Authors: Michael Connelly
The Black Box (3 page)
He got down on his hands and knees so he could look closely at the casing without moving it. He moved the light in close and saw that it was a 9mm brass casing with the familiar Remington brand mark stamped on the flat base. There was an indentation from the firing pin on the primer. Bosch also noted that the casing was lying on top of the gravel bed. It had not been stepped on or run over in what he assumed was a busy alleyway. That told him that the casing had not been there long.
Bosch was looking around for something to mark the casing’s location with when Edgar stepped back into the crime scene. He was carrying a toolbox and that told Bosch that they weren’t going to get any help.
“Harry, what’d you find?”
“Nine-millimeter Remington. Looks fresh.”
“Well, at least we found something useful.”
“Maybe. You get the CP?”
Edgar put down the toolbox. It was heavy. It contained the equipment they had quickly gathered in the kit room at Hollywood Station once they heard they could not count on any forensic backup in the field.
“Yeah, I got through but it’s no-can-do from the command post. Everybody’s otherwise engaged. We’re on our own out here, brother.”
“No coroner, either?”
“No coroner. The National Guard’s coming with a truck for her. A troop transporter.”
“You gotta be kidding me. They’re going to move her in a fucking flatbed?”
“Not only that, we got our next call already. A crispy critter. Fire Department found him in a burned-out taco shop on MLK.”
“Goddamnit, we just got here.”
“Yeah, well, we’re up again and we’re closest to MLK. So they want us to clear and steer.”
“Yeah, well, we’re not done here. Not by a long shot.”
“Nothing we can do about it, Harry.”
Bosch was obstinate.
“I’m not leaving yet. There’s too much to do here and if we leave it till next week or whenever, then we’ve lost the crime scene. We can’t do that.”
“We don’t have a choice, partner. We don’t make the rules.”
“Bullshit.”
“Okay, tell you what. We give it fifteen minutes. We take a few pictures, bag the casing, put the body on the truck, and then we shuffle on down the road. Come Monday, or whenever this is over, it isn’t even going to be our case anymore. We go back to Hollywood after everything calms down and this thing stays right here. Somebody else’s case then. This is Seventy-seventh’s turf. It’ll be their problem.”
It didn’t matter to Bosch what came later, whether the case went to detectives at 77th Street Division or not. What mattered was what was in front of him. A woman named Anneke from someplace far away lay dead and he wanted to know who did it and why.
“Doesn’t matter that it’s not going to be our case,” he said. “That’s not the point.”
“Harry, there is no point,” Edgar said. “Not now, not with complete chaos all around us. Nothing matters right now, man. The city is out of control. You can’t expect—”
The sudden rip of automatic gunfire split the air. Edgar dove to the ground and Bosch instinctively threw himself toward the wall of the appliance shop. His helmet went flying off. Bursts of gunfire from several of the guardsmen followed until finally the shooting was quelled by shouting.
“Hold your fire! Hold your fire! Hold your fire!”
The gunshots ended and Burstin, the sergeant from the barricade, came running up the alley. Bosch saw Edgar slowly getting up. He appeared to be unharmed but he was looking at Bosch with an odd expression.
“Who opened first?” the sergeant yelled. “Who fired?”
“Me,” said one of the men in the alley. “I thought I saw a weapon on the roofline.”
“Where, soldier? What roofline? Where was the sniper?”
“Over there.”
The shooter pointed to the roofline of the rims store.
“Goddamnit!” the sergeant yelled. “Hold your fucking fire. We cleared that roof. There’s nobody up there but us! Our people!”
“Sorry, sir. I saw the—”
“Son, I don’t give a flying fuck what you saw. You get any of my people killed and I will personally frag your ass myself.”
“Yes, sir. Sorry, sir.”
Bosch stood up. His ears were ringing and his nerves jangling. The sudden spit of automatic fire wasn’t new to him.
But it had been almost twenty-five years since it was a routine part of his life. He went over and picked up his helmet and put it back on.
Sergeant Burstin walked up to him.
“Continue your work, Detectives. If you need me I’ll be on the north perimeter. We have a truck coming in for the remains. I understand that we are to provide a team to escort your car to another location and another body.”
He then charged out of the alley.
“Jesus Christ, you believe that?” Edgar asked. “Like Desert Storm or something. Vietnam. What the hell are we doing here, man?”
“Let’s just go to work,” Bosch said. “You draw the crime scene, I’ll work the body, take pictures. Let’s move.”
Bosch squatted down and opened the toolbox. He wanted to get a photograph of the bullet casing in place before he bagged it as evidence. Edgar kept talking. The adrenaline rush from the shooting was not dissipating. He talked a lot when he was hyper. Sometimes too much.
“Harry, did you see what you did when that yahoo opened up with the gun?”
“Yeah, I ducked like everybody else.”
“No, Harry, you covered the body. I saw it. You shielded Snow White over there like she was still alive or something.”
Bosch didn’t respond. He lifted the top tray out of the toolbox and reached in for the Polaroid camera. He noted that they only had two packs of film left. Sixteen shots plus whatever was left in the camera. Maybe twenty shots total, and they had this scene and the one waiting on MLK. It was not enough. His frustration was peaking.
“What was that about, Harry?” Edgar persisted.
Bosch finally lost it and barked at his partner.
“I don’t know! Okay? I don’t know. So let’s just go to work now and try to do something for her, so maybe, just maybe, somebody sometime will be able to make a case.”
His outburst had drawn the attention of most of the guardsmen in the alley. The soldier who had started the shooting earlier stared hard at him, happy to pass the mantle of unwanted attention.
“Okay, Harry,” Edgar said quietly. “Let’s go to work. We do what we can. Fifteen minutes and then we’re on to the next one.”
Bosch nodded as he looked down at the dead woman.
Fifteen minutes
, he thought. He was resigned. He knew the case was lost before it had even started.
“I’m sorry,” he
whispered.
T
hey made him wait. The explanation was that Coleman was at chow and pulling him out would create a problem because after the interview they would have to reinsert him into the second meal block, where he might have enemies unknown to the guard staff. Someone could make a move against him and the guards wouldn’t see it coming. They didn’t want that, so they told Bosch to hang loose for forty minutes while Coleman finished his Salisbury steak and green beans, sitting at a picnic table in D yard in the comfort and safety of numbers. All the Rolling 60s at San Quentin shared the same food and rec blocks.
Bosch passed the time by studying his props and rehearsing his play. It was all on him. No help from a partner. He was by himself. Cutbacks in the department’s travel budget had turned almost all prison visits into solo missions.
Bosch had taken the first flight up that morning and hadn’t thought about the timing of his arrival. The delay wouldn’t matter in the long run. He wasn’t flying back till 6
P.M.
and the interview with Rufus Coleman probably wouldn’t take long.
Coleman would either go for the offer or not. Either way, Bosch wouldn’t be long with him.
The interview room was a steel cubicle with a built-in table dividing it. Bosch sat on one side, a door directly behind him. Across the table from him was an equal-size space with a matching door. They would bring Coleman through there, he knew.
Bosch was working the twenty-year-old murder of Anneke Jespersen, a photographer and journalist shot to death during the 1992 riots. Harry had worked the case and the crime scene for less than an hour back then before being pulled away to work other murders in a crazy night of violence that had him moving from case to case.
After the riots ended, the department formed the Riot Crimes Task Force, and the investigation of the Jespersen murder was taken over by that unit. It was never solved and after ten years of being classified as open and active, the investigation and what little evidence had been gathered was quietly boxed up and placed in archives. It wasn’t until the twentieth anniversary of the riots was approaching that the media-savvy chief of police sent a directive to the lieutenant in charge of the Open-Unsolved Unit ordering a fresh look at all unsolved murders that occurred during the unrest in 1992. The chief wanted to be ready when the media started their inquiries in regard to their twenty-years-later stories. The department might have been caught flat-footed back in ’92, but it wouldn’t be in 2012. The chief wanted to be able to say that all unsolved murders from the riots were still under active investigation.
Bosch specifically asked for the Anneke Jespersen case and
after twenty years returned to it. Not without misgivings. He knew that most cases were solved within the first forty-eight hours and after that the chances of clearance dropped markedly. This case had barely been worked for even one of those forty-eight hours. It had been neglected because of circumstances, and Bosch had always felt guilty about it, as though he had abandoned Anneke Jespersen. No homicide detective likes leaving a case behind unsolved, but in this situation Bosch was given no choice. The case was taken from him. He could easily blame the investigators that followed him on it, but Bosch had to count himself among those responsible. The investigation started with him at the crime scene. He couldn’t help but feel that no matter how short a time he was there, he must have missed something.
Now, twenty years later, he got another shot at it. And it was a very long shot at that. He believed that every case had a black box. A piece of evidence, a person, a positioning of facts that brought a certain understanding and helped explain what had happened and why. But with Anneke Jespersen, there was no black box. Just a pair of musty cardboard boxes retrieved from archives that gave Bosch little direction or hope. The boxes included the victim’s clothing and bulletproof vest, her passport, and other personal items, as well as a backpack and the photographic equipment retrieved from her hotel room after the riots. There was also the single 9mm shell casing found at the crime scene, and the thin investigative file put together by the Riot Crimes Task Force. The so-called murder book.
The murder book was largely a record of inactivity on the case on the part of the RCTF. The task force had operated for a year and had had hundreds of crimes, including dozens of
murders, to investigate. It was almost as overwhelmed as investigators like Bosch had been during the actual riots.
The RCTF had put up billboards in South L.A. that advertised a telephone tip line and rewards for information leading to arrests and convictions for riot-related crimes. Different billboards carried different photos of suspects or crime scenes or victims. Three of them carried a photo of Anneke Jespersen and asked for any information on her movements and murder.
The unit largely worked off what came in from the billboards and other public outreach programs and pursued cases where there was solid information. But nothing of value ever came in on Jespersen and so nothing ever came of the investigation. The case was a dead end. Even the one piece of evidence from the crime scene—the bullet casing—wasn’t of value without a gun to match it to.
In his survey of the archived records and case effects, Bosch found that the most noteworthy information gathered from the first investigation was about the victim. Jespersen was thirty-two years old and from Denmark, not Germany as Bosch had thought for twenty years. She worked for a Copenhagen newspaper called
Berlingske Tidende
, where she was a photojournalist in the truest sense of the word. She wrote stories and shot film. She had been a war correspondent who documented the world’s skirmishes with both words and pictures.
She had arrived in Los Angeles the morning after the riots had started. And she was dead by the next morning. In the following weeks, the
Los Angeles Times
ran short profiles of all those killed during the violence. The story on Jespersen quoted her editor and her brother back in Copenhagen and
depicted the journalist as a risk taker who was always quick to volunteer for assignments in the world’s danger zones. In the four years prior to her death, she had covered conflicts in Iraq, Kuwait, Lebanon, Senegal, and El Salvador.
The unrest in Los Angeles was hardly on the level of war or some of the other armed conflicts she had photographed and reported on, but according to the
Times
, she happened to be traveling across the United States on vacation when rioting in the City of Angels broke out. She promptly called the photo desk at the
BT
, as the newspaper in Copenhagen was more commonly known, and left a message with her editor saying that she was heading to L.A. from San Francisco. But she was dead before she had filed any photos or a story with the newspaper. Her editor had never spoken to her after getting the message.
After the RCTF was disbanded, the unsolved Jespersen case was assigned to the homicide squad at 77th Street Division, the geographical policing area where the murder occurred. Given to new detectives with their own backup of open cases, the investigation was shelved. The notations in the investigative chronology were few and far between and largely just a record of the outside interest in the case. The LAPD wasn’t working the case with anything approaching fervor, but her family and those who knew Jespersen in the international journalism community did not give up hope. The chronology included records of their frequent inquiries about the case. These marked the record right up until the case files and effects were sent to archives. After that, those who inquired about Anneke Jespersen were most likely ignored, as was the case they were calling about.