The Best American Essays 2014 (5 page)

The bracelet on eBay looked like something from the ruined store. But I never bought jewelry from eBay; I hardly even wore jewelry. Or hardly wore it anymore, I should say, since I never went out anymore, since I'd undergone five surgeries in five years' time, each leaving behind its own new circuitry of pain: damaged nerves, a colon held together by titanium clips, scar tissue where muscles used to be, tendinitis from premature attempts to exercise my way back to wholeness. All of these remained long after the cancer that started it all was eradicated. The invisible knife in my gut was not psychosomatic; my nerves had simply been cut too often, the doctors explained, and had regenerated new branches that went nowhere, a Möbius loop of pointless synaptic signals. Thus “recovered,” months after my last operation, I could no longer remember what it felt like not to spend most of each day in wary negotiation with pain. I missed birthdays, weddings, and funerals. Many days it hurt to wear clothes; jewelry seemed beside the point. On the worst days, my body itself seemed beside the point.

Just before the last of the surgeries, I'd learned that my ex-fiancé had recently died—in late-stage alcoholism, he had “bled out” through his esophagus, alone in a residential hotel room in Phoenix, Arizona, far away from me and my narrow life as a professor in North Carolina. I was, by choice, not speaking to him at the time. I couldn't save him; I was
putting on my own oxygen mask first.
Jim had pulled me out of the dark again and again over the years, even after our engagement ended. Once, when I was stranded in a bed-and-breakfast in a strange town after a disastrous cross-country move—AWOL moving van, shyster landlord—Jim told me on the phone,
At least you're in a beautiful room.
It was a line I thought of often now, after his death, as I lay around waiting for my body to quit hurting. No day passed during those long months in which I did not think of following him. I lived alone; no one else was around to argue the point. A sentence floated to the top of my consciousness:
Ever since Jim died, I've had one foot out the door.

 

There was no further description on eBay of the
Vintage brass Made in India red and white mother of pearl bracelet
besides its unwieldy title, its starting price of 99 cents, and a boilerplate backstory that appeared on all the listings posted by that seller, someone with the user name Bergbay310:

 

This is one of many individual pieces or lots of vintage/costume jewelry I am listing every week over the coming months from a huge old collection. There are thousands of necklaces/sets and more bracelets earrings brooches charms than I can count that I am just getting to and all are in near perfect condition and more is coming . . . The collector frequented estate sales in Pasadena California for years and these items have sat safely in boxes . . . There is so much!!

 

I was struck by that breathless exclamation—
There is so much!!
—as if Bergbay310, whoever he was, had stumbled upon the treasure chest of the collective unconscious itself, the portal to those magical extra rooms that appear in our dreams, full of impossible abundance. Those rooms had been closed to me for a while. Shortly after I was diagnosed with cancer, I'd even had the opposite dream, in which I couldn't reach the real rooms of my real house. Only recently had I begun again to have the magical-extra-rooms dream, always the same house, familiar yet no place I'd ever seen in real life, with vast airy wings and corridors I would discover and realize I had neglected, sunken drawing rooms with vaulted sky-blue ceilings, ornate gilt furniture and grand pianos, oversized arched doorways leading to still more rooms—stretching out lavishly, improbably, a little scarily, in all directions.
There is so much!!

 

Salespeople are supposed to operate on the principle of scarcity—
Only a few left in stock!
—but Bergbay310 seemed to be employing an opposite strategy on eBay, or no strategy at all, freely offering the key to Ali Baba's cave. Someone else had already bid 99 cents on the
Vintage brass Made in India red and white mother of pearl bracelet
, but I bid $1.04 and won. I sent my electronic payment to Bergbay310's PayPal account, which was registered under the name of a man I'll call Archie, with a Los Angeles PO box address. When the bracelet arrived a few days later, it did not disappoint; its colors were brighter than they appeared in the photo and had more depth—nothing obvious or easily definable, but you looked for a few moments longer than you might at some newer piece of jewelry. The brass had patina, which gave the piece a kind of authority. It felt good in my hand, a nice cold heavy little thing.

I logged back onto eBay, clicked on Bergbay310's page—and the portal swung open.

How can I communicate the vastness, the cognitive dissonance, the essential weirdness and sheer impossibility of Bergbay310's collection? As promised, he had
hundreds upon hundreds
of items for sale, but they were not lumped together in a big junky pile, the way most people sell off a grandmother's stash of costume jewelry. Rather, the goods were offered for our consideration in pages and pages of single-item listings, even though none of the items appeared to be remotely high-end (if there even is such a thing as “high-end” junk jewelry). Furthermore, none of the objects seemed to
go together.
There were brooches, necklaces, earrings, bracelets, sweater clips, scatter pins, cigarette cutters, tie tacks, scarf clasps, lapel pins, perfume bottles, pillboxes, hair combs, belt buckles, lighter holders, hundreds of pairs of cufflinks, and dozens of items so obscure that their purpose could not be determined. No two items were the same, nothing looked new or mass-produced, and there was no common thread or organizing principle I could detect. Every conceivable style, design, aesthetic, and time period was represented, and every region of the U.S. and world, from ancient Greek to Gilded Age glitz to midcentury regional Americana kitsch. A
Vintage/ Antique Brooch Pin GOLDTONE THREE GRACES CAMEO WITH HOOK
was listed alongside a
Vintage/ Antique Brooch Pin GOLDTONE AIRPLANE PROPELLER NEAT!
, a
Vintage/ Antique Pendant Charm egyptian style cat head SUPER COOL
, and a
Vintage/ Antique Brooch Pin Gold tone Totem Pole VANCOUVER GREAT!
Every item, large or small, antique or recent, had a starting price of 99 cents, from
Vintage/ Antique Set Earrings Necklace silvertone pink gems rhinestones FABULOUS
to
Vintage Brooch wooden head missing an ear still neat.

The items ranged from stately and elegant to exotic and bohemian to bizarre and indecipherable. Each item had just one accompanying photo, underexposed against a black background, poor quality even by eBay standards. Some photos were so dark you couldn't see the item at all. The listing titles, such as
Vintage/ Antique clip of some sort orange plastic roses bakelite..???
suggested that Bergbay was not a jewelry expert or even a connoisseur.
Vintage/ Antique Pendant Charm 4 in long ostrich silvertone & lasso..???
appeared to be an obscure kitchen utensil, something in the whisk family, or maybe an ancient Roman sex toy.
Vintage/ Antique Pendant Charm of octopus style dangle silver bells?
looked like a pile of chains and beads in the process of metamorphosing into a small octopus. Sometimes the title and photo were clear but the object itself was inexplicable, like the
Vintage Antique Pendant Charm Miniature Real Tested Silver MOOSE TRAIN
(a moose hitched to a steam engine train), or the
Vintage/ Antique Real Tested Silver bracelet 7in marked sterling fish traffice
, which was a charm bracelet with only two charms, a fish and a traffic light. Some items did not seem to fall under the category heading “Vintage Jewelry” at all, such as
Small lot old Vintage one inch greenish rocks NEAT
, or
Large lot old Shark teeth each measures approx 1 inch long mixed grey brown NEAT.
(Like all of Bergbay's items, these teeth were automatically categorized by eBay as “pre-owned.”) Many listing titles ended with smiley faces, as if Bergbay were simply shrugging his shoulders, with a wink, and giving up.

Most people who inherit or otherwise acquire large collections of stuff they don't want and on which they are not experts—stamps, postcards, costume jewelry—simply get an appraisal and sell the lots in their entirety. On eBay one can find huge lots of almost everything for sale, but it's rare to find a seller with more than, say, a dozen single-item costume jewelry listings, because why bother? Fifty is the maximum number of free listings eBay allows each seller per month—above that, the seller pays a listing fee—so why didn't Bergbay just put the whole huge lot up for sale at once and be done with it? Was the collection more personal than he was letting on? Did he care if his stuff sold at all? Maybe the display itself was the point, like the famous, possibly apocryphal Theatre of Memory, constructed by the sixteenth-century Italian scholar and/or charlatan Giulio Camillo in an attempt to gather together and display every facet of the entire universe, seen and unseen, via allegorical representation, in a wooden cabinet.

Some of Bergbay's item titles were so off-puttingly cryptic that they appeared to be anagrams, or code—
Vintage/ Antique Pendant Charm old goldtone with man woman scene needs, Vintage/ Antique Pendant Charm Miniature carved glass reverse paint hands pray
—and it occurred to me that English might be Bergbay's second language. Maybe Bergbay himself was the fabled anonymous collector of his description, a world traveler and importer of international antiques. But what kind of obsessed collector expresses such sincere-sounding bafflement before so many of his own items, doesn't recognize a simple jade horn charm
(Vintage/ Antique Pendant Charm green polished jade “tooth” or “fang”!)
, consistently misspells
amber
as
ember
, yet is obscurely educated enough to describe a pendant as a
Tetragram astral zodiac planet
? Maybe, I thought, Bergbay was actually two people, an importer and his assistant. Maybe the assistant was his wife, or maybe there was a wife
and
an assistant. One of them, Bergbay, wife, or assistant, obviously did not speak English very well, and one of them kept calling everything
NEAT!

 

Finally, though, I couldn't believe that Bergbay himself—or Bergie, as I had begun to think of him—was the original collector. Because of the proximity of Hollywood and the theatrical nature of so many of the items—
Vintage/ Antique Brooch Pin INCH MAGICIAN HAT AND WAND GEMSTONES NEAT, Vintage/ Antique Pendant Charm Miniature baby grand piano top opens NEAT
—I imagined some crazed celebrity behind it all. Someone famously eccentric, like Phil Spector, or secretly eccentric, like Nancy Reagan. Someone desperate to remain anonymous. At one point I had the thrilling revelation that the entire collection could very conceivably have belonged to Sid and Marty Krofft, creators of
H. R. Pufnstuf
and
Lidsville
, those druggy, trippy '70s children's TV shows. Support for this hypothesis grew with each new round of listings—brooches shaped like mushrooms, like pipes,
Vintage Brooch pin strange twisted silvertone spoon rock quartz crystal sugar, Vintage/ Antique Pendant Charm Miniature goldtone mother of pearl cuckoo clock.
But Bergie's collection was so large and wide-ranging that ultimately I couldn't believe it came from a single source, one person (or even one pair of whacked-out brothers) with a single set of aesthetic tastes.

Not that I cared. By now I was so infatuated that I bid on every item that even slightly appealed to me. Not long after I bought the red-and-white bracelet, I managed to win a
Vintage 3in diameter old clasp bracelet handmade in Greece brass & multi color
and a
Vintage/ Antique Pendant Charm 1.2x1 inch flower lucite block So Dakota NEAT!
, which was a clear cube with a tiny dried brown flower preserved inside, engraved “So. Dakota.” I had never even visited South Dakota, but I no longer had any doubt that these items were meant for me.

Unfortunately, Bergbay310 had quickly developed a devoted following. Soon so many bidders were fighting over his items that it became difficult to win anything for less than $10. His photos had improved—he now used a white background and possibly even a flashbulb—and while everything still started at 99 cents, a glass bead costume necklace might now end up selling for $30; anything with rhinestones went for at least $20. A plastic Scottie dog brooch sold for $44, and a garden-variety locket—not precious metal, no stones, nothing special—went for $84.68. Most astonishing was the tiny silver “Flown Snoopy” lapel pin, a service award NASA has presented since 1968 to thousands of its employees. (The Snoopy pins are all flown on space missions first; there are Snoopys flying around up there right now.)
Does not have back or any paperwork
, Bergie noted in a rare addendum to his boilerplate description.
Collector said he acquired in San Diego and has had for while in Pasadena.
It sold for $355.

I resorted to trying to get the oddest, ugliest, or most inexplicable items, things nobody else would be likely to want, but even then I was almost always outbid at the last moment. After engaging in and losing a short bidding war over a
Vintage/ Antique NECKLACE strange beads shells acorns DIFFERENT :)
, I realized I needed to step up my game and start sniping, the eBay term for lurking silently, bidding only in an auction's final seconds. In this manner I successfully snagged the
Vintage/ Antique Brooch Pin 2X.5INCH GOLDTONE CLOWN VERY DIFFERENT!
, a creepy smiling wickerlike creation with a cone-shaped hat and glittery blue rhinestone eyes, and a
Vintage/ Antique Brooch Pin UNIQUE orange splatter pain wooden? NEAT!
, which looked like a larval creature designed by Jackson Pollock. I had never once worn a brooch, nor could I recall ever saying the word
brooch
in my life. I came to understand that I was collecting the collection:
Anonymous collector, c'est moi.