The Bone Clocks (72 page)

“Never studied it,” admits the defector. “Pfenninger is big into philology, and Joseph Rhîmes used to be as well, but for most of us, the Chapel’s a … sentient machine that we have a deal with.”

“ ‘Don’t blame me, I’m only the little guy’?” says Arkady.

D’Arnoq looks worn thin. “Yeah. Maybe so. Maybe that
is
what we tell ourselves.” He rubs imaginary dust from his eye. “Okay, now I’ll unseal the Umber Arch—the way in—but first a warning: The Blind Cathar should be safely in stasis, in his icon, in the north corner. You’ll sense him. He shouldn’t sense us. So—”

“ ‘Shouldn’t’?” queries Ōshima. “What’s this ‘shouldn’t’?”

“Deicide has its risks,” D’Arnoq scowls, “or it wouldn’t be deicide. If you’re afraid, Ōshima, go and join Sadaqat down below. But here are three don’ts to reduce the risk: Be wary of looking into the Blind Cathar’s face on the icon; don’t make any loud noises or sudden movements; don’t perform any acts of Deep Stream psychosoterica,
not even subspeech. I can invoke Shaded Way acts without disturbing the Chapel, but the Cathar’ll detect psychosoterica from the far side of the Schism. Your 119A is fitted with alarms, shields, and cloaks; so is our sanctum, and if the Blind Cathar is aware of Horologists in the house before the walls come tumbling down, the day will end badly for all of us. Understood?”

“Understood,” says Arkady. “Dracula can be safely awoken only when the stake’s already in his heart.”

D’Arnoq barely hears as he evokes an Act of Reveal. A modest, trefoiled, man-high portal shimmers into being at the edge of the Summit Stone. The Umber Arch. Through it we see the Chapel, and inwardly I recoil, even as I follow Elijah D’Arnoq forwards. “In we go,” somebody says.

T
HE
C
HAPEL OF
the Dusk of the Blind Cathar is the body of a living being. One senses it, immediately. Taking the Umber Arch as south, the rhombus-shaped nave of the Chapel is maybe sixty paces along its north-south axis, thirty paces from east to west, and loftier than it is long. Every plane points to, refers to, or mirrors the icon of the Blind Cathar, hanging in the narrow “northern” corner, so one must concentrate hard on not gazing at the icon. Walls, floor, and pyramidal ceiling are all crafted from same milky, flint-gray stone. The Chapel’s sole furnishings are a long oaken table placed along the north-south axis, two benches on either side, and one large picture on each wall. Immaculée Constantin explained the gnostic paintings to Jacko last time: the Blue Apples of Eden at Noon on the Eighth Day of Creation; the Demon Asmodeus, tricked by Solomon into building the King’s Temple; the true Virgin, suckling a pair of infant Christs; and Saint Thomas standing in a rhombus-shaped chamber identical to the Chapel of the Dusk. Floating below the roof’s apex is a writhing snake wrought in chatoyant stone, in the circular act of consuming its own tail. The Chapel’s blockwork is flawless and fused and creates the illusion that the chamber was hewn from inside a mountain, or that it was crystallized
into being. The air here is not fresh or stale or warm or cool, though it carries the tang of bad memories. Holokai died here, and despite what we’ve allowed Holly to hope, I have no proof that Xi Lo didn’t.

“Give me a minute,” murmurs D’Arnoq. “I need to revoke my Act of Immunity, so we can merge our psychovoltage.” He closes his eyes. I walk over to the oblique-angled west corner, where a window offers a view over one mile or a hundred miles of Dunes, up to the High Ridge and the Light of Day. Holly follows me. “See up there?” I tell her. “That’s where we’re from.”

“Then all those little pale lights,” whispers Holly, “crossing the sand, they’re souls?”

“Yes. Thousands and thousands, at any given time.” We walk over to the eastern window, where an inexact distance of Dunes rolls down through darkening twilight to the Last Sea. “And that’s where they’re bound.” We watch the little lights enter the starless extremity and go out, one by one by one.

Holly asks, “Is the Last Sea really a sea?”

“I doubt it. It’s just the name we use.”

“What happens to the souls when they get there?”

“You’ll find out, Holly. Maybe I will, one day.”
Today
?

We return to the center, where D’Arnoq is still inside himself. Ōshima points up to the apex of the Chapel, and traces an invisible line down to the north corner where the icon appears to be watching us. I shut my eyes, open my chakra-eye, and scan the ceiling for the crack mentioned by Esther …

It takes a moment, but I find it. There, starting at the apex and curving down to the shadows in the north corner.

Yes, it’s there, but it’s a terribly thin crack on which to gamble five Atemporal metalives and one Temporal life.

“Is it me,” Holly is asking, and I close my chakra-eye and open up my physical eyes, “or does that picture … sort of … reel you in?”

“It’s not you,” replies Elijah D’Arnoq, who is now back with us. We look at the icon. The hermit wears a white cloak, his hood
draped about his shoulders to expose his head and a face with blanks instead of eyes. “But don’t stare at him,” D’Arnoq reminds us. On the Way of Stones, sound was muffled so you had to speak twice as loudly. Here in the Chapel, whispers, footsteps, and even the swish of our clothing sound amplified, as if collected by hidden microphones. “Look a
way
, Ms. Sykes. He may be dreaming at present, but he’s a light sleeper.”

Holly forces herself to look to one side. “It’s those empty eye sockets. They drag your eyeballs into them.”

“This place has a sick mind,” remarks Arkady.

“Then let us put it out of our misery,” says D’Arnoq. “The Act of Anesthesia is done. As per the plan, then: Marinus and Unalaq, you hiatus the icon to ensure he won’t wake while Arkady, Ōshima, and I psychoflame the icon with every volt we’ve got.”

We approach the northern corner, where the eyeless figure gleams pale as a shark’s underbelly. “So all you have to do to bring down this place,” Holly asks me, “is trash that painting?”

“Only now, at this point in the cycle,” D’Arnoq answers on my behalf, “while the Blind Cathar’s soul is housed inside the icon. At other times he resides in the fabric of the chapel, and then he would have sensed our intent and melted us like plastic figurines in the flame of a blowtorch. Marinus: Begin.”

If Elijah D’Arnoq is betraying us, he’s keeping up a convincing act until the last minute. “You take the left,” I tell Unalaq, “I’ll take the right.” We stand in front of the Blind Cathar and shut our eyes. Our hands intone in synchronicity. Xi Lo taught Klara Marinus Koskov the Act of Hiatus in Saint Petersburg, and as my Indian self, I taught Unalaq. To strengthen and deepen the act, our lips recite it, silently, from memory, like a pianist’s eye navigating a complex but familiar musical score. I sense the Blind Cathar’s consciousness rise to the icon’s surface, like a swarm of bees. We push it back. We succeed. Partly. I think. “Quickly,” I tell Elijah D’Arnoq. “It’s more a local anesthetic than a deep coma.”

Unalaq and I step aside. D’Arnoq stands before his ex-master, or his current master, I do not know, and holds out his hands at his
sides, palms up. To his left and his right, Arkady and Ōshima press their palm-chakras against D’Arnoq’s. “Don’t even
think
about getting off on this,” mumbles Ōshima.

Pallid and sweaty, D’Arnoq shuts his eyes, opens his chakra-eye, and channels the ember-red light of the Shaded Way at the throat of the Holy of Holies.

The Blind Cathar is no longer dreaming. He knows he’s being attacked. Like a drugged giant, like my house in Kleinburg in the grip of an Arctic gale, the Chapel strains and struggles. I stagger, I think I blink, and the Blind Cathar’s mouth is twisted into aggression. His chakra begins to dilate, a black spot appearing on his forehead, growing like an ink stain. If it opens fully, we’re in severe trouble. An earthquake is trapped in the Chapel walls, and Elijah D’Arnoq is making a high, inhuman sound. Channeling so much psychovoltage is killing him. His defection must be genuine; this will kill him. I think I blink again and the icon is firelit and smoking and the depicted monk is roaring with agony, as two-dimensional flames burn him alive, his chakra-eye flickering here and not-here, here and not-here, here and …

G
ONE
. S
ILENCE
. T
HE
Blind Cathar’s icon is a charcoal square and Elijah D’Arnoq is heaving, bent over double. “We’ve done it,” he gasps. “We’ve bloody well done it.”

Wordlessly, we Horologists consult with one another …

… and Unalaq confirms it. “He’s still there.” Her words are our death sentence. The Blind Cathar has merely left the icon and fled to the floors, walls, and ceiling. We have been participants in a charade to allow the Anchorites time to stream up the Way of Stones. Their arrival is imminent. D’Arnoq’s defection was indeed a trap, and the Second Mission has become a kamikaze attack. I’d subsend an apology to Inez and Aoife if I could, but their world is out of range. “Holly? Stand behind us, please.”

“Did it work? Is—is—is Jacko going to … appear?”

I’d like to hiatus her now so she won’t die hating me. The Script
has failed us. At Blithewood Cemetery I should have turned around, called Wendy Hanger, explained there’d been a mix-up, and gone back to Poughkeepsie station. “I don’t know,” I tell Holly the mother, sister, daughter, widow, writer, friend. “But stand behind us.”

Message from Esther
, subreports Ōshima.
She’s started the Last Act. She’ll need up to a quarter hour.

“We had to try,” Unalaq says. “While there was hope.”

Elijah D’Arnoq is still pretending: “What are you talking about?” He even smiles. “We’ve won! The Blind Cathar’s dead. Without him to maintain the Chapel fabric, where we’re standing will all be Dunes and Dusk within six hours.”

I look at what, in spy-novel terms, is an old-fashioned double agent. I don’t even need scansion to be sure. Elijah D’Arnoq isn’t as skillful a liar as he believes. For part one of the deception, at my house outside Toronto, he had indeed been “turned” into a genuine
penitento
, but at some point in the last few days, Pfenninger or Constantin turned him back to the Shaded Way.

“May I, Marinus?” asks Ōshima. “Please?”

“As if
my
permission ever mattered to you. But yes. Hard.”

Ōshima fakes a sneeze and suckerkinetics D’Arnoq along the table, clean off the end. He comes to a halt only at the Umber Arch.

Xi Lo did the same to Constantin
, I subremark,
though he only managed to bowl her about halfway down the table
.

“D’Arnoq’s more of a lightweight,” says Ōshima. “It’s an obvious play: long, smooth, table; annoying person. Who could resist?”

“I … guess this means he’s not one of us,” says Holly.

“You,” Elijah D’Arnoq picks himself up and is shouting from the far end of the Chapel, “you,” he points, “will
smoulder
and
shrivel
in the
heat
!” Nine men and a woman melt from the air around him.

“G
UESTS, GUESTS, GUESTS
!” Baptiste Pfenninger claps his hands and smiles. The First Anchorite is a tall man, utterly at ease in his well-toned, well-dressed body. He sports a fastidiously trimmed,
silver-tinged beard. “How the old place loves guests, and so many!” I’d forgotten his bass, actorly voice. “One per quarter is the usual quota, so today’s a very special occasion. Our second very special occasion.” All the men are wearing dinner jackets of various cuts and fashions. Pfenninger’s looks Edwardian. “Marinus, Marinus, welcome. Our only repeat visitor in the Chapel of the Dusk’s history, though, of course, last time you’d left your body back on earth. Ōshima, you’re looking old, burned, tired, and in need of a resurrection. It won’t occur. Thank you for killing Brzycki, by the by; he was showing signs of vegetarianism. Who else? ‘Unalaq’—do I pronounce it correctly? It sounds awfully like a brand of superglue, however one says it. Arkady, Arkady, you’ve got taller since I last sawed your feet off. Remember the rats? Dictators really were dictators in the days of Salazar’s Lisbon. Seventy-two hours you took to die. I’ll see if I can’t beat it with Inez, eh?” Pfenninger clicks his tongue. “A pity L’Ohkna and Roho can’t be here, but Mr. D’Arnoq,” the First Anchorite turns to his double agent, “netted the fattest fish. Good boy. Oh! Last and least, Holly Sykes, mystic lady author turned Irish egg farmer. We’ve never met. I’m Baptiste Pfenninger, interlocutor of this miraculous”—he gestures at the walls and dome—“engine, and, oh, titles, titles, they drag behind one like Marley’s chains, Jacob’s not Bob’s. Two of our number are even more thrilled than I to see you here at last, Holly …”

Dressed in a black velvet gown and gratuitous webs of diamonds, Immaculée Constantin steps forwards. “My singular young lady is all grown-up … menopausal, cancerous, and fallen in with quite the wrong sort. So. Do I match my voice?”

Holly looks at this faceless girlhood figure, speechless.

Constantin’s smile fades, though it was never sincere. “Jacko could carry a dialogue. Only he wasn’t really Jacko by then, was he? Tell me, Holly, did you believe Marinus when she claimed your brother just happened to die of natural causes while Xi Lo was hovering nearby, mmm?”

Seconds pass. Holly’s voice is dry. “What are you saying?”

“Oh, my.” Constantin’s smile fades into pity. “You
did
believe
them? Forget everything I said, I beg you. Gossip is the devil’s radio, and I shan’t be a broadcaster, but … try to put two and two together before you die. I’ll take care of Aoife, too. Just so, you know, she won’t miss you. In
fact
, why not go the whole hog and kill Sharon and Brendan and collect the full Sykes family set? As it were.”

Esther’s had about three minutes. The Sadaqat denouement should take five, if Pfenninger’s feeling voluble. I calculate our chances for when the psychoduel begins. The newest three Anchorites shouldn’t cause us too much trouble, but the Chapel is devoid of projectiles to kinetic and eleven against four is still eleven against four. We’ll need to buy Esther about seven minutes. Can we hold them off that long?