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For all my ghosts,
including you
Take care, night is approaching…Wash your hands, go on your way, to your home, to bed.
COMTE DE LAUTRÉAMONT
Maldoror
A
NYONE WHO HAS LIVED AS LONG A
S I HAVE
, and who has done the things I have, knows there will come a reckoning. Mine announced its arrival quietly—in a library, no less.
Every Saturday, like a faithful grave-tender, I would go to visit a certain book at the Archive of Wartime Affairs. The book was part of my private curriculum—my research, if you will—not that I ever had to worry about secrecy. This being 2010, the Archive, perched atop a crumbling billiards parlor, is little known and even less loved.
This morning, however, my book is gone. It’s not in its usual hiding place, the dankest corner in War Crimes, wedged behind an encyclopedia on genocide that never sees any traffic. Reaching into the empty space, I feel the panic of a mother who arrives at the schoolyard only to find her child missing.
But my breath returns: Two librarians are pulling books from the shelves. Anything that is jaundiced with age or crippled of binding—no matter if it’s the
Communist Manifesto
or an introduction to hara-kiri—if it looks old, out it goes.
You may ask, Aren’t archives supposed to be forever? Well, forever’s a meaningless concept in Asia. Here, only the present is eternal.
I head over to the wheeled cart by the exit where they’ve quarantined the discards and begin sifting through volume after dusty volume. Miraculously, I spot the red jacket of the book in question,
my
book, its unwieldy title embossed in faded gilt down its spine:
After the Ghost: Good Shepherds in the Post-Colonial World
by the Flemish couple Lucas Van Kets and Marijke Jodogne, long out of print and impossible to obtain. I clutch the volume to my chest.
The younger librarian, a fashionable girl with raccoon eye makeup, clops by in her fur-lined boots. She stares at me, smiling. Loony old coot, she must think, haunting this pathetic place all the time.
Yes, it
is
strange that I should feel such intense attachment to a book that nobody else cares about. When it first came out in 1974, I wanted nothing to do with it. The work purported to be a survey of the so-called Third World following the eviction of the British, French, and Dutch, quick sketches in which the colonial masters came off badly, yet not so horrendously that anyone reading it in the West would feel too queasy. The final chapter included a brief interview with me, flabby with misquotations, alongside an unflattering snapshot of myself picking up bones at a cemetery. It was egregiously miscaptioned, “Native girl practicing witchcraft.”
When the authors perished in a boating accident a few years later, I began to forgive them their errors. For all its blunders,
After the Ghost
was the closest thing I would ever have to a record of my achievements, my failures, my life’s work.
I flip open the old hardcover and sniff its musty, reassuring scent. Then I race my dust-covered fingers to the closing section on the Black Isle.
But…what’s this?
My pages are missing, stolen—all of them—ripped out along the margins. And the photograph…
Black marker scrawls, a crazed spiderweb of them.
Somebody’s given me the face of the devil.
Immediately I lose all bearings. My fingers grow limp and the book plummets to the ground. My head throbs. Things flash black, white, black, white, black, white.
I must have made a desperate sound because Raccoon returns, wearing a nettled frown. I point to the book, now lying on its spine, the amputated pages exposed for all the world to see.
“Who would do a thing like this?” I suck in my rage. “Why…?”
Shrugging like the impatient youth that she is, she plucks the book from the floor and plops it back onto the cart. “It’s falling apart, anyway.”
“Yes,” I say, “I suppose it is.” I give my book one last squeeze and leave.
On the way home, I pick up a few essentials at the mini-mart. When I emerge through its sliding doors, the air is sweet with the scent of blistering chestnuts. Above the squat gray buildings, the sky is perfectly clear—cloudless, nearly two-dimensional in its monotony—just as it was the day I moved here exactly twenty years ago to pursue my private studies.
Happy anniversary.
Cutting through the blue expanse are two dark specks, on opposite ends of the horizon, advancing in straight lines. Both are speeding toward some invisible meeting point. I stand mesmerized. Is this love or is this death? One of them will surely swerve. Surely.
They crash head-on with a muffled smack and plunge to the ground as one. A few feet from me, the shocking, liquid thud arrives almost before their bodies hit the pavement, a mess of black feathers with twin beaks: Crows.
This is not good. Not good at all.
In all my years in this city, I’ve never seen anything quite like this. Crows colliding. It’s hard not to think the missing pages have something to do with it, that they’ve untied some secret knot within the world.
My head’s on fire once more. I have to get home and lie down. My doctor says I…Damn what the doctor says. I take to the shortcut, as fast as my feet can manage. The alley’s never been a problem—it’s well lit and I know every chipped cobblestone and blind corner like the back of my hand.
But out of nowhere, brisk footsteps come running behind me. Before I can turn, something rams into my arm, sending my bags into the air. I look up and see a teenage girl jogging, headphones as swollen as donuts. She hasn’t even noticed.
I gather up my fallen things, the groceries of the insignificant old woman I’ve let myself become: loaf of bread, tub of margarine, ten bars of dark chocolate, two bags of prunes, and a carton of eggs—broken. These I abandon to the rats.
“Are you okay?” someone yells from an open window. At least that’s what I think she’s saying.
“I’m all right,” I lie. “I’m all right.”
Slam, lock, bolt, chain. Home at last.
I strip off my clothes and run the hot water till the bathroom mirror is fogged. This is the only way I can bear to look at myself these days.
These dried mangoes hanging from my chest? They used to be breasts. My legs? Sexless, hobbling candlesticks. As for the gray skin flapping from my arms, it would be generous to call them bat wings. Then again, I can’t complain. I shouldn’t even be alive, technically speaking.
I soak in the bath, replaying the day’s uncanny sights. Were they omens? Or am I turning into a nervous old ninny?
The second I step out of the bath, the telephone rings. A rare occurrence, now that circumstances have robbed me of every friend and acquaintance. So I let it ring. And ring. And ring.
After the tenth ring, my answering machine clicks on. I hear the voice of a woman with an unplaceable accent: South African? Dutch? Or perhaps she taught herself English watching
The Sound of Music
. She says she’s a professor, surname Maddin, Christian name Mary, then adds, a bit too casually, “I’m an admirer.”
I shudder.
“You don’t need me to tell you that you were a legend in some circles. And when you disappeared…well, that only added to your mystique.” The voice pauses. “I’ve wanted to chat with you for quite a while. But of course I’ve had to track you down, which wasn’t easy, and then find the nerve to call, which was in many ways even more difficult.”
There is something in her approach that makes me uneasy. Too ingratiating. And the timing of the call…I pick up the receiver and tell her to go to hell.
“My, is this really you?” She sounds amused.
“How did you get my number?”
“That’s confidential, I’m afraid.”
Wrong answer. “I’m going to hang up now.”
“Would it be better if I just showed up at your door?”
“Don’t you threaten me!”
She sighs, as if I’m the one who’s making trouble. “All I’m asking is that you talk to me. It concerns your life.”
“My life?”
“Just hear me out, please. I’m writing a book about superstition in twentieth-century Asia, or rather, the impact modernization has had on indigenous belief systems in that part of the world.”
“Biting off more than you can chew.”
“No doubt.” She chuckles vacantly to humor me. “But here’s the thing. When I was starting my research, I occasionally came across mentions of you. Good things and bad, depending on who was doing the writing, but mostly unkind.”
Is she baiting me? “All right, just to be clear, I don’t give interviews. Be sure to relay that to your fellow historians.”
“Actually,
madame
, most of them think you’re already dead.”
To my astonishment, that wounds me. “Well, maybe I am.”
“But I never once believed that, not for a second. People like you live forever.” A pregnant pause. “And so I tracked you down.”
“How?” I keep an unlisted number and mind my own business. I’d deliberately dropped off the map years ago. Centuries, it feels like.
“Your very presence is defined by your absence.”
“Enough with the riddles.”
“I’ve been doing research on three continents, at all the best libraries. You began appearing in several pretty arcane articles between 1972 and 1999, usually as a footnote, always described as a ‘shadowy, behind-the-scenes figure.’ That got me intrigued—of course I had to know more. Over the next year, I managed to locate a handful of sources pertaining to you, but believe it or not, each time I went to one, all I’d find was a black hole. Literally. Library after library, book after book, line after line. On all three continents. Whenever I turned to any page that mentioned your name, the passage would be completely crossed out—with black ink. And if the section was long, entire pages would be torn out. And I’m talking about rare historical records kept in libraries with the highest levels of clearance.” She takes a breath. “Somebody—and this person or persons must really be obsessed—has been cutting you out of history.”
I swallow. “Cutting me out of history?”
“Everywhere. Even online. As far as the Internet is concerned, you don’t exist.” She lowers her voice. “Every place I looked over the past year, you’d disappeared. So I deduced, if you were actually dead, why would anyone bother with this erasure?”
I have long accepted that no trace of me exists in the official histories of Asia—that’s been my life’s great bargain. But am I really now disappearing from unofficial accounts as well?
“Look, we really should talk. Face-to-face. And we must hurry. The night is closing in.”
A warning, is it? “Who are you? Who sent you?”
“The real question is, who are
you
?”
“Tell me how you found me, Miss Maddin.”
“Not over the phone…You of all people should understand.” Her voice grows silkier, more conspiratorial. “Please. Let me in. I know I’m the only one who can—”
I hang up.
And instantly regret it. She’s the only one who can
what
? I wait for the phone to ring again. If she’s as persistent as she says, surely she’ll try again. I wait. And wait. And wait.
I sit by the phone the rest of the evening, keeping Schumann’s “Scenes from Childhood” low on the turntable so I won’t somehow miss her call. It never comes; only a dead knot tightening in my gut.
First the mutilated book, then colliding crows, now this. All in the same day.
Signs. If my life has taught me anything, it is not to disregard signs. And there’s something weird about her use of the phrase
the night is closing in
. What academic speaks like that? This is no professor.
If my brother were here, he’d tell me this feeling of doom was merely indigestion, paranoia resulting from cognac on an empty stomach, followed by half a bar of chocolate. My doctor would scold me for eating the wrong things, saying I’d only hasten my coronary tsunami. But they would both be wrong. Naïve and wrong. Something black and toxic is moving closer and closer to me. I can almost smell its sour edges, feel its burning miasma reaching for my throat, my heart, my soul. It’s death, then, my brother might say. Well, perhaps. But I’ve stared death in the eye for years, and never once had I felt the kind of nausea now churning through me. No, this is something more destructive than death. I sense evil. A devouring mouth of ill will that isn’t about to let me off with a quick and happy end.
I’ve made many enemies over the years, among both the living and the dead, so reprisals should come as no surprise. Yet they do. Anger, jealousy, regret—I am no freer of these emotions than anyone else, but for the first time in perhaps twenty years, I feel fear. Fear has finally returned to claim me, a woman nearing ninety, a shadow of her former self who, if that strange woman is to be believed, is vanishing even from history itself.
I have worried for decades about this moment—this reckoning—and the time, it seems, is about to come.
The doorbell goes off at 2:37 in the morning. Is it her?
I swipe the cleaver from the side of my bed and hobble to the door. But through the peephole, nobody. At least, no one I can see.
As I back away from the door, the neighbors’ dogs begin baying with a morbid fearfulness that chills me to the marrow. I can’t tell which is worse—the basso woofs of the hound next door or the Pomeranians at the end of the hall squealing like children being strangled in their beds.
I turn off every lamp and light the red candle—a memento from long ago, untouched for years. Whenever it burned fast, I knew something was wrong. It’s racing tonight. The flame chases the wick down to nothingness in five minutes flat. Normally this is the work of four hours. I sprinkle bone ash across the doorway, another rite from another time, and utter a chant I inherited many moons ago from a former friend now long gone.
Finally, I sit in my rocking chair, knife perched across the knee.
Sometime in the night, my eyes close. When they open again, there is a flurry in the air. The distinctive cold, prickly draught I know only too well.
Sure enough, in the dark, my eyes make out an uninvited guest. His hair is white, his shirt and pants headstone gray.
The sight of him, after all these years, in this city, makes me tremble. This is the man I owed everything to. But why here? Why now? I cannot think of what to say, except, “What do you want?”