Read The Arthur Machen Megapack: 25 Classic Works Online

Authors: Arthur Machen

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The Arthur Machen Megapack: 25 Classic Works (79 page)

BOOK: The Arthur Machen Megapack: 25 Classic Works
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“Excuse me, Miss Leicester,” he said with cold politeness, “I cannot assist you.”

“Ah!” she said sadly, “I have offended you in some way. Tell me what I have done, and I will ask you to forgive me.”

“You are mistaken,” said Dyson, grabbing his hat, but speaking with some difficulty; “you have done nothing. But, as I say, I cannot help you. Perhaps,” he added, with some tinge of sarcasm, “my friend Russell might be of service.”

“Thank you,” she replied; “I will try him,” and the lady went off into a shriek of laughter, which filled up Mr. Dyson’s cup of scandal and confusion.

He left the house shortly afterwards, and had the peculiar delight of a five-mile walk, through streets which slowly changed from black to gray, and from gray to shining passages of glory for the sun to brighten. Here and there he met or overtook strayed revellers, but he reflected that no one could have spent the night in a more futile fashion than himself; and when he reached his home he had made resolves for reformation. He decided that he would abjure all Milesian and Arabian methods of entertainment, and subscribe to Mudie’s for a regular supply of mild and innocuous romance.

STRANGE OCCURRENCE IN CLERKENWELL.

Mr. Dyson had inhabited for some years a couple of rooms in a moderately quiet street in Bloomsbury, where, as he somewhat pompously expressed it, he held his finger on the pulse of life without being deafened with the thousand rumors of the main arteries of London. It was to him a source of peculiar, if esoteric gratification, that from the adjacent corner of Tottenham Court Road a hundred lines of omnibuses went to the four quarters of the town; he would dilate on the facilities for visiting Dalston, and dwell on the admirable line that knew extremest Ealing and the streets beyond Whitechapel. His rooms, which had been originally “furnished apartments,” he had gradually purged of their more peccant parts; and though one would not find here the glowing splendors of his old chambers in the street off the Strand, there was something of severe grace about the appointments which did credit to his taste. The rugs were old, and of the true faded beauty; the etchings, nearly all of them proofs printed by the artist, made a good show with broad white margins and black frames, and there was no spurious black oak. Indeed, there was but little furniture of any kind: a plain and honest table, square and sturdy, stood in one corner; a seventeenth century settle fronted the hearth; and two wooden elbow-chairs, and a bookshelf of the Empire made up the equipment, with an exception worthy of note. For Dyson cared for none of these things. His place was at his own bureau, a quaint old piece of lacquered-work at which he would sit for hour after hour, with his back to the room, engaged in the desperate pursuit of literature, or, as he termed his profession, the chase of the phrase. The neat array of pigeon-holes and drawers teemed and overflowed with manuscript and note-books, the experiments and efforts of many years; and the inner well, a vast and cavernous receptacle, was stuffed with accumulated ideas. Dyson was a craftsman who gloved all the detail and the technique of his work intensely; and if, as has been hinted, he deluded himself a little with the name of artist, yet his amusements were eminently harmless, and, so far as can be ascertained, he (or the publishers) had chosen the good part of not tiring the world with printed matter.

Here, then, Dyson would shut himself up with his fancies, experimenting with words, and striving, as his friend the recluse of Bayswater strove, with the almost invincible problem of style, but always with a fine confidence, extremely different from the chronic depression of the realist. He had been almost continuously at work on some scheme that struck him as well-nigh magical in its possibilities since the night of his adventure with the ingenious tenant of the first floor in Abingdon Grove; and as he laid down the pen with a glow of triumph, he reflected that he had not viewed, the streets for five days in succession. With all the enthusiasm of his accomplished labor still working in his brain, he put away his papers, and went out, pacing the pavement at first in that rare mood of exultation which finds in every stone upon the way the possibilities of a masterpiece. It was growing late, and the autumn evening was drawing to a close amidst veils of haze and mist, and in the stilled air the voices, and the roaring traffic, and incessant feet seemed, to Dyson like the noise upon the stage when all the house is silent. In the square, the leaves rippled down as quick as summer rain, and the street beyond was beginning to flare with the lights in the butcher’s shops and the vivid illumination of the green-grocer. It was a Saturday night, and the swarming populations of the slums were turning out in force; the battered women in rusty black had begun to paw the lumps of cagmag, and others gloated over unwholesome cabbages, and there was a brisk demand for four-ale. Dyson passed through these night-fires with some relief; he loved to meditate, but his thoughts were not as De Quincey’s after his dose; he cared not two straws whether onions were dear or cheap, and would not have exulted if meat had fallen to twopence a pound. Absorbed in the wilderness of the tale he had been writing, weighing nicely the points of plot and construction, relishing the recollection of this and that happy phrase, and dreading failure here and there, he left the rush and the whistle of the gas-flares behind him, and began to touch upon pavements more deserted.

He had turned, without taking note, to the northward, and was passing through an ancient fallen street, where now notices of floors and offices to let hung out, but still about it there was the grace and the stiffness of the Age of Wigs; a broad roadway, a broad pavement, and on each side a grave line of houses with long and narrow windows flush with the walls, all of mellowed brick-work. Dyson walked with quick steps, as he resolved that short work must be made of a certain episode; but he was in that happy humor of invention, and another chapter rose in the inner chamber of his brain, and he dwelt on the circumstances he was to write down with curious pleasure. It was charming to have the quiet streets to walk in, and in his thought he made a whole district the cabinet of his studies, and vowed he would come again. Heedless of his course, he struck off to the east again, and soon found himself involved in a squalid network of gray two-storied houses, and then in the waste void and elements of brick-work, the passages and unmade roads behind great factory walls, encumbered with the refuse of the neighborhood, forlorn, ill-lighted, and desperate. A brief turn, and there rose before him the unexpected, a hill suddenly lifted from the level ground, its steep ascent marked by the lighted lamps, and eager as an explorer Dyson found his way to the place, wondering where his crooked paths had brought him. Here all was again decorous, but hideous in the extreme. The builder, someone lost in the deep gloom of the early ’twenties, had conceived the idea of twin villas in gray brick, shaped in a manner to recall the outlines of the Parthenon, each with its classic form broadly marked with raised bands of stucco. The name of the street was all strange, and for a further surprise, the top of the hill was crowned with an irregular plot of grass and fading trees, called a square, and here again the Parthenon-motive had persisted. Beyond the streets were curious, wild in their irregularities, here a row of sordid, dingy dwellings, dirty and disreputable in appearance, and there, without warning, stood a house genteel and prim with wire blinds and brazen knocker, as clean and trim as if it had been the doctor’s house in some benighted little country town. These surprises and discoveries began to exhaust Dyson, and he hailed with delight the blazing windows of a public-house, and went in with the intention of testing the beverage provided for the dwellers in this region, as remote as Libya and Pamphylia and the parts about Mesopotamia. The babble of voices from within warned him that he was about to assist at the true parliament of the London workman, and he looked about him for that more retired entrance called private. When he had settled himself on an exiguous bench, and had ordered some beer, he began to listen to the jangling talk in the public bar beyond; it was a senseless argument, alternately furious and maudlin, with appeals to Bill and Tom, and mediæval survivals of speech, words that Chaucer wrote belched out with zeal and relish, and the din of pots jerked down and coppers rapped smartly on the zinc counter made a thorough bass for it all. Dyson was calmly smoking his pipe between the sips of beer, when an indefinite looking figure slid rather than walked into the compartment. The man started violently when he saw Dyson placidly sitting in the corner, and glanced keenly about him. He seemed to be on wires, controlled by some electric machine, for he almost bolted out of the door when the barman asked with what he could serve him, and his hand shivered as he took the glass. Dyson inspected him with a little curiosity; he was muffled up almost to the lips, and a soft felt hat was drawn down over his eyes; he looked as if he shrank from every glance, and a more raucous voice suddenly uplifted in the public bar seemed to find in him a sympathy that made him shake and quiver like a jelly. It was pitiable to see any one so thrilled with nervousness, and Dyson was about to address some trivial remark of casual inquiry to the man, when another person came into the compartment, and, laying a hand on his arm, muttered something in an undertone, and vanished as he came. But Dyson had recognized him as the smooth-tongued and smooth-shaven Burton, who had displayed so sumptuous a gift in lying; and yet he thought little of it, for his whole faculty of observation was absorbed in the lamentable and yet grotesque spectacle before him. At the first touch of the hand on his arm, the unfortunate man had wheeled round as if spun on a pivot, and shrank back with a low, piteous cry, as if some dumb beast were caught in the toils. The blood fled away from the wretch’s face, and the skin became gray as if a shadow of death had passed in the air and fallen on it, and Dyson caught a choking whisper—

“Mr. Davies! For God’s sake, have pity on me, Mr. Davies. On my oath, I say—” and his voice sank to silence as he heard the message, and strove in vain to bite his lip; and summon up to his aid some tinge of manhood. He stood there a moment, wavering as the leaves of an aspen, and then he was gone out into the street, as Dyson thought silently, with his doom upon his head. He had not been gone a minute when it suddenly flashed into Dyson’s mind that he knew the man; it was undoubtedly the young man with spectacles for whom so many ingenious persons were searching; the spectacles indeed were missing, but the pale face, the dark whiskers, and the timid glances were enough to identify him, Dyson saw at once that by a succession of hazards he had unawares hit upon the scent of some desperate conspiracy, wavering as the track of a loathsome snake in and out of the highways and byways of the London cosmos; the truth was instantly pictured before him, and he divined that all unconscious and unheeding he had been privileged to see the shadows of hidden forms, chasing and hurrying, and grasping and vanishing across the bright curtain of common life, soundless and silent, or only babbling fables and pretences. For him in an instant the jargoning of voices, the garish splendor, and all the vulgar tumult of the public-house became part of magic; for here before his eyes a scene in this grim mystery play had been enacted, and he had seen human flesh grow gray with a palsy of fear; the very hell of cowardice and terror had gaped wide within an arm’s breadth. In the midst of these reflections, the barman came up and stared at him as if to hint that he had exhausted his right to take his ease, and Dyson bought another lease of the seat by an order for more beer. As he pondered the brief glimpse of tragedy, he recollected that with his first start of haunted fear the young man with whiskers had drawn his hand swiftly from his great coat pocket, and that he had heard something fall to the ground; and pretending to have dropped his pipe, Dyson began to grope in the corner, searching with his fingers. He touched some thing, and drew it gently to him, and with one brief glance, as he put it quietly in his pocket, he saw it was a little old-fashioned note book, bound in faded green morocco.

He drank down his beer at a gulp, and left the place, overjoyed at his fortunate discovery, and busy with conjecture as to the possible importance of the find. By turns he dreaded to find perhaps mere blank leaves, or the labored follies of a betting-book, but the faded morocco cover seemed to promise better things, and hint at mysteries. He piloted himself with no little difficulty out of the sour and squalid quarter he had entered with a light heart, and emerging at Gray’s Inn Road, struck off down Guilford Street, and hastened home, only anxious for a lighted candle and solitude.

Dyson sat down at his bureau, and placed the little book before him; it was an effort to open the leaves and dare disappointment. But in desperation at last he laid his finger between the pages at haphazard, and rejoiced to see a compact range of writing with a margin, and as it chanced, three words caught his glance, and stood out apart from the mass. Dyson read:

THE GOLD TIBERIUS,

and his face flushed with fortune and the lust of the hunter.

He turned at once to the first leaf of the pocket-book, and proceeded to read with rapt interest the

HISTORY OF THE YOUNG MAN WITH SPECTACLES

From the filthy and obscure lodging, situated, I verily believe, in one of the foulest slums of Clerkenwell, I indite this history of a life which, daily threatened, cannot last for very much longer. Every day, nay, every hour, I know too well my enemies are drawing their nets closer about me; even now, I am condemned to be a close prisoner in my squalid room, and I know that when I go out I shall go to my destruction. This history, if it chance to fall into good hands, may, perhaps, be of service in warning young men of the dangers and pitfalls that most surely must accompany any deviation from the ways of rectitude.

BOOK: The Arthur Machen Megapack: 25 Classic Works
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