The American (11 page)

“I have brought one,” said M. Nioche. “I took the liberty of drawing it up in case monsieur should happen to desire to discharge his debt.” And he drew a paper from his pocket-book and presented it to his patron. The document was written in a minute, fantastic hand, and couched in the choicest language.

Newman laid down the money, and M. Nioche dropped the napoleons
⁵
one by one, solemnly and lovingly, into an old leathern purse.

“And how is your young lady?” asked Newman. “She made a great impression on me.”

“An impression? Monsieur is very good. Monsieur admires her appearance?”

“She is very pretty, certainly.”

“Alas, yes, she is very pretty!”

“And what is the harm in her being pretty?”

M. Nioche fixed his eyes upon a spot on the carpet and shook his head. Then looking up at Newman with a gaze that seemed to brighten and expand, “Monsieur knows what Paris is. She is dangerous to beauty, when beauty hasn’t the sou.”
⁶

“Ah, but that is not the case with your daughter. She is rich, now.”

“Very true; we are rich for six months. But if my daughter were a plain girl I should sleep better, all the same.”

“You are afraid of the young men?”

“The young and the old!”

“She ought to get a husband.”

“Ah, monsieur, one doesn’t get a husband for nothing. Her husband must take her as she is; I can’t give her a sou. But the young men don’t see with that eye.”
⁷

“Oh,” said Newman, “her talent is in itself a dowry.”

“Ah, sir, it needs first to be converted into specie!”
⁸
and M. Nioche slapped his purse tenderly before he stowed it away. “The operation
⁹
doesn’t take place every day.”

“Well, your young men are very shabby,” said Newman; “that’s all I can say. They ought to pay for your daughter, and not ask money themselves.”

“Those are very noble ideas, monsieur; but what will you have? They are not the ideas of this country. We want to know what we are about when we marry.”

“How big a portion does your daughter want?”

M. Nioche stared, as if he wondered what was coming next; but he promptly recovered himself, at a venture, and replied that he knew a very nice young man, employed by an insurance company, who would content himself with fifteen thousand francs.

“Let your daughter paint half-a-dozen pictures for me, and she shall have her dowry.”

“Half-a-dozen pictures—her dowry! Monsieur is not speaking inconsiderately?”

“If she will make me six or eight copies in the Louvre as pretty as that ‘Madonna,’ I will pay her the same price,” said Newman.

Poor M. Nioche was speechless a moment, with amazement and gratitude, and then he seized Newman’s hand, pressed it between his own ten fingers, and gazed at him with watery eyes. “As pretty as that? They shall be a thousand times prettier—they shall be magnificent, sublime. Ah, if I only knew how to paint myself, sir, so that I might lend a hand! What can I do to thank you?
Voyons!
“
¹⁰
and he pressed his forehead while he tried to think of something.

“Oh, you have thanked me enough,” said Newman.

“Ah, here it is, sir!” cried M. Nioche. “To express my gratitude, I will charge you nothing for the lessons in French conversation.”

“The lessons? I had quite forgotten them. Listening
to your English,” added Newman, laughing, “is almost a lesson in French.”

“Ah, I don’t profess to teach English, certainly,” said M. Nioche. “But for my own admirable tongue I am still at your service.”

“Since you are here, then,” said Newman, “we will begin. This is a very good hour. I am going to have my coffee; come every morning at half-past nine and have yours with me.”

“Monsieur offers me my coffee, also?” cried M. Nioche. “Truly, my
beaux jours
¹¹
are coming back.”

“Come,” said Newman, “let us begin. The coffee is almighty hot. How do you say that in French?”

Every day, then, for the following three weeks, the minutely respectable figure of M. Nioche made its appearance, with a series of little inquiring and apologetic obeisances, among the aromatic fumes of Newman’s morning beverage. I don’t know how much French our friend learned; but, as he himself said, if the attempt did him no good, it could at any rate do him no harm. And it amused him; it gratified that irregularly sociable side of his nature which had always expressed itself in a relish for ungrammatical conversation, and which often, even in his busy and preoccupied days, had made him sit on rail fences in young Western towns, in the twilight, in gossip hardly less than fraternal with humorous loafers and obscure fortune-seekers. He had notions, wherever he went, about talking with the natives; he had been assured, and his judgment approved the advice, that in travelling abroad it was an excellent thing to look into the life of the country. M. Nioche was very much of a native, and, though his life might not be particularly worth looking into, he was a palpable and smoothly-rounded unit in that picturesque Parisian civilisation which offered our hero so much easy entertainment and propounded so many curious problems to his inquiring and practical mind. Newman was fond of
statistics; he liked to know how things were done; it gratified him to learn what taxes were paid, what profits were gathered, what commercial habits prevailed, how the battle of life was fought. M. Nioche, as a reduced capitalist, was familiar with these considerations, and he formulated his information, which he was proud to be able to impart, in the neatest possible terms and with a pinch of snuff between finger and thumb. As a Frenchman—quite apart from Newman’s napoleons—M. Nioche loved conversation, and even in his decay his urbanity had not grown rusty. As a Frenchman, too, he could give a clear account of things, and—still as a Frenchman—when his knowledge was at fault he could supply its lapses with the most convenient and ingenious hypotheses. The little shrunken financier was intensely delighted to have questions asked him, and he scraped together information, by frugal processes, and took notes, in his little greasy pocket-book, of incidents which might interest his munificent friend. He read old almanacs at the book-stalls on the quays, and he began to frequent another
café
, where more newspapers were taken and his post-prandial
demitasse
¹²
cost him a penny extra, and where he used to con
¹³
the tattered sheets for curious anecdotes, freaks of nature, and strange coincidences. He would relate with solemnity the next morning that a child of five years of age had lately died at Bordeaux, whose brain had been found to weigh sixty ounces—the brain of a Napoleon or a Washington! or that Madame P—–,
charcutière
¹⁴
in the Rue de Clichy,
¹⁵
had found in the wadding of an old petticoat the sum of three hundred and sixty francs, which she had lost five years before. He pronounced his words with great distinctness and sonority, and Newman assured him that his way of dealing with the French tongue was very superior to the bewildering chatter that he heard in other mouths. Upon this M. Nioche’s accent became more finely trenchant than ever; he offered to read extracts
from Lamartine,
¹⁶
and he protested that, although he did endeavour according to his feeble lights to cultivate refinement of diction, monsieur, if he wanted the real thing, should go to the Théâtre Français.
¹⁷

Newman took an interest in French thriftiness and conceived a lively admiration for Parisian economies. His own economic genius was so entirely for operations on a larger scale, and, to move at his ease, he needed so imperatively the sense of great risks and great prizes, that he found an ungrudging entertainment in the spectacle of fortunes made by the aggregation of copper coins, and in the minute subdivision of labour and profit. He questioned M. Nioche about his own manner of life, and felt a friendly mixture of compassion and respect over the recital of his delicate frugalities. The worthy man told him how, at one period, he and his daughter had supported existence, comfortably, upon the sum of fifteen sous
per diem
; recently, having succeeded in hauling ashore the last floating fragments of the wreck of his fortune, his budget had been a trifle more ample. But they still had to count their sous very narrowly, and M. Nioche intimated with a sigh that Mademoiselle Noémie did not bring to this task that zealous co-operation which might have been desired.

“But what will you have?” he asked, philosophically. “One is young, one is pretty, one needs new dresses and fresh gloves; one can’t wear shabby gowns among the splendours of the Louvre.”

“But your daughter earns enough to pay for her own clothes,” said Newman.

M. Nioche looked at him with weak, uncertain eyes. He would have liked to be able to say that his daughter’s talents were appreciated, and that her crooked little daubs commanded a market; but it seemed a scandal to abuse the credulity of this free-handed stranger, who, without a suspicion or a question, had admitted him to equal social rights. He compromised, and declared that while it was obvious that Mademoiselle Noémie’s
reproductions of the old masters had only to be seen to be coveted, the prices which, in consideration of their altogether peculiar degree of finish she felt obliged to ask for them, had kept purchasers at a respectful distance. “Poor little one!” said M. Nioche, with a sigh; “it is almost a pity that her work is so perfect! It would be in her interest to paint less well.”

“But if Mademoiselle Noémie has this devotion to her art,” Newman once observed, “why should you have those fears for her that you spoke of the other day?”

M. Nioche meditated; there was an inconsistency in his position; it made him chronically uncomfortable. Though he had no desire to destroy the goose with the golden eggs—Newman’s benevolent confidence—he felt a tremulous impulse to speak out all his trouble. “Ah, she is an artist, my dear sir, most assuredly,” he declared. “But to tell you the truth, she is also a
franche coquette.
¹⁸
I am sorry to say,” he added in a moment, shaking his head with a world of harmless bitterness, “that she comes honestly by it. Her mother was one before her!”

“You were not happy with your wife?” Newman asked.

M. Nioche gave half-a-dozen little backward jerks of his head. “She was my purgatory, monsieur!”

“She deceived you?”

“Under my nose, year after year. I was too stupid, and the temptation was too great. But I found her out at last. I have only been once in my life a man to be afraid of; I know it very well: it was in that hour! Nevertheless I don’t like to think of it. I loved her—I can’t tell you how much. She was a bad woman.”

“She is not living?”

“She has gone to her account.”

“Her influence on your daughter, then,” said Newman encouragingly, “is not to be feared.”

“She cared no more for her daughter than for the sole of her shoe! But Noémie has no need of influence. She is sufficient to herself. She is stronger than I.”

“She doesn’t obey you, eh?”

“She can’t obey, monsieur, since I don’t command. What would be the use? It would only irritate her and drive her to some
coup de těte.
¹⁹
She is very clever, like her mother; she would waste no time about it. As a child—when I was happy, or supposed I was—she studied drawing and painting with first-class professors, and they assured me she had a talent. I was delighted to believe it, and when I went into society I used to carry her pictures with me in a portfolio and hand them round to the company. I remember, once, a lady thought I was offering them for sale, and I took it very ill. We don’t know what we may come to! Then came my dark days, and my explosion with Madame Nioche. Noémie had no more twenty-franc lessons; but in the course of time, when she grew older, and it became highly expedient that she should do something that would help to keep us alive, she bethought herself of her palette and brushes. Some of our friends in the
quartier
²⁰
pronounced the idea fantastic: they recommended her to try bonnet-making, to get a situation in a shop, or—if she was more ambitious—to advertise for a place of
dame de compagnie.
²¹
She did advertise, and an old lady wrote her a letter and bade her come and see her. The old lady liked her, and offered her her living and six hundred francs a year; but Noémie discovered that she passed her life in her armchair and had only two visitors, her confessor and her nephew: the confessor very strict, and the nephew a man of fifty, with a broken nose and a government clerkship of two thousand francs. She threw her old lady over, bought a paint-box, a canvas, and a new dress, and went and set up her easel in the Louvre. There, in one place and another, she has passed the last two years; I can’t say it has made us millionaires. But Noémie tells me that Rome was not built in a day, that she is making great progress, that I must leave her to her own devices. The fact is, without prejudice to her genius, that she has no idea of burying herself alive. She likes to see the world,
and to be seen. She says, herself, that she can’t work in the dark. With her appearance it is very natural. Only, I can’t help worrying and trembling and wondering what may happen to her there all alone, day after day, amid all that coming and going of strangers. I can’t be always at her side. I go with her in the morning, and I come to fetch her away, but she won’t have me near her in the interval; she says I make her nervous. As if it didn’t make me nervous to wander about all day without her! Ah, if anything were to happen to her!” cried M. Nioche, clenching his two fists and jerking back his head again, portentously.

“Oh, I guess nothing will happen,” said Newman.

“I believe I should shoot her!” said the old man solemnly.

“Oh, we’ll marry her,” said Newman, “since that’s how you manage it; and I will go and see her to-morrow at the Louvre and pick out the pictures she is to copy for me.”