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Mackail, J. W., ed.,
The Aeneid of Virgil
(Oxford, 1930).
Maguinness, W. S., ed.,
Virgil
:
Aeneid Book XII
(London, 1953; repr. London, 1992).
Mynors, R. A. B., ed.,
P. Vergili Maronis Opera
(Oxford Classical Text: Oxford, 1969).
Norden, E., ed.,
P. Vergilius Maro: Aeneid Buch VI
(Leipzig, 1916; 4th ed.: Darmstadt, 1957).
Page, T. E., ed.,
The Aeneid of Virgil,
2 vols. (London, 1894, 1900).
Pease, A. S., ed.,
P. Vergili Maronis Aeneidos Liber Quartus
(Cambridge, 1935).
Rolfe, J. C., ed. and trans.,
Suetonius,
2 vols. (Cambridge, 1913,1914). See vol. 2, 464-83, for “The Life of Vergil” contained in
The Lives of Illustrious Men
.
Servius,
Commentarii,
eds. G. Thilo and H. Hagen, 3 vols. (Leipzig, 1878-87; repr. Hildesheim, 1961).
Williams, R. D., ed.,
P. Vergil Maronis Aeneidos Liber Quintus
(Oxford, 1960).
———, ed.,
P. Vergili Maronis Aeneidos Liber Tertius
(Oxford, 1962).
———, ed.,
The Aeneid of Virgil,
2 vols. (London, 1972, 1973).
 
 
II. Critical Works
Anderson, W. S.,
The Art of the Aeneid
(Englewood Cliffs, 1969; repr. Wauconda, 1989).
———and L. N. Quartarone, eds.,
Approaches to Teaching Vergil’s Aeneid
(Publications of the Modern Language Association of America: New York, 2002).
Barchiesi, A.,
La Traccia del Modello: Effetti Omerici nella Narrazione Virgiliana
(Pisa, 1984).
Bernard, J., ed.,
Vergil at 2000: Commemorative Essays on the Poet and His Influence
(New York, l986).
Benjamin, W.,
Illuminations,
trans. W. Zohn; ed. and intro. H. Arendt (New York, 1969). See “The Task of the Translator,” 69-82.
Beye, C. R.,
The Iliad, the Odyssey, and the Epic Tradition
(New York, 1966); rev. and repr. as
Ancient Epic Poetry: Homer, Apollonius, Virgil
(Ithaca, 1993); expanded 2nd ed., with a chapter on the Gilgamesh poems (Wauconda, 2006).
Bloom, H., ed.,
Virgil: Modern Critical Views
(New York, 1986).
———, ed.,
Modern Critical Interpretations: Virgil’s Aeneid
(New York, 1987).
Bowra, C. M.,
From Virgil to Milton
(London, 1945).
Boyle, A. J.,
The Chaonian Dove: Studies in the Eclogues, Georgics, and Aeneid of Virgil
(Leiden, 1986).
Broch, H.,
Der Tod des Vergil
(New York, 1945); trans. by J. S. Untermeyer as
The Death of Virgil
(New York, 1945).
Cairns, F.,
Virgil’s Augustan Epic
(Cambridge, 1989).
Camps, W.,
Introduction to Virgil’s Aeneid
(Oxford, 1969).
Clausen, W. V.,
Virgil’s Aeneid and the Tradition of Hellenistic Poetry
(Berkeley, 1987.)
Commager, S., ed.,
Virgil: A Collection of Critical Essays
(Englewood Cliffs, 1966). See B. M. W. Knox “The Serpent and the Flame: The Imagery of the Second Book of the
Aeneid,
” 124-42 (from
American Journal of Philology
71 [1950], 379-400); R. A. Brooks “
Discolor Aura
: Reflections on the Golden Bough,” 143-63 (from
American Journal of Philology
74 [1953], 160-80); W. V. Clausen “An Interpretation of the
Aeneid,
” 75-88 (from
Harvard Studies in Classical Philology
68 [1964], 139-47).
Conte, G. B.,
The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets
(
Cornell Studies in Classical Philology
#44: Ithaca, 1986).
Di Cesare, M.,
The Altar and the City: A Reading of Vergil’s Aeneid
(New York, 1974).
Duckworth, G.,
Structural Patterns and Proportions in Vergil’s Aeneid
(Ann Arbor, 1962).
Eliot, T. S.,
What Is a Classic
? (London, 1945), repr. in
On Poetry and Poets
(London, 1957).
Farron, S.,
Vergil’s Aeneid: A Poem of Grief and Love
(Leiden, 1993).
Feeney, D.,
The Gods in Epic: Poets and Critics of the Classical Tradition
(Oxford, 1991).
Ford, A.,
Homer: The Poetry of the Past
(Ithaca, 1992).
Frank, T.,
Vergil: A Biography
(New York, 1922).
Galinsky, G. K.,
Aeneas, Sicily and Rome
(Princeton, 1969).
Gillis, D.,
Eros and Death in the Aeneid
(Rome, 1983).
Gransden, K. W.,
Virgil’s Iliad: An Essay on Epic Narrative
(London, 1984).
———,
Virgil: The Aeneid
(New York, 1990).
———,
Virgil in English
(
Penguin Poets in Translation
: London, 1996).
Greene, T.,
The Descent from Heaven: A Study in Epic Continuity
(New Haven, 1963).
Griffin, J.,
Virgil
(Oxford, 1986).
Hardie, P.,
Virgil’s Aeneid: Cosmos and Imperium
(Oxford, 1986).
———,
The Epic Successors of Virgil: A Study in the Dynamics of a Tradition
(Cambridge, 1993).
———,
Virgil
(
New Surveys in the Classics
#28: Oxford, 1998).
———, ed.,
Virgil: Critical Assessments of Classical Authors,
4 vols., (London, 1999).
Harrison, S. J., ed.,
Oxford Readings in Vergil’s Aeneid
(Oxford, 1990).
Heinze, R.,
Vergils epische Technik
(Leipzig, 1915); trans. as
Virgil’s Epic Technique,
by H. Harvey, D. Harvey, and F. Robertson (Berkeley, 1993).
Highet, G.,
The Speeches in Vergil’s Aeneid
( Princeton, 1972).
Hollander, R.,
Il Virgilio dantesco: tragedia nella “Commedia”
(Firenze, 1983).
Horsfall, N.,
A Companion to the Study of Virgil
(Leiden, 1995).
Hunt, J.,
Forms of Glory: Structure and Sense in Virgil’s Aeneid
(Carbondale, 1973).
Jenkyns, R.,
Classical Epic: Homer and Virgil
(London, 1992).
———,
Virgil’s Experience: Nature and History: Times, Names, Places
(Oxford, 1998).
Johnson, W. R.,
Darkness Visible: A Study of Vergil’s Aeneid
(Berkeley, 1976).
Klingner, F.,
Virgil: Bucolica, Georgica, Aeneis
(Zurich, 1967).
Knauer, G. N.,
Die Aeneis und Homer: Studien zur poetischen Technik Vergils mit der Homerzitate in der Aeneis
(
Hypomnemata #7
: Göttingen, 1964; repr. 1979).
Knight, W. F. J. Jackson,
Roman Vergil
(Harmondsworth, 1966).
Levi, P.,
Virgil: His Life and Times
(London, 1998).
Lewis, C. S.,
A Preface to Paradise Lost
(London, 1952).
Luce, T. J., ed.,
Ancient Writers: Greece and Rome
(2 vols., New York, 1982). See J. A. Hanson “Vergil” (vol. 2, 669-701).
Lyne, R. O. A. M.,
Further Voices in Vergil’s Aeneid
(Oxford, 1987).
———,
Words and the Poet: Characteristic Techniques of Style in Vergil’s Aeneid
(Oxford, 1989).
Mack, S.,
Patterns of Time in Vergil
(Hamden, 1978).
Martindale, C., ed.,
Virgil and His Influence
(London, 1984).
———, ed.,
The Cambridge Companion to Virgil
(Cambridge, 1997).
McAuslan, I., and P. Walcot, eds.,
Virgil
(
Greece and Rome Studies
#1: Oxford, 1990).
Moskalew, W.,
Formular Language and Poetic Design in the Aeneid
(
Mnemosyne Supplement
#73: Leiden, 1982).
Most, G., and S. Spence, eds.,
Re-Presenting Virgil
(
Materiali e discussioni per l’analisi dei testi classici
#52: Pisa, 2004).
O’Hara, J. J.,
Death and the Optimistic Prophecy in Vergil’s Aeneid
(Princeton, 1990).
Otis, B.,
Virgil: A Study in Civilized Poetry
(Oxford, 1964).
Parry, A.,
The Language of Achilles and Other Papers
(Oxford, 1989). See “The Two Voices of Virgil’s
Aeneid,
” 78-96 (from
Arion
2.4 [1963], 66-80).
Perkell, C., ed.,
Reading Vergil’s Aeneid: An Interpretive Guide
(Norman, 1999).
Pöschl, V.,
Die Dichtkunst Vergils: Bild und Symbol in der Aeneis
(Wiesbaden, 1950); trans. as
The Art of Vergil: Image and Symbol in the Aeneid,
by G. Seligson (Ann Arbor, 1962).
Pound, E.,
ABC of Reading
(New York, 1960).
Putnam, M. C. J.,
The Poetry of the Aeneid
(Cambridge, 1965; repr. Ithaca, 1988).
———,
Virgil’s Aeneid: Interpretation and Influence
(Chapel Hill, 1995).
———,
Virgil’s Epic Designs: Ekphrasis in the Aeneid
(New Haven, 1998).
———(with J. Hankins), ed. and trans.,
Maffeo Vegio: Short Epics
(Cambridge, 2004).
———, “Virgil’s
Aeneid,
” in J. M. Foley, ed.,
A Companion to Ancient Epic
(Malden/ Oxford, 2005), 452-75.
———and J. Ziolkowski,
The Virgilian Tradition: The First Fifteen Hundred Years
(New Haven, 2006).
Quinn, K.,
Virgil’s Aeneid: A Critical Description
(London, 1968).
Quinn, S., ed.,
Why Vergil? A Collection of Interpretations
(Wauconda, 2000).
Quint, D.,
Epic and Empire: Politics and Generic Form from Virgil to Milton
(Princeton, 1993).
Rossi, A.,
Contexts of War: Manipulation of Genre in Virgilian Battle Narrative
(Ann Arbor, 2004).
Schulte, R., and J. Biguenet, eds.,
Theories of Translation: An Anthology of Essays from Dryden to Derrida
(Chicago, 1992). See Yves Bonnefoy “Translating Poetry,” 186-92.
Sparrow, J.,
Half-lines and Repetitions in Virgil
(Oxford, 1931; repr. New York, 1977).
Spence, S., ed.,
Poets and Critics Read Vergil
(New Haven, 2001). See M. C. J. Putnam “Vergil’s Aeneid: The Final Lines,” 86-104.
Stahl, H.-P, ed.,
Vergil’s Aeneid: Augustan Epic and Political Context
(London, 1998).
Thibodeau, P., and H. Haskell, eds.,
Being There Together: Essays in Honor of Michael C. J. Putnam
(Afton, 2003). See S. Scully “Eros and Warfare in Virgil’s ‘Aeneid’ and Homer’s ‘Iliad,’ ” 181-97.
Thomas, R.,
Virgil and the Augustan Reception
(Cambridge, 2001).
Van Nortwick, T.,
Somewhere I Have Never Travelled
(Oxford, 1992).
West, D., and T. Woodman, eds.,
Creative Imitation and Latin Literature
(Cambridge, 1979).
Williams, G.,
Technique and Ideas in the Aeneid
(New Haven, 1983).
Williams, R. D.,
The Aeneid
(London, 1987).
Wiltshire, S.,
Public and Private in Vergil’s Aeneid
(Amherst, 1989).
Woodman, T., and J. Powell, eds.,
Author and Audience in Latin Literature
(Cambridge, 1992). See G. P. Goold “The Voice of Virgil: The Pageant of Rome in
Aeneid
6,” 110-23.
Zetzel, J., “
Romane Memento
: Justice and Judgment in
Aeneid
6,”
TAPA
119 (1989), 263-84.
Ziolkowski, T.,
Virgil and the Moderns
(Princeton, 1993).
VARIANTS FROM THE OXFORD CLASSICAL TEXT
 
The Oxford Classical Text of Virgil’s
Opera,
edited by R. A. B. Mynors and published in 1969, has been followed throughout the translation, except for the textual variants cited below:

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