The Best American Sports Writing 2014 (46 page)

BOOK: The Best American Sports Writing 2014
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At 8:00
A.M.
on April 27, they set out for Camp 3 (24,000 feet), where they planned to spend a night, to acclimatize. To get there, they had to scale the Lhotse Face, a towering slope of sheer ice and wind-battered snow. The Lhotse Face is the main ramp up to a saddle called the South Col and then on to the standard Southeast Ridge route, the one that Edmund Hillary and Tenzing Norgay ascended 60 years ago and which is now tramped by hundreds of amateur climbers a year. Every season, the commercial operators put in fixed ropes along the route up the face and the ridge—a kind of bannister to the top, which any client can clip on to and pull himself along using a clamping device called a jumar. Last week, an 80-year-old Japanese man reached the summit.

April 27 was the day that a team of Sherpas were installing the fixed rope. It is an essential and difficult job, involving heavy gear and extreme working conditions on an ice cliff riddled with crevasses. The day before, the Sherpas, with help from three Western guides, had nearly completed the job but came to an untraversable crevasse, which had forced them to take the whole rope system down and return in frustration the next day to start over along a different path.

Earlier in the month, there had been a meeting at base camp among the expedition leaders at which it was agreed that while the Sherpas were fixing the Lhotse Face, no one else would climb there. Steck and Moro, a small professional team and not part of the commercial-trip ecosystem, had not been at the meeting.

Later that morning, Steck, Moro, and Griffith reached the base of the face. A few Sherpas and an American guide asked them not to climb. “The Sherpas asked nicely,” Dawa Steven Sherpa, an expedition leader who had two Sherpas on the fixing team, told me. “Sherpas are really afraid of the Lhotse Face. They really get nervous.” But the Westerners felt that they could continue without interfering with the fixing crew. They climbed 150 feet to the left of the fixed ropes. They themselves had no ropes. They were climbing “alpine style”—that is, without any fixed protection, porters, or supplemental oxygen. Each had crampons over his boots and an ice ax in one hand. Unencumbered, they moved fast. Two Sherpas, annoyed, used their ice axes to knock chunks of ice down at them, until a Western guide, hearing of this over the radio, told them to stop. After an hour, Steck and the others reached the level of Camp 3, where they would have to traverse the face to get to their tent, which meant they needed to cross over the fixed line. They chose a spot where four Sherpas were at the belay, below the lead fixer, and moved slowly past them, taking care, Steck says, not to touch the ropes with their crampons or to kick chunks of ice onto the Sherpas working below. After Steck crossed the line, the leader of the fixing crew, Mingma Tenzing Sherpa, who was working 50 or so feet up the face, began yelling at Steck and banging on the ice with his ax. Mingma, a young man from the village of Phortse, then rappelled down toward Steck. Anticipating a collision, Steck raised his arms to cushion the blow and prevent himself from being knocked off the face. According to Steck, Mingma rappelled into him, then began yelling at him for having touched him. He accused Steck and his team of kicking ice chunks loose and injuring a member of his crew. Steck argued then, as he would later, that they hadn't dislodged any ice, and that they'd been climbing well out of the way. He offered to help the crew finish fixing the ropes. This seemed to anger Mingma even more. It was then that Simone Moro came along and, seeing Mingma swinging his ice ax, began yelling at him, calling him
machikne
, which translates as “motherfucker.” The insult is graver in Nepali. Mingma instructed his crew to stop working. The Sherpas descended the face, leaving behind their equipment and an unfinished job. Steck and Moro, in a possibly misguided attempt at goodwill, stayed behind and finished fixing the lines themselves. The three Europeans then decided not to spend the night at Camp 3, but to head back down to Camp 2 and try to resolve the dispute.

It isn't unheard of for climbers to get into testy exchanges at high altitudes, where big egos meet thin air. One can reasonably argue over what happened on the Lhotse Face, and who deserves a greater share of the blame, even within a context of cultural, historical, and economic grievance. Many of the facts at hand—falling ice, who touched whom and in what order, the nature or validity of the prohibition against climbing that day—are in dispute, and yet may be of middling significance in light of what happened next.

 

When the European climbers got back to their tents, at the upper edge of Camp 2, they were greeted by an American named Melissa Arnot, who'd been sharing their camp and who was attempting a fifth conquest of the summit, more than any other woman. She warned them that the Sherpas were very angry about the incident on the Lhotse Face and that the mood in camp was volatile. She left, but after a few moments she ran back to their tent to say that a large group of Sherpas had set out from the main part of camp. She said, “I think you should run.” Instead, they emerged from the tent in the hope of talking to the Sherpas. They then saw a mass of dozens of Sherpas appear on an overlooking ridge, many of them with their faces covered, some holding rocks. Steck surmised that he was in trouble.

As the Sherpas converged on the tent, a New Zealander named Marty Schmidt ran up and tried to knock a rock out of a Sherpa's hand. He was pushed and kicked, hit on the head with a rock, and punched in the eye. He too threw a punch. (The other climbers, outnumbered, chose to act submissively.) A Sherpa who had been on the fixing crew, and who was now at the head of the throng, rushed up and punched Steck in the face. Someone hit him with a rock; another threw an ice ax and crampons. Arnot got between the Sherpas and Steck, who scurried into another, smaller tent, his face bleeding. A rock bigger than a brick came through the top of the tent, and Steck crawled out. By now, Griffith and Moro had retreated a ways, and Steck went to join them. “I think this expedition is over,” he said.

A group of Sherpas broke away from the pack and attacked Griffith, the photographer, kicking and punching him on the ground. A moment later, a Western guide ran up and scattered them, and Moro and Griffith ran away, but Steck went back into the tent with Schmidt. They were both bleeding. The crowd of Sherpas was outside. Melissa Arnot and the Western guide, along with a couple of Sherpas, their hands linked, blocked the way to the tent and tried to settle them down, while Steck and Schmidt cowered inside. After a while, the Sherpas demanded that Moro, who had grievously insulted their leader, appear before them, so someone fetched Moro and hustled him into the tent. Arnot told him to kneel and apologize to the Sherpas for his offensive words on the Lhotse Face, and got the Sherpas to promise that if he did so they would not attack him. Moro came out of the tent, and while he was on his knees a few Sherpas began punching and kicking him. Moro says that one swung at him with a penknife, but the blade caught the waist belt of a backpack. Moro's protectors dragged him back into the tent. Amid the chaos, the Sherpas declared that Moro and Steck did not have a permit for the Lhotse Face. Eventually, word came from base camp that they did, and the Sherpas began to retreat. Someone told Steck and Moro, through the walls of the tent, that if they weren't gone in an hour they'd all be killed.

The three Europeans packed a few things, disassembled their tent, stashed some belongings under piles of rocks, donned down parkas and helmets as armor against thrown stones, and fled. They avoided the established route, down through the heart of Camp 2, for fear of being attacked again. They could see Sherpas lining the trail. Instead, they crawled out onto the glacier, to stay out of sight, and began picking their way through the crevasses—an improvised route, undertaken without ropes, through a maze of trapdoors. No one would dare follow. After a while, they rejoined the main roped trail through the icefall, keeping an eye on the path behind them, ready to pull up ladders and cut fixed lines if there were Sherpas in pursuit. They reached base camp just before dark. None of them slept that night.

By the next day, news of a brawl had gone around the world. Conflicting accounts gave rise to a crossfire of recrimination. One opinion, widely held, especially among people far away, was that Sherpas, revered throughout the climbing world for their skill and forbearance, would not have resorted to such violence unless they'd been provoked.

 

In Switzerland, and in much of Europe, where alpine exploits equate roughly to playoff heroics here, Ueli Steck is a superstar. The news of the
“Krieg am Everest”
had the tabloid wattage (adjusting for Swissness) of A-Rod's affair with Madonna. Steck is a professional climber. “I'm still really impressed how this system works, to be able to make a living from climbing and not be a dirtbag for your life,” he told me, before leaving for Everest. For decades, climbing was a pastime for gentlemen and vagabonds. But in recent years people have found a way to subsist at it, by guiding, or working for apparel companies, or, as in Steck's case, thriving on sponsorships and speeches and slide shows—what Steck calls “business.” “To make business, you need stories,” he said, by which he means amazing feats. To create stories, you need to come up with projects—bigger and bigger ones with each passing year—and then you need to succeed at them.

I first met Steck last November. He'd come to New York to run the marathon. His training regimen for each expedition is extremely meticulous, but it allows for larks, and since he runs for hours a day in the mountains, he thought he'd give the flats of the five boroughs a go. Like so many participants, he arrived in New York soon after Hurricane Sandy but before the race was canceled, at the last minute, by Mayor Bloomberg. Once it was called off, he had no reason to stay. “I would never go to a city just to go to a city,” he told me. Anyway, he wanted to get back to Interlaken to spend time with his wife. In the previous two months, he'd been home only a few days, amid a whirlwind of travel around Europe and North America to give talks and to shoot promotions and advertisements for his various sponsors. Half the life of a professional climber is retelling old stories to finance the creation of new ones. Steck gives as many as 100 slide shows a year, often to corporations, who pay him well.

He was as secretive about his winter plans as he was about his intentions on Everest, but in March he agreed to see me in Switzerland, a few days before he left for Nepal. He lives in the village of Ringgenberg, next to Interlaken, which is the gateway to the valleys leading up to the Jungfrau massif, the cluster of glaciated high peaks that includes the infamous Eiger. The day I arrived, he'd been planning to spend the night in a hut on the Jungfrau's flank, to acclimatize to a higher altitude, prior to his flight to Kathmandu. But the weather was lousy, so instead he went for a jog. He ran up and down a mountain near Interlaken three times—18 miles, and 8,000 vertical feet—in three hours and 40 minutes. (“I enjoy it,” he said. “I feel my legs, I see the nature.”) Then, to cool down, he went to the gym and lifted weights for two hours. He explained, when I met him for coffee the next morning, that this was taking it easy: he was conserving energy for Nepal.

When you first see Steck, it is hard to believe that he can run any distance at all: he is almost comically bowlegged. He teeters on the outsides of his feet. He is lean and compact, with long muscular arms and fingers. He keeps his hair short and his face clean-shaven, and has intense blue eyes that seem to bulge and brighten when he discusses a project. He speaks with a reedy, heliated voice that suits his Swiss-German twang.

It was a day for business. Steck was wearing Levi's and a lightweight blue down jacket with his sponsors' names on it: Leki, Scarpa, Mountain Hardwear, Power Bar. He had a meeting in Bern, an hour away, with executives from another sponsor, Richner, a Swiss bathroom fixtures merchant. We drove there in his white Audi A4 wagon, with
WWW.UELISTECK.CH
emblazoned on both sides. (Audi, a sponsor, gives him a car every year.) He was careful to obey speed limits and to stop at crosswalks. “If I do one little thing wrong, people will make a big deal,” he said. “This is Switzerland.” His great fear was running over a toddler. He was anxious about his reputation—it was the distillate of all those faces and summits, his true currency—and this wasn't a country that tolerated ostentation or entitlement in its mountain athletes, he said. Though he gave liberally of himself as a pitchman, he never let reporters meet his wife or talk to his parents or see his house. He wouldn't even let me attend the bathroom fixtures meeting. But afterward he showed me around old Bern. His wife, who works for Bern's electric company, had an apartment nearby. He'd met her at an ice-climbing competition. A year later, they climbed the Eiger together and spent a night sleeping on a ledge at what is called the Death Bivouac, because of climbers who died there.

After lunch, Steck drove to the city's outskirts, to a warehouse that contained a vast climbing gym called Magnet: a Costco of climbing, with undulating pitches of varying steepness, each section a different hue, with hundreds of handholds affixed, stuck there like gobs of bubble gum, in dozens of bright colors, each denoting a particular line. Schoolkids, teens, seniors, and pros turtled in muscle: they scrambled up the walls and hung from the ceiling, belayed by companions on the ground. Steck changed into a Mountain Hardwear T-shirt and shorts and went over to a turret off to the side, a kind of pyramid stuck upside down into the ground, for bouldering—that is, scrambling without being roped. He began to maneuver around on it. A few patrons whispered and glanced in his direction—this was the equivalent of Tiger Woods showing up at the municipal driving range—but for the most part everyone left him alone. He followed a progression of blue handholds, then orange, then pink, hopping down to the mat each time, brushing the talc from his hands on his shorts and peering up at the wall, his head tilted as though the wall were a language he was trying to remember. “I can climb vertical ice—I don't even need to train for it,” he said. “This is more for fun. This isn't training—just moving a little bit. I don't waste energy on climbing training. But I'm too fat now for hard rock climbing. I used to be eight kilos lighter. The weight gives me more stamina. It's less cold.” After a while, he removed his T-shirt. With a woman named Julie, the wife of a friend, on belay, he began climbing a big wall. He moved Spider-Man fast, clipping in every three feet or so, until he was hanging from the ceiling. There were strange muscles in his back. Each contortion set off a different arrangement of them.

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