointed when, at the end of all we know and everything we have ever lost or imagined, the rafters of the world are shaken by a single, terrible guffaw.

The King of the Djinn

David Ackert
and Benjamin Rosenbaum

Grinding and roaring, the sixteen-wheeler crested a great dune, and Musa rejoiced: there on the horizon, the Mediterranean glittered, blue as Heaven. "God is great!" he shouted as he shifted into second for the downgrade.

Each week, Musa made this trip, carrying a ton of devilish black carbonated soda from the bottling plant of El-Nasr to the decadent tongues of Cairo. And each week, when he reached the open road, his heart threw off its burdens.

In the town, the nights were empty and cold. He'd awaken again and again to the sudden emptiness of his house--his wife Suha dead, his son Jamal away at university. The days were full of packing and loading and tinkering, activity and worry. The men of the bottling plant were always asking Musa for blessings, for amulets, for the resolution of disputes. They'd found out, somehow, that he'd once studied Qur'an and Hadith in the great merkab in Cairo. Sometimes he even had the odd sense that they knew about his meetings with the King of the Jinn. He never knew what to say to them.

On the road, Musa was with God alone. He prayed without words as he drove, using only his breath, opening himself to God as the great bounty of the world came into focus. Every blinding white grain of sand reflected God's glory at Musa; the blue vault of the heavens was filled with God's breath. The roaring engine of the semi and the black ribbon of the highway testified to the great genius God had entrusted in man. Whenever Musa saw a camel or a goat or a date tree in the sand beyond the highway, it was full of life, full to bursting, and the life in it reached out into Musa's heart and whispered to him: we are one.

The King of the Jinn had been right. It was he who had told Musa to abandon the academy, that his soul was starving. Musa had given his inheritance to charity, dropped out of the merkab, and found this simple work. For forty years, he had devoted himself to the secret path of the breath. He slowed down enough for God to find him, and God took Musa in the palm of His hand and held him there. Even at Suha's death, God's love of Musa never wavered; Musa cried like a woman at her graveside, and God held him with strong arms and kept him safe from despair.

Now Musa could see tiny white flecks against the sea's blue. Whitecaps dancing. The road turned parallel to the shore.

As for the King of the Jinn: Musa was not sure, of course, that he really was the King of the Jinn. That was just a guess. He called himself "Gil".

But since 1952, when they had met in a cafe in the student quarter, Musa had become an old man, and Gil had not aged a day. Gil looked like a Persian, but he spoke a fluent and elegantly complex classical Arabic, the way no one had spoken it since the time of the Prophet. And in Gil's eyes, Musa saw the kind of fearlessness men had only when they were young and arrogant, or old and dying. Yet Gil possessed it all the time.

Given his instrumental role in turning Musa to the true knowledge of God, it was possible that Gil was an angel. But Gil did not act like an intimate of God's. Whenever he showed up, every few years, Gil would ask for Musa to talk of his discoveries, hanging hungrily on every word. It was the hunger of an unmarried youth asking about sex, or a poor man asking about luxury. There was something that kept Gil from embracing God's presence, from accepting God's love as Musa did. For this, Musa pitied him. Even so, Gil also had a majesty about him, an admirable depth and power. To call him just a Jinn seemed meager. Surely he was the King of the Jinn.

When Musa's thoughts turned to Gil like this, it was often a sign that he would be visiting soon. Musa's heart beat happily at the thought. If he had a friend in this world, with Suha gone, it was Gil.

The motor coughed a particularly agonized cough, and Musa looked quickly at the temperature gauge. It was in the red. Musa had no clock; he used the motor's periodic overheating to time his daily prayers. He pulled the truck off the road into a patch of sand packed down by the tracks of many tires.

Musa sloshed the remaining water in his canteen skeptically. He had drunk too much that morning; there was not enough for drinking and purification both. He clambered out of the cab and, in the shadow of the truck, did the ablutions with sand. Then he performed the prayers. How it lifted his heart, to be one with the millions of the faithful, all yearning towards the city where God had spoken to his best and final prophet. Thus had God completed the work of filling the world with his bounty: air to breathe, water to drink, food to eat, people to love, and finally the gentle and firm rules and the great poetry and wisdom of the Word of God.

His prayers done, his motor still smoking, Musa sat cross-legged in the shadow of the truck, on the sand, and allowed his soul to rise.

His soul ascended and saw the sand and the date palms, the ribbon of highway and the truck, the sea and cliffs beyond. It swept higher and he saw the fertile valley of the Nile and the teeming cities and the ships and cars and airplanes.

His soul descended into Cairo and flew through the streets, yearning for his only son Jamal. It was a Tuesday, when his son had no classes at the University. He would probably be watching soccer and drinking coffee at his favorite cafe.

Musa's soul entered the cafe. But there was no laughter, no shouting and no urging on of players running after a ball. The men sat in silence. The room was choked in anger.

On the television, Zionists were committing their atrocities in the camps of Palestine. Tanks fired at young men. Bulldozers tore houses open. Old women, old men, and children ran bleeding through the devastated and smoking streets.

Musa's soul found Jamal sitting in the corner, his fist clenched around his coffee glass. Jamal was full of fury. Why?, Jamal's heart cried. How can we bear our weakness, how can we bear to see the innocents suffer!

My son, Musa's soul called to him, do not be taken by hopelessness. There are always evildoers in the world, as long as men are weak. Take heart, God is great--

But Jamal's heart did not listen. It went on suffering and raging in its own misery and shame. I sit here in Cairo, it said, studying engineering, while America buys bullets to kill the children of Palestine. While my father delivers America's soda pop! To earn the money with which I buy this coffee. We are all slaves!

Musa's soul was struck as if his son had kicked him. It flew out of the cafe and out of Cairo, and back into his body where it sat by the road.

Musa prayed that his son would not be swept away by hatred and bitterness. As he prayed, his heart galloped like a horse, and he was aware of the thousands of bottles of Pepsi sitting in their crates in his truck, and he prayed that his son would not despise him.

At the sound of a car stopping, Musa opened his eyes. There, in the glare of the desert sun beyond the shadow of the truck, was the King of the Jinn getting out of a Jeep.

Musa got quickly to his feet. He bowed deeply in greeting.

The King of the Jinn walked into the shadow of the truck and bowed back. He was wearing a European-style suit and carrying a briefcase. Beneath his calm smile Musa could feel a great, empty yearning.

"It is good to see you," Musa said as they shook hands. He resisted the urge to embrace the King of the Jinn.

"And you."

Musa's heart was still thundering from his encounter with his son, and he was dizzy and sweating from the heat. He looked at the smile of the creature in the suit, and all of a sudden he found himself asking the question that was always on his tongue, but which he had told himself he would never ask. And so stupidly--he had not inquired as to the health of the other, had not offered him water or coffee or apologized for his inability to provide proper hospitality, had not told or heard any stories, had exchanged neither compliments nor proverbs. His stupid tongue simply jumped up and asked rudely: "are you a Jinn?" Then he clapped his hands to his mouth in horror.

Gil grinned. As if he approved of the question, was proud of Musa for asking it. He squinted and pursed his lips as if deciding how to answer.

"I don't know what I am," he said finally. "But that is the best proposal I have heard so far."

Musa stood transfixed with embarrassment. He coughed and tried to think of what to say to return the conversation to its proper course.

"And since I am, for lack of a better word, a Jinn," said Gil, "I should offer you wishes."

"Oh no!" said Musa. "I could not accept!"

"Musa," said Gil, "our encounters have been valuable to me over the years. You deserve at least one wish. Would you like it for yourself, or for your son?"

"For my son!" gulped Musa. Old fool!, he shouted at himself silently. You did not even refuse three times! And yet he was so worried about Jamal.

"Very well," said Gil, smiling and handing Musa the briefcase. "Here is what your son wants most in the world."

A chill went through Musa's hands. He set the briefcase down in the sand and looked at the latches. They were shiny and brass.

"Well?" said Gil.

Musa reached out with shaking hands to open the latches.

Most of the contents of the briefcase were covered with a cloth of fine dark silk. But on top of the silk was a blue plastic booklet with a picture of an eagle, and western letters on it. An American passport. Musa opened it. There was his son's picture. He looked up at Gil, confused. Was this what Jamal wanted? To go to America? Musa did not know what to think. There would be dangers, temptations--but at the same time Jamal would learn much, and perhaps--

Gil's eyes were sad--though Musa thought, again, that the sadness was on the surface, like a mask; that beneath it was emptiness--and he gestured back to the briefcase.

Musa looked down again. He moved aside the black cloth.

The rest of the briefcase was filled with thick yellow cylinders of something that looked like clay, connected with electrical tape and wires.

"No!" shouted Musa. "No!"

With that passport, Jamal could go through the border at Taba, into Israel. He could go to the busiest cafe, the most crowded corner in Tel Aviv, and murder himself and a hundred Zionists--Zionists in baby carriages, Zionists in bridal gowns, Zionists with canes and false teeth--and join the Palestinian martyrs in their struggle.

But surely Jamal would never get through! He would be searched at the border. They would find the bomb, they would punish him! But the stillness in Gil's eyes told Musa that the King of the Jinn had granted far greater wishes, and that Jamal would not fail.

Musa prostrated himself at Gil's feet, burying his face in his hands. "No!" he cried. "Please! Please, sir--Gil--whatever you are--do not do this!"

"Musa, you have become complacent," Gil said. "You have a special gift, a special connection to God. But it is too easy for you. You drive your truck and have visions and take it for granted that it is enough. But God requires more. Sometimes God requires sacrifice."

Musa struggled to his feet, looked wildly around. "This isn't what God wants! Don't tell me God wants my only child martyred! To murder innocents along with the guilty, as the oppressors themselves do! Is that how the Prophet fought?"

"Musa," said Gil, and in his voice was an ancient, ancient cold, with ten thousand years of emptiness behind it, "there is nothing you can do about that. Here is what you can do."

Musa waited, watching Gil's bottomless, glittering eyes.

"Write an amulet," Gil said. "For the protection and redemption of your son's soul. If you think he is going into sin--write an amulet to protect him."

Musa wanted to protest more, to plead. But he found himself going to the cab of his truck and getting in, and taking his parchment and pens and ink out of the dashboard compartment. His tears mixed with the ink as he wrote the declaration of faith and he prayed, fervently, fervently. He no longer felt God's grace in every grain of sand. He felt as though God's grace was hidden at the end of a very long tunnel.

Gil came and took the amulet from him. "Thank you, Musa," he said, and walked to his Jeep and got in.

Musa started his motor. He would rush to Cairo, too, and talk to Jamal. He would persuade him of the wrongness of his actions. He released the clutch and eased onto the road as the Jeep pulled out ahead of him.

But Jamal would not listen. Musa could hear his arguments now. How else to strike at the powerful oppressor, he would say, but the only way we can? Could Musa say for certain he was wrong? But not my son!, Musa's heart shouted. God, God, not my only son! Jamal would look at him with contempt. Driver of sodas.

The road began a long, steep downgrade. Musa took his foot off the gas, lightly tapped the brake as he followed. The Jeep sped on ahead.

Jamal would not listen. He would be gone, and Musa's life would be empty. If Jamal could only get through this period of youth and fiery blood, if he could only learn patience and humility, learn to trust God and endure injustice... but he would not have time. The briefcase in the Jeep ahead would see to that.

Help me, God, help me, Musa prayed, with all his heart.

Was it God? Or was it His Adversary? Or simply desperation? Something took Musa's foot off the brake and slammed it down onto the gas and held it there.

The truck groaned and shuddered as it surged down the downgrade. It gained on the Jeep.

The distance closed.

Gil looked back over his shoulder, and in that instant Musa realized he loved the King of the Jinn as a dog loves his master, and he slammed on the brake. But the inertia of a ton of Pepsi would not entertain such indecision. The wheels of the cab locked and skidded, the trailer behind slammed it forward, and the nose of the semi smashed into the Jeep, flipping it into the air. Musa was thrown into the wheel; his jaw snapped and blood fountained across the windshield. He felt the truck fishtail off the road, and then roll; he heard the sound of ten thousand shattering Pepsi bottles fill the desert.

Then it stopped.

Then came the sound of ten thousand bottles slowly reassembling themselves.

BOOK: Sympathy for the Devil
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