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Authors: Sarah Alexander

The Art of Not Breathing

BOOK: The Art of Not Breathing
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Contents
Title Page
Contents
Copyright
Dedication
Epigraph
Part One
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Part Two
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
Part Three
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
Part Four
1
2
3
4
5
6
7
Part Five
1
2
3
4
5
6
7
8
9
Acknowledgments
About the Author

This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

 

Copyright © 2016 by Sarah Alexander

 

All rights reserved. For information about permission to reproduce selections from this book, write to
[email protected]
or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

 

www.hmhco.com

 

Cover photographs: © Charles Soler/Getty Images (cliffdiver); © photodisc/Getty Images (underwater scene)

Cover design by Connie Gabbert

 

Library of Congress Cataloging-in-Publication Data is available.

ISBN 978-0-544-63388-9

 

eISBN 978-0-544-63458-9
v1.0416

For PJER
For whatever we lose (like a you or a me)
it’s always ourselves we find in the sea.
—e. e. cummings
ELSIE:
Why did the lobster blush?
EDDIE:
I don’t know.
ELSIE:
Because the sea
weed
!
D,
I need to talk to you about what happened that day.
I’ll be at the Point tomorrow at six. Please come.

1

THE THING I HATE MOST ABOUT MY FATHER IS THAT HE HATES ME.

And he has good reason to.

It’s something we don’t talk about.

He has pale blue, cold eyes that are one minute full of hate, the next full of so much sadness that I pity him. And I can’t stand to feel sorry for him. When I look at him, I get this sensation in my throat that feels as though maggots are crawling about in there. The only way to get rid of the itching is to hold my breath and swallow until I almost pass out. The best thing to do is not look at his face or eyes—or, better still, not look at him at all.

Fortunately, he’s hardly ever home. He’s either out running so that the village women can drool over his “chiseled jaw,” or he’s at the bank where he works in Inverness or traveling about Scotland selling loans. You’d think he loves his job, the amount of time he spends doing it, but he grumbles that his clients only care about cars or TVs and not about the terrible wars and disasters that happen around the world. “Never mind the rain on the Black Isle,” he says. “What about remote villages that flood every year?” Or, “Thousands of people die
every day
from mosquito bites in some countries.” He says this one a lot when it’s midge season here and I’m complaining about them. (The midges love my blood.)

My mum tells him, “Do let us know when you’ve found a cure for malaria, Colin. In the meantime your son needs study books for his exams and your daughter has grown out of another school uniform.” I wish she didn’t use my weight as a way of getting his attention. Why can’t she say the gas bill needs paying or the damp in my room wants sorting?

In the drawer by his bed is an atlas covered in ink, the blue dots places he’s been to, the red ones places he’s desperate to go. There’s a massive red dot on Australia—he pressed the pen so hard, there’s ink on the next page, right in the middle of the Pacific Ocean. He nearly made it to Australia once, when he was twenty and had a job as a singer on a cruise ship. When we kids were small, he told us bedtime stories about his travels, his voice smooth and soft like melted chocolate. His favorite story was the one about the port in Jakarta. The weather was thundery and the cruise ship had just left the port, next stop Australia, when he received the call to say that Dillon, my older brother, had been born. He used to say, “I was so surprised, I nearly fell overboard, but then I jumped off anyway and swam ashore.”

Mum says this isn’t true, that he wanted to stay on the ship. I often wonder what life would be like if he had stayed on that ship. Or if he’d actually fallen overboard.

I’ve picked up a few snippets about my parents’ life pre me being born, mostly from Granny before she died, and before she fell out with Mum. My parents moved into our house on McKellen Drive, the cheapest house in Fortrose, and probably on the whole of the Black Isle, when Dillon was a few months old. It was cheap because the walls were crumbling and it backed onto a cemetery. My father wanted to work on the ship for a few more months so they could afford to move to Inverness, but Mum wouldn’t let him go away again. She didn’t think he’d come back.

Instead, he tried to make money by singing in pubs around Inverness. The house never got fixed, and the bills never got paid.

When yet another bill marked
FINAL WARNING
arrived in the post and Mum was hormonal and pregnant again, she marched my father to the nearest bank and made him fill in an application form to be a bank clerk. (This is how
he
describes it.) When he’d finally made enough money, we packed up, ready to move to the city. We kids had a box each with our names on, full of our clothes and toys. But then everything changed.

My brother disappeared.

“How can I leave all these people,” Mum said, staring out my bedroom window at the headstones in the cemetery on the day we were supposed to move, “when my son is one of them?”

It wasn’t strictly true—there’s a headstone with his name on it, but my brother isn’t buried anywhere.

We didn’t unpack his box. Mum taped it up good and proper so nothing could fall out. I think about his belongings in the loft sometimes: a gray furry dolphin called Gordon that my father bought for him after he’d had a tantrum at the Dolphin and Seal Centre; a wooden xylophone; a
Toy Story 3
Etch A Sketch with his name on it in wonky black lines—he would cry if it got scrubbed off; handfuls of pine needles that he’d collected, the dead ones because they were softer than the spiky green ones. They’ve probably turned into compost now. I try not to think of his clothes, all folded up, damp and creased. It just reminds me that he’s not in them. Instead, I imagine my own clothes all folded up. One day, I suppose, someone else will have to try not to think about that.

2

ON SUNDAY MORNING, DILLON IS HOGGING THE BATHROOM.
The tap’s running, but I can still hear the disgusting noises. He’s always been a bathroom hogger, but he spends even more time in there now he’s got a girlfriend.

I pound on the door and give it a kick for good measure.

“Just a minute!” he yells.

He sounds as though he’s holding candy inside his cheek, his voice strained and muffled.

“Hurry up, Dillon. I need to pee!” I shout through the door.

Mum leans on the banister at the end of the landing, glancing down the stairs, watching out for my father coming home from yet another “work trip.”

She asks me if I’ve done my homework and I lie and say I did it all yesterday. If I don’t do my homework, she often tells me, I won’t pass my exams and I’ll end up being a receptionist like her.

“Think of your exams, Elsie. Dillon will get all As for his Advanced Highers,” she says.

Dillon’s got two years on me and he’s a complete brainbox, so it’s not really fair to compare us. I’m already a school year behind because of my Laryngitis Year, and I’m only taking half the exams I’m meant to be taking—the school thought I “needed more time.” Dillon’s a year behind too because he also lost his voice, but he’s making up for it by taking extra exams. He likes to be the best at everything, whereas I take pride in being the worst.

Dillon eventually emerges from the bathroom with bloodshot eyes.

“What were you doing in there?” I hiss.

He ignores me and disappears into his bedroom.

There’s something that looks like a piece of spaghetti in the toilet. Mum calls to Dillon, but he doesn’t answer. I flush the toilet to drown out his silence, then turn to the mirror.

Unfortunately, my father didn’t pass his good looks on to me. I got my mother’s dark, wild curly hair and green eyes, which I don’t mind too much, but I didn’t get her petite figure, dainty nose, or perfect skin. My face is blotchy and my double chin grows by the day. I tried losing weight once, but the more my mum commented on what I was eating, the more I wanted to eat. I’m hungry just thinking about it.

Ruby Red is the color of my lipstick—stolen from Superdrug along with a packet of condoms that I might put in Dillon’s pocket as a joke, and some hair spray. The lipstick feels silky smooth on my lips as I apply it, and it glues the chapped bits of skin back down. I don’t blot with a tissue like Mum does. I like it when the red comes off on my cigarettes.

When I come out of the bathroom, Mum is sitting halfway down the stairs with her chin in her hands. I prod her shoulder, and she slowly turns around as though she has no idea who might be behind her.

“Your father is on his way. As soon as he’s back, we’re all going to the supermarket.”

She doesn’t move, so I climb over her to get downstairs.

No matter how carefully and quietly I try to open the fridge, it always makes a loud suction sound.

“Elsie!”

“I’m just getting a drink,” I call back, reaching for a Coke. I take a few slices of ham and throw them into my mouth before anyone comes in, careful not to wipe my lipstick off. Mum says I eat her out of house and home, but this isn’t true, because my father pays for the food, and Dillon eats like a baby sparrow, so I’m entitled to his share. Anyway, I do most of the cooking, so it’s fair payment.

“A watched door never opens,” I say as I climb back over her.

But then we hear the keys jangling. Neither of us goes to open the door, so my father is surprised to find us staring at him from the stairs. He looks as though he’s been up for days.

BOOK: The Art of Not Breathing
3.26Mb size Format: txt, pdf, ePub
ads

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