Read The Belief Instinct: The Psychology of Souls, Destiny, and the Meaning of Life Online
Authors: Jesse Bering
Tags: #General, #Psychology, #Religion, #Spirituality, #Body; Mind & Spirit, #Cognitive Psychology, #Personality, #Psychology of Religion
Princess Alice may not have the
je ne sais quoi
of Mother Mary or the fiery charisma of the Abrahamic God we’re all familiar with, but she’s arguably a sort of empirically constructed god-by-proxy in her own right. The point is, the same basic cognitive processes—namely, a mature theory of mind—are also involved in the believer’s sense of receiving divine guidance from these other members of the more popular holy family. When people ask God to give them a sign, they’re often at a standstill, a fork in the road, paralyzed in a critical moment of existential ambivalence. In such cases, our ears are pricked, our eyes widened, our thoughts ruminating on a particular problem—often “only God knows” what’s on our minds and the extent to which we’re struggling to make a decision. It’s not questions like whether we should choose a different box, but rather decisions such as these: Should I stay with this person or leave him? Should I risk everything, start all over in a new city, or stay here where I’m stifled and bored? Should I have another baby? Should I continue receiving harsh treatment for my disease, or should I just pack it in and call it a life? Just like the location of the hidden ball inside one of those two boxes, we’re convinced that there’s a right and a wrong answer to such important life questions. And for most of us, it’s God, not Princess Alice, who holds the privileged answers.
God doesn’t tell us the answers directly, of course. There’s no nod to the left, no telling elbow poke in our side or “psst” in our ear. Rather, we envision God, and other entities like Him, as encrypting strategic information in an almost infinite array of natural events: the prognostic stopping of a clock at a certain hour and time; the sudden shrieking of a hawk; an embarrassing blemish on our nose appearing on the eve of an important interview; a choice parking spot opening up at a crowded mall just as we pull around; an interesting stranger sitting next to us on a plane. The possibilities are endless. When the emotional climate is just right, there’s hardly a shape or form that “evidence” cannot assume. Our minds make meaning by disambiguating the meaningless.
Oddly enough, each of us is also soundly convinced that God shares our opinions and points of view, so it makes sense that He would be motivated to help us by giving us hints here and there in the form of natural events. Members of the Topeka, Kansas–based Westboro Baptist Church, a faith community notorious for its antigay rhetoric and religious extremism (they run a charming little website called GodHatesFags), see signs of God’s homophobic wrath in just about every catastrophe known to man. To them, the natural world is constantly chattering and abuzz with antigay slogans. In a seemingly bizarre twist of logic, the group frequently pickets the funerals of (heterosexual) fallen American soldiers who have died in Iraq, convinced that the war, like every other tragedy, is a Godhewn disaster caused by the nation’s relaxing moral attitudes toward gays and lesbians. One such picketing event was at the memorial service of twenty-year-old Army Specialist Brushaun Anderson from Columbus, Georgia, who had died of non-combat-related injuries in Baghdad on the first day of 2010. “These soldiers are dying for the homosexual and other sins of America,” read a Westboro Baptist flyer announcing their “peaceful” protest at Anderson’s funeral. “God is now America’s enemy, and God Himself is fighting against America.” Church members proudly held up signs reading “Thank God for Dead Soldiers” and “Fags Doom Nations” only yards away from the young man’s casket. In their minds, God is kindly sending us not-so-subtle messages, warning us through natural disasters to stop supporting the gay rights movement, or else it’s going to get much, much worse. God hurts because He loves.
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Most of us, of course, believe that Westboro Baptist Church members have lost something in translation. Yet, recent findings by University of Chicago psychologist Nicholas Epley and his colleagues reveal that, wherever our attitudes happen to lie on certain hot-button issues, most of us are overwhelmingly certain that God also shares our opinion. This means that, whether we fall left or right in a political sense, we believe that God is on our side on everything from gay marriage to embryonic stem cell research to prayer in public schools to North Korea’s nuclear weapons program. And when we genuinely change our minds about these things after hearing persuasive counterarguments, we’re convinced that God—but not other people—has changed His mind as well (or at least we become convinced that our own revised stances on these touchy subjects reflected His
real
attitudes all along). Epley and his group didn’t explore people’s opinions about the devil’s personal beliefs, but perhaps it’s his job to lead us astray, coaxing us into making bad decisions with misleading signs in the guise of natural events.
In any event, the important take-home point is that natural events
outside the head
are filtered through our evolved theory of mind and interpreted subjectively
inside the head.
And our reasoning about anything outside of our own skulls does not necessarily reflect any intrinsic reality about what we perceive.
As an analogy, consider how we make sense of odor, a perceived cue that’s much more mundane than meaning. You may be surprised to learn, but it’s worth pointing out, that there really is no such thing as an intrinsically “bad smell.” Rather, there are only olfactory stimuli; and how we perceive them is largely an artifact of our particularly human evolutionary heritage. To say that rotting flesh is disgusting is similar to saying that the sunset is beautiful: There’s no “beautiful-ness” quality intrinsic to the sunset, just as there’s no “disgusting-ness” intrinsic to rotting flesh. Rather, rotting flesh and sunsets are only perceived this way by the human mind; as phenomenological qualities, adjectives such as “beautiful” and “disgusting” and “wonderful” merely describe how we subjectively experience the natural world. I can assure you that whatever particular scents you find repulsive, my dog, Gulliver, would likely perceive as irresistibly appealing. And I mean rotting flesh and just about anything else you can think of, with the exception perhaps of skunk odor and his own feces, for which I can only hope you’d share a mutual disdain. Neither you nor Gulliver is “correctly perceiving” these smells; you’re both simply sensing and translating them through perception according to your species’ evolved dispositions.
Likewise, just because we humans see, feel, and experience meaning doesn’t make meaning inherently so.
When I moved to my current house in a small village in Northern Ireland in late 2007, there was still quite a bit of work to be done, including laying flooring in an intolerably small, outdated bathroom in the garage. So for about ten seconds each day, over a period of about a year, whenever I stood in my bare feet on that cold concrete floor doing what it is that human males do at a toilet, my eyes would inevitably zero in on an area of flooring just at the crook of the plumbing and the wall. Here the mysterious word “ORBY” appeared mockingly in white paint, scribbled on the cement like the singular flash of an artist signing a masterpiece in proud haste. For the longest time, in my usual groggy state first thing in the morning, this “Orby” character didn’t particularly weigh on my thoughts. Rather, more often than not I would simply stumble back to bed, pondering why anyone—perhaps a contractor, a builder, a plumber, maybe the previous owner of the house—would have left this peculiar inscription on the floor behind a toilet. What blue-collar ribaldry between workers could have led to such an inscrutable act? Was it an inside joke? A coded message to someone special, someone who once stood at the very same toilet? And what kind of word or name was “Orby” anyway? Then, also more often than not, I’d drift off to sleep again and forget all about Orby, at least until my bladder would stir me awake next. That is, until one night when, snapping out of a drowsy, blinking delirium, I leaned down and studied it more closely. When I did this, it became embarrassingly obvious that “ORBY” wasn’t a signature at all—just some randomly dribbled droplets of paint that looked, from a height, as if it spelled something meaningful and cryptic. “What an idiot I am!” I thought to myself.
Perhaps I shouldn’t be so hard on myself. After all, several recent studies with young children have revealed that, from a very early age, humans associate the appearance of order with intentional agency. For example, in a study by Yale University psychologist George Newman and his colleagues, published in the
Proceedings of the National Academy of Sciences
, a group of four-year-olds was told a story about a little boy named Billy. Billy had been busy playing with his toys in his bedroom before deciding to go outside to play. The children were shown a picture of Billy’s room when he left it, a picture focusing on several piles of toys arranged in a particular way. Next they were shown two cards, each depicting different changes to the bedroom that allegedly happened while Billy was outside. One card showed the piles of toys in the room stacked neatly together, arranged by color and size and so on. The other image showed these same objects, but in disarray. Half of the children in the study were told that a strong gust of wind had come in through an open window and changed the things in the room, whereas the other half were told that Billy’s older sister, Julie, had made the changes. Then all of the children were simply asked, “Which of these piles looks most like if [Julie, the wind] changed it?” Those in the wind condition pointed strictly to the disordered objects, whereas those in the older-sister condition were just as likely to point to the disordered as they were to the ordered objects. In other words, these preschoolers believed that whereas inanimate causal forces such as wind can lead only to disorder, intentional agents (such as Billy’s older sister, Julie) can cause either order
or
disorder. Amazingly, Newman and his coauthors used nonverbal measures to discover that even twelve-month-old infants display this same cognitive bias.
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These findings have clear implications for understanding the ineradicable plague of religious creationism discussed in the previous chapter. Newman and his colleagues write that “the tendency to use intentional agents to explain the existence of order has often been cited as the reason why people have used versions of the ‘Argument from Design’ to motivate intentional deities who create an ordered universe.”
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In
The Blind Watchmaker
(1986), Richard Dawkins famously criticized eighteenth-century theologian-philosopher William Paley’s natural theology by showing clearly how mechanical evolutionary processes can create the appearance of creative intent without any forethought or intelligence being involved at all. But all those pre-Darwinian, “ecumaniacal,” and unenlightened thinkers such as Paley weren’t just swooning over some basic insinuation that God produced order simply for the sake of producing order. That in itself wasn’t terribly interesting. Rather, these naturalists wanted to know why He organized things this way and not some other way.
One of the more intriguing implications of Newman’s work, therefore, is its relevance to our search for meaning in nature. For the faithful, God is seen not only as a tidy homemaker who makes things nice and orderly, but as having left us clues—a sort of signature in the seams—so we’d know and understand His intentions in His use of order. If Julie went into her little brother’s room and made a mess, for example, it’s hard not to see this act as her also giving Billy a sneering message (“this is what you get when you tattle on me”), just as she would be sending a more positive message by thoughtfully organizing his toys (“I don’t say it enough, but you’re not half-bad as little brothers go”). Likewise, God is seen as embedding messages in the secret language of plants, organisms, genes, and all the poetic contingencies threading these things continuously together. At least, that’s been the view of many famous naturalists throughout history who’ve strained to use their empiricism to solve the riddle of God, especially, of course, those employing their craft before the mainstreaming of Darwin’s theory of natural selection.
On his deathbed in 1829, for example, an eccentric British aristocrat named Francis Egerton (also known as the 8th Earl of Bridgewater)—eccentric, among other things, because he was known to throw dinner parties for his dogs while dressing them up in the day’s trendiest couture—left the Royal Society a portion of his financially swollen estate. The money was to be used to commission a group of prominent naturalists to write a major apologist creed “on the Power, Wisdom and Goodness of God, as manifested in the Creation.”
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(In other words, let’s have a look at the natural world to see what’s going on in God’s mind.) Eventually, eight authors were selected as contributors, each paid a thousand pounds sterling, a handsome sum at the time. The individual books that were published as part of the project—what became known as
The Bridgewater Treatises
—trickled out over a period of seven long years (1833–1840). One of these, a hefty two-volume work by noted entomologist William Kirby,
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sought to reconcile popular theological teachings with the extraordinary and subtle biological diversity in the animal kingdom that was so apparent to him. Kirby, an original member of the Linnean Society who had made a name for himself studying English bees on the grounds of a rural parsonage in Suffolk, seems to have seen himself more as detective than naturalist:
Since God created nothing in vain, we may rest assured that this system of representation was established with a particular view. The most common mode of instruction is placing certain signs or symbols before the eye of the learner, which represent sounds or ideas; and so the great Instructor of man placed this world before him as an open though mystical book, in which the different objects were the letters and words of a language, from the study of which he might gain wisdom of various kinds.
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