Read The Bitterbynde Trilogy Online
Authors: Cecilia Dart-Thornton
The Siofran Feast:
âThe spy was intrigued at their unglamoured feast; the horns of butterflies, the pith of rushes, emits' eggs and the beards of mice, bloated earwigs and red-capped worms, mandrakes' ears and stewed thigh of newt, washed down with pearls of dew cupped in magenta flowers.' This menu is partially drawn from the poem âOberon's Feast', written by Robert Herrick (1591â1674), published in 1647.
The Ganconer/Love-Talker:
A wonderful poem about this deadly supernatural seducer was written by the well-known Irish poet Ethna Carbery (1866â1902). It has been reprinted in
The Four Winds of Eirinn,
an anthology of her verse, and can also be viewed on Ms Dart-Thornton's website, at
http://www.dartthornton.com
Viviana's song:
âAll around my hat I will wear the green willow â¦' etc is a traditional English folk song.
The Two Kings:
Inspired by the traditional Welsh fairy-story about Pwyll, Prince of Dyved, and his encounter with the faêrie king, Arawn.
Nuckelavee:
Based on an article by Traill Dennison in the âScottish Antiquary', which was reproduced in
Scottish Fairy Tales and Folk Tales,
Sir George Douglas, Walter Scott, London, 1873. For the sake of accuracy, the anecdote herein is partially quoted from this source.
The Tale of Thomas Rhymer, Duke of Ercildoune:
Adapted from the traditional âBallad of True Thomas' which tells the story of Thomas Rymour of Erceldoune. It can be found in
The English and Scottish Popular Ballads,
Child, F. J. (ed), Little, Brown; Shepard, Clark & Brown, Boston, 1857â8; definitive edition: 5 vols., The Folklore Press in association with the Pagent Book Co., New York, 1957. The ballad is based on a fourteenth-century romance which can be read in
Fairy Tales, Legends and Romances Illustrating Shakespeare,
by W. Carew Hazlitt, F & W Kerslake, London, 1875.
The Tale of Tamlain Conmor, Duke of Roxburgh:
Adapted from another beautiful traditional ballad, âYoung Tam Lin', of which there are many versions. The fullest version is #39A in
The English and Scottish Popular Ballads,
Child, F. J. (ed), Little, Brown; Shepard, Clark & Brown, Boston, 1857â8.
Scottish Vernacular:
Learned from
Bawdy Verse and Folk Songs Written & Collected by Robert Burns,
Macmillan, London, 1982.
Battle Scenes:
Researched in
The Wars of the Crusades 1096â1291,
Terence Wise, Osprey Publishing P/L, 1978. Information was also gleaned from the World War I diaries of Squadron Leader W. Palstra.
The Coronation Feast:
Inspired by menus from actual medieval feasts, recounted in
The English Medieval Feast, W.
E. Mead, 1931; and
More Medieval Byways,
L. F. Salzman, 1926.
The musicians in the pie:
Adapted from a document by Olivier de la Marche, fourteenth-century chronicler.
The Battle of Evernight:
Also draws inspiration from the great fairy love story of Ireland, âMidhir and Etain', which has prompted many poets and dramatists to produce works based thereon.
SOME WORDS FROM THE ELDER TONGUE
briagha:
beautiful
caileagh faoileag:
sea-gull damsel
cirean mi coileach:
literally, âcockscomb, my rooster'. It means âcocksure boy'.
cochal:
the husk or appearance of food, after the
toradh
has been removed
eudail:
darling (ferm.)
fallaise:
a beautiful, falling torrent
ionmhuinn:
beloved
nathrach deirge:
literally, âdragon's blood', is a draught to warm and nourish the traveller
rade:
a processional cavalcade of Faêran riders
sabhailte:
safe
seirm ceangaif:
bind-ring
siofra:
(pl.) small, human-like wights. Although they can be mischievous, they are harmless and not overly cunning. One of their favourite activities is to mimic human behaviour.
toradh:
the nutritional value of food
uhta:
the hour before sunrise
â
Il Bacio' (âThe Kiss') by Francesco Hayez, 1859
Some Ertish Words and Phrases
alainn capall dubh
: beautiful black horse
Amharcaim!
: Look there!
chehrna
: dear damsel
clahmor
: terrible, tragic.
cova donni
: blind shotman
daruhshie
: self-destructive fool
doch
: damned
hreorig
: ruinous
inna shai tithen elion
: we have lived the days
lorraly
: in the natural order
manscatha
: wicked ravager
mo
: my
mo gaidair
: my friend
mo reigh
: my pretty
mor scathach
: an unseelie rider that sticks to the shoulders of its prey, becoming as heavy as stone, and rides the life out of it
obban tesh
: an expletive
oghi ban Callanan
: Callanan's eyes
pishogue
: glamour; a spell of illusion
samrin
: milksop
Sciobtha!
: Hasten!
scothy
: mad, crazy
sgorrama
: stupid (noun or adjective)
shera sethge
: poor, unfortunate
skeerda
: bad/devious person
Ta ocras orm! Tu faighim moran bia
!: I am hungry! I need a lot of food!
tambalai
: beloved
tien eun
: little one
uhta
: the hour before sunrise
uraguhne
: despicable scum
A Short Pronunciation Guide
Baobansith:
baavan thee
Buggane:
bug airn
Cuachag:
cooachack
Each Uisge:
ech-ooshkya
Fuath:
foo-a
Gwragedd Annwn:
gwrageth anoon
Glossary of Terms
andalum
: a dull, blue metal which has the power to neutralise sildron's repulsion of the ground
candlebutter
: gold
culicidae
: (plural) deadly, mosquito-like creaturesâthey are not eldritch
dominite
: black stone, laced with points of talium trihexideâused for building, as it blocks out the effects of shang storms
eldritch
: supernatural
eotaurs
: winged, horned skyhorses bred for their ability to âride sky' when accoutred with sildron
eringl
: a red-leafed tree growing only in Avlantia
gilf
: a person who deliberately goes bareheaded in a shang storm, or is forced to do so, in order to imprint an image
glissanding
: gliding through forests in a sildron harness, using branches and/or ropes as a means of propulsion
gramarye
: magic
hattocking
: the process of an eotaur over uneven ground
onhebbing
: raising and lowering anything sildron-borne by means of sliding andalum by varying degrees between the sildron and the ground
seelie
: benevolent towards humankind
shang
: a random wind of gramarye which leaves imprints of human passions
sildron
: a lustrous, silver metal with the intrinsic property of repelling the ground at a constant distance. Also known as King's Biscuit, Rusty Jack's friend, sinker, cloudpaver, moonrafter, frostbite, The Gentry's Farewell, Moonbeam etc.
taltry
: a hood lined with talium metal mesh to protect the wearer from the influence of the shang
tilhal
: an amulet which may protect against unseelie wights of the lower orders
unket
: supernatural
unseelie
: malevolent towards humankind
unstorm
: a nickname for shang windsâalso known as âuncombers'
Runes
A:
atka
, the thorn, the spindle, the arrowhead
B:
brod
, the loaf
C:
ciedré
, the moon
D:
déanor
, the bow
E:
enen
, the fork
F:
faêrwyrd
, the key
G:
speal
, the scythe or sickle
H:
droichead
, the bridge
I:
idrel
, the sword
J:
crúca
, the hook
K:
kinoré
, the dancer
L:
clúid
, the corner (the turning point)
M:
margran
, the mountain
N:
nenté
, the stitch
O:
orinel
, the ring
P:
meirge
, the flag, the pennant, banner
Q:
sciath
, the shield
R:
sirrig
, the sail
S:
slégorn
, the dragon
T:
tiendir
, the tree
U:
uldris
, the cup
V:
vahlé
, the valley or the furrow
W:
wirroril
, the wave or the water
X:
glas
, the crossroads or the lock
Y:
draÃochta
, the dowsing rod
Z:
geata
, the gate
Wight Lore
The high-tide mark is the boundary between the territories of land wights and sea wights.
Although they can prevaricate and trick, wights cannot lie. By the same token, if you make a promise or give your word to a wight you are bound by gramarye to keep it.
Household wights, best exemplified by bruneys (brownies), do not necessarily react adversely to the touch of cold iron. All others do.
Trooping wights wear green coats and red caps, while Solitaries wear red coats.
To steal a swanmaiden, take her cloak of feathers so that she cannot fly. To abduct a mermaid or merrow, take her comb. To kidnap a silkie (selkie), take his or her seal-skin, without which these wights cannot travel underwater. Be aware, it is unkind to do any of these things!
Silkies will not harm you unless you harm them. If you do them a good turn they will return it to you.
Most unseelie and seelie land wights cannot cross running water, especially if it flows south.
An âawe band' can be put on mortals to stop them telling what they have seen of wights.
Giving wights a gift or verbal thanks means âgoodbye' to them ie, they have been paid therefore their services are no longer required. Some wights take offence at being thanked in any form, and permanently withdraw their services out of sheer indignation. Therefore, thanking wights or the Faêran is taboo.
Warding off Unseelie Wights
Holding Fast, a Steady Look and Silence are three powerful charms against wights.
Conversely (and confusingly), acknowledging their presence by looking at them can be detrimental to them. (Perhaps this is only true outdoors, as The Steady Look has been recorded as being used indoors.)
Having The Last Word is effective in certain cases; also, Rhyme has power over wights.
Many wights are powerless after cock-crow.
To show fear is to give them power over you, to allow them to strike. The ringing of bells is anathema to them. Charms against unseelie wights include ash keys, ground-ivy (â
athair luss
') and daisies.
A Chant to Repel Wights
Hypericum, salt and bread,
Iron cold and berries red,
Self-bored stone and daisy bright,
Save me from unseelie wight.
Red verbena, amber, bell,
Turned-out raiment, ash as well,
Whistle-tunes and rowan-tree,
Running water, succour me.
Rooster with your cock-a-doo,
Banish wights and darkness too.
Shapeshifting
Even shapeshifters must abide by the laws of their own nature. Not all wights are shapeshifters. For example, urisks are not. Spriggans can alter their size but not their shape. Some wights command two forms. Swan-maidens may become damsels or swans. The Each Uisge and all other waterhorses can take the shape of a man or a horse.
Other wights have the power to metamorphose into three different guises. Two of the waterhorse types, brags and phoukas, have a third native shape; brags, that of a calf with a white handkerchief tied around its neck and phoukas, a bat.
Bogey-beasts and their ilk are true shapeshifters; their possible forms are countless. Some examples include the wight which changes into a bundle of sticks, the Trathley Kow (based on the âHedley Kow') which can imitate the form of a man's sweetheart, or any other form it chooses, purely for the purpose of mischief-making and a thing called âIt', which can turn itself into a variety of strange objects.
Note: shapeshifting should not be confused with
glamour
. Glamour is an illusion, a spell cast over the senses of mortals so that they see what is not there. True shapeshifting is more powerful.
Books by Cecilia Dart-Thornton