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Authors: Markus Zusak

BOOK: The Book Thief
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Yes, it was white.

It felt as though the whole globe was dressed in snow. Like it had pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice.

As you might expect, someone had died.

•   •   •

They couldn’t just leave him on the ground. For now, it wasn’t such a problem, but very soon, the track ahead would be cleared and the train would need to move on.

There were two guards.

There was one mother and her daughter.

One corpse.

The mother, the girl, and the corpse remained stubborn and silent.

“Well, what else do you want me to do?”

The guards were tall and short. The tall one always spoke first, though he was not in charge. He looked at the smaller, rounder one. The one with the juicy red face.

“Well,” was the response, “we can’t just leave them like this, can we?”

The tall one was losing patience. “Why not?”

And the smaller one damn near exploded. He looked up at the tall one’s chin and cried,
“Spinnst du?!
Are you stupid?!” The abhorrence on his cheeks was growing thicker by the moment. His skin widened. “Come on,” he said, traipsing over the snow. “We’ll carry all three of them back on if we have to. We’ll notify the next stop.”

As for me, I had already made the most elementary of mistakes. I can’t explain to you the severity of my self-disappointment. Originally, I’d done everything right:

I studied the blinding, white-snow sky who stood at the window of the moving train. I practically
inhaled
it, but still, I wavered. I buckled—I became interested. In the girl. Curiosity got the better of me, and I resigned myself to stay as long as my schedule allowed, and I watched.

Twenty-three minutes later, when the train was stopped, I climbed out with them.

A small soul was in my arms.

I stood a little to the right.

The dynamic train guard duo made their way back to the mother, the girl, and the small male corpse. I clearly remember that my breath was loud that day. I’m surprised the guards didn’t notice me as they walked by. The world was sagging now, under the weight of all that snow.

Perhaps ten meters to my left, the pale, empty-stomached girl was standing, frost-stricken.

Her mouth jittered.

Her cold arms were folded.

Tears were frozen to the book thief’s face.

THE ECLIPSE

Next is a signature black, to show the poles of my versatility, if you like. It was the darkest moment before the dawn.

This time, I had come for a man of perhaps twenty-four years of age. It was a beautiful thing in some ways. The plane was still coughing. Smoke was leaking from both its lungs.

When it crashed, three deep gashes were made in the earth. Its wings were now sawn-off arms. No more flapping. Not for this metallic little bird.

SOME OTHER SMALL FACTS
Sometimes I arrive too early
.
I rush, and some people cling longer to life than expected
.

After a small collection of minutes, the smoke exhausted itself. There was nothing left to give.

A boy arrived first, with cluttered breath and what appeared to be a toolbox. With great trepidation, he approached the cockpit and watched the pilot, gauging if he was alive, at which point, he still was. The book thief arrived perhaps thirty seconds later.

Years had passed, but I recognized her.

She was panting.

From the toolbox, the boy took out, of all things, a teddy bear.

He reached in through the torn windshield and placed it on the pilot’s chest. The smiling bear sat huddled among the crowded wreckage of the man and the blood. A few minutes later, I took my chance. The time was right.

I walked in, loosened his soul, and carried it gently away.

All that was left was the body, the dwindling smell of smoke, and the smiling teddy bear.

As the crowd arrived in full, things, of course, had changed. The horizon was beginning to charcoal. What was left of the blackness above was nothing now but a scribble, and disappearing fast.

The man, in comparison, was the color of bone. Skeleton-colored skin. A ruffled uniform. His eyes were cold and brown—like coffee stains—and the last scrawl from above formed what, to me, appeared an odd, yet familiar, shape. A signature.

The crowd did what crowds do.

As I made my way through, each person stood and played with the quietness of it. It was a small concoction of disjointed hand movements, muffled sentences, and mute, self-conscious turns.

When I glanced back at the plane, the pilot’s open mouth appeared to be smiling.

A final dirty joke.

Another human punch line.

He remained shrouded in his uniform as the graying light arm-wrestled the sky. As with many of the others, when I began my journey away, there seemed a quick shadow again, a final moment of eclipse—the recognition of another soul gone.

You see, to me, for just a moment, despite all of the colors that touch and grapple with what I see in this world, I will often catch an eclipse when a human dies.

I’ve seen millions of them.

I’ve seen more eclipses than I care to remember.

THE FLAG

The last time I saw her was red. The sky was like soup, boiling and stirring. In some places, it was burned. There were black crumbs, and pepper, streaked across the redness.

Earlier, kids had been playing hopscotch there, on the street that looked like oil-stained pages. When I arrived, I could still hear the echoes. The feet tapping the road. The children-voices laughing, and the smiles like salt, but decaying fast.

Then, bombs.

This time, everything was too late.

The sirens. The cuckoo shrieks in the radio. All too late.

Within minutes, mounds of concrete and earth were stacked and piled. The streets were ruptured veins. Blood streamed till it was dried on the road, and the bodies were stuck there, like driftwood after the flood.

They were glued down, every last one of them. A packet of souls.

Was it fate?

Misfortune?

Is that what glued them down like that?

Of course not.

Let’s not be stupid.

It probably had more to do with the hurled bombs, thrown down by humans hiding in the clouds.

Yes, the sky was now a devastating, home-cooked red. The small German town had been flung apart one more time. Snowflakes of ash fell so
lovelily
you were tempted to stretch out your tongue to catch them, taste them. Only, they would have scorched your lips. They would have cooked your mouth.

Clearly, I see it.

I was just about to leave when I found her kneeling there.

A mountain range of rubble was written, designed, erected around her. She was clutching at a book.

Apart from everything else, the book thief wanted desperately to go back to the basement, to write, or to read through her story one last time. In hindsight, I see it so obviously on her face. She was dying for it—the safety of it, the home of it—but she could not move. Also, the basement didn’t even exist anymore. It was part of the mangled landscape.

Please, again, I ask you to believe me.

I wanted to stop. To crouch down.

I wanted to say:

“I’m sorry, child.”

But that is not allowed.

I did not crouch down. I did not speak.

Instead, I watched her awhile. When she was able to move, I followed her.

•   •   •

She dropped the book.

She knelt.

The book thief howled.

Her book was stepped on several times as the cleanup began, and although orders were given only to clear the mess of concrete, the girl’s most precious item was thrown aboard a garbage truck, at which point I was compelled. I climbed aboard and took it in my hand, not realizing that I would keep it and view it several thousand times over the years. I would watch the places where we intersect, and marvel at what the girl saw and how she survived. That is the best I can do—watch it fall into line with everything else I spectated during that time.

When I recollect her, I see a long list of colors, but it’s the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity.

That’s when I see them formulate.

THE COLORS
RED:
WHITE:
BLACK:

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