The Butcher's Theatre (33 page)

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Authors: Jonathan Kellerman

Tags: #Fiction, #Crime, #Mystery & Detective, #General

BOOK: The Butcher's Theatre
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Then he heard the sound of heavy breathing, a moan—was someone being hurt?

Another moan, more breathing. Fear wrapped itself around him, cold, icy fingers squeezing his chest.

Could this be it? Was this the end?

Cautiously, like one of the robot monsters he’d seen in the movie, he made his way down the remaining seven stairs. The heavy double doors to the library were partially open. Through the opening came a narrow triangle of yellow light. Ugly yellow, like the pee puddles.

He heard more moans, tasted something sweet and bitter, and was seized with an urge to throw up. He held his breath, put his hand on his tummy, and pressed in hard to make the feeling go away. Telling himself: Go away.

“Oh!”

His mother’s voice, but she sounded different. Scared. The breathing continued without her, huffing, not stopping, like a toy train: Doctor.

“Oh!”

What was happening?

“Oh, Charles!”

He gathered up his courage, tiptoed to the door. Peeked through the yellow space and saw them.

Doctor was sitting on the couch, still wearing his white shirt and tie, but with his pants and underpants down around his ankles. His legs looked gross, all hairy and thick, like a gorilla’s.

She was naked, white as her nightgown, her back to the door, her white-yellow hair loose and shiny.

Her head was on Doctor’s shoulder, her chin kind of squeezing into his neck. Like she was trying to vampire-bite him.

She was sitting on Doctor. Her hands were in his hair. She

was rubbing his hair, trying to pull it out.

Oh, no, look at her butt!

It was hanging down like two giant eggs and there was something between it. Something going into it. A pole with black hair-fuzz around it, like a pink grapefruit popsicle. No, a pole, a wet, pink pole—his father’s thing!

Oh, no. He wanted to throw up again, gagged, swallowed the bad taste, and felt it burn him down to him tummy.

The thing was a weapon. An egg masher.

You could use it as a weapon!

He stared, unable to breathe, chewing on his fingers.

It was in her. In and out. Oh, no it was stabbing her, hurting her—that’s what was making her cry and moan. She was being stabbed by Doctor’s thing!

He could see Doctor’s face rolling back and forth over her shoulder, liked someone had cut it off but it was still alive, all sweaty. A sweaty zombie head, with a mean smile. All scrunched up and pink and wet, just like his thing.

Doctor was forcing her—both of his big hairy hands were on her butt, squeezing, the fingers disappearing into soft white skin. Squeezing her until she cried, and the neck-biting and hair-pulling couldn’t stop him—he was a monster who didn’t feel pain and he was forcing her, forcing his thing into her, and it was hurting her and she was crying!

“Oh … oh, Charles …”

Pink and white, pink into white. He thought of a glass of milk with blood dripping into it; when the blood hit the surface of the milk it swirled and turned all pink.

“Oh, God!” she called out. Now she was praying—it was really hurting her bad. She started moving faster, bouncing, trying to bounce off of him, to get away from him and his egg stabber, but he held on to her—he was forcing her!

“Oh, God!”

She was praying for help. Should he help her? His feet felt glued to the floor. His chest was all tight and it hurt. What could he do … ?

” Yes,” said Doctor, grinning and clenching his teeth and grinning again, a wet monster grin. “Oh, yes. Yes.”

“Oh, God! Harder, you bastard! Harder!”

What was this?

“Give it to me, you bastard!”

Bounce, bounce.

Bounce, bounce, moan.

She was smiling, kind of.

“Harder, damn you!”

She was telling Doctor to stab her. She was telling him to hurt her!

She liked being hurt!

Doctor was monster-growling and monster-grinning, pushing the words out in between breaths that sounded like a steam engine puffing: “Here, look at it, take it.”

“Oh, I hate … you.”

“You love it.”

“I hate you.”

“Want me to stop, bitch?”

“No, oh, no.”

“Say it!” Growling.

“No—don’t stop, damn—”

“Say it!” Grinning.

“I love it.”

“That’s better. Again.”

“I love it Uoveit!”

“Here, look, I’m fucking you. Feelit.”

“Oh. Oh, oh. Jew … bastard … oh, oh.”

“Take it.”

“… goddamned kike … cock. OH!”

All of a sudden Doctor was thrusting himself up, raising his hairy butt off the couch, lifting her with him. Stabbing fast and hard and yelling “Damn!”

She flopped like a rag doll. She yelled, “I hate you!” Made a noise that sounded like she was choking. Then her fingers came loose from Doctor’s hair and started to wiggle around like white worms, the kind the boy sometimes found under wet rocks in the garden.

“Oh.”

“Bitch.”

Then, all of a sudden, she stopped moving and Doctor was slapping her butt and laughing and grinning and the boy

was running upstairs gasping and tripping, his heart fighting to burst out of his chest.

He threw up on the floor, got into the bed and wet it.

He spent an eternity under the covers, shaking and biting his lips, scratching his arms and his face until he bled. Tasting his blood. Squeezing his thing. Hard.

Hurting himself, to see if you could like it.

You could, kind of.

It wasn’t until later, when he heard her come up the stairs, sobbing, that he realized she was still alive.

When the woman opened the door, Shmeltzer was surprised. He’d expected someone older, the same age as the Hagah man, maybe just a little younger. But this one was much younger, in her early fifties, younger than him. A round, girlish face, plump and pretty, though the gray eyes seemed grim. A little makeup applied well, thick dark hair pulled back in a bun, just beginning to streak with gray. A heavy, sagging bosom that took up most of the space between neck and waistline. The waistline well-padded, as were the hips. Small ankles for a heavy woman. Just like Leah. No doubt she fretted over her weight.

“Yes?” she said, sounding wary and unfriendly.

Then he realized he was being stupid, a fine detective. The fact that she’d opened the door didn’t make her the wife. A niece, maybe, or a guest.

But when he introduced himself, showed his badge and asked for Schlesinger, she said, “He’s not here now. I’m Eva—Mrs. Schlesinger. What do you want?”

“When do you expect him back?”

The woman stared at him and bit her lip. Her hands were small and soft; they started kneading one another.

“Never,” she said.

“What’s that?”

She started to say something, clamped her lips shut, and turned her back on him, retreating into the apartment. But she’d left the door open and Shmeltzer followed her inside.

The place was simple, bright, immaculately maintained. Lean Danish furniture that had probably been purchased as an ensemble from Hamashbir. Bowls of nuts and candies and dried fruits on the coffee table. Crystal animals and porcelain miniatures, all female stuff—the Hagah man probably didn’t give a hoot about decorating. A teak bookcase filled with volumes on history and philosophy. Landscape prints on the walls, but no photos of children or grandchildren.

A second marriage, he told himself: the old guy hot for a young one, may be divorcing the first one, maybe waiting for widowhood. Then he remembered that Schlesinger had been in Dachau and the age difference took on a different context: Wife number one murdered by the Germans, perhaps a couple of kids gone too. Come to Palestine, fight for your life, and start anew—a familiar story; plenty of his moshav neighbors had gone through the same thing.

Were the two of them childless? Maybe that was why she looked so unhappy.

She’d gone into the kitchen and was drying dishes. He followed her in.

“What did you mean by ‘never’?”

She turned around and faced him. She inhaled and her bosom heaved impressively. She noticed Shmeltzer looking at her and covered her chest with her dish towel.

What an interview, thought Shmeltzer. Very professional.

“My husband is in the hospital. I just got back from there. He’s got cancer all over him—in the stomach and the liver and pancreas. The doctors say he’s going to die soon. Weeks, not months.”

“I’m sorry.” What an inane thing to say. He’d hated it when others head said it to him. “How long has he been ill?”

“For a week,” she snapped. “Does that give him a good enough alibi?”

“Gveret Schlesinger—”

“He told me the police suspected him—some Yemenite accused him of being a murderer. A few days later he had cancer!”

“No one accused him of anything, gveret. He’s a material witness, that’s all.”

Eva Schlesinger looked at him and threw her dish down on the floor. She watched it shatter, then burst into tears, knelt, and started to pick up the pieces.

“Careful,” said Shmeltzer, getting down beside her. “That’s sharp—you’ll cut your hands.”

“I hope so!” she said and began grabbing at the shards quickly, automatically, like someone batch-sorting vegetables. Shmeltzer saw pinpoints of blood freckle her fingers, pulled her hands away, and brought her to her feet. He steered her to the sink, turned on the tap, and put the wounded fingers under the water. After a few seconds most of the bleeding stopped; only a few red bubbles persisted. Small cuts, nothing serious.

“Here,” he said, tearing a piece of paper towel from a wall-mounted roll. “Squeeze this.”

She nodded, complied, started crying again. He guided her into the living room, sat her down on the couch.

“Something to drink?” he said.

“No, thank you, I’m fine,” she whispered between sobs, then realized what she’d said and started laughing. An unhealthy laugh. Hysterical.

Shmeltzer didn’t know what to do, so he let her go on for a while, watching her alternate between tears and laughter, then finally growing silent and covering her face with her hands. She started to mutter, “Yaakov, Yaakov.”

He waited, looked at the blood-speckled paper towel wrapped around her fingers, the view of the desert from the living room window. A good view, rocky crags and pinhole caves, but architecturally ths French Hill complex made no sense—towers on top of a mountain. Some developer bastard fucking up the skyline …

“He had pain for years,” said Eva Schlesinger. To Shmeltzer it sounded as if she were accusing him, blaming him for the pain. “He was always hungry—he ate like a wild

animal, a human garbage disposal, but was never satisfied. Can you imagine what that felt like? They told him it was in his head.”

“Doctors,” commiserated Schmeltzer. “Most of them are jerks. How’s your hand?”

She ignored the question, leaned her uninjured hand on the coffee table, and tossed out words like machine-gun bullets: “He tried to tell them, the fools, but they wouldn’t listen. Instead they told him he was nuts, said he should see a psychiatrist—head doctors, they’re the biggest nuts of all, right? What did he need them for? His stomach hurt, not his head. It’s not normal to have pain like that. It doesn’t make sense, does it?”

“Not at all—”

“All they want is to keep you waiting for hours, then pat you on the head and tell you it’s your fault—as if he wanted the pain!” She stopped, pointed a finger at Shmeltzer. “He was no murderer!”

Shmeltzer saw the fire in her eyes. The bosom, moving as if imbued with a life of its own.

“Of course he wasn’t—”

“Don’t give me your double talk, Inspector! The police thought he was a murderer—they blamed him for the Arab girl. They killed him, put the cancer in him. Right after the Yemenite accused him, the pain started to get worse! What do you think of that? Nothing helped it—even food made it worse! He refused to go back and see more doctors. He was gritting his teeth and suffering in silence—the man’s a rock, a shtarker. What he’s been through in his life, I won’t tell you—he could take the pain of ten men. But this was worse. At night he’d crawl out of bed—he had an iron constitution, could take anything, and this pain made him crawl! He’d crawl out and walk around the apartment groaning. It would wake me up and I’d go out and find him, crawling. Like an insect. If I went to him he screamed to me, told me to leave him alone—what could I do?”

She pounded her fist on the table, put her hands on her temples, and rocked.

Shmeltzer considered what to say and decided to say nothing.

“Such pain, it’s not right, after what he’d been through. Then I saw the blood, from all ends—he was urinating it and coughing it up and spitting it. The life was flowing out of him.” She unwrapped the paper towel, looked at it, and put it on the coffee table. “That’s what happens to people—that’s what happens to Jews. You live a good life, work hard; then you fall apart— everything comes out of you. We had no kids. I’m glad they’re not here to see it.”

“You’re right,” said Shmeltzer. “You’re hundred percent right.”

She stared at him, saw that he was serious, and started to cry again, pulling at her hair. Then she looked at him again, shook a fist.

“What the hell do you know! What am I doing talking to you!”

“Gveret—”

She shook her head no, got up from the couch, stood and took a step forward, catching her foot on a leg of the coffee table and reeling.

Shmeltzer moved quickly, catching her before she fell. He put his arms under her armpits and kept her upright. She reacted to the support by punching at him and cursing him, spraying him with saliva, then going all loose and limp, letting her arms fall to her sides. He felt her pressed against him, her soft bulk astonishingly light, like meringue. She buried her face in his shirtfront and cursed God.

They stood that way for a while, the woman sobbing in anticipation of widowhood. Shmeltzer holding her. Confused.

The gag cards on the wall of Fink’s Bar were tacky, decided Wilbur. The kind of thing you’d see in a hick-town tavern,

back in the States. Combine that with enough Wild Turkey and you could forget where you were. For a moment.

He picked up The Jerusalem Post, read the piece again, and took a sip of bourbon. Another scoop heard from.

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